Relevant bibliographies by topics / Art and globalisation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art and globalisation'

Author: Grafiati
Published: 19 February 2023

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Journal articles on the topic "Art and globalisation"

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Cotter, Lucy. "Globalisation + Irish Art = ?" Third Text 19, no. 1 (January 2005): 15–26. http://dx.doi.org/10.1080/09528820412331318523.

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Léger, Marc James. "Art and Art History After Globalisation." Third Text 26, no. 5 (September 2012): 515–27. http://dx.doi.org/10.1080/09528822.2012.712767.

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Dimitrakaki, Angela. "Art, Globalisation and the Exhibition Form." Third Text 26, no. 3 (May 2012): 305–19. http://dx.doi.org/10.1080/09528822.2012.679039.

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Khandekar, Nisha. "Globalisation and Its Effects on the Warli Art." Journal of Social Inclusion Studies 5, no. 2 (December 2019): 193–99. http://dx.doi.org/10.1177/2394481119901072.

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Tribal art is a decorative art rather than purely aesthetic produced from the creative minds of indigenous culture. The art which is a part of their everyday activity is deep-rooted in their tradition. Tribal paintings are living tradition that unveils the hidden meanings of tribal symbols. Tribal are interested in the reality of the image not in the image of reality. The globalization has negatively impacted upon the tribal economies, culture and identities. The freedom of expression of an artist has been affected by the pressure of globalization. It has now become the commercial activity of Warli men. Education plays an important role in changes in the art form, education helps to develop creativity and skills and that results in the changes in the designs and forms. Commercialization of painting is also one of the reasons for the changes occurred in designs and form of the painting.
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Memou, Antigoni. "Globalisation and the Art Photography of Joel Sternfeld." Photographies 5, no. 1 (March 2012): 3–18. http://dx.doi.org/10.1080/17540763.2012.655950.

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Malytska, Olena. "MODERNISATION OF ART EDUCATION OF A FUTURE TEACHER UNDER CONDITIONS OF GLOBALISATION." Scientific Journal of Polonia University 42, no. 5 (February 12, 2021): 95–103. http://dx.doi.org/10.23856/4213.

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The article addresses the reflection of the processes of globalisation in contemporary art and their influence on the content and technologies of art education of a future teacher. The emphasis was placed on the fact that even under conditions of globalisation, artistic culture cannot be transformed on the basis of unification because it leads to the loss of ethnocultural values of a certain nation and the destruction of their cultural genotype. It was determined that the only direction of the transformation of modern art is integration technologies. The classification of integration methods in modern art practices is offered according to the following forms: mutual influence of cultural concepts on a territorial basis; the synergy of traditions and innovations; the combination of modern technologies into a conglomerate that preserves the characteristics of an art object; innovative synthesis of traditional arts on a group or type basis. Attention was focused on the fact that globalisation processes, that take place in the modern world, affect the content and determine the technologies of art education. It was established that among the forms of artistic integration of contemporary arts, that were proposed by the author, such as the synergy of traditions and innovations as well as the synthesis of traditional arts on a group or type basis are mainly introduced in the art education of a future teacher.
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Duncum, Paul. "How Art Education Can Contribute to the Globalisation of Culture." Journal of Art & Design Education 19, no. 2 (May 2000): 170–80. http://dx.doi.org/10.1111/1468-5949.00216.

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Giannachi, Gabriella. "Exposing globalisation: Biopolitics in the work of critical art ensemble." Contemporary Theatre Review 16, no. 1 (February 2006): 41–50. http://dx.doi.org/10.1080/10486800500450973.

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Skilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing." Pacific Journalism Review : Te Koakoa 14, no. 2 (September 1, 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.

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The writing of art journalism has played a key yet little acknowledged role in the ongoing expansion of the international contemporary art world, and the multi-billion dollar global art economy. This article discusses some contradictory impacts of globalisation on art journalism—from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent journalistic art writing. This article discusses some contradictory impacts of gobalisation on art journalism— from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent art writing.
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Valim de Melo, Cimara. "Border Crossing in Contemporary Brazilian Culture: Global Perspectives from the Twenty-First Century Literary Scene." Brasiliana: Journal for Brazilian Studies 4, no. 2 (June 1, 2016): 579–605. http://dx.doi.org/10.25160/bjbs.v4i2.20248.

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Abstract: This paper investigates the process of internationalisation of Brazilian literature in the twenty-first century from the perspective of the publishing market. For this, we analyse how Brazil has responded to globalisation and what effects of cultural globalisation can be seen in the Brazilian literary scene, focusing on the novel. Observing the movement of the novelists throughout the globe, the reception of Brazilian literature in the United Kingdom and the relations between art and the literary market in Brazil, we intend to provoke some reflections on Brazilian cultural history in the light of the twenty-first century.
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Dissertations / Theses on the topic "Art and globalisation"

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Milton-Smith, Melissa. "A conversation on globalisation and digital art." University of Western Australia. Communication Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0057.

