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Journal articles on the topic 'Art and globalisation'
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Cotter, Lucy. "Globalisation + Irish Art = ?" Third Text 19, no. 1 (January 2005): 15–26. http://dx.doi.org/10.1080/09528820412331318523.
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Léger, Marc James. "Art and Art History After Globalisation." Third Text 26, no. 5 (September 2012): 515–27. http://dx.doi.org/10.1080/09528822.2012.712767.
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Dimitrakaki, Angela. "Art, Globalisation and the Exhibition Form." Third Text 26, no. 3 (May 2012): 305–19. http://dx.doi.org/10.1080/09528822.2012.679039.
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Khandekar, Nisha. "Globalisation and Its Effects on the Warli Art." Journal of Social Inclusion Studies 5, no. 2 (December 2019): 193–99. http://dx.doi.org/10.1177/2394481119901072.
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Tribal art is a decorative art rather than purely aesthetic produced from the creative minds of indigenous culture. The art which is a part of their everyday activity is deep-rooted in their tradition. Tribal paintings are living tradition that unveils the hidden meanings of tribal symbols. Tribal are interested in the reality of the image not in the image of reality. The globalization has negatively impacted upon the tribal economies, culture and identities. The freedom of expression of an artist has been affected by the pressure of globalization. It has now become the commercial activity of Warli men. Education plays an important role in changes in the art form, education helps to develop creativity and skills and that results in the changes in the designs and forms. Commercialization of painting is also one of the reasons for the changes occurred in designs and form of the painting.
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Memou, Antigoni. "Globalisation and the Art Photography of Joel Sternfeld." Photographies 5, no. 1 (March 2012): 3–18. http://dx.doi.org/10.1080/17540763.2012.655950.
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Malytska, Olena. "MODERNISATION OF ART EDUCATION OF A FUTURE TEACHER UNDER CONDITIONS OF GLOBALISATION." Scientific Journal of Polonia University 42, no. 5 (February 12, 2021): 95–103. http://dx.doi.org/10.23856/4213.
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The article addresses the reflection of the processes of globalisation in contemporary art and their influence on the content and technologies of art education of a future teacher. The emphasis was placed on the fact that even under conditions of globalisation, artistic culture cannot be transformed on the basis of unification because it leads to the loss of ethnocultural values of a certain nation and the destruction of their cultural genotype. It was determined that the only direction of the transformation of modern art is integration technologies. The classification of integration methods in modern art practices is offered according to the following forms: mutual influence of cultural concepts on a territorial basis; the synergy of traditions and innovations; the combination of modern technologies into a conglomerate that preserves the characteristics of an art object; innovative synthesis of traditional arts on a group or type basis. Attention was focused on the fact that globalisation processes, that take place in the modern world, affect the content and determine the technologies of art education. It was established that among the forms of artistic integration of contemporary arts, that were proposed by the author, such as the synergy of traditions and innovations as well as the synthesis of traditional arts on a group or type basis are mainly introduced in the art education of a future teacher.
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Duncum, Paul. "How Art Education Can Contribute to the Globalisation of Culture." Journal of Art & Design Education 19, no. 2 (May 2000): 170–80. http://dx.doi.org/10.1111/1468-5949.00216.
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Giannachi, Gabriella. "Exposing globalisation: Biopolitics in the work of critical art ensemble." Contemporary Theatre Review 16, no. 1 (February 2006): 41–50. http://dx.doi.org/10.1080/10486800500450973.
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Skilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing." Pacific Journalism Review : Te Koakoa 14, no. 2 (September 1, 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.
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The writing of art journalism has played a key yet little acknowledged role in the ongoing expansion of the international contemporary art world, and the multi-billion dollar global art economy. This article discusses some contradictory impacts of globalisation on art journalism—from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent journalistic art writing.
This article discusses some contradictory impacts of gobalisation on art journalism— from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent art writing.
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Valim de Melo, Cimara. "Border Crossing in Contemporary Brazilian Culture: Global Perspectives from the Twenty-First Century Literary Scene." Brasiliana: Journal for Brazilian Studies 4, no. 2 (June 1, 2016): 579–605. http://dx.doi.org/10.25160/bjbs.v4i2.20248.
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Abstract: This paper investigates the process of internationalisation of Brazilian literature in the twenty-first century from the perspective of the publishing market. For this, we analyse how Brazil has responded to globalisation and what effects of cultural globalisation can be seen in the Brazilian literary scene, focusing on the novel. Observing the movement of the novelists throughout the globe, the reception of Brazilian literature in the United Kingdom and the relations between art and the literary market in Brazil, we intend to provoke some reflections on Brazilian cultural history in the light of the twenty-first century.
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Crespi-Vallbona, Montserrat, and Marta Domínguez Pérez. "How Do Barcelona and Madrid Cope with the Impacts of Globalisation?" Comparative Sociology 21, no. 3 (June 22, 2022): 320–43. http://dx.doi.org/10.1163/15691330-bja10057.
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Abstract The central aim of this article is to describe the state of art of the impact of globalisation on Barcelona and Madrid (Spain). It especially focuses on the transformations of their historic centres, the most accessible and highly contested spaces, and the reactions of their citizen movements and city councils. It begins by analysing the gentrification process. It then shows how these cities were even more intensively transformed by commercial gentrification, touristification and studentification, all within a general framework of financialisation. Consequently, both cities act like businesses, seeking high profits, and ignoring many of their citizens. Within this context, public policies have undergone a slight change of orientation. In this tense context, this article presents a series of reflections and suggestions for future action.
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Salvatori, Gaia. "From Land art to the “global era”." Journal of Science Communication 07, no. 03 (September 19, 2008): C02. http://dx.doi.org/10.22323/2.07030302.
