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Relevant bibliographies by topics / Art and holography

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Academic literature on the topic 'Art and holography'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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Journal articles on the topic "Art and holography"

1

Crenshaw. "The Dynamic Display of Art Holography." Arts 8, no. 3 (September 19, 2019): 122. http://dx.doi.org/10.3390/arts8030122.

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Holograms have been displayed in single-artist and group exhibitions, since the late 1960’s. The content within a holographic image can be greatly compromised if the hologram is not displayed correctly. Holography exhibitions can either enhance or diminish the impact of the images depending on how the exhibit layout and lighting are designed. This paper looks at art holography from the exhibition installation perspective and offers methods for assuring dynamic displays.

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Desbiens, Jacques. "The Dispositif of Holography." Arts 8, no. 1 (February 26, 2019): 28. http://dx.doi.org/10.3390/arts8010028.

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The French word dispositif, applied to visual art, encompasses several components of an artwork, such as the apparatus itself as well as its display conditions and the viewers themselves. In this article, I examine the concept of dispositif in the context of holography and, in particular, synthetic holography (computer-generated holography). This analysis concentrates on the holographic space and its effects on time and colors. A few comparisons with the history of spatial representation allow us to state that the holographic dispositif breaks with the perspective tradition and opens a new fie

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Pepper, Andrew. "The Gallery as a Location for Research-Informed Practice and Critical Reflection." Arts 8, no. 4 (September 27, 2019): 126. http://dx.doi.org/10.3390/arts8040126.

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Creative holography could still be considered a fringe medium or methodology, compared to mainstream art activities. Unsurprisingly, work using this technology continues to be shown together with other holographic works. This paper examines the merits of exhibiting such works alongside other media. It also explores how this can contribute to the development of a personal critical framework and a broader analytical discourse about creative holography. The perceived limitations of showing holograms in a “gallery ghetto” are explored using early critical art reviews about these group exhibitions.

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Alonso Blanco, Angel. "El holograma como Experiencia Artística." Barcelona Investigación Arte Creación 4, no. 2 (June 2, 2016): 168. http://dx.doi.org/10.17583/brac.2016.1700.

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Holography has been used as a way of artistic expression, but it has little presence in art events, neither in articles about holographic woks in specialized magazines are very common, although valuable creators have experienced it, since the catalán Salvador Dalí to the american Bruce Nauman.This text explorer the cause of this poor presence. It’s strange that something so attractive and visually rich (also simbolically) is not visible in our historical moment, characterized by the voracity of convert in artistic resource any possible element.After research about the development of holography

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John, Pearl. "The Silent Researcher Critique: A New Method for Obtaining a Critical Response to a Holographic Artwork." Arts 8, no. 3 (September 10, 2019): 117. http://dx.doi.org/10.3390/arts8030117.

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The purpose of this article is to provide a plausible answer as to whether the Z-axis of holographic space can be used to depict a chronological narrative with an affective impact. This article describes a practice-based holographic arts study in which the author created interactive artworks with family photographs taken from the late 1800s to the present day, and stacked them in chronological order within the Z-axis of holographic space. The artworks were evaluated by different audiences to determine whether the viewer could perceive the new application of holographic space, and whether the a

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Benyon, Margaret, and John Webster. "Pulsed Holography as Art." Leonardo 19, no. 3 (1986): 185. http://dx.doi.org/10.2307/1578235.

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Richardson, Martin. "Mixed Media: Holography within Art." Leonardo 20, no. 3 (1987): 251. http://dx.doi.org/10.2307/1578168.

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Barilleaux, René Paul, and Rene Paul Barilleaux. "Holography and the Art World." Leonardo 25, no. 5 (1992): 417. http://dx.doi.org/10.2307/1575746.

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Murray, Kevin. "Art in Holography2 Postcard collection, edited by Patrick Boyd. International Congress on Art in Holography ." Leonardo 34, no. 1 (February 2001): 83. http://dx.doi.org/10.1162/leon.2001.34.1.83a.

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Corda, Roberto, Daniele Giusto, Antonio Liotta, Wei Song, and Cristian Perra. "Recent Advances in the Processing and Rendering Algorithms for Computer-Generated Holography." Electronics 8, no. 5 (May 17, 2019): 556. http://dx.doi.org/10.3390/electronics8050556.

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Digital holography represents a novel media which promises to revolutionize the way the users interacts with content. This paper presents an in-depth review of the state-of-the-art algorithms for advanced processing and rendering of computer-generated holography. Open-access holographic data are selected and characterized as references for the experimental analysis. The design of a tool for digital hologram rendering and quality evaluation is presented and implemented as an open-source reference software, with the aim to encourage the approach to the holography research area, and simplify the

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Dissertations / Theses on the topic "Art and holography"

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Benyon, Margaret. "How is holography art?" Thesis, Royal College of Art, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359209.

