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Dissertations / Theses on the topic 'Art and popular culture – Nigeria'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Makhubu, Nomusa Mary. "The fantastic subject: a visio-cultural study of Nollywood video-film." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1021166.

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The increasing popularity of Nigerian video-film, defined as the ‘Nollywood phenomenon’ (Barrot 2008, Haynes 2010, Adesokan 2011), has attracted recent interdisciplinary academic attention, now known as ‘Nollywood Studies’. The aesthetics and ideological approach of Nollywood video-film are often differentiated from those of the long-established and illustrious African Cinema. Films of Africa are, however, generally characterised by seemingly unique forms of the fantastic – an uneasy theme in scholarship on Nollywood. Although Nollywood video-film is commended by some scholars, its representat
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2

Branca, Andrea. "Identity and Popular Culture In Art Therapy." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/100.

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This paper explores the psychological concept of identity and how popular culture may be used as a theme in art therapy for exploring and repairing life story. The literature review defines identity from varying perspectives with emphasis on awareness of parallels between popular culture and the client’s personal story. These parallels may offer art therapists a framework of images and memories useful specifically to exploring identity development with clients. The case study places client’s identity into the context of popular culture unique to the experiences of the client at varying life st
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3

Sutcliffe, Paul J. C. "Contemporary art in Japan and cuteness in Japanese popular culture." Thesis, University of the Arts London, 2005. http://ualresearchonline.arts.ac.uk/5642/.

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This thesis is an art historical study focussing on contemporary Japan, and in particular the artists Murakami TakashL Mori Mariko, Aida Makoto, and Nara Yoshitomo. These artists represent a generation of artists born in the 1960s who use popular culture to their own ends. From the seminal exhibition 'Tokyo Pop' at Hiratsuka Museum of Art in 1996 which included all four artists, to Murakami's group exhibition 'Little Boy: The Arts of Japan's Exploding Subculture' which opened in April 2005, central to my research is an exploration of contemporary art's engagement with the pervasiveness of cute
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4

Reekie, Duncan. "Not art : an action history of British underground cinema." Thesis, University of Plymouth, 2003. http://hdl.handle.net/10026.1/2329.

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My thesis is both an oppositional history and a (re)definition of British Underground Cinema culture (1959 - 2(02). The historical significance of Underground Cinema has long been ideologically entangled in a mesh of academic typologies and ultra leftist rhetoric, abducting it from those directly involved. The intention of my work is to return definition to the 'object' of study, to write from within. This process involves viewing the history of modem British culture not as a vague monolithic and hierarchic spectrum but rather as a distinct historical conflict between the repressive legitimate
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5

Adedeji, Adewale. "Yoruba culture and its influence on the development of modern popular music in Nigeria." Thesis, University of Sheffield, 2010. http://etheses.whiterose.ac.uk/2257/.

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This thesis focuses on the contributions of the Yorùbá culture to the development of modern Nigerian popular music. It traces the origin, conception and growth of popular music styles in Nigeria and highlights the underlying Yorùbá cultural cum linguistic influence that nurtured their growth within the urban space of Lagos city. It examines how contemporary Nigerian popular music practitioners appropriate the Yorùbá culture in negotiating their musical and national identities and counteract popular music homogenization through the creation of hybrid musical styles and cultures. The work adopts
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6

Bonner, Sarah. "Fairy tales and feminism in contemporary visual art and popular culture." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518484.

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7

Abdulkadir, Mansur Funtua. "Popular culture and advertising in Hausa : cultural appropriation and linguistic creativity in radio advertisements by Bashir Isma'ila Ahmed." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267820.

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8

Dungan, Drew W. "South Park and absurd culture war ideologies the art of stealthy conservatism /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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9

Sherwell, Tina. "Imaging the homeland : representations of Palestine in Palestinian art and popular culture." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269144.

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10

Woods, Carrie L. "Visual Culture: A Case Study." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1193266191.

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11

Hockemeyer, L. "Italian ceramics 1945-1958 : a synthesis of avant-garde ideals, craft traditions and popular culture." Thesis, Kingston University, 2008. http://eprints.kingston.ac.uk/20224/.

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Italy's post World War II art and artisan produce and her small and medium scale ceramic production between 1945 and 1958 has been characterised I by an apparent aesthetic synthesis of avant-garde ideals, craft traditions and popular culture. This thesis examines this particular occurrence through a multi and interdisciplinary approach. It has profited from the application of methodologies deriving from the different fields of history, ceramic-, art-, applied art-, design and architectural history and from information obtained from economic and naval histories and tourist guides. This has enab
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12

Egerton, Jacqueline Linda. "Beyond the sentiment : the image of Victorian motherhood in literature, art and popular culture." Thesis, University of Sussex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273194.