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In the globalisation era, arts have provided food for thought on “how latitudes became forms”, to stress again that now, at global level, one should no longer define art as a contemplation “space”, but as an “environment”, a place for experience. On the other hand, already when Bern saw the inauguration of the historic exhibition “When Attitudes became Forms” in 1969, people realised that the problem was lying in the behaviour, in the attitude, of making arts towards the world. Basically, the formalistic concept of self-referentiality in a work of art was to be overcome, and attention was to be paid to procedures and contexts. In search of a new humanism in contact with the natural universe.
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Polihronov, Daniel. "DEVIANT AND DELINQUENT BEHAVIOR, REFLECTED IN ART, IN A PANDEMIC." Education and Technologies Journal 11, no. 1 (August 1, 2020): 83–85. http://dx.doi.org/10.26883/2010.201.2204.
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Globalisation envelops all spheres of social life – political, legal, economic and spiritual (educational, cultural, scientific, religious). It has both positive and negative sides. One of the negatives is the rapid spread of the coronavirus pandemic. The crisis caused by COVID-19 is destroying and transforming existing and activating new social models based on the achievements of information and communication technologies. This necessitates a greater attention to the deviant and delinquent behavior reflected in art, and their prevention and correction through art.
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Esquivel, Patricia. "Art Narratives and Globalization." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 56, no. 2 (2011): 135–44. http://dx.doi.org/10.28937/1000106178.
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Arthur Danto proklamierte das »Ende der Kunst«, d. h. das Ende der auf ein Narrativ und auf eine unidirektionale Grundlage basierenden Kunstgeschichte. In der zeitgenössischen Kunstwelt und besonders in der Historiographie hingegen findet man durchaus ein Telos. Dieses Telos ist die Globalisierung. Es gibt heute ein sich ausbreitendes unidirektionales Narrativ, dessen Regel als »Netzwerklegitimation« erklärt werden kann. Ein Netzwerk, dessen Ausmaß (mehr Regionen der Welt), Sättigung (mehr Objekte) und Historizität (umfassendere Entwicklungsketten) zunehmen. Das Netzwerk hat auch einen Mittelpunkt, den Westen, wenn auch nicht für immer.<br><br>Arthur Danto proclaimed the »end of art«, that is, the end of the history of art structured on a narrative and unidirectional basis. But in contrast to Danto’s ideas, we detect a telos in the contemporary art world, especially in historiography. This telos is globalisation. At present, we have a clearly expansive unidirectional narrative in which the norm can be summed up as »network legitimation.« A network that is growing in extent (more regions of the world), saturation (more objects) and historicity ( further-ranging chains of development). The network also has a centre, the West, although it may not last forever.
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Tiwari, Seema. "THE ORIGIN OF INDIAN PAINTINGS AND THE EMERGENCE OF MINIATURE SCHOOLS OF PAINTING IN INDIA." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 146–49. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3725.
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Indian traditional art has always been rich in its types, forms and tecniques. Apart from the sculptures, poetry, textile arts, pottery, drama, dance, music etc., paintings are also an inextricable form of Indian art. The origin Indian art can be traced to ore-historic settlements in the 3rd millennium BC. The Indian art has undergone inevitable changes as a result of the influences of cultures, traditions, religions, religious sentiments, climatic conditions, globalisation and multiple other factors. Thus, with the development of the Indian civilization over the years developed the numerous kinds of paintings, as a means of communication, entertainment and livelihood. Being an important form of artistic expression, these paintings depict the life and customs followed by the people of different time periods.
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Yessekeyeva, Emina, and Eric Venbrux. "Shamanism, Globalisation and Religion in the Contemporary Art of Said Atabekov and the Kazakh Art Collective Kyzyl Tractor." Religions 12, no. 5 (April 24, 2021): 300. http://dx.doi.org/10.3390/rel12050300.
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Central Asia’s most famous artist Said Atabekov both interrogates and imagines religiosity in post-Soviet Kazakhstan in his art. He has been doing so as a member of the Kyzyl Tractor (Red Tractor) art collective and in his own art practice. They perform as shamans and explore the nomadic steppe culture of the days of yore. Offering a nuanced and often ironic critique of present-day developments in his art, Atabekov seeks to make his audience think about meaning making or the lack thereof. He highlights the inclusiveness of vernacular religion while simultaneously drawing attention to the vacuousness of the hegemonic ideologies of the day, ranging from communism to capitalism to dogmatic religion. From his oeuvre, we discuss works that concern a dervish shaman, the nomadic game of kokpar and the advent of rigid religion, respectively.
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Tung, Wei Hsiu. "When Social Practice Art Overcomes Globalisation: Attending to Environment and Locality in Taiwan." Culture and Dialogue 6, no. 2 (December 7, 2018): 223–50. http://dx.doi.org/10.1163/24683949-12340052.
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AbstractThis essay discusses how artists, architects, and local community people have collaborated together to regenerate an everyday life aesthetics that embodies and reflects the environmental specificity of local culture, history, and geography in the context of Taiwan, where systematic urbanisation has had a very negative impact in many different areas since the early 2000s. The essay explores the possibility of local aesthetics retrieving the feelings of the Taiwanese “vernacular worlds” against the effects of globalisation, urbanisation and rapid socio-political changes. Two social practice art projects are considered accordingly: Plum Tree Creek and Togo Village.
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Tupitsyn, Victor. "Notes on Globalisation: The Work of Art in the Age of Shoe‐Throwing." Third Text 23, no. 5 (September 2009): 515–26. http://dx.doi.org/10.1080/09528820903184559.
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Utomo, Ario Bimo. "Reimagining City Identities in Globalisation: A Constructivist Study on City Paradiplomacy." Global South Review 1, no. 2 (September 4, 2020): 33. http://dx.doi.org/10.22146/globalsouth.54362.