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Globalisation is one of the most important cultural phenomena of our times and yet, one of the least understood. In popular and critical discourse there has been a struggle to articulate its human affects. The tendency to focus upon macro accounts can leave gaps in our understanding of its micro experiences.1 1 As Jonathon Xavier Inda and Renato Rosaldo argue there is a strong pattern of thinking about globalisation 'principally in terms of very large-scale economic, political, or cultural processes'. (See: Jonathon Xavier Inda and Renato Rosaldo (Eds.), The Anthropology of Globalisation: A Reader, Malden, Blackwell Publishing, 2002, p. 5.) In this thesis, I will describe globalisation as a dynamic matrix of flows. I will argue that globalisation's spatial, temporal, and kinetic re-arrangements have particular impacts upon bodies and consciousnesses, creating contingent and often unquantifiable flows. I will introduce digital art as a unique platform of articulation: a style borne of globalisation's oeuvre, and technically well-equipped to converse with and emulate its affects. By exploring digital art through an historical lens I aim to show how it continues dialogues established by earlier art forms. I will claim that digital art has the capacity to re-centre globalisation around the individual, through sensory and experiential forms that encourage subjective and affective encounters. By approaching it in this way, I will move away from universal theorems in favour of particular accounts. Through exploring a wide array of digital artworks, I will discuss how digital art can capture fleeting experiences and individual expressions. I will closely examine its unique tools of articulation to include: immersive, interactive, haptic, and responsive technologies, and analyse the theories and ideas that they converse with. Through this iterative process, I aim to explore how digital art can both facilitate and generate new articulations of globalisation, as an experiential phenomenon.
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Silpasart, Chayanoot. "Contemporary Thai art : globalisation and cultural identity." Thesis, University of Essex, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617061.

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The drastic changes in Thai life since the 1980s, led by the impact of globalisation and economic growth, has made the Thai people to become more aware of the concepts of nationhood and cultural/national identity or "Thai-ness", especially through the form of cultural activities including visual art. The fear of losing national identity has led to the revival of traditional art, namely "neo-traditional Thai Art". This style is strongly supported by the government and is regarded as the mainstream of the Thai art scene since it has been the most effective catalyst for arousing patriotism and creating a sense of Thai unity. - Thai-centrism is promoted by artists and art instructors as a necessary means to distinguish national characteristics from the influence of Western art styles. Consequently, modern and contemporary Thai art is geared toward the conservative value of national identity. The assumption is that such art should reflect characteristics that are uniquely Thai. Yet, globalisation also gives some Thai artists, who are the subject of this thesis, confidence as the new internationalism opens up a wide range of opportunities. This thesis presents the work of distinctive avantgarde/ contemporary Thai artists, particularly Montien Boonma, Manit . Sriwanichpoom, Michael Shoawanasai, Rirkrit Tiravanija, and Navin Rawanchaikul. They struggle against the dominance of traditional styles and the professional hierarchy, yet are challenged to make distinctive contributions to contemporary Thai art. Thai-ness is defined and redefined in many contemporary contexts, despite the government's favouring neo-traditional art. While neo-traditional Thai art is favoured at home, neo-traditional artists have not really succeeded on the international art scene, even though they have exhibited in major museums around Asia. On . the other hand, avantgarde/ contemporary Thai artists, who always struggle to survive at home, have been selected by foreign curators, who had • developed an appreciation for cutting-edge/ experimental Thai artistic expression to participate in many prestigious international platforms.
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Yardimci, Sibel. "Meeting in Istanbul : cultural globalisation and art festivals." Thesis, Lancaster University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421830.

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Hunter, Roderick Dundas. "Curating 'the eternal network' after globalisation." Thesis, University of Dundee, 2019. https://discovery.dundee.ac.uk/en/studentTheses/ace49e4a-c7c1-406d-9762-5286c65f7233.

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This practice-based research project investigates the production, distribution and reception of network art practice before and after globalisation. It does so to engage with the Internet as 'the most material and visible sign of globalisation' (Manovich 2001) whose emergence as the pre-eminent network technology arrives concurrently with the disappearance of its utopian promise. Taking Robert Filliou's 1968 conception of The Eternal Network as a starting point, the research seeks to understand the opportunities and limitations of network art practice through identifying and developing a range of curatorial and artistic methods in practice. Methodologically, it presents the researcher as an artist-curator-performer. Doing so enables 'inhabitation' (rather than 're-enactment') of the concepts and principles of Filliou's work. Filliou thus becomes a medium of research for the development of network art practice after the Net and vice versa. Curating only the second edition of The Art-of-Peace Biennale becomes the primary output of the research. Filliou conceived of the Biennale in 1970, proposed it in 1982 and René Block organised the first edition at the Kunstverein, Hamburg, Germany, in 1985. The contemporary edition, The Next Art-of-Peace Biennale 2015-17, occurred mainly but not exclusively through the online platform, www.peacebiennale.info. It did so to respond to the radical shift in modes of online production, distribution and reception since the first edition. The research describes, contextualises and reflects on the emergence of The Next Art-of-Peace Biennale 2015-2017 and describes a final exhibition, What is Peace? (Answer Here), held in 2018. It presents a contribution to knowledge through artistic and curatorial practice exploring online and offline exhibition-making, video, performance, correspondence art and writing. Through developing an ontology of 'curatorial behaviour' exploring the 'locations', 'durations', 'materialities' and 'interactions' of network art practice, the research identifies artistic and curatorial principles able to withstand the 'high-tech gloom' (Thompson 2011, p. 49) of mendacious globalisation in a late Web 2.0, postmedium condition.
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Régis, Luc. "Communautés de peau : art corporel et scarification à l'ère de la globalisation." Paris, EHESS, 2009. http://www.theses.fr/2009EHES0393.