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13

Abiona, Oladoyin Olubukola. "What I Do When I Dance: Foregrounding Female Agency in the Dance Culture in Nigeria." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1621977769335732.

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14

Farinas, Rebecca Lee. "The Aesthetic Agency of Popular Culture in the Writings of Pierre Bourdieu and Arthur C. Danto." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/949.

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ABSTRACT The Aesthetic Agency of Popular Culture: In the Writings of Pierre Bourdieu and Arthur C. Danto Rebecca L. Farinas, Ph.D. Pierre Bourdieu and Arthur C. Danto are significant interlocutors in the areas of aesthetics and popular culture. This study affirmatively answers a question raised by both writers, that popular culture puts forward a strong enough aesthetic to change elitist v
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15

Muzart, Fonseca dos Santos Idelette. "Em demanda da poética popular : Ariano Suassuna e o Movimento Armorial /." Campinas : Ed. da Unicamp, 1999. http://catalogue.bnf.fr/ark:/12148/cb37730759r.

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16

Mbahi, Adamu Anjikwi. "An investigation into the factors which determine students' choice of art education in secondary schools in Nigeria." Thesis, University College London (University of London), 1991. http://discovery.ucl.ac.uk/10018868/.

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The purpose of the study was to examine the factors which influence students' decision to take up the role of an art student in secondary schools in Nigeria and propose ways to advance the study of art in secondary education. Pedagogy tells that children in elementary schools are very interested in art education, but when they leave primary school and enter secondary school, this enthusiasm changes quickly and students no longer show interest in art education. Researches in art education also show that only a fraction of the teenage population which attend secondary schools choose art educatio
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17

Marfella, Claudia. "Art, industrial design, science and popular culture : modernism and cross-disciplinarity in Italy and Great Britain, 1948-1963." Thesis, Kingston University, 2015. http://eprints.kingston.ac.uk/33746/.

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Conceived inside a chronological frame, which starts in 1948, the year the Institute of Contemporary Arts in London founded, and ends in 1963, when Gillo Dorfles wrote a crucial essay on industrial design, concluding more than a decade of discussions, the thesis aims to examine some artistic and cultural phenomena identified in Italy and Great Britain, and seen as the acknowledgement or as the reaction to modernity. Topics and fields taken in consideration within the thesis are technology, science (fact and fiction), vision of the future, the relationship between arts and the awareness of indu
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18

Cascardo, Ana Beatriz Soares. "Grafite contemporâneo no Brasil: da subversão à incongruência conceitual a serviço da arte." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4679.

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A pesquisa analisa os discursos construídos em torno da manifestação cultural conhecida como grafite, abordando os conceitos flutuantes sobre o que seria grafite e o seu papel no mundo da arte. O grafite é abordado como uma manifestação cultural urbana, típica das grandes metrópoles contemporâneas, destacando-se seu caráter popular, que surge e se desenvolve a partir do cotidiano das pessoas no meio social. Foram enumerados e analisados os recursos utilizados para a construção ideológica do grafite como arte e como se dá esta relação, que ocorre de maneira negociada<br>This research is focused
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19

Durodola, Olufunke Treasure Anike. "The rising popularity of Pidgin English radio stations in Nigeria: an audience study of Wazobia FM, Lagos." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1020886.

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This research is located within media studies and draws on the Cultural Studies approach. It is an audience study, which uses the mixed methods of focus group discussions and an online survey to examine the importance of the use of Nigerian Pidgin as a broadcast language in investigating the rising popularity of Pidgin English radio in a multi-ethnic and multi-lingual Nigeria. The study focuses on Wazobia FM, a radio station in Lagos, and the first pidgin station in Nigeria. It seeks to determine whether the station’s audience engaged with the station’s programming based on its prioritisation
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20

Fredwest, Janice M. "Popular Library: Rethinking the Cultural Relevancy of the American Public Library." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277140389.

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21

Vermorel, Fred. "Biography & identity, celebrity & fanhood : researching intersections of avant-garde and popular culture." Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/22495/.