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The study of diplomacy has encountered a new turn when the concept of parallel diplomacy, or paradiplomacy, was introduced to the mainstream. The concept itself can be defined as the international agency of sub-national political entities. The logic behind this is that globalisation has given a channel for the local entities to further their interests amidst the prevailing state-centric international system. In the International Relations scholarship, this issue can be viewed through three lenses: realist, liberalist, and constructivist. This article will use constructivism whose idea argues that paradiplomacy contains identity-seeking undertones beneath, where sub-national entities can reimagine their positions in globalisation. The constructivist lens offers more advantage in seeing paradiplomacy beyond activities which are mainly driven by free-trade. This paper attempts to use the constructivist lens of paradiplomacy in exploring how cities can construct their identities in globalisation. There has been a quite extensive literature on constructivist perspective on paradiplomacy, yet many of them are focused on secessionist case studies instead of cities as regular sub-national units which pose no threat to their host states. This article argues that identity creation in city paradiplomacy is possible and particularly essential to cities located in developing countries seeking partnerships with the more developed regions. In doing the research, the author utilises secondary sources through the existing studies on paradiplomacy and city identity in globalisation to keep up with the current state of the art.
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Stroeva, Olessya V. "Transgression as a Profanation in the Contemporary Art." Observatory of Culture, no. 1 (February 28, 2015): 18–24. http://dx.doi.org/10.25281/2072-3156-2015-0-1-18-24.
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Analyses the postmodern concepts of “transgression” and “bricolage” in relation to contemporary art. Addressing the street art and the social art the author shows how the model of bricolage with the elements of transgressionprofanity works in the modern culture. The mass audiovisual culture dictates a new way of perceiving art works, and all of them are the reflections of the media culture, or its bricolage “bounce.” The media culture and the society of globalisation in general produce a syncretic or bricolage environment with a “soft ban” system anticipating transgression; it is the erosion of boundaries which creates the illusion of transgression steps that can turn an artistic activity into a political action or make it balance on the verge of breaking the law. However, in such a type of culture, a transgression step is not opposed by a ban but by another transgression state which is a part of the system of market relations already
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Chung, Peichi. "The Creative Industry of Singapore: Cultural Policy in the Age of Globalisation." Media International Australia 128, no. 1 (August 2008): 31–45. http://dx.doi.org/10.1177/1329878x0812800105.
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This article examines the development of the creative industry in Singapore in the context of globalisation. In studying the application of a government-based development model that prioritises economic goals in fostering a culture-based creative industry, the article explores the effects on the complex social network when the state is involved in introducing Western globalisation into the local society of Singapore. It discusses the major government initiatives to develop the creative industry and the views of local new media artists towards this policy. The article concludes with the resilience of local culture, arguing that the public response and the ‘bottom-up’ artist movement are beginning to embrace new media art forms as part of the national culture in Singapore. New media technology has been a site of cultural practice that allows media artists to participate in the state's development of a homegrown new media industry.
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Kemperl, Metoda, and Nina Sladič. "Representations of Violence in Contemporary Art as a Source for Education in Empathy in Elementary School." Ars & Humanitas 12, no. 1 (July 20, 2018): 139–60. http://dx.doi.org/10.4312/ah.12.1.139-160.
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Art as such can have important effects on our attitude towards ourselves, others, and the world we live in. Artworks can therefore be used to promote empathy among people. As children develop the ability to empathise from early childhood onwards, empathy is undoubtedly a fundamental skill of humankind. One’s ethical development can benefit greatly from learning to identify with a certain work of art. Contemporary art is most appropriate for this purpose, since it deals with contemporary issues and is thus closely connected with life. Themes such as sustainable development, globalisation, interpersonal relations, identity, migrations and cultural exchange are intertwined with the concept of active citizenship. In an elementary school context, the presence of violence in contemporary art and the imparting of empathy can be effectively explored via cross-curricular links. Our aim is to analyse the syllabus in order to identify the most effective way of linking school subjects, their contents and learning objectives. Art history methodology (iconographical, iconological, contextual analysis) will be used to determine which modern Slovene violence-depicting works of art might be suitable for educational purposes.
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Kemperl, Metoda, and Nina Sladič. "Representations of Violence in Contemporary Art as a Source for Education in Empathy in Elementary School." Ars & Humanitas 12, no. 1 (July 20, 2018): 139–60. http://dx.doi.org/10.4312/ars.12.1.139-160.
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Art as such can have important effects on our attitude towards ourselves, others, and the world we live in. Artworks can therefore be used to promote empathy among people. As children develop the ability to empathise from early childhood onwards, empathy is undoubtedly a fundamental skill of humankind. One’s ethical development can benefit greatly from learning to identify with a certain work of art. Contemporary art is most appropriate for this purpose, since it deals with contemporary issues and is thus closely connected with life. Themes such as sustainable development, globalisation, interpersonal relations, identity, migrations and cultural exchange are intertwined with the concept of active citizenship. In an elementary school context, the presence of violence in contemporary art and the imparting of empathy can be effectively explored via cross-curricular links. Our aim is to analyse the syllabus in order to identify the most effective way of linking school subjects, their contents and learning objectives. Art history methodology (iconographical, iconological, contextual analysis) will be used to determine which modern Slovene violence-depicting works of art might be suitable for educational purposes.
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Duarte, Adelaide. "The Periphery Is Beautiful: The Rise of the Portuguese Contemporary Art Market in the 21st Century." Arts 9, no. 4 (November 9, 2020): 115. http://dx.doi.org/10.3390/arts9040115.
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The aim of this article is to characterise the rise of the Portuguese contemporary art market since the beginning of the 21st century, within the broader context of the global contemporary art market. Against a theoretical backdrop of the globalisation of markets for contemporary art and the concept of the periphery, I will analyse Lisbon’s art scene as a local phenomenon that is looking for an international recognition. In doing so, I am focusing on two working hypotheses. The first relates to the efforts made by the gallery sector to raise the international profile of its artists, giving them sought-after widespread recognition, which encompasses a historical perspective on the situation and a prominent role for the younger generation of gallerists. The second intends to observe the role played by private collectors and their contributions towards boosting the art scene, assembling their contemporary art collections and making them available to the public. I conclude that this has led to an upsurge in the contemporary art market in connection with the growing number of validating structures, museums, and art centres, due mainly to the fact that the shortcomings of the public sector are being made up for by private initiatives.
