Relevant bibliographies by topics / Art and race

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art and race'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Art and race"

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Agnello, Richard. "Race and Art." Journal of Black Studies 41, no. 1 (January 20, 2009): 56–70. http://dx.doi.org/10.1177/0021934708328444.

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Holloway, Camara Dia. "Critical Race Art History." Art Journal 75, no. 1 (January 2, 2016): 89–92. http://dx.doi.org/10.1080/00043249.2016.1171548.

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Ian Shin, K. "The Chinese Art “Arms Race”." Journal of American-East Asian Relations 23, no. 3 (October 27, 2016): 229–56. http://dx.doi.org/10.1163/18765610-02303009.

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Interest in Chinese art has swelled in the United States in recent years. In 2015, the collection of the late dealer-collector Robert Hatfield Ellsworth fetched no less than $134 million at auction (much of it from Mainland Chinese buyers), while the Metropolitan Museum of Art drew over 800,000 visitors to its galleries for the blockbuster show “China: Through the Looking Glass”—the fifth most-visited exhibition in the museum’s 130-year history. The roots of this interest in Chinese art reach back to the first two decades of the 20th Century and are grounded in the geopolitical questions of those years. Drawing from records of major collectors and museums in New York and Washington, D.C., this article argues that the United States became a major international center for collecting and studying Chinese art through cosmopolitan collaboration with European partners and, paradoxically, out of a nationalist sentiment justifying hegemony over a foreign culture derived from an ideology of American exceptionalism in the Pacific. This article frames the development of Chinese art as a contested process of knowledge production between the United States, Europe, and China that places the history of collecting in productive conversation with the history of Sino-American relations and imperialism.
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Gates, Valdés, and de la Fuente. "Race and Racism in Cuban Art." Transition, no. 108 (2012): 33. http://dx.doi.org/10.2979/transition.108.33.

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Stokes-Casey. "Art/Race/Violence: A Collaborative Response." Visual Arts Research 46, no. 2 (2020): 48. http://dx.doi.org/10.5406/visuartsrese.46.2.0048.

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Doy, Gen. "Review: Kimberly N. Pinder (ed.), Race-ing Art History. Critical Readings in Race and Art History." Art Book 11, no. 3 (June 2004): 40. http://dx.doi.org/10.1111/j.1467-8357.2004.00447.x.

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Stulov, Yu V. "IDEOLOGY, RACE, AND ART: JAMES BALDWIN’S LEGACY." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (October 25, 2019): 853–58. http://dx.doi.org/10.35634/2412-9534-2019-29-5-853-858.

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In the 1950s-60s the outstanding African American writer James Baldwin took an active part in the events of the so-called Black Revolution in the USA, which had a tremendous effect on the country’s social and political life for the following years. African American people of art got strongly divided into two camps on the ideological issues. Baldwin belonged to the integrationists who did not separate their fate from the fate of America and insisted on the decisive measures to be taken by the US administration to change the attitude towards the black population. His position as well as his works written at that period aroused severe criticism on the part of the Black radicals. Time took care of it, but Baldwin’s lesson is important for understanding the problems of the connection between ideology and art.
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Beck, Chris. "The Race for Immunity." Manufacturing Management 2020, no. 7-8 (August 2020): 12–15. http://dx.doi.org/10.12968/s2514-9768(23)90331-5.

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Heilmeier, Alexander, Michael Graf, Johannes Betz, and Markus Lienkamp. "Application of Monte Carlo Methods to Consider Probabilistic Effects in a Race Simulation for Circuit Motorsport." Applied Sciences 10, no. 12 (June 19, 2020): 4229. http://dx.doi.org/10.3390/app10124229.

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Applying an optimal race strategy is a decisive factor in achieving the best possible result in a motorsport race. This mainly implies timing the pit stops perfectly and choosing the optimal tire compounds. Strategy engineers use race simulations to assess the effects of different strategic decisions (e.g., early vs. late pit stop) on the race result before and during a race. However, in reality, races rarely run as planned and are often decided by random events, for example, accidents that cause safety car phases. Besides, the course of a race is affected by many smaller probabilistic influences, for example, variability in the lap times. Consequently, these events and influences should be modeled within the race simulation if real races are to be simulated, and a robust race strategy is to be determined. Therefore, this paper presents how state of the art and new approaches can be combined to modeling the most important probabilistic influences on motorsport races—accidents and failures, full course yellow and safety car phases, the drivers’ starting performance, and variability in lap times and pit stop durations. The modeling is done using customized probability distributions as well as a novel “ghost” car approach, which allows the realistic consideration of the effect of safety cars within the race simulation. The interaction of all influences is evaluated based on the Monte Carlo method. The results demonstrate the validity of the models and show how Monte Carlo simulation enables assessing the robustness of race strategies. Knowing the robustness improves the basis for a reasonable determination of race strategies by strategy engineers.
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Thokair, Mosaad Al, Minjian Zhang, Umang Mathur, and Mahesh Viswanathan. "Dynamic Race Detection with O(1) Samples." Proceedings of the ACM on Programming Languages 7, POPL (January 9, 2023): 1308–37. http://dx.doi.org/10.1145/3571238.