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This PhD by publication critically reviews the background, context, and reception of work published from 1978-2008. The work surveyed, comprises popular music biography, texts on art school influenced bohemia and counterculture, and on celebrity and fan culture. The social and cultural context of the work is mapped and methodological and stylistic issues addressed. The origins of the punk aesthetic through the Sex Pistols is charted. The turn in celebrity studies towards a "fan culture" based approach is demonstrated by the publication of 'Starlust' in 1985. Subsequent work on "fan culture" is
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22

Atashroo, Hazel A. "Beyond the 'Campaign for a Popular Culture' : community art, activism and cultural democracy in 1980s London." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/414571/.

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This thesis offers a new cultural history of State sponsored cultural production in London under the Labour led Greater London Council during the 1980s, bringing the GLC’s cultural policy interventions to the attention of historians of art and culture. The Greater London Council’s Arts and Recreation Committee, and in particular its new ‘Community Arts’ and ‘Ethnic Arts’ Sub-Committees, sought to challenge the Arts Council’s dominant model of cultural sponsorship which aimed to broaden public access to ‘the arts’. The GLC attempted instead to foster a participative ‘cultural democracy’ in Lond
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23

Fernandez, Samuel. "Popular religiosity and Hispanic liturgy toward a mutual enrichment /." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.

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24

Koehler, June, and June Koehler. "An Old Art for a New Culture: The Popular and the Avant-Garde in Josep Renau's Nueva Cultura." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12418.

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The Spanish artist Josep Renau (1907-1982) published the propaganda periodical Nueva cultura from 1935 to 1937. Although richly illustrated with cuttingedge graphic design and photomontage, it made use of popular culture with more frequency than might be expected in a left-wing, vanguard publication. This is seen most notably in the March 1937 special edition, published to coincide with a local, popular festival. In the special edition, Renau primarily utilized popular forms of illustration in the layout. Further, by publishing it in the regional language rather than Castilian Spanish,
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25

Toukan, Hanan. "Art, aid, affect : locating the political in post-civil war Lebanon’s contemporary cultural practices." Thesis, SOAS, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604312.

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26

Ryan, Michael Joseph. "Hard knocks on a thick skull training the body for a "closed habitus" in a Venezuelan civilian combative art /." Diss., Online access via UMI:, 2007.

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27

Weller, Rebecca Ann. "Los Angeles look(ing) process, perception, and popular culture in the art of Larry Bell, Craig Kauffman, and John McCracken /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 270 p, 2008. http://proquest.umi.com/pqdweb?did=1601513221&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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28

Boneh, Galia. "Moving from entertainment towards art a new model for creating performance on HIV/AIDS /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1568127991&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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29

Laforge, Frédéric. "De la question éthique à l'esthétique /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.

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30

Jones, Danielle Lynise. "Perception of cuteness and beauty." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002538.

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31

Dantas, Maria Josevânia. "Cenopoesia, a arte em todo ser: das especificidades artísticas às interseções com a educação popular." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/8581.

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Submitted by Márcio Maia (marciokjmaia@gmail.com) on 2016-08-25T23:28:36Z No. of bitstreams: 1 arquivototal.pdf: 3491039 bytes, checksum: 1aba4cb5847fc4f6cd17f4459a81c238 (MD5)<br>Made available in DSpace on 2016-08-25T23:28:36Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 3491039 bytes, checksum: 1aba4cb5847fc4f6cd17f4459a81c238 (MD5) Previous issue date: 2015-11-23<br>This paper brings up an important issue in popular culture, but rarely addressed in the academic setting: the “cenopoesia”. The phenomenon stands in the study anchored by the themes of art and popular education. It aims
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Chen, Hsiao-ping. "The Significance of Manga in the Identity-Construction of Young American Adults: A Lacanian Approach." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1292280906.

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33

Adams, Alissa Rachel. "The emperor is dead, long live the emperor: Paul Delaroche's portraits of Napoleon and popular print culture." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2431.

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This master's thesis seeks to dispel the myth that nineteenth century painter Paul Delaroche's art was either apolitical or politically conservative. Through an examination of Delaroche's portraits of the late Napoleon I in conjunction with contemporary napoleonic prints, one finds that Delaroche was, indeed, deeply involved with contemporary politics. A close examination of his portraits shows that this involvement manifested itself in support for both the Cult of Napoleon and for the Bonapartist party.
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34

D'Olimpio, Lauralin. "The moral possibilities of mass art." University of Western Australia. Philosophy Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0172.