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Fürst, Rudolf. "Cultivating the Art of Anxiety: Securitising Culture in China." China Report 57, no. 4 (October 19, 2021): 433–50. http://dx.doi.org/10.1177/00094455211047079.
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Deepening globalisation and worldwide availability of free information and ideas raise concerns of the communist China’s political leadership about the stability of the regime and the sustainability of the state ideological orthodoxy. Therefore, the state’s tightening control of the public communication to curtail the domestic criticism and occasional public discontent is becoming framed and legitimised in terms of cultural security as a non-traditional security concern. This study argues that the restrictive impacts of the politicisation of culture in the centralised agenda of President Xi Jinping reinvigorate China’s anti-Western narratives and attitudes. The research focuses on the state’s cultural security-related and applicable strategy in the political and institutional agenda and media. Moreover, the study also traces the state cultural security policy in the field of the civic and non-governmental sector, religious and ethnic minorities policy, literature, film and audiovisual sectors. The findings assess the concern that the intellectually anachronistic, self-restraining and internationally hostile policy devaluates China’s cultural potential and complexity.
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Scoppola, Margherita. "Globalisation in agriculture and food: the role of multinational enterprises." European Review of Agricultural Economics 48, no. 4 (July 31, 2021): 741–84. http://dx.doi.org/10.1093/erae/jbab032.
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Abstract This paper reviews the state-of-the-art work on agri-food Multinational Enterprises (MNEs), by discussing the current state-of-play and the tools at our disposal to expand knowledge. After a critical discussion of available data, new data from OECD are used to provide a broad overview of the role of MNEs in the agri-food Global Value Chains (GVCs) and to draw a few stylized facts. Data reveals that in the food, beverages and tobacco industry MNE activity is higher than on average, while in agriculture it is lower; North-South flows are increasing as well as the role of MNE in the agri-food GVCs. The review of theoretical and of empirical literature shows how modern trade theories provide us with a strong theoretical background which, together with improved firm-level and country-level data, may help explaining observed patterns and effectively orientate empirical analyses of agri-food MNEs in several directions.
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Kilian, Eveline. "Migrating Objects and Wanderers between Worlds: Cosmopolitan Selves in Edmund de Waal’s The Hare with Amber Eyes." European Journal of Life Writing 10 (July 9, 2021): 61–87. http://dx.doi.org/10.21827/ejlw.10.37707.
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Edmund de Waal‘s widely acclaimed family memoir The Hare with Amber Eyes (2010) is a hybrid text that fuses biography, autobiography and the biography of objects and interlaces these with critical reflections on art, transnationality, cross-cultural communication and the development of cosmopolitan identities. This article examines the central role of the collection of netsuke synecdochally evoked in the book’s title that not only provides the pivotal structural element but also the major conceptual focus of the text. I argue that this idiosyncratic gravitational centre effects the permeability of generic boundaries by establishing an intricate relationality between the narrative’s different protagonists, who continuously decentre and reconfigure each other. Moreover, the art objects’ own history of migration and multiple belonging becomes a blueprint for de Waal’s construction of his Jewish ancestors’ highly mobile and cosmopolitan selves, which sidesteps the narrowly circumscribed vision of national or religious identities. The full extent of these connections is revealed through an examination of the author’s artistic vision, his ceramic art and art criticism. Finally, I will read The Hare with Amber Eyes as an act of restitution in a two-fold sense: as an attempt to undo the politically motivated erasure of some of his ancestors’ traces and as a historical reminder of lived forms of cosmopolitanism that can speak to contemporary debates around globalisation and migration.
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Romat, Muhammad Sukor, Ramlan@Razlan Abdullah, and Noor Azzanny Jamaludin. "Art in the Electronic Age: Process of assimilation." Environment-Behaviour Proceedings Journal 7, SI9 (October 10, 2022): 23–29. http://dx.doi.org/10.21834/ebpj.v7isi9.3933.
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The modern world could not exist without cell phones. This fundamental technology is commonly utilised on a daily basis. Using technology makes life simpler. It is currently impossible to conceive a world without technology. The electrical technology of a nation advances in tandem with its economy. E-waste is detrimental to both individuals and the environment. The assimilation of the modern way of life as a result of socio-cultural change affects the receipt of elements such as internal and external terms of assimilation, acculturation, and diffusion that are attained and conditioned by a complex source of globalisation. Keywords: Electronic; E-Waste; Assimilation. eISSN: 2398-4287© 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians/Africans/Arabians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3933
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Yefimenko, Iryna V., Olena M. Yakymchuk, Nataliia Ye Kravtsova, Halyna I. Sotska, and Anatolii M. Korol. "Art education development in the context of global changes." Linguistics and Culture Review 5, S2 (August 1, 2021): 501–13. http://dx.doi.org/10.21744/lingcure.v5ns2.1386.
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New trends are emerging in the system of higher art education due to globalisation and integration, rapid development of technological innovations. The use of technological innovations causes emerging of new types of communication, collaboration and interaction between teachers and students. In the article, the concept of smart education and its principles and the competence of a future teacher and specifics of their professional training were described. Global educational trends were characterised. The perspectives of professional and pedagogical activity of art teacher were outlined. The importance of technological innovations in the process of innovative education was explained. The criteria for assessing the teacher's innovative competence were highlighted. It was established that the modern smart society requires a teacher who teaches art history while constantly developing his cognitive abilities, systematically renew his intellectual and creative potential. The peculiarities of teacher's innovative competence formation in the changing conditions of a modern “smart” society were investigated. It was concluded that digital competence is one of the new requirements for art critics training in the context of the development of the information-oriented society.