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La thèse s'appuie sur un large corpus relatif à l'art corporel, ce dernier étant entendu comme l'ensemble des pratiques visant à transformer l'apparence du corps (des peintures à la scarification en passant par le piercing et le tatouage). Elle se fonde, d'une part, sur l'observation et les connaissances livresques des différentes formes d'art corporel passées et présentes, développées tant dans les sociétés occidentales que non occidentales, et, d'autre part, sur un terrain conduit au Burkina Faso sur les scarifications faciales des Bwaba sur plusieurs séjours totalisant deux années d'enquêtes. L'analyse confronte les arguments tirés de la connaissance des différents arts corporels à travers le monde avec le système des scarifications inventés par les Bwaba. L'objectif est de contribuer à la constitution d'une théorie générale de l'art corporel. Après un chapitre d'introduction générale, l'art corporel est interrogé tant à partir de la théorie de l'art, que de l'anthropologie
The thesis draws on a wise corpus on body art, set of practices transforming the appearance of the body (paintings, scarification, piercing and tattooing). It is based on observation and knowledge of various forms of past and present body art, both in developped western societies and non-western, and on two years of fieldwork investigations in Burkina Faso on Bwaba facial scarification. The analysis compares the arguments of various body arts in the system of scarifications invented by Bwaba. The goal is to help build a general theory of body art. After an introductory chapter, body art is examined from both the theory of art and anthropology
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Querol, Núria. "The impact of globalisation on curating contemporary art in India, 1990-2012." Thesis, Royal College of Art, 2014. http://researchonline.rca.ac.uk/1654/.

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Lock, Katrin. "Imagining wealth : Globalisation and the visual language of luxury investigated through a contemporary art practice." Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532162.

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In this practice-based PhD project I investigate the categories of wealth, luxury, aspiration and desire. Through a collaborative approach using artistic means, I explore a range of subjective responses to these categories against the background of the / current global proliferation of cultures produced by the neo-liberal age: 1. Through the analytical approach of a lecture, using contextual images, artist's video andtext, Fairy Tales of Wealth, investigates how the changing landscape of the global rich shapes the visual language associated with luxury and wealth. In this lecture I also identify commonalities between the luxury goods sector and the world of contemporary art such as the mechanisms of value creation and its function as a form of social distinction. 2. In a series of 23 photographs, Service World, I examine car wash businesses in different metropolitan contexts as an example how the semiotics of wealth, big business and success, become inscribed into the urban space. Visual references to global brands play an important part in the layout and presentation of these businesses. The photographic series explores the everyday practice of amalgamating local and global signs as a way to assimilate into local cultures. 3. In the After Gertrude Stein film trilogy, I collaborate with young actors in Johannesburg, Berlin and Brussels, and employ narratives and acting as a methodology to articulate aspirations. The Gertrude Stein script, Dr. Faustus lights the lights, functions as a starting point and methodological reference. By assembling and merging narratives, developed in teamwork and by individual participants, the trilogy stages a multitude of voices. The methodologies applied in this research project uniquely produce and capture local and.translent individual singularities. Yet when seen within the broader context of the research project, these sensibilities also become expressive of globalisation, as is contextualised in the lecture manuscript and the written document.
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Jackson, Deborah. "Shifting focus of the traditional centres of contemporary art : Scotland's evolving position from periphery to prominence." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9484.

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My thesis considers the distinctive characteristics of contemporary artistic production and display in Scotland from the 1960s to the present. The main objective is to make manifest the diversification of global sites of contemporary art away from traditional centres by examining less exposed aspects of art practice in Scotland. My methodology is driven by a set of case studies of artist-run initiatives (ARIs), which provide models of enquiry into alternative methods of production and display of contemporary art and that demonstrate the role of ARIs in producing art scenes, and not merely representing those that already exist. I focus on counter-histories of self-organised ARIs and their legacies, and adopt a genealogical approach to examine how recent praxis and infrastructures came into existence and how their initial impetus intersected with their historical conditions. Anthony Giddens’ structuration theory is employed to examine local forms of power and infrastructure, as well as the wider, global structures of the art world. The emphasis is on how ARIs and established institutions can and do negotiate with each other and in recognising the interpenetration of different scales of art institutions. I apply a bifurcated approach in order to bring Scotland into dialogue with anthropological discussions of cultural globalisation. I ask how locality, nationalism and globalisation are configured in (visual) culture generally and as applied specifically to a Scottish context. This is underpinned by a consideration of Scottish Devolution as a disintegration of hierarchical domination, which correlates to the ideologies of artist-run practice. Finally, I propose the eradication of top-down delivery in favour of horizontal distributions of knowledge and practice via self-organisation.
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Sharp, Kristen, and kristen sharp@rmit edu au. "Superflatworlds: A Topography of Takashi Murakami and the Cultures of Superflat Art." RMIT University. Applied Communication, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080522.093156.