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Happens before-based dynamic analysis is the go-to technique for detecting data races in large scale software projects due to the absence of false positive reports. However, such analyses are expensive since they employ expensive vector clock updates at each event, rendering them usable only for in-house testing. In this paper, we present a sampling-based, randomized race detector that processes only constantly many events of the input trace even in the worst case. This is the first sub-linear time (i.e., running in o ( n ) time where n is the length of the trace) dynamic race detection algorithm; previous sampling based approaches like run in linear time (i.e., O ( n )). Our algorithm is a property tester for -race detection — it is sound in that it never reports any false positive, and on traces that are far, with respect to hamming distance, from any race-free trace, the algorithm detects an -race with high probability. Our experimental evaluation of the algorithm and its comparison with state-of-the-art deterministic and sampling based race detectors shows that the algorithm does indeed have significantly low running time, and detects races quite often.
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Dissertations / Theses on the topic "Art and race"

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Anderson, Catherine Eva. "Embodiments of empire: Figuring race in late Victorian painting." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3328111.

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Rosenberger, Nathan C. "Art in the ashes| Class, race, urban geography, and Los Angeles's postwar Black art centers." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10032310.

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“Art in the Ashes” uncovers the implications of race, place, and class in Los Angeles through an in depth exploration of urban black art centers. By examining a cross-section of creative spaces in the city, including the Watts Towers Arts Center, Compton Communicative Arts Academy, the Inner City Cultural Center, and Brockman Gallery in Leimert Park, this thesis probes the real and imagined meanings associated with these centers’ social, economic, and cultural geography. In doing so, the work redefines and refines current understandings of the black community in the postwar era, exposing the complicated racial and ethnic partnerships and pressures that grew out of art and activism in the 1960s. Through extensive archival research, secondary source analysis, and personal interviews, “Art in the Ashes” finds a vibrant and highly diversified black experience and identity in Los Angeles that closely follows issues of economics, geography, racial understanding, politics, and culture.

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Franklin-Phipps, Asilia. "Bodies and Texts: Race Education and the Pedagogy of Images." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23750.

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This dissertation is an exploration of how teaching and learning about race and racism happens in the context of a particularly racially charged political and cultural climate—Black Lives Matter rallies and activism, the Presidential Election and subsequent election of Donald Trump, and shifting racial discourse and logic. Using a 2016 course on racism as a site of inquiry, I consider how experimental and arts-inspired approaches to pedagogy open up new possibilities for how teaching and learning about race can happen. The course, made up, of undergraduates in their senior year, planning to become elementary school teachers resisted dominant discourse about becoming anti-racist as became a space for young, white, mostly women to learn through encounters with texts, moving their bodies through space in ways that they might have otherwise avoided, and participating in ongoing, persistent, nuanced race dialog through a variety of modes—digital, art, music, film, literature, and public events. This learning was often not conclusive but provided ongoing practice for engaging race in ways that allowed for meaningful shifts in how they notice and know the world, implicating how they imagine becoming a teacher in a raced world.
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Miskovitz, Michele Susan. "Cultural differences in art concepts of children." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1992. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M. Ed.)--Kutztown University of Pennsylvania, 1992.
Source: Masters Abstracts International, Volume: 45-06, page: 2750. Abstract precedes thesis as 3 preliminary leaves. Typescript. Includes bibliographical references (leaves [89-91]).
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Zang, Mba Ondo Pénélope. "L'autonomisation de la culture afro-américaine dans les arts et médias contemporains. Cas de figures proéminentes : Michelle Obama; Kara Walker et Beyoncé Knowles." Thesis, Cergy-Pontoise, 2017. http://www.theses.fr/2017CERG0890/document.

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L'autonomisation de la culture noire dans les arts et médias contemporains, avec cas de figures proéminentes, entend réfléchir sur les procédés de visibilisations au travers des médias et de l'art contemporain. Un choix de femmes ciblé afin de comprendre comment l'on devient une personnalité réputée, au fil du temps, ou par des créations populaires d'envergure.La couleur noire, souvent entendue selon des lectures limitatrices, opère ici un changement de paradigme. Cette fois, ce sont des femmes noires qui donnent le ton et donc inversent les représentations sur leur compte. En nous aidant des Cultural Studies et des Black Feminist, nous allons analyser des produits populaires disparates. Nous avons choisi des éléments divers et somme toute non canoniques pour comprendre l'autonomie supposée. Celle-ci est certes perceptible, mais demande à être questionnée.Questionner cette autonomie c'est entreprendre une lecture valorisante sur des types discursifs souvent décriés. Analyser leur popularité revient à décentrer le sens, remettre en valeur les créations produites hors des circuits de pouvoirs
The empowerment of the black culture in the contemporary arts and media, with prominent figures, intends to reflect on the processes of visibilization through the media and contemporary art. A choice of women targeted to understand how one becomes a reputed personality, over time, or by popular creations of scale.The color black, often heard according to limiting readings, here operates a paradigm shift. This time, they are black women who set the tone and therefore reverse the representations on their account. By helping us with the Cultural Studies and the Black Feminist, we will analyze disparate popular products. We have chosen various and, in any case, non-canonical elements to understand the supposed autonomy. This is certainly perceptible, but asks to be questioned.To question this autonomy is to undertake a rewarding reading on discursive types often decried. To analyze their popularity is to decenter the meaning, to re-emphasize the creations produced outside the circuits of powers
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Thibault, Jennifer. "The Role of Art in Memory: Case Study of Joseph Beuys and Kara Walker." Thesis, Boston College, 2007. http://hdl.handle.