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Haddad, Naif Adel. "Insights on Eastern Hellenistic Historical and Archaeological Material Culture of the Oikoumene: Globalisation and Local Socio-Cultural Identities." Heritage 4, no. 4 (October 12, 2021): 3307–30. http://dx.doi.org/10.3390/heritage4040184.
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This paper focuses on the Hellenistic Middle East, especially the age of Ptolemaic Alexandrian and Syrian Seleucid influence. It investigates and clarifies some of the Hellenistic-age historical and archaeological material culture within the Hellenisation and globalisation conceptions. Furthermore, it suggests that by reviewing the context of the local socio-cultural identities in the Hellenistic Oikoumene, mainly based on the lingua franca about local identity and how the local identity was expressed on coinage during Hellenistic times, many related insights issues can be revealed. In addition, it also attempts to discuss and reveal aspects of the cultural sharing achievements in Hellenistic art, architecture, and urban built environment planning. Finally, how did Eastern Hellenistic cities manage to benefit from the process of Hellenistic globalisation and localisation/globalisation while minimising identity risks? The focus is on the transnational socio-cultural and economic area of Ptolemaic Alexandria, the centre of the post-Classical Greek world, and the Syrian Seleucid influence. As an investment, mass migration and the transfer of goods, culture, and ideas increasingly transformed these Middle Eastern cities and shaped their translocal culture conception, local socio-cultural identities, cultural sharing, art and architecture edifice forms, and spatial patterns in the Hellenistic period. One of the main contributions and significance of this study is to continue the dialogue of how non-Greek influence in Hellenistic times impacted an area that has been traditionally seen as unaffected or minimally affected by years under foreign rule. This also sheds new light on some Greco-Macedonian topics not sufficiently debated in the Oikoumene discussion dialogue. These two aspects would furthermore contribute to better understanding and accepting the neglected role of the contribution of non-Greek culture to Greek achievements, as well as how the local non-Greek customs of the indigenous peoples of the Ptolemy and Seleucid kingdoms would affect how they assimilated Greco-Macedonian practices, and how the vision of Alexander the Great and Hellenisation worked in the different territories of these two kingdoms.
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Haddad, Naif Adel. "Insights on Eastern Hellenistic Historical and Archaeological Material Culture of the Oikoumene: Globalisation and Local Socio-Cultural Identities." Heritage 4, no. 4 (October 12, 2021): 3307–30. http://dx.doi.org/10.3390/heritage4040184.
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This paper focuses on the Hellenistic Middle East, especially the age of Ptolemaic Alexandrian and Syrian Seleucid influence. It investigates and clarifies some of the Hellenistic-age historical and archaeological material culture within the Hellenisation and globalisation conceptions. Furthermore, it suggests that by reviewing the context of the local socio-cultural identities in the Hellenistic Oikoumene, mainly based on the lingua franca about local identity and how the local identity was expressed on coinage during Hellenistic times, many related insights issues can be revealed. In addition, it also attempts to discuss and reveal aspects of the cultural sharing achievements in Hellenistic art, architecture, and urban built environment planning. Finally, how did Eastern Hellenistic cities manage to benefit from the process of Hellenistic globalisation and localisation/globalisation while minimising identity risks? The focus is on the transnational socio-cultural and economic area of Ptolemaic Alexandria, the centre of the post-Classical Greek world, and the Syrian Seleucid influence. As an investment, mass migration and the transfer of goods, culture, and ideas increasingly transformed these Middle Eastern cities and shaped their translocal culture conception, local socio-cultural identities, cultural sharing, art and architecture edifice forms, and spatial patterns in the Hellenistic period. One of the main contributions and significance of this study is to continue the dialogue of how non-Greek influence in Hellenistic times impacted an area that has been traditionally seen as unaffected or minimally affected by years under foreign rule. This also sheds new light on some Greco-Macedonian topics not sufficiently debated in the Oikoumene discussion dialogue. These two aspects would furthermore contribute to better understanding and accepting the neglected role of the contribution of non-Greek culture to Greek achievements, as well as how the local non-Greek customs of the indigenous peoples of the Ptolemy and Seleucid kingdoms would affect how they assimilated Greco-Macedonian practices, and how the vision of Alexander the Great and Hellenisation worked in the different territories of these two kingdoms.
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Boiarchuk, A. I. "PROCESSES OF GLOBALIZATION OF THE INTERNATIONAL BUSINESS-ENVIRONMENT ARE IN MODERN REALITIES." Economic innovations 19, no. 2(64) (July 7, 2017): 32–36. http://dx.doi.org/10.31520/ei.2017.19.2(64).32-36.
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In the article the influence of globalist processes, widely developing in nowadays world, are analyzed. Because of that the art becomes to be a tool of reach countries to have the right of domination in a world space. Authors argue about positive and negative sides of globalization in this text. The main objective of this paper to analyze in detail the impact of globalization on the world economy. The paper presents the analysis of the nature of the process of globalization in the modern world. Globalization has been analyzed in the following interdependent aspects: economic, territorial. Here are main reasons of globalization. The paper presents two main directions to define of globalization in terms of the behavior of nation-states in the global geopolitical environment. The paper presents the positive and negative influences of globalization on the world economy and national economies in the world. Special attention is paid to the problems associated with globalization for the different states. Globalisation is an incessant process, which lasts a lot of years, but problems, associated with it. Autor dispute among themselves about globalisation and can't create a single definition of this process. Autor argue about positive and negative sides of globalisation in this text. Necessity of formation of uniform economic, legal, information and technological space for realization of free and effective enterprise activity of all subjects of managing has led the Ukrainian economy to to transformation of integration economic processes in a new system condition - globalization of economic communications.
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Róg, Tomasz. "GLOTTODYDAKTYCZNE OBSZARY BADAŃ NAD KOMPETENCJĄ MIĘDZYKULTUROWĄ." Neofilolog, no. 47/2 (September 20, 2018): 133–52. http://dx.doi.org/10.14746/n.2016.47.2.01.
