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Dissertations / Theses on the topic 'Art and literature'

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1

Johnson, Scott. "Systemic concepts in literature and art." Diss., This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-07282008-135409/.

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2

Heuser, Manfred Franzmann Majella. "Studies in Manichaean literature and art /." Leiden ; Boston ; Köln : Brill, 1998. http://catalogue.bnf.fr/ark:/12148/cb370364711.

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Diss.--Bonn university, 1992.<br>Réunit : "The Manichaean myth according to the Coptic sources" / M. Heuser ; transl. by Majella Franzmann et : "Selected studies" / H.-J. Klimkeit. Bibliogr. p. [315]-331 et notes bibliogr.
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3

Guzy, Marta A. "What is art?, Gombrowicz, Eco, and Barthes on art and literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0002/MQ42068.pdf.

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4

Sagerson, Erin Jean. "Art and bread Mike Gold, proletarian art, and the rhetoric of American communism /." [Fort Worth, Tex.] : Texas Christian University, 2009. http://etd.tcu.edu/etdfiles/available/etd-05012009-115428/unrestricted/Sagerson.pdf.

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5

Williams, Cheryl Lynn. "Mapping the art historical landscape : genres of art history appearing in art history literature and the journal, Art education /." Connect to this title online, 1997. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1102365647.

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6

Town, Caren Jamie. "The art of suspended compromise in American literature /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/9453.

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7

Mathewson, Steven D. "The art of preaching Old Testament narrative literature." Theological Research Exchange Network (TREN) Access this title online, 2000. http://www.tren.com/search.cfm?p068-0218.

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8

Gibson, Ebony Z. "Art for whose Sake?: Defining African American Literature." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/17.

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This exploratory qualitative study describes the criteria that African American Literature professors use in defining what is African American Literature. Maulana Karenga’s black arts framework shaped the debates in the literature review and the interview protocol; furthermore, the presence or absence of the framework’s characteristics were discussed in the data analysis. The population sampled was African American Literature professors in the United States who have no less than five years experience. The primary source of data collection was in-depth interviewing. Data analysis involved open
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9

Nickels, Zachary. "The Art of Loneliness." Kent State University Honors College / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1462549085.

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10

Reginio, Robert, David Houston Jones, and Katherine Weiss. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/3838210794/.

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art―he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond.The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like minimalism and conceptual a
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11

Swirski, Peter. "Poe, Lem, and the art and science of literature." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40004.

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Transcending the boundaries of literature, the works of Edgar Allan Poe and Stanislaw Lem contribute to a dialogue between literary, philosophical, and scientific cultures. A critical approach to these writers that ignores the epistemic dimension in their works opens itself to the charge of misunderstanding their artistic goals and aspirations. In my dissertation I thus define, justify, and conduct an interdisciplinary study of Poe and Lem's works.<br>My project is underwritten by the epistemological assumption that literary works, and notably works of fiction, can make a contribution to knowl
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12

Otty, Lisa. "Signals and noise : art, literature and the avant-garde." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3454.

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One of the most consistent features of the diverse artistic movements that have flourished throughout the twentieth century has been their willingness to experiment in diverse genres and across alternative art forms. Avant-gardes such as Expressionism, Dada, Surrealism, Futurism, Fluxus and Pop were composed not only of painters but also dramatists, musicians, actors, singers, dancers, sculptors, poets and architects. Their works represent a dramatic process of crossfertilization between the arts, resulting in an array of hybrid forms that defy conventional categorisation. This thesis investig
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13

Waite, Noel D. "Adventure and art : literature publishing in Christchurch, 1934-95." Thesis, University of Canterbury. English, 1996. http://hdl.handle.net/10092/6652.

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This thesis charts the evolution of a publishing infrastructure in Christchurch, where a resourceful, and unusually professional commitment to the development of New Zealand literature has been exhibited. Specifically; it presents histories and preliminary bibliographical checklists of Caxton, Pegasus, Nag's Head, Hawk and Hazard Presses, as well as briefly examining the future of the publishing industry in the face of the Whitcoulls takeover and revolutionising computer technology. This examination of the development of a locally based publishing infrastructure provides insight into the devel
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14

Hoffman, Nicholas D. "The Art of Information Management| English Literature, 1580-1605." Thesis, State University of New York at Buffalo, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10013556.