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This thesis maps Takashi Murakami's Theory of Superflat Art and his associated artistic practices and works. The study situates Murakami and Superflat within the context of globalising culture. The thesis interrogates Murakami's art and the theory of superflat within the historical, social, and cultural contexts of their production-consumption in Japan, the United States, and Europe. The thesis identifies Superflat art and Murakami's work as actively participating in, and expressing, the cultural conditions associated with the 'global postmodern' and globalisation processes. The thesis employs a Cultural Studies theoretical and heuristic framework, utilising a range of contemporary critical theorisations on postmodern art, Japanese cultural identity and globalisation. This framework and approach are adopted in order to draw attention to ways in which Murakami and Superflat articulate and represent the fundamental contentions and dialogues that characterise contem porary globalisation processes. The tensions that are articulated in relation to the discursive construction of the concepts of art/commodity, modern/postmodern and global/local cultural identities. Importantly, this research demonstrates the ways in which Murakami both participates in, and challenges, the conceptual distinctions indexed within the concepts of 'art' as an aesthetic expression and 'commodity' as an object of symbolic exchange in the global marketplace. It interprets Superflat as an 'expressivity' that challenges binary demarcations being constructed between art and commercial culture, and between the aesthetic-cultural identities of Japan and the West. This thesis problematises the meaning of Murakami's concept and aesthetic of Superflat art by drawing attention to these contestations within Murakami's works and Superflat which are generated as they circulate globally. The thesis argues that Murakami strategically presents his work and Superflat art as an expression of Japanese identity which paradoxically also expresses the fluid imaginings of cultural identity available through contemporary global exchanges. This deliberate territorialising and deterritorialising impulse does not resolve the contentions emerging in globalisation, but rather amplifies them, exposing the key debates on the formation of cultural identity as an oppositional expression and as a commodity in global markets. The concept of 'strategic essentialism' is used as a theoretical lens in order to understand Murakami and Superflat's activation of these global processes. This research contributes a valuable case study to the understanding of cultural production as a strategic negotiation and expression of the flows of capital and culture in globalisation.
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Castets, Sylvie. "L'exotisme : un art du débordement." Thesis, Pau, 2016. http://www.theses.fr/2016PAUU1005/document.

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L'art actuel est fait, pour partie, de mobilités et de formes si diverses, que d'après certains critiques et commissaires, tels que Jean-Hubert Martin ou Bao Dong, la sensation d'exotisme existe encore. On peut d'ailleurs s'étonner, qu'à l'heure de la globalisation, elle soit toujours aussi vivace. Elle l'est effectivement ; mais elle est aussi distincte de ce sentiment particulier qui offrait aux voyageurs occidentaux du XVIII et XIX èmes siècles, l'assurance de leur supériorité. Victor Segalen a, en effet, donné à l'exotisme une autre définition, chargée, celle-là, de valeurs esthétiques et éthiques. Par exotisme, il ne s'agissait donc plus de qualifier une chose, une région ou encore un être, mais d'envisager une expérience profonde de la différence perçue comme étant irréductible. Quant au monde de l'art, il s'est laissé pénétrer d'exotismes et a produit une multitude d'oeuvres, provoquant, à leur manière, des débordements de différentes natures. Il s'agira dans cette recherche d'en analyser les caractéristiques et les enjeux, en prenant pour prétexte l'étude des constituants plastiques d'un tableau peint. Le jeu des analogies entre les espaces – réels ou représentés – permettra ainsi de dégager, dans le détail, certains aspects d'une géo-esthétique, et de manière plus générale, de rendre manifeste le fait qu'il n'y a pas un, mais des mondes de l'art
Art today is partly made of mobilities and forms so diverse that according to art critics and curators such as J. H Martin or Bao Dang, the feeling of exoticism still exists. Besides one may be surprised that in the age of globalization that feeling is so vivid . Indeed it is,but it is also different from that particular feeling that gave the European travellers of the eighteenth and nineteenth centuries the certainty that they were superior to the other people. Indeed V. Segalen gave exoticism another definition laden with aesthetic and ethical values.Through exoticism it was no longer a question of describing a thing, a region or even a human being but of considering a profound experience of the difference viewed as being resolutely different.As for the world of Art, it let itself be filled by exoticism and it has produced a vast number of masterpieces, creating in their own way diversions of all kinds. The purpose of my research will then be to analyze the characteristics and what is at stakes in exoticism, under the pretence of studying the plastic constituents of a painting.The game of analogies between the spaces- either realistic or as they are represented- will allow to single out in detail some aspects of a geo- aesthetics and more generally to make it obvious that there is not ONE world of Art but several
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Books on the topic "Art and globalisation"

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Löschmann, Jörg. Identities versus globalisation? Chiang Mai: Heinrich Böll Foundation, Thailand and South East Asia Regional Office, 2004.