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As globalisation promotes cross-cultural approaches to foreign language education, the article scrutinises research on intercultural competence conducted in the field of glottodidactics. It aims at offering a possibly most comprehensive outline of our state-of-the-art knowledge of interculturality in teaching foreign languages. The following parts of the present article will look at pre- and in-service teachers, teaching materials, lesson planning, new technologies, and the age of learners, all with a view to indicating the achievements and challenges of teaching intercultural competence as an element of foreign language education.
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Jesus, Eduardo de. "Electronic Image: Identities and the Experience of Globalisation in the International Festival of Electronic Art –Videobrasil." Third Text 23, no. 3 (May 2009): 269–79. http://dx.doi.org/10.1080/09528820902954903.
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Iddon, Martin. "OUTSOURCING PROGRESS: ON CONCEPTUAL MUSIC." Tempo 70, no. 275 (December 7, 2015): 36–49. http://dx.doi.org/10.1017/s0040298215000613.
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AbstractThis article addresses the phenomenon of New Conceptualism, otherwise known as conceptual music, or Konzeptmusik, and locates it within the German new music scene of the last decade. It is suggested that conceptual music may perhaps be a contradiction in terms, representing a nostalgic desire for the semantic strength of conceptual art. In particular the article focuses on Johannes Kreidler's 2009 work, Fremdarbeit, and scrutinises the composer's claim to have ‘outsourced’ the composition of the work to India and China. The significance of this – whether actual or fictional – as an example of globalisation is examined and set within its political and economic context.
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Sepp, Anu, Urve Läänemets, Katrin Kalamees-Ruubel, and Kristi Kiilu. "ART SUBJECTS IN NATIONAL CURRICULA – IDEAS FOR FUTURE DEVELOPMENTS IN GENERAL EDUCATION." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 2 (May 26, 2017): 197. http://dx.doi.org/10.17770/sie2017vol2.2441.
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International trends of globalisation, changing learning environments as well as particular socio-cultural contexts and educational policy making are constantly shaping selection of the content for national curricula (NC) of general comprehensive schools. Art subjects (music, literature and art education) have been compulsory elements in Estonian NC for a century already making a significant contribution to identity and personality development of all population. Traditionally, learning art subjects has been well supported by extra-curricular activities or hidden curriculum so far. Today, primarily due to changing cultures and new values, learning motivation and decline of reading and expressive skills of students have become an issue. A pilot research (students’ essays, n=367) was carried out in Estonian general comprehensive basic schools (level 3, students aged 13–16) in 2016 with the aim to specify how students perceive the role and meaning of art subjects in their life. The students’ interesting ideas and presented opinions deserve attention when designing syllabi in NCs as well as supportive learning environments for both formal and informal learning activities. Accordingly, an increasing role of art subjects in future curricula should be considered as integrative, balancing and enriching tools for socialization of each individual. Awareness of arts has the potential to contribute to cultural sensitivity and understanding – the meta-skills for future lifelong learning and sustainable developments.
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A. P., Opoko, Adeokun C. O., and Oluwatayo A. A. "Art in traditional African domestic architecture: its place in modern housing and implications for the training of architects." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 675–78. http://dx.doi.org/10.18844/prosoc.v2i1.1010.
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Over the years, art in its various forms has played a vital role in the lives of African people. It served as a major form of communicative expression of religious beliefs and socio-cultural norms of the people. Its form, presentation and significance however, varied from one cultural setting to another. This paper examines art in the context of domestic architecture of indigenous people of South West Nigeria and its relevance in contemporary housing as well as what it portends for architectural education in that cultural zone. The paper notes the disappearance of the rich traditional motifs and symbols from contemporary housing and their replacement with more contemporary art forms influenced by globalisation and industrial mass production. It concludes that the current trend presents an architecture that is devoid of cultural architectural uniqueness and identity. One of the implications identified is for architectural curricula to incorporate indigenous themes that will help architects produce domestic architecture that have contextual relevance. Data for the paper was collected through literature review and the qualitative research method using interviews and observations of houses in the zone. Those interviewed include architects and residents in the zone. Data was content analysed to highlight common themes.Keywords: Art, Domestic architecture, Yorubaland Â
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Bechelany, Camila. "L’exposition « Modernidade, art brésilien du 20e siècle » : dislocation et assimilation à l’aube de la globalisation de l’art." Marges, no. 23 (October 20, 2016): 23–34. http://dx.doi.org/10.4000/marges.1193.
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Shishkin, Andrey G., and Olga O. Morozova. "Art in the Age of Globalisation: Dialogue of Cultures (Ural Opera Ballet Theatre’s Production of the Opera Tri Sestry)." Changing Societies & Personalities 4, no. 4 (December 29, 2020): 476. http://dx.doi.org/10.15826/csp.2020.4.4.112.
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The article explores the dialogics of art and the role of art as a tool of dialogue between cultures on the example of the Ural Opera Ballet Theatre’s recent stage production of the opera Tri Sestry (Three Sisters), which demonstrates a successful interaction between different cultural traditions.Interpreting Chekhov’s play from a late 20th century perspective, Hungarian composer Peter Eötvös presented new responses to the questions that tormented the play’s characters one hundred years ago. In his work, which blends French and German avant-garde techniques with structural elements drawn from film narrative and the Japanese Noh theatre tradition, he added a radically new dimension to Chekhov’s play. As a result, he was able to open up latent meanings the play within the great time space proposed by the Russian philosopher Mikhail Bakhtin. In turn, Christopher Alden (USA), the Artistic Director of the Ural Opera Ballet production, merged voices from different artistic traditions into a new contemporary musical image.
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Brollo, Marina, and Caterina Mazzanti. "Protection of skills in employment relationships and in the labour market." Zbornik Pravnog fakulteta Sveučilišta u Rijeci 39, no. 4 (2019): 1809–20. http://dx.doi.org/10.30925/zpfsr.39.4.12.