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<p> &ldquo;The Art of Information Management&rdquo; explores the ways that information technologies influence thought and take shape in imaginative works of literature at the turn of the seventeenth century in early modern England, from 1580 to 1605. Imaginative literature becomes a space for articulating the challenges presented by discourses perceived to have been unalterably expanded and amplified through technology, as well for experimenting with strategies to respond to those challenges.</p><p> Drawing on studies of early modern Materialism, New Historicism, Literary History, Digital Hu
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15

LiBassi, Marguerite. "Specularity in Late Nineteenth-Century French Literature and Art." ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/td/4.

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In the mid-to-late 1800s, French writers and artists resolved to shed their Romantic skins in favor of new self-conscious "husks"--to borrow Baudelaire's poetic term--that is to say: Naturalism, Realism, Impressionism and Symbolism. Some of the older reformers found themselves in an awkward, transitional stage contrary to the younger vanguardists who bore no allegiance to the past. The first group included Baudelaire, Flaubert, Courbet, Manet, Degas and Pissarro while the latter listed among its most successful members: Zola, Mallarmé, Huysmans, Morisot, Monet, Renoir and Cézanne. This thesis
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16

Tsaturyan, Christina Ann. "Sport as Art: The Female Athlete in French Literature." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2347.

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The modern conception of organized, codified sport originated in Europe during the 19th century. At this time, instructors began to institute the practice of certain physical activities at school as a means of teaching morals, forming character, and initiating social exchange. Sport is particularly appropriate for forming men because of its public, physical nature. The values it instills—courage, strength, leadership—are also decidedly masculine. What, then, is made of the female athlete? Are the noble qualities that sports affirm inapplicable to women? In this thesis, I argue that female part
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17

Disque, J. Graham, and D. Henderson. "Using Art, Literature, Film and Music in Counselor Education." Digital Commons @ East Tennessee State University, 1995. https://dc.etsu.edu/etsu-works/2837.

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18

Mentan, Julia Elizabeth. "Beyond art and politics : voices of Spanish modernism /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6661.

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19

Ranyard, Marie Phyllis. "Transcontextual mechanisms in contemporary art music." Thesis, City University London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264241.

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20

Kelly, Michael R. ""Be living and not dead souls" : Gogol's art of transformation." Connect to resource, 1996. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1229698451.

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21

Shaw, Phillip. "Personalism in John Donne's Art." TopSCHOLAR®, 2003. http://digitalcommons.wku.edu/theses/566.

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This study examines personalism in John Donne's art: to what extent his poems are a product of his personality over and above conscious invention and artifice. It argues that Donne writes the way he does because, for the most part, he fails to attain distance from his work. The subjects that he writes about regularly are straight from his own life, and his take on them is highly personal. This paper brings in some biographical details but in general is concerned with scrutinizing Donne's writings in order to understand his imagination. Its primary method is to trace the repetition, resonance,
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22

Bartlett, Mark. "Chronotopology and the scientific-aesthetic in philosophy, literature and art /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2005. http://uclibs.org/PID/11984.

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23

Platt, Verity J. "Epiphany and representation in Graeco-Roman culture : art, literature, religion." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422525.

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24

Sutherland, Helen Margaret. "The function of fantasy in Victorian literature, art and architecture." Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/5183/.

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In this thesis I examine the ways in which the Victorians used fantasy in literature, art, and architecture to explore the main areas of debate and key issues which were giving rise to anxiety in their society, in some cases upholding the status quo, but in others questioning accepted social mores. In particular, I consider the ways in which fantasy was used to examine what happens in a society when its traditional religious beliefs are challenged, either by commercialism as an economic creed, or by the acquisition of new knowledge, be this in the realm of science (theories of evolution) or th
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25

Wootton, Sarah. "Consuming Keats : nineteenth-century re-presentations in art and literature." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339951.