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This Thesis critically examines the moral possibilities of mass art. Mass art is often dismissed by critics as pseudo or ersatz art, described as 'kitsch' and lacking in aesthetic and moral value. I will critically examine several definitions of mass art which argue whether or not mass art can and should be classified as art qua art, and what its moral possibilities are given that definition. I focus my analysis on the theories proposed by Noel Carroll, Clement Greenberg, R. G. Collingwood, Dwight MacDonald, Walter Benjamin, T. W. Adorno and Max Horkheimer with a view to defending a positive a
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35

Dias, Paulo Henrique Barbosa. "Musica que meu povo gosta." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280467.

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Orientador: Jose Mario Ortiz Ramos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-09T06:37:33Z (GMT). No. of bitstreams: 1 Dias_PauloHenriqueBarbosa_D.pdf: 685823 bytes, checksum: 2fcf476c703edf9a9e935b1280908813 (MD5) Previous issue date: 2007<br>Resumo: A tese analisa os modos como um grupo de sujeitos localizados socialmente define suas preferências por bens simbólicos em geral e por obras, intérpretes, gêneros e estilos musicais em particular. Para tanto procuro 1) definir que lugar ocupa o consumo
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36

Rioux, Christine. "Découverte d'une industrie culturelle, la reproduction des oeuvres d'art au Québec." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29118.

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This dissertation explores the process of reproduction of works of art in the province of Quebec. Reproduction is studied historically, considering its significance as a cultural industry and its characteristics as a mode of communication. The dissertation first engages the theoretical discourse surrounding the novelty of technologies of reproduction of art works at the turn of the century and further pursues an exploration of reproduction within the framework of postmodernity. The phenomenon is studied with special attention to the movement of art works into private spaces.<br>In considering
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37

Percassi, Jade. "Arte, política, educação popular: diálogos necessários para transformação social." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-07072015-132300/.

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Pretendemos com este trabalho contribuir para evidenciar a atualidade do debate conceitual sobre a educação popular, em diálogo com o fazer artístico e a intencionalidade política. Para tanto, lançamos mão da observação participante junto a uma iniciativa de grupos de teatro de grupo da cidade de São Paulo, de criação de espaços coletivos de ação e reflexão sobre seu fazer artístico, investigando potencialidades e limites de sua contribuição estética, políti-ca e pedagógica para a formação cultural e política - e conscientização - da classe trabalhado-ra. Nessa trajetória emergiram questões fu
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38

Beck, Christina [Verfasser]. "The Value of Art. Studies in the Material Character of the Terracotta Figurines of the Nok Culture of Central Nigeria / Christina Beck." München : Verlag Dr. Hut, 2017. http://d-nb.info/112629621X/34.

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Georgelas, Althea. "Media to Medium: Representations of Violence, War & Women in Pop Culture." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1822.

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My work is inspired by the mass Media and how it affects the world around me. I am interested in how violence, war and women are represented in popular culture and how this has trickled down into social behavior. I also wonder how much entertainment media reflects deep social ideals. I define mass media as the viral proliferation of ideas using television, cinema, video gaming and the Internet. I am concerned about the social and psychological affects of violent media and how it impacts the lives of women and girls. This is of particular interest to me because I am a woman who has grown up in
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40

Rierola, de Mas Montsita. "Goula. Art, joc i memòria. D'una aventura industrial a una experiència artística." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/456167.

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L'estudi a l'entorn de la fabrica Goula, que va produir miniatures, figures i jocs educatius a Vic entre els anys 1942 i 1996, posa en relació un cas industrial amb una proposta artística, que dóna lloc al treball de recerca Goula. Art, joc i memòria. D’una aventura industrial a una experiència artística, iniciat a partir de disposar d'una reserva de l'estoc de figures i peces de jocs de quan la fabrica va tancar. La producció artística inicial va propiciar, posteriorment, un interès històric per l'orígen de les peces i de les vicissituds de la indústria que les va crear, impulsant una rece
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Gonçalves, Edson Antonio. "Os bonecões no carnaval de Atibaia = uma experiência em arte-educação." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284427.

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Orientador: João Francisco Duarte Júnior<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-19T14:24:05Z (GMT). No. of bitstreams: 1 Goncalves_EdsonAntonio_M.pdf: 18997944 bytes, checksum: 2088f44ef38ed6c46231aedcfb578860 (MD5) Previous issue date: 2011<br>Resumo: A intenção deste trabalho pode ser justificada em sua essência: uma experiência em arte-educação. Ele destaca propostas de atividades com metas realistas, mais próximas ao universo do aluno e que possam ser realizadas dentro da sala de aula. Neste sentido, a educ
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Johansson, Fredrik. "Den konstnärliga hanteringen av ljud : En studie av ljudkonst och populärkultur." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-65686.