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Globalisation and technological changes have a dramatic impact on the labour market. For this reason, skills need to be strengthened and protected and workers have to respond to these great transformations by improving their professionalization. Focusing the attention on the Jobs Act, this paper offers an overview of the change that Italy may undertake, analysing the most innovative aspects of the new reform and paying particular attention to the protection of skills within the employment contract and the labour market. In this regard, the research highlights how the Jobs Act has strengthened the protection of skills. On the one hand, it specifies that in case of ‘changes in job tasks’ the employer shall provide training activities in order to develop the employee’s skills (art. 2103 Civil Code). On the other hand, from the perspective of the labour market, it provides efficient active labour market policies in order to tackle the lack of skills protection. These are all considerable positive steps: the Jobs Act Reform represents a move in the right direction and the first important step towards the development of an enhanced skill system.
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Duong, Linh Nguyen Khanh, Michael Wang, and Robert I. Radics. "Understanding Rural Supply Chain Resilience." International Journal of Sociotechnology and Knowledge Development 13, no. 1 (January 2021): 8–21. http://dx.doi.org/10.4018/ijskd.2021010102.
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Globalisation increases the numbers of involved business partners and distances between origin and destination. It complicates and stretches supply chains. Consequently, supply chains are exposed to higher risks, especially in rural societies where there is limited access to technology and the society is isolated. The research literature of supply chain resilience identified factors contributing to risks, factors counterbalancing risks, and mechanisms to assess the resilience of supply chains. However, there remains a gap in the use of the existing risk and resilience factors to the specific context of the rural supply chain. This research contributes by providing a state-of-the-art review and identifies which factors should be used for the rural supply chains.
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Naser, Faradiba Liana, Hanif Khairi, Rafeah Legino, and Rahman Rosman. "Cultural Consciousness: A case study of dying art on Batik Block in Malaysia." Environment-Behaviour Proceedings Journal 6, SI5 (September 1, 2021): 111–17. http://dx.doi.org/10.21834/ebpj.v6isi5.2935.
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Malaysia's traditional batik block is a national treasure. However, it is slowly dying out, especially on the east coast. With globalisation and rapid technological change, batik block production is becoming limited as younger generations lose interest in block making. Few master block makers remain in Malaysia. Cultural awareness of block makers towards the Batik community and society is required. This research paper aims to make the traditional batik block more interesting and stimulating through innovation that does not change the original block state. The art of block making will continue to flourish to preserve Malaysia's traditional culture. Keywords: Cultural Consciousness, Dying Art, Batik Block eISSN: 2398-4287 © 2021. The Authors. Published for AMER ABRA CE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v6iSI5.2934
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PLATT, SUSAN NOYES. "MODERN ARAB ART FORMATION OF ARAB AESTHETICS BY NADA SHABOUT AND BELONGING AND GLOBALISATION CRITICAL ESSAYS IN CONTEMPORARY ART AND CULTURE BY KAMAL BOULLATA (ED.)." Art Book 15, no. 4 (November 2008): 35–36. http://dx.doi.org/10.1111/j.1467-8357.2008.00992_3.x.
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Holmes, Ros. "Bad Citizens and Symbolic Subjects: Wang Jin, Zhou Tiehai, and the Art of (In)Civility." British Journal of Chinese Studies 9, no. 2 (July 27, 2019): 113–46. http://dx.doi.org/10.51661/bjocs.v9i2.42.
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This article illuminates the relationship between contemporary art and visual representations of civility in postsocialist China. Focusing on a close visual analysis of two works of art: Wang Jin’s Ice-96 Central Plain (1996) and Zhou Tiehai’s Fake Cover (1996), it examines how artists sought to reject the binary terms with which civility is commonly constructed: between model and shameful forms of deportment, good and bad, spiritual and material, civil and uncivil. Directly challenging the social and political role of civility as it is shaped, imagined and “imaged” in China, it explores how civility plays a pivotal role in making and unmaking citizens and argues that these artists offer a redefinition of civility not as a “discourse of lack” but as a surplus quality, an embodied excess, something which could be performed, parodied or publicly cast off. It therefore stands as an argument for considering the vexed and contested parameters of civility as artists sought to navigate the fraught terrain between ideology and market reforms, consumer citizenship and the exigencies of globalisation.
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Husarski, Roman. "Moral Entertainment – The Buddhist Hell Parks of Thailand." Studia Religiologica 54, no. 3 (December 1, 2021): 195–216. http://dx.doi.org/10.4467/20844077sr.21.013.16550.
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Visiting Hell parks is a popular pastime in contemporary Thailand. Situated near Buddhist temples, these gruesome sculpture gardens depict the Buddhist vision of Hell. These grotesque and violent sculptures are usually seen as an oddity and a form of low art. Perhaps for this reason, they are rarely studied by scholars. This article focuses on the parks as modern entertainment. Usually found in rural areas, these spots try to answer the challenges of the commercialisation and globalisation of Thai society. A detailed analysis of four Hell parks, Wang Saen Suk, Wat Pa Lak Roi, Wat Pa Non Sawan and Wat Pa Thewapithak, shows that these religious amusement parks serve not only as means of entertainment but are also places of Buddhist morality.
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Prendergast, Kit S., Jair E. Garcia, Scarlett R. Howard, Zong-Xin Ren, Stuart J. McFarlane, and Adrian G. Dyer. "Bee Representations in Human Art and Culture through the Ages." Art & Perception 10, no. 1 (December 8, 2021): 1–62. http://dx.doi.org/10.1163/22134913-bja10031.