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Radicant: Pour une esthétique de la globalisation. [Paris]: Denoël, 2009.

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Langdon, Melissa. The Work of Art in a Digital Age: Art, Technology and Globalisation. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1270-4.

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Gilane, Tawadros, and Institute of International Visual Arts., eds. Changing states: Contemporary art and ideas in an era of globalisation. London: Institute of International Visual Arts, 2004.

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Pratiques militaires et globalisation, XIXe-XXIe siècles. Paris: Bernard Giovanangeli éditeur, 2014.

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Changing perspectives: Dealing with globalisation in the presentation and collection of contemporary art. Amsterdam: KIT, 2012.

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1959-, Dionne Claude, Mariniello Silvestra, and Moser Walter 1942-, eds. Recyclages: Économies de l'appropriation culturelle. Montréal: Éditions Balzac, 1996.

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(Project), Fórum Permanente, ed. Modes of representation of the São Paulo Biennial: The passage from artistic internationalism to cultural globalisation = Modos de representacão da Bienal de São Paulo : a passagem do internacionalismo artístico à globalizacão cultural. São Paulo, Brazil]: Hedra, 2011.

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Le marché de l'art: Mondialisation et nouvelles technologies. [Lieu de publication non identifié]: Flammarion, 2000.

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Flimmerfrei: Roman der Gegenwart. Odenthal, Germany: Edition Lichtenberg, 1997.

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Book chapters on the topic "Art and globalisation"

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Langdon, Melissa. "Globalisation and Digital Art." In The Work of Art in a Digital Age: Art, Technology and Globalisation, 37–51. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1270-4_3.

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Holtaway, Jessica. "Art, Politics and Globalisation." In World-Forming and Contemporary Art, 16–28. New York: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003111023-2.

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Newall, Diana, and Grant Pooke. "Postcolonialism, globalisation and art histories." In Art History, 195–229. 2nd ed. Second edition. | Abingdon, Oxon ; New York : Routledge, 2021. | Series: The basics: Routledge, 2021. http://dx.doi.org/10.4324/9781315727851-81a.

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Zapatero Gómez, Virgilio. "Epilogue: The Art of Legislating and Globalisation." In The Art of Legislating, 219–26. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23388-4_14.

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Langdon, Melissa. "Digital Art and Cultural Commentary." In The Work of Art in a Digital Age: Art, Technology and Globalisation, 13–35. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1270-4_2.

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Langdon, Melissa. "Digital Art and Political Revolt." In The Work of Art in a Digital Age: Art, Technology and Globalisation, 53–72. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1270-4_4.

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Langdon, Melissa. "Digital Art and Social Engagement." In The Work of Art in a Digital Age: Art, Technology and Globalisation, 129–46. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1270-4_8.

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von Beyme, Klaus. "From Exoticism to Postcolonial Art: Theorizing and Politicizing Art in the Age of Globalisation." In Politics in South Asia, 179–88. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09087-0_13.

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Klein, Rudolf. "Architectural Modernism: A Precursor of Cultural Globalisation?" In Уметност и наука у примени: искуство и визија = Art and Science Applied: Experience and Vision, 17–37. Београд: Универзитет уметности у Београду, Факултет примењених уметности, 2022. http://dx.doi.org/10.18485/smartart.2022.2.ch1.

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Langdon, Melissa. "Introduction: Towards New Understandings." In The Work of Art in a Digital Age: Art, Technology and Globalisation, 1–11. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1270-4_1.

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Conference papers on the topic "Art and globalisation"

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Sanusi, K. "Encountering globalisation: the work of Sulaiman Esa from the 1950s to 2011." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160031.

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Dzelme, Juris. "Quality as a Tool for Managing Education." In 80th International Scientific Conference of the University of Latvia. University of Latvia Press, 2022. http://dx.doi.org/10.22364/htqe.2022.81.

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Quality is linked to the need by management to optimise the conflicting requirements of minimum time and resources and maximum quality. This study analyses the relationship between four main quality definition groups and a behavioural model and education management tasks. Cognitive neurobiology capabilities and the use of the archetype of quaternality are shown. Given the unity of education as knowledge, skills, and attitudes, the importance of art and philosophy is assessed and the need to include attitudes, values, and morality as an essential part of quality culture is demonstrated. Successful quality culture development can be achieved through a harmonised use of all quality definition groups and by respecting values. The need to focus on the future is studied in relation to the challenges of digitalisation and globalisation. There are opportunities to modify the quality standards system based on the integration of context, input, processes, results, and feedback into the quality management system. This investigation aims to start the revision of quality definitions and concepts and show ways for the future development of an educational system and its quality evaluation. The study question is: what are the necessary improvements to the concept of quality for its successful use in management?
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Mortensen Steagall, Marcos, and Sergio Nesteriuk Gallo. "LINK 2022 4th Conference in Creative Practice, Research and Global South." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.191.