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Rush, Amy Art College of Fine Arts UNSW. "Rainbow holograms." Awarded by:University of New South Wales. School of Art, 2007. http://handle.unsw.edu.au/1959.4/35241.

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Rainbow holography is the medium I have chosen to specialize in. Holography itself uses light as a sculptural element. In regards to my work, rainbow holography stresses the field of experimentation with the light spectrum until a certain point that I define as travelling the superhighway from reality to virtual worlds. My work appears then as the documentation, in the form of rainbow holograms, of this travel. It depicts narrative imagery while capturing the moments I existed in this virtual world set behind the rainbow. This project aims to present through still, 3D and filmic imagery the c

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Diers, Belinda Gail. "Claywork within the holographic paradigm: a transpersonal perspective on art therapy." Thesis, Rhodes University, 1999. http://hdl.handle.net/10962/d1002471.

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This thesis is grounded in the theoretical discourses of art therapy and transpersonal psychology. The focus is on a single session of claywork, where a sculpture was made and discussed, leading to an understanding of some of the sculptor's central psychological issues. The overall aim of the research was to examine different hermeneutic perspectives on art therapy with clay sculpture in terms of how well they open up and do justice to the experience of the sculptor and the nature of the overall process. Within this there are two particular goals: Firstly, to examine the extent to which the ho

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Chalfant, Deborah Parker. "Applications of art and technology for artists and educators in holography and videos." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1322762112.

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Dawson, Paula Heatley Art College of Fine Arts UNSW. "The Concrete Holographic Image: an Examination of Spatial and Temporal Properties and their Application in a Religious Art Work." Awarded by:University of New South Wales. School of Art, 2000. http://handle.unsw.edu.au/1959.4/18201.

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The premise of this thesis is that the ???concrete holographic image???, a laser transmission hologram which has an object or a hologram of an object as its subject, has unique spatial and temporal properties which can suggest a plurality of tenses to a viewer. There is a lack of comprehensive analysis of the holographic representational system within art related theoretical and critical writing and a tendency to analyse individual works only in terms of generalities which apply to the concepts surrounding the holographic medium. While these form an important background for art image productio

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Young, Duncan. "Fine art application of holography : the historical significance of light and hologram in visual preception and artistic depiction." Thesis, Liverpool John Moores University, 1998. http://researchonline.ljmu.ac.uk/5035/.

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Chaban, Antonina. "Non-invasive methods for the study of wall decorations in art history and archaelogy Metodi non invasivi per lo studio degli apparati decorativi di interesse archeologico e storico-artistico." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3422212.

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Wall paintings and mosaics, especially those of archaeological and art historical interest, represent a complex object of study. They are characterized by the presence of a highly valuable decorated surface and several underlying preparation layers, acting as interface to the structural support. The presence of hidden defects within this structure can be related to the ageing and deterioration of materials, inhomogeneities can be the result of past restoration interventions on the ancient artwork. This thesis project introduces a combined in-situ non-invasive approach to characterize ancient w

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Azevedo, Paola Cristine Almeida. "Gravura em luz : uma possibilidade holistica da calcogravura e a holografia." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284315.

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Orientador: Jose Joaquim Lunazzi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T03:37:00Z (GMT). No. of bitstreams: 1 Azevedo_PaolaCristineAlmeida_D.pdf: 3042587 bytes, checksum: 6e2407a885f75cbe4b90031a1cadd1f1 (MD5) Previous issue date: 2007<br>Resumo: Esta pesquisa objetivou criar e refletir sobre o alargamento de linguagens usadas na arte e a tecnologia como parâmetros de criação de um trabalho em poéticas visuais. Para estruturar esses conceitos, foram levantadas leituras referentes à mudança paradigmática da segunda

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Rhoades, Michael Jewell. "Composing Holochoric Visual Music: Interdisciplinary Matrices." Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/102159.

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With a lineage originating in the days of silent films, visual music, in its current incarnation, is a relatively recent phenomenon when compared to an historically broad field of creative expression. Today it is a time-based audio/visual territory explored and mined by a handful of visual and musical artists. However, an extensive examination of the literature indicates that few of these composers have delved into the associable areas of merging virtual holography and holophony toward visual music composition. It is posited here that such an approach is extremely rich with novel expressive po

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Tornari, Vivi. "Holographic interference : structural deformation detection applied to cultural heritage objects." Thesis, University of Sunderland, 2013. http://sure.sunderland.ac.uk/5228/.