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Abstract The field of bioaesthetics seeks to understand how modern humans may have first developed art appreciation and is informed by considering a broad range of fields including painting, sculpture, music and the built environment. In recent times there has been a diverse range of art and communication media representing bees, and such work is often linked to growing concerns about potential bee declines due to a variety of factors including natural habitat fragmentation, climate change, and pesticide use in agriculture. We take a broad view of human art representations of bees to ask if the current interest in artistic representations of bees is evidenced throughout history, and in different regions of the world prior to globalisation. We observe from the earliest records of human representations in cave art over 8,000 years old through to ancient Egyptian carvings of bees and hieroglyphics, that humans have had a long-term relationship with bees especially due to the benefits of honey, wax, and crop pollination. The relationship between humans and bees frequently links to religious and spiritual representations in different parts of the world from Australia to Europe, South America and Asia. Art mediums have frequently included the visual and musical, thus showing evidence of being deeply rooted in how different people around the world perceive and relate to bees in nature through creative practice. In modern times, artistic representations extend to installation arts, mixed-media, and the moving image. Through the examination of the diverse inclusion of bees in human culture and art, we show that there are links between the functional benefits of associating with bees, including sourcing sweet-tasting nutritious food that could have acted, we suggest, to condition positive responses in the brain, leading to the development of an aesthetic appreciation of work representing bees.
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Ul ain Aslam, Qurat, Rabia Ali, and Ali Iftikhar Choudhary. "The Art of Making Workplace Innovative: Conceptual Integration of Leader-Member Exchange, Workplace Innovation and Employee Creativity." Journal of Management and Research 7, no. 2 (December 30, 2020): 146–65. http://dx.doi.org/10.29145/jmr/72/070205.
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An increased engagement in innovative activities has become an essential requirement for modern ventures to respond to the threats and opportunities they face. Due to increased globalisation and digitalisation, SME ventures are currently looking for ways to cultivate innovation at different levels such as individual, team and organisational levels to remain competitive. SME ventures need to focus on employee creativity in order to stimulate innovation at the individual level. Moreover, a favourable working environment is required for such cultivation. This short commentary aims to conduct an extant literature review proposing that Leader-Member Exchange (LMX) impacts employee creativity and workplace innovation mediates the relationship between them. Based on the social exchange theory, the literature on LMX, employee creativity, and workplace innovation is reviewed. This study's conceptual model opens new avenues for empirical studies and may help leaders cultivate innovation for improved organisational performance. The current study suggests that SME ventures should implement better LMX practices and better interaction with employees to cultivate ideas aimed to improve employee creativity.
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Paton, Michael John. "Cities Created by Modernity: A Fengshui Perspective." Journal of Chinese Philosophy 42, no. 5 (March 1, 2015): 477–99. http://dx.doi.org/10.1163/15406253-04205004.
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The 2011 tsunami had a devastating effect on the east coast of Japan. Particularly poignant were the century-old markers on hillsides warning against building anywhere below. Nevertheless, such wisdom from traditional knowledge was disregarded because of the perceived invulnerability of the modern. This paper attempts to garner such traditional empirical knowledge regarding the siting of towns and cities by considering the Chinese art/science of fengshui (wind and water) or dili (principles of the earth), the original purpose of which was to site human habitation in the most favourable places for long term survival. This knowledge is then used to consider the placement of cities created by modernity, those founded on and flourishing through the advent of globalisation, such as Hong Kong, Shanghai, St Petersburg, and Sydney.
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Almantas, Samalavičius. "The Ambiguities of Iconic Design: Mo Modern Art Museum by Daniel Libeskind." Journal of Architectural Design and Urbanism 2, no. 1 (October 7, 2019): 13. http://dx.doi.org/10.14710/jadu.v2i1.4897.
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The article is focused on the cultural phenomena of architectural iconism that has become globally widespread due to the continuous pressure of ongoing economic, ideological and cultural globalisation and the reigning interests of the web of building industry that appropriates architectural design for its own financial purposes as well as local political stakeholders who often seek to replicate the success of previous internationally renowned iconic buildings by aspiring to the status of world-class cities. While discussing the global and local cultural contexts in which the so-called ‘Bilbao effect’ triggered the current pursuit of iconic buildings, the author of the article analyses the much publicized recent example of iconic architecture in Eastern Europe – the MO Modern Art Museum that was designed by Daniel Libeskind and opened in Vilnius, the capital of Lithuania in 2018 on the site of an abandoned and eventually demolished cinema in the vicinity of the historical Old Quarters. It is argued that despite of publicity and largely overcooked praises of international architectural media, the museum’s architectural design remains an example of ‘signatory architecture’ that largely ignores the aesthetics of its local urban environment and peculiarities of local historical and cultural context. It is suggested that that despite of claims of being contextual, in fact the building is not and on the contrary: it exhibits most of the aesthetics features that plaque iconic buildings in various localities on different continents.
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Islam, Rama. "Anjum Hasan’s The Cosmopolitans: A Critique of a Cosmopolitan Woman." SCHOLARS: Journal of Arts & Humanities 4, no. 1 (February 13, 2022): 87–98. http://dx.doi.org/10.3126/sjah.v4i1.43058.
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Anjum Hasan is a novelist, short story writer, poet and editor. Her third novel The Cosmopolitans (2015) deals with modern life of a cosmopolitan woman named Qayenaat who lives in a cosmopolitan city Bangalore. In cosmopolitanism, a person is free from the local or national bias and becomes a citizen on a global scale. This paper focuses on a sophisticated, fashionable, stylish and cultured woman who is a part of the cosmopolitan world. She is familiar with globalisation, Europeanisation and social process of transformation within the nation and beyond specific societies and cultures – the woman crosses the symbolic boundaries of national communities in India. The novel questions the place of art in modern life and portrays a lonely woman who is at odds with the world. As a cosmopolitan woman, she likes to work outside home and travels freely to different places. Concerned about commercialisation of art and culture and cosmopolitan citizens, she lives lonely in her father’s house, and leads her life as a freelance editor and writer. Thus, the main objective of the study is to explore unconventionality and nomadic life of Qayenaat, who has failed as an artist in her life.