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It is increasingly overwhelming that our societies are living in disintegrating environments and need for more sustainable design approaches and wiser ways of living and being. Anthropogenic design impact in corporate spheres is causing socio-ecological destruction that threatens the underpinnings of civilisation and bio-diverse nature. Hence, economies and life worlds are facing the limitations of narratives of progress and creeds of growth with their designs and actions that are inapposite to the flourishing of life on our planet. In this context that the LINK Conference has emerged. LINK is a research group created from reflections we always had about our actions as educators, researchers, and practitioners in the field of Art and Design. Over the last few years, we have noticed that such concerns have remained while they have multiplied, diversified, and become more complex. The more we dialogued with people worldwide, especially from the so-called “Global South”, the more we realised that these same issues were also dear to our colleagues, albeit with their colours and contours. The intensification of globalisation and commodities fostered by markets and technology has led today’s critical theorists to advocate for new kinds of engagement between Art, Design and the world. Not coincidentally, the last decades saw significant contributions to Art and Design Research in the Global South and Indigenous contexts, where inquiry is situated within an intelligent and intelligible world of natural systems, replete with relational patterns for being in the world. Indigenising methodologies centre the production of knowledge around Art and Design processes and pieces of epistemologies derived from Indigenous Cultures. The relationships between researchers, practitioners and practice are being challenged and redefined, empowering Indigenous peoples to collect, analyse, interpret, and control research data instead of simply participating in projects as subjects. These shifting orientations and approaches respond for the decolonisation of research in higher education institutions and research methodologies employed by academics. Art and Design can help to transform obsolete social and economic practices into novel forms of life or living a meaningful life, thus replacing anthropo-centric Design for more pluriversal and transformational approaches beyond apocalyptical visions and dystopia. LINK Conference focuses on ways of knowing that inform research and methods involving Art and Design Research in the Global South and Indigenous contexts . LINK 2022 will challenge emerging themes, new epistemologies, and the multiple relationships between theory and practice (if such a distinction can be made). This recipe has consolidated as a sort of amalgam of LINK Conference. In its 4th edition, LINK 2022 celebrates the relationship between practice-led Art and Design research, Global South and Indigenous world views, fostering cognitive shifts to address twenty-first-century issues and the creation of inclusive communities that emphasise the interconnectedness (physical, social, emotional, spiritual, and intellectual) between people and landscapes. We hope you enjoy the reading.
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Podviezko, Askoldas. "On multiple dimensions of criteria representing financial globalisation." In Business and Management 2016. VGTU Technika, 2016. http://dx.doi.org/10.3846/bm.2016.31.

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A prevailing contemporary concept of major researchers in the field of economics suggests that financial globalisation creates positive effect on economic growth. Besides this crucial hypothesis many other related with financial liberalisation hypotheses are being tested. Financial liberalisation is an integral part of globalisation. Quantitative gauging of the level of globalisation creates opportunities for more precise identification of causes of prominence or lagging of the home country or any other country in question in comparison with its peers, and creates possibilities to analyse if the country is fully realising its economic potential. Analysis of criteria and their categories, which reflect the level of financial globalisation, is a compulsory step for any quantitative evaluation. The purpose of the study is to reveal importance of accurate evaluation of the level of financial globalisation for allowing further important research to be carried out on such prime economic processes as economic growth, corruption; income inequality; politics; financial stability; prudential policy, to provide a brief overview of the variety of existing approaches available in the literature, which attempt to quantitatively evaluate the level of financial globalisation.
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Laraia, Michele. "Achievements and Current Issues in Decommissioning of Research Reactors." In ASME 2003 9th International Conference on Radioactive Waste Management and Environmental Remediation. ASMEDC, 2003. http://dx.doi.org/10.1115/icem2003-4634.

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Although the state-of-the-art technology for decommissioning nuclear research reactors is probably adequate to cope with most difficulties associated with the dismantling of such facilities, it is generally imperative to improve, adapt or optimise technologies for the specific needs of the reactor to be dismantled. Learning from others rather than re-inventing the wheel makes sense in today’s globalisation context. This approach is expected to match the needs of many developing countries. The objective of the IAEA’s Co-ordinated Research Project (CRP) on Decommissioning Techniques for Research Reactors was to promote the exchange of information on the practical experience gained by Member States in decommissioning or operation, maintenance, and refurbishment activities which would be eventually related to the decommissioning of research reactors. Special emphasis was given to the development/adaptation of methods and approaches for optimisation of the decommissioning process. Fourteen institutions from thirteen Member States of the IAEA took part in this CRP that lasted from 1997 to 2002. It is felt that the IAEA project succeeded in transferring information and know-how from active decommissioning projects to those planning for decommissioning. It is also expected that this project will draw Member States’ attention to the need for timely planning for and implementation of decommissioning. In some Member States there are research reactors that are kept in an extended state of shutdown, pending decisions on continued operation, extensive refurbishment or decommissioning. This situation — which frequently lasts for many years — weighs heavily on staff morale and motivation, state resources, entails deterioration of structures and components, and may in the longer term have very serious safety implications. The IAEA project is expected to offer the Member States the opportunity of considering financial and other impacts of decommissioning research reactors, so that decommissioning actions can be initiated without undue delay. Aspects such as fuel and waste management and provisions for other technical, administrative and financial resources require timely preparation.
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Čirčová, Vanda, and Dagmar Grachová. "Global Trends in Human Resources and Finance Management in the Shared Service Centres." In Sustainable Business Development Perspectives 2022. Brno: Masaryk University Press, 2022. http://dx.doi.org/10.5817/cz.muni.p280-0197-2022-1.