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Interference is a fundamental physical phenomenon proving the wave nature of energy. It is based on wave superposition forming natural waveeffects expressed both in nature under random selective conditions as well as in laboratory scientific experiments by carefully controlled selection of parameters. Science generates a number of technology applications using the inherited properties of waves after their superposition in space termed interference. These interfering waves have extremely rare properties compared to their initial physical systems and become entities with measurable quantities wh

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Books on the topic "Art and holography"

1

H, Jeong Tung, Bjelkhagen Hans I, and Lake Forest College. Center for Photonics Studies., eds. Sixth International Symposium on Display Holography, 21-25 July 1997, Lake Forest, Illinois. Bellingham, Wash: SPIE, 1998.

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Shinbunsha, Chūnichi, and Ibaraki-ken Tsukuba Bijutsukan, eds. Sekai no horogurafi ten: Toki to kūkan no imēji : 1992 Ibaraki-ken Tsukuba Bijutsukan = World of holographic art. [Tsukuba]: Ibaraki-ken Tsukuba Bijutsukan, 1992.

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Tyler, Douglas E. Leading lights: Women in holography. Notre Dame, Ind: Department of Art, Saint Mary's College, 2003.

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1936-, Caulfield H. J., Leith Emmett N, and Denisi︠u︡k I︠U︡ N, eds. The art and science of holography: A tribute to Emmett Leith and Yuri Denisyuk. Bellingham, WA: SPIE Optical Engineering Press, 2004.

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5

Croydon, Michael. 1991 fourth international exhibition of holography: Catalogue of holograms. Lake Forest, Ill: Lake Forest College, 1991.

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6

International Symposium on Display Holography (7th 2006 St. Asaph, Wales). Proceedings of the 7th International Symposium on Display Holography. Edited by Bjelkhagen Hans I. [Exeter?]: River Valley Press, 2006.

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7

Städtische Galerie im PrinzMaxPalais Karlsruhe. та Museum für Holographie & Neue Visuelle Medien (Pulheim, Germany), ред. Holomedia ʹ86: Faszination in Licht und Ton : Ausstellung in der Städtischen Galerie im Prinz-Max-Palais Karlsruhe ... 11. Oktober bis 7. Dezember 1986. Karlsruhe: Die Galerie, 1986.

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Achim, Lipp, Zec Peter, and Hamburger Kunsthalle, eds. Mehr Licht: Künstlerhologramme und Lichtobjekte = More light. Hamburg: Fielmann, 1985.

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9

Printing, London College of. No art in holography: Dissertation for BA PFT, 1987. London: LCP, 1987.

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Coyle, Rebecca. Apparition: Holographic art in Australia. Sydney: Power Publications, 1995.

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Book chapters on the topic "Art and holography"

1

Pioaru, I. "Virtual Reality Holography—A New Art Form." In Springer Series on Cultural Computing, 317–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42097-0_17.

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Denz, Cornelia. "Structuring and Securing Data with Holography—A Holistic Interdisciplinary Approach." In The Art of Structuring, 251–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06234-7_24.

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Bally, G. "Holography in Medicine and Biology - State of the Art and the Problem of Increasing Militarization." In Optical Metrology, 441–58. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3609-6_28.

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Stuerwald, Stephan. "Available Systems and State of the Art." In Digital Holographic Methods, 73–83. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00169-8_3.

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Haghanikar, Mojgan M. "The Art of Thinking About Complex Systems." In Visualizing Dynamic Systems: Volumetric and Holographic Display, 1–18. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-031-02092-6_1.

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Tonomura, A. "Electron Holography and Its Applications to Surface Observation." In Ordering at Surfaces and Interfaces, 31–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-84482-9_4.

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Afshar, H., A. Bagchi, S. Detournay, D. Grumiller, S. Prohazka, and M. Riegler. "Holographic Chern–Simons Theories." In Modifications of Einstein's Theory of Gravity at Large Distances, 311–29. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10070-8_12.

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Oldenburg, Ian Antón, Hayley Anne Bounds, and Nicolas C. Pégard. "High-Speed All-Optical Neural Interfaces with 3D Temporally Focused Holography." In Neuromethods, 101–35. New York, NY: Springer US, 2023. http://dx.doi.org/10.1007/978-1-0716-2764-8_4.