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26

Schmeling, Tamara. "Representing the king : George IV's image in literature and art." Thesis, University of York, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424578.

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27

Zourgou, Anna. "The judgement of Paris in ancient Greek art and literature." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/51092/.

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The Judgement of Paris has been one of the most influential and popular myths throughout antiquity. Significant work has been done by previous scholars on the collection and analysis of artistic representations of the Judgement. This thesis is also looking into the Judgement of Paris in ancient Greek art, but it mainly focuses on the collection and analysis of the references to the myth in Greek literature from the eighth century B.C. to the second century A.D. Special attention is paid to recurring themes and ideological implications that the Judgement story raises, as well as to the interact
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28

Box, M. "The suasive art of David Hume's writings." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371606.

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29

Galikowski, Maria B. "Art and politics in China, 1949-1986." Thesis, University of Leeds, 1990. http://etheses.whiterose.ac.uk/2287/.

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The objective of this thesis is to examine the complex pattern of the relationship between politics and art in the People’s Republic of China between 1949 and 1986, analysing the three most important aspects of this relationship , namely organisational structures, the ideological framework and political movements. The principal issue addressed in this research is that of how the Communist Party's policies on culture and art have affected the development of art theory and the creative work of artists in China. The thesis consists of four chapters representing the major historical stages of the
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30

Toropov, Stephen William. "Interpretation As Art: A Collection and Examination of Ekphrastic Poetry." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429877149.

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31

Stowell, Steven. "The mystical experience of art : Medieval Christian themes in the literature on art of the Italian Renaissance." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517020.

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32

吳長和 and Cheng-woo Ng. "References to culinary art in the Shijing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31239122.

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33

Woollam, Angela M. "The rhetorical art of some Vernon refrain lyrics." Thesis, University of Ottawa (Canada), 2001. http://hdl.handle.net/10393/6051.

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The dissertation considers how the anonymous authors of six moral and religious pseudo-ballade refrain poems first attested in the late fourteenth-century Vernon manuscript (Oxford, Bodleian Library, MS. Eng. poet.a.1) manipulate devices such as speaking persona, word-play, and allegory in ways that support rhetorical strategies hitherto unrecognized in Middle English lyric. The study begins with stemmatic analyses that identify, as far as is possible from the physical record, the archetypal text, or "work," of each poem. Chapter One then provides an overview of scholarship that has focussed o
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34

Boulton, David. "Fine art image classification based on text analysis." Thesis, University of Surrey, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252478.

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35

Bickley, Pamela Carol. "Rossetti's 'Tributary Art' : medievalism and aesthetic interdependence in the writing of Dante Gabriel Rossetti with some reference to his visual art." Thesis, Royal Holloway, University of London, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251359.

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36

Holt, Amy-Ruth. "Shiva's divine play art and literature at a South Indian Temple /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196129102.

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37

Brannin, Alder M. W. "Princess or pawn Creusa of Corinth in classical literature and art /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1210778909.

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Thesis (M.A.)--University of Cincinnati, 2008.<br>Advisor: Kathryn Gutzwiller, PhD. Title from electronic thesis title page (viewed Sep. 5, 2008). Includes abstract. Includes bibliographical references.
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38

SILVA, RAPHAEL MARTINS DA. "THE BARBARITY AS ART: TRENDS OF LITERATURE AND CONTEMPORARY BRAZILIAN MOVIES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7210@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>O propósito desta dissertação é refletir acerca das relações existentes entre literatura e cinema no que toca a representação do fenômeno da violência nas obras literárias e suas respectivas versões cinematográficas. Para isso foram utilizados três livros que apresentam a violência enfocada por diversos prismas. São eles: Estação Carandiru de Drauzio Varella, Cidade de Deus de Paulo Lins e O Invasor de Marçal Aquino. O exame feito por teóricos sobre a linha tênue que hoje divide ficção de realidade também foi abordado como um dos pont
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39

