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1

United States International Trade Commission. Fresh and chilled Atlantic salmon from Norway: Determination of the Commission in investigation no. 701-TA-302 (Final) under the Tariff Act of 1930, together with the information obtained in the investigation : determination of the Commission in investigation no. 731-TA-454 (Final) under the Tariff Act of 1930, together with the information obtained in the investigation. U.S. International Trade Commission, 1991.

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2

Forsgren, Frida. San Francisco beat art in Norway. Forlaget Press, 2008.

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3

Gallery, 369, ed. Northern horizons: New art from Norway. 369 Gallery, 1989.

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4

Bossan, Enrico. Cold current: Contemporary artists from Norway. Antiga edizioni, 2017.

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5

Maureen, Furniss, ed. Animation: Art & industry. John Libbey, 2007.

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6

Maureen, Furniss, ed. Animation: Art & industry. John Libbey, 2007.

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7

Stewart, Janice S. The folk arts of Norway. 3rd ed. Nordhus Pub., 1999.

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8

Döhring, Karl. Art and art-industry in Siam. 5th ed. Siam Society Under Royal Patronage, 1999.

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9

Rusten, Grete, Linda Sangolt, and Kerstin Potthoff. Norway: Nature, industry and society. Fagbokforlaget, 2013.

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10

Ohrvik, Ane. Medicine, Magic and Art in Early Modern Norway. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-46742-3.

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11

Rolf, Winkes, ed. Late Roman art industry. G. Bretschneider, 1985.

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12

Gallery, Laing Art, ed. Art works for industry. Laing Art Gallery, 1986.

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13

Paus, Arne. Livstegn: Reise i et østlands-landskap. Grøndahl, 1990.

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14

Harr, Karl Erik. Nord i leia =: On the northern seaway. J.M. Sternersen, 1990.

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15

Leeflang, Micha, and Alexandra Böhme. North & south: Medieval art from Norway and Catalonia, 1100-1350. Edited by Rijksmuseum Het Catharijneconvent and Museu Episcopal de Vic. WBOOKS, 2019.

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16

Mürer, Annette. The National Theatre of Norway: Ibsen's own stage. Boksenteret, 1997.

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17

Lykkeberg, Toke, and Birta Gudjonsdottir. The viewer: Momentum 8, Tunnel vision, 8th Nordic Biennial of Contemporary Art, Moss/Norway. Edited by Punkt Ø (Art gallery : Norway) and Momentum Biennial (8th : 2015 : Moss, Norway). Mousse Publishing, 2015.

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18

Lykkeberg, Toke, and Birta Gudjonsdottir. The reader: Momentum 8, Tunnel vision, 8th Nordic Biennial of Contemporary Art, Moss/Norway. Edited by Punkt Ø (Art gallery : Norway) and Momentum Biennial (8th : 2015 : Moss, Norway). Mousse Publishing, 2015.

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19

Nasjonalgalleriet (Norway). Kobberstikk- og håndtegningsamlingen. Tidemand og Gude: Studiereisene i Norge 1843 : 15. juli-1. oktober 1989 / Kobberstikk- og håndtegningsamlingen, Nasjonalgalleriet Oslo ; [tillrettelagt av Sidsel Helliesen og Bodil Sørensen]. Nasjonalgalleriet, 1989.

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20

(Norway), Nasjonalgalleriet. Nyervervelser 1997-1998: Maleri og skulptur : 6. mars-6. april 1999. Nasjonalgalleriet, 1999.

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21

(Norway), Nasjonalgalleriet. A companion to the collections: Romanticism, realism, and art at the turn of the century. Nasjonalgalleriet, 1987.

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22

Ingeborg, Lange Marit, Norway Nasjonalgalleriet, and Bergens billedgalleri, eds. Johan Christian Dahl 1788-1857, jubileumsutstilling 1988: Nasjonalgalleriet 27. februar-1. mai 1988, Bergen billedgalleri 19. mai-3. juli 1988. Nasjonalgalleriet, 1988.

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23

Arlyne, Moi, ed. The Impressionist trail: The what, whence and whither of French masterpieces in Norway. Messel Forlag, 2019.

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24

House, Royal Opera. Annual report.: Art as industry. Royal Opera House, 1993.