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AbstractUnderstanding brain function requires technologies that can monitor and manipulate neural activity with cellular resolution and millisecond precision in three dimensions across large volumes. These technologies are best designed using interdisciplinary approaches combining optical techniques with reporters and modulators of neural activity. While advances can be made by separately improving optical resolution or opsin effectiveness, optimizing both systems together matches the strengths and constraints of different approaches to create a solution optimized for the needs of neuroscientists. To achieve this goal, we first developed a new multiphoton photoexcitation method, termed 3D-Scanless Holographic Optogenetics with Temporal focusing (3D-SHOT), that enables simultaneous photoactivation of arbitrary sets of neurons in 3D. Our technique uses point-cloud holography to place multiple copies of a temporally focused disc, matched to the dimensions of a neuron’s cell body, anywhere within the operating volume of the microscope. However, since improved placement of light, on its own, is not sufficient to allow precise control of neural firing patterns, we also developed and tested optogenetic actuators ST-ChroME and ST-eGtACR1 that fully leverage the new experimental capabilities of 3D-SHOT. The synergy of fast opsins matched with our technology allows reliable, precisely timed control of evoked action potentials and enables on-demand read-write operations with unprecedented precision. In this chapter, we review the steps necessary to implement 3D-SHOT and provide a guide to selecting ideal opsins that will work with it. Such collaborative, interdisciplinary approaches will be essential to develop the experimental capabilities needed to gain causal insight into the fundamental principles of the neural code underlying perception and behavior.

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Sima, Adrian, Paul Schiopu, Marian Vladescu, Bogdan-Mihai Gavriloaia, Florin Garoi, and Victor Damian. "Real - Time Spatial Light Modulated Digital Holographic Interferometry Applied in Art Structural Diagnosis." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 193–98. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92213-3_28.

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Li, Rita Yi Man, Kwong Wing Chau, and Daniel Chi wing Ho. "AI Object Detection, Holographic Hybrid Reality and Haemodynamic Response to Construction Site Safety Risks." In Current State of Art in Artificial Intelligence and Ubiquitous Cities, 117–34. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0737-1_8.

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Conference papers on the topic "Art and holography"

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Pryputniewicz, Ryszard J. "Quantification of Holographic Interferograms: State of the Art Methods." In Holography. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/holography.1986.ma1.

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The problem of quantification of holographic interferograms is not trivial. Even today, 20 years after the invention of hologram interferometry, there is not yet a general method available that can be used reliably to interpret holographic fringe patterns to obtain information on displacements and/or deformations of arbitrary objects. However, a number of methods and systems have been developed for specific applications. The results that are being obtained using these methods are contributing to the further growth of holographic interferometry; the most promising of the methods used are those

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Richardson, Martin J., and Hans I. Bjelkhagen. "Art of color holography: pioneers in change." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402488.

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Benyon, Margaret. "Holography as art: cornucopia." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201887.

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Bryskin, V. Z., and A. Prostev. "Holographic art." In International Seminar on 3-D Holography, edited by Tung H. Jeong and Vladimir B. Markov. SPIE, 1991. http://dx.doi.org/10.1117/12.19366.

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Boone, Pierre M. "Holography: science and art." In International Conference on Applied Optical Metrology, edited by Pramod K. Rastogi and Ferenc Gyimesi. SPIE, 1998. http://dx.doi.org/10.1117/12.323316.

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Azevedo, Isabel, Joao Dixo, and Joao L. Pinto. "Holography and art: two ways of being a voyeur." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402491.

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Menning, Melinda, and James A. Piper. "Holography as a medium for the confluence of art and science." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402489.

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Shetka, Stanley J. "World Art Project and holography." In LkForest 91, edited by Tung H. Jeong. SPIE, 1992. http://dx.doi.org/10.1117/12.57811.

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Jeong, Tung H. "Holography In Art And Education." In 1985 Los Angeles Technical Symposium, edited by Lloyd Huff. SPIE, 1985. http://dx.doi.org/10.1117/12.946528.

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Barachevsky, Valery A. "Organic storage media for holographic optical memory: state-of-the-art and future." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402478.

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Reports on the topic "Art and holography"

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Maydykovskiy, Igor. Consciousness as a new form of the matter’s state. Intellectual Archive, August 2021. http://dx.doi.org/10.32370/iaj.2555.

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The article discusses the physical model of the implicative form of Consciousness in the form of a holographic wave matrix, for which the material basis is directly the phase environment that fills the entire Space. It is shown that a similar form of Consciousness that exists outside the human brain can be represented as a kind of software shell that controls all forms of matter by implementing a fractal cyclic iterative algorithm. The condition for the completion of each iterative cycle at each scale level is the observance of the laws of symmetry that ensure the survival of the object in the

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