FILGUEIRAS, CARMEN DE PAULA. "THE COMPLEX ART OF MURDER: THE POLICE GENRE IN CONTEMPORARY LITERATURE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30103@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>PROGRAMA DE DOUTORADO NO PAÍS COM ESTÁGIO NO EXTERIOR<br>A literatura policial nasceu em um ambiente de revolução técnica que modificou profundamente o cotidiano na cidade. Essa transformação afetou a relação entre sociedade e arte, além de criar condições para o desenvolvimento da imprensa, primeiro suporte em que as narrativas do gênero foram publicadas. Ao longo de quase dois séculos, a literatura policial sofreu alt
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40

Mashigoane, Mncedisi Siseko. "Art as craft and politics : the literature of Mongane Wally Serote." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/7875.

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41

Holt, Amy-Ruth. "Shiva’s divine play: art and literature at a South Indian Temple." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1196129102.

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42

BRANNIN, ALDER M. W. "Princess or Pawn: Creusa of Corinth in Classical Literature and Art." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1210778909.

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43

Kent, Neil. "Light and nature in late 19th century nordic art and literature /." Uppsala : Universitätet, 1990. http://catalogue.bnf.fr/ark:/12148/cb35408280q.

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44

Good, Caroline A. "'Lovers of art' : early English literature on the connoisseurship of pictures." Thesis, University of York, 2013. http://etheses.whiterose.ac.uk/5694/.

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English writers and enthusiasts on the arts that existed prior to the eighteenth-century have largely come to be identified in modern scholarship as virtuosi, those who had little or no separate aesthetic appreciation for works of art, but an insatiable curiosity for all manner of natural and mechanical wonders. This thesis examines English literature on painting from the period, and contests the idea that it was only in the eighteenth century that English authors began to write critically about the pictorial arts. Printed literature in fact reveals a sustained interest in the judgement and va
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45

Picchi, Giuliano <1976&gt. "Business models of art galleries: a thematic synthesis of the literature." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15109.

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Art galleries have long been pivotal actors on the art market and the ways they conduct business, blending it with art, vary greatly. Some have distinctly a retail profile whereas others are rather into production, embedded in a value constellation that creates art value. A wide segment of galleries struggle to make any profits while a few top galleries dominate the market, but mobility within the market is strongly influenced by the art fairs. Art fairs have become powerful brands and commercial platforms able to make the difference for galleries and artists’ success, and as such have a stron
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46

Holmes, Barbara. "The decomposer's art : ideas of music in the poetry of Wallace Stevens /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487326511715011.

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47

Christie, James. "Fredric Jameson and the art of Modernism." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/60251/.

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The primary subject of this thesis is the work which Fredric Jameson has published since the year 2000. It argues that this date has functioned as a kind of watershed in thinking about Jameson, and that the work which appeared after it has not yet received close or rigorous enough critical attention, especially in comparison to his very widely read and discussed work of earlier decades; in particular his various writings from the 1980s on the subject of postmodernism. It claims that as a consequence the full significance of this writing has been broadly overlooked. The thesis identifies the ex
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48

Hauch, Linda A. "The storyteller's voice: The dialogic art of Elizabeth Gaskell." Thesis, University of Ottawa (Canada), 1991. http://hdl.handle.net/10393/7872.

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Elizabeth Gaskell was a gifted storyteller. Her letters and her fiction attest to an imagination rooted in oral narrative, marked by the digressiveness and dispersiveness of living speech. She wrote her first novel, she said, as if she were "speaking to a friend over the fire on a winter's night," and the dynamic of telling and listening, the model of the oral narrative act, is paradigmatic of her own narrative. The incorporation of a listener's response into the telling of her story has both formal and semantic implications in Gaskell's fiction. It leads to what one critic has called that "co
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49

Jaleel, Nuzhat. "The metaphysician in the dark : T.S. Eliot consciousness art." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275746.

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White, R. H. G. "Freud's memory : textuality, art and the problem of mourning." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286635.

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