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Nowadays global economies must face many challenges due to the current trends. To these we can include globalisation, digitalization and mainly pandemic. All these factors influence enterprises all over the world and accelerate in innovations. Moreover, enterprises of all size tend to implement Shared Service Centres into the business strategy. They have realized that this decision may provide numerous advantages to their business, such as increase in the competitiveness, orientation on the primary business activity and consequent overall effectiveness. Consequently, enterprises can contribute to the overall sustainable development since they are innovative. The main objective of this article is to make implications about how the mentioned paradigms increase innovative behaviour of companies and promote sustainable development. In our research we mainly used meta-analyses of the existing data from research of domestic and foreign authors, international institutions, and selected world widely significant SSCs on this topic. We focus on two impacted areas – finance and HR. The research gap and added value of this article is the new view on the business environment from wide scale of areas and the trend of globalisation accelerated with the spread of COVID – 19.
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"Competence as an Important Paradigm of the Information Society." In XIII Ural Demographic Forum. Global challenges to demographic development. Institute of Economics of the Ural Branch of RAS, 2022. http://dx.doi.org/10.17059/udf-2022-2-5.

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The article examines the issue of competence and the formation of competencies in the context of the information society and post-globalisation. It is hypothesised that education and socio-cultural reality are correlated. The work uses correlation methods, content analysis, and a review of scientific literature. The result of the study is the development of theoretical provisions and practical recommendations in the field of education. The findings can be used in pedagogy, andragogy, sociology and management theory.
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Borg, Colin. "The influence of globalisation and massification on public higher education in Malta: assessing the contextual realities." In Fourth International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.7974.

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The main question that this paper seeks to explore is: What contextual factors and conditions are contributing to the present higher education environment in Malta? To address this question, the author conducts a systematic study by examining the changing context of higher education from a legislative, economic and political perspective. The aim of this paper is to outline the determining influences that are shaping Malta’s higher education context.The research methods employed in this paper are mainly two: the first method involves the analysis of documents and data published in international academic journals and local reports. Statistics published by the National Commission for Further and Higher Education (NCFHE) and the National Statistics Office (NSO) were the main sources of local Maltese statistics. The second research method involves national and institutional data that was specifically requested by the author and that was never published before. NCFHE, the University of Malta (UM) and Malta College for Arts, Science and Technology (MCAST) were asked to provide data in order to present a comparative analysis by comparing local data with what has been published internationally. UM and MCAST are the two main public Maltese higher education institutions. In all instances headcount data is presented.
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Slyšková, Ivana. "Perspektíva rozvoja líderských spôsobilostí v Ozbrojených silách." In Nové trendy profesijnej prípravy v Ozbrojených silách. Akadémia ozbrojených síl generála Milana Rastislava Štefánika, 2022. http://dx.doi.org/10.52651/ntpp.b.2022.9788080406301.218-225.

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The main objective of that article was to identify and analyse key aspects in the education and development of military leaders that would reflect the dynamic global environment in unique military areas. In particular, we focused on predicting the future needs of the educational process, involving the transformation of methods and the curriculum, reflecting the demands of the military environment of the future, such as technological change, digitalisation and globalisation, or cultural and generational changes.No less important was the outlining of the trend of upcoming leadership capabilities of military commanders, which are an essential attribute of successful adaptation to the future era of leadership and the associated adequate performance of operational tasks.
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Tiku, Sanjay, and Michael Pecht. "Auditing the Reliability Capability of Electronics Manufacturers." In ASME 2003 International Electronic Packaging Technical Conference and Exhibition. ASMEDC, 2003. http://dx.doi.org/10.1115/ipack2003-35359.

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The globalisation of supply chains has made electronics manufacturers dependent upon worldwide suppliers who provide them with parts or subassemblies. Currently, many manufacturers have to wait until they get the products to assess if they are reliable. This can be an expensive iterative process. As an alternative, it is necessary to define what key processes should comprise the product and process development efforts of suppliers to assure customers that they can supply reliable products. Identification of these key processes can help manufacturers to assess their potential suppliers and/or suppliers to assess themselves. This paper presents a set of key processes and practices that can be used as benchmarks to assess whether an organization has the ability to design, develop and manufacture reliable electronic products. It defines this ability as the reliability capability of an organization.
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Reports on the topic "Art and globalisation"

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Baldwin, Richard. Trade And Industrialisation After Globalisation's 2nd Unbundling: How Building And Joining A Supply Chain Are Different And Why It Matters. Cambridge, MA: National Bureau of Economic Research, December 2011. http://dx.doi.org/10.3386/w17716.