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25

1951-, Fischer Volker, Albus Volker 1949-, Gros Jochen, and Thun Matteo, eds. Design now: Industry or art? Prestel, 1989.

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26

Cass, Eddie. Lancashire: Industry, art and literature. Portico Library, 1998.

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27

National Council on Education for the Ceramic Arts (U.S.). Conference. Triaxial blend: Art, industry, technology. NCECA, 1996.

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28

Archaeological Institute of America. General Meeting, ed. Pompeii: Art, industry, and infrastructure. Oxbow Books, 2011.

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29

Alphant, Marianne. Claude Monet in Norway: Marianne Alphant ; English translation by Maeve de la Guardia =. Hazan, 1994.

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30

Norge, ARLIS. Kunstbibliothek i Norge: En håndbok = Art libraries in Norway : a handbook. ARLIS Norge, 1989.

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31

Loge, Øystein. Gartneren under regnbuen: Hjemstavnskunstneren Nikolai Astrup. Dreyer, 1986.

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32

Wiig, Einar. Bernt Tunold. Nord 4, 1991.

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33

Askeland, Jan. Adolph Tidemand og hans tid. Aschehoug, 1991.

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34

United States International Trade Commission., ed. Certain carbon steel products from Austria, Czechoslovakia, East Germany, Hungary, Norway, Poland, Romania, Sweden, and Venezuela: Determinations of the Commission in investigations nos. 701-TA-225-234 (preliminary) under the Tariff Act of 1930, together with the information obtained in the investigations : determinations of the Commission in investigations nos. 731-TA-213-217, 219, 221-226, and 228-235 (preliminary) under the Tariff Act of 1930, together with the information obtained in the investigations. U.S. International Trade Commission, 1985.

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35

1955-, Veiteberg Jorunn, and Norway Kgl Utenriksdepartement, eds. Rooms with a view: Women's art in Norway, 1880-1990. Royal Norwegian Ministry of Foreign Affairs, 1989.

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36

Árnadóttir, Lilja, Kiran Ketil 1950-, Norsk institutt for kulturminneforskning, and Þjóðminjasafn Íslands, eds. Church and art: The medieval church in Norway and Iceland. Norwegian Institute for Cultural Heritage Research, 1997.

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37

Kerssenbrock, Ferdinand. Graulhet: Art de bâtir, art de vivre. Privat, 2010.

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38

Mortensen, Joern. Den visuelle kunsten i Operaen. Forlaget Press, 2011.

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39

Christensen, Haaken A. Olivier Debré: Debré et la Norvège = Debré and Norway = Debré y Noruega. Fragments, 1998.

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40

Gersten, Rita. Fashion art for the fashion industry. Fairchild Publications, 1989.

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41

Federation of Indian Chambers of Commerce and Industry. Art industry in India: Policy recommendations. Federation of Indian Chambers of Commerce and Industry, 2010.

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42

Gran, Anne-britt. Kunst Og Kapital: Nye Forbindelser Mellom Kunst, Estetikk Og Næringsliv. Pax, 2005.

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43

Søreide, Fredrik. Maritime Archaeology and Industry. Edited by Ben Ford, Donny L. Hamilton, and Alexis Catsambis. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199336005.013.0044.

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This article establishes the link between maritime archaeology and the industry. Many countries have laws and acts that insist that underwater cultural heritage belongs to the state, with few rewards to the finder. It is argued that this approach discourages responsible private companies from even looking, while individuals are still clandestinely pillaging the coastlines. This article presents a case study from Norway, that shows the archaeological and the industrial sector working together in the country. The pressure on underwater cultural heritage will only increase in the years to come, s
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44

Aamundsen, Martin Berdahl. Street Art Norway. Kontur Publishing, 2011.

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45

Street Art Norway. Kontur Publishing, 2012.

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46

Street art Norway. Kontur forlag, 2010.

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47

Fresh and chilled Atlantic salmon from Norway: Determination of the Commission in investigation no. 701-TA-302 (preliminary) under the Tariff Act of 1930, together with the information obtained in the investigation. U.S. International Trade Commission, 1990.

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48

Lodoen, Trond, and Gro Mandt. Rock Art of Norway. Oxbow Books, Limited, 2010.

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49

Art in Norway today. Royal College of Art?, 1985.

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50

Rock Art of Norway. Windgather Press, 2010.

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