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Uppsatsen undersöker med konstformen ljudkonst och den konstnärliga hanteringen av ljud i fokus en interaktion mellan finkultur och populärkultur. Fokus ligger på aktörer inom populärkulturen som använt sig av konstnärliga strategier med rötter i finkulturen. Undersökningen spårar ljudkonstens historiska bakgrund och främst de förlopp som bidragit till att det är en gränsöverskridande konstform. Den populärkulturella konstvärldens etablering som en social organisation där konstnärlig verksamhet är möjlig undersöks.<br>With concentration on the art form sound art and the artistic treatment of s
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Acres, Harley Blue. "Gender bending and comic books as art issues of appropriation, gender, and sexuality in Japanese art /." Birmingham, Ala. : University of Alabama at Birmingham, 2007. http://www.mhsl.uab.edu/dt/2007m/acres.pdf.

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Dinerstein, Joel Norman. "Swinging the machine : White technology and Black culture between the World Wars /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Nicolau, Netto Michel 1978. "O discurso da diversidade = a definição da diferença a partir da world music." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280864.

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Orientador: Renato José Pinto Ortiz<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-19T21:01:50Z (GMT). No. of bitstreams: 1 NicolauNetto_Michel_D.pdf: 5232732 bytes, checksum: 923f6a074b8a670cc13eeebf7eb461e8 (MD5) Previous issue date: 2012<br>Resumo: A valorização contemporânea da diversidade revela um mundo atento à diferença. De fato, se um dia lutávamos pelo direito de sermos iguais, hoje, paradoxalmente, também clamamos pelo reconhecimento de nossas diferenças. Nesse sentido, vozes que discursam s
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Babb, G. Kyle Boyd Jean Ann. ""Roll over Beethoven" the reaction of classical music recording divisions to the continuing emergence of a consumer culture in America between 1956 and 1982 /." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5043.

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Schlechter, Willem Philippus George. "Cowboys and cocks : the heterosexual construction and homosexual appropriation of masculinity." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/21758.

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Thesis (MPhil)--Stellenbosch University, 2008.<br>ENGLISH ABSTRACT: This study explores the performative construction and appropriations of heteronormative masculinities by heterosexual and homosexual men respectively. My interest in masculinity as a culturally constructed fantasy is extended to imply a desire for the masculine. The idea of masculine desire is further developed by indicating a possible (homo)sexual desire for the heteronormative representation of masculinity. In highlighting the artificial and material qualities of the assumed stable phallus, the impassable structure of
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Conklin, Tiffany Renée. "Street Art, Ideology, and Public Space." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/761.

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The concept of the city has come to play a central role in the practices of a new generation of artists for whom the city is their canvas. Street art is a complex social issue. For decades, its presence has fueled intense debate among residents of modern cities. Street art is considered by some to be a natural expression that exercises a collective right to the city, and by others, it is seen as a destructive attack upon an otherwise clean and orderly society. This research focuses on various forms of street art from the perspective of the urban audience. The general aim is to further an under
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49

Schütz, Marine. "Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975)." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3104.

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Dès l’apparition du Pop art autour de 1962, l’iconographie de l’illustration et de la publicité indique l’émergence d’une véritable esthétique graphique. La rencontre du Pop art et du dessin se révèle particulièrement intéressante car suivre les productions réalisées dans cette discipline éminemment manuelle permet de réexaminer les différentes positions des artistes vis-à-vis de la culture de masse et d’aborder des questions tant matérielles qu’iconographiques. Partant du constat que les formations artistiques sont à l’origine du va-et-vient entre options manuelles et mécaniques dans l’économ
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50

Winczewski, Marianna Jadwiga. "Consumption, pastiche and identity in postmodern visual culture." Diss., University of Pretoria, 2008. http://hdl.handle.net/2263/23499.

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In this mini-dissertation the ongoing battle between the self and late-capitalist society is explored as a theoretical response to the notion of the fragmented subject in relation to postmodernism. Frederic Jameson links the schizophrenic subject and postmodern culture explicitly to societal changes in Western economies: this author's tradition outlines a main part of my theoretical stance within this mini-dissertation. Jameson, decisive in his criticism of current popular culture that has formed as a result of postmodernism, conveys a key dystopic viewpoint in his association of schizophrenia
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