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Kenes, Bulent. NMR: A Nordic neo-Nazi organization with aims of establishing totalitarian rule across Scandinavia. European Center for Populism Studies (ECPS), April 2021. http://dx.doi.org/10.55271/op0008.

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Right-wing extremism and national socialism (Nazism) are not a new phenomenon in Sweden. White supremacists or neo-Nazis have a long history in the country. Nordic Resistance Movement (Nordiska motståndsrörelsen, NMR) rests on this century-long history of Swedish Nazi and Neonazi activism. Including racism, antisemitism, anti-immigration, and anti-globalisation stances with violent tendencies, NMR which aims to overthrow the democratic order in the Nordic region and establish a national socialist state, has become the primary force of white power in Sweden and other Nordic countries.
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Becker, Sascha O., Stephen Broadberry, Nicholas Crafts, Sayatan Ghosal, Sharun W. Mukand, and Vera E. Troeger. Reversals of Fortune? A Long-term Perspective on Global Economic Prospects. Edited by Sascha O. Becker. CAGE Research Centre, March 2013. http://dx.doi.org/10.31273/978-0-9576027-00.

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It is conventional wisdom that: Continued fast growth in the BRICS will result in a rapid catch-up to match and even surpass Western income levels in the next few decades The crisis in Europe will soon be over and normal growth will then resume as if nothing had happened The tax competition resulting from globalization means a race to the bottom in which corporate tax rates fall dramatically everywhere The best way to escape the poverty trap is to give the poor more money Losers from globalization can be ignored by politicians in western democracies because they do not matter for electoral outcomes The adjustment problems for developing countries arising from the crisis are quite minor and easy to deal with Actually, as Reversals of Fortune shows, all of these beliefs are highly questionable. The research findings reported here provide economic analysis and evidence that challenge these claims. In the report, Nicholas Crafts asks: "What Difference does the Crisis make to Long-term West European Growth?" Vera Troeger considers "The Impact of Globalisation and Global Economic Crises on Social Cohesion and Attitudes towards Welfare State Policies in Developed Western Democracies." Stephen Broadberry looks at "The BRICs: What does Economic History say about their Growth Prospects?" Sharun Mukand takes "The View from the Developing World: Institutions, Global Shocks and Economic Adjustment." Finally, Sayantan Ghosal has a new perspective on "The Design of Pro-poor Policies."
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Dudoit, Alain, Molivann Panot, and Thierry Warin. Towards a multi-stakeholder Intermodal Trade-Transportation Data-Sharing and Knowledge Exchange Network. CIRANO, December 2021. http://dx.doi.org/10.54932/mvne7282.

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The performance of supply chains used to be mainly the concern of academics and professionals who studied the potential efficiencies and risks associated with this aspect of globalisation. In 2021, major disruptions in this critical sector of our economies are making headlines and attracting the attention of policy makers around the world. Supply chain bottlenecks create shortages, fuel inflation, and undermine economic recovery. This report provides a transversal and multidisciplinary analysis of the challenges and opportunities regarding data interoperability and data sharing as they relate to the ‘Great Lakes - St. Lawrence Seaway Trade Corridor’ (GLSLTC)’s intermodal transportation and trade data strategy. The size and scope of this trade corridor are only matched by the complexity of its multimodal freight transportation systems and growing urbanization on both sides of the Canada-US border. This complexity is exacerbated by the lack of data interoperability and effective collaborations between the different stakeholders within the various jurisdictions and amongst them. Our analytical work relies on : 1) A review of the relevant documentation on the latest challenges to supply chains (SC), intermodal freight transport and international trade, identifying any databases that are to be used.; 2) A comparative review of selected relevant initiatives to give insights into the best practices in digital supply chains implemented in Canada, the United States, and the European Union.; 3) Interviews and discussions with experts from Transport Canada, Statistics Canada, the Canadian Centre on Transportation Data (CCTD) and Global Affairs Canada, as well as with CIRANO’s research community and four partner institutions to identify databases and data that they use in their research related to transportation and trade relevant data availabilities and methodologies as well as joint research opportunities. Its main findings can be summarized as follow: GLSLTC is characterized by its critical scale, complexity, and strategic impact as North America’s most vital trade corridor in the foreseeable further intensification of continental trade. 4% of Canadian GDP is attributed to the Transportation and Logistics sector (2018): $1 trillion of goods moved every year: Goods and services imports are equivalent to 33% of Canada’s GDP and goods and services exports equivalent to 32%. The transportation sector is a key contributor to the achievement of net-zero emissions commitment by 2050. All sectors of the Canadian economy are affected by global supply chain disruptions. Uncertainty and threats extend well beyond the COVID-19 Pandemic. “De-globalization” and increasing supply chains regionalization pressures are mounting. Innovation and thus economic performance—increasingly hinges on the quantity and quality of data. Data is transforming Canada’s economy/society and is now at the center of global trade “Transport data is becoming less available: Canada needs to make data a priority for a national transportation strategy.” * “How the Government of Canada collects, manages, and governs data—and how it accesses and shares data with other governments, sectors, and Canadians—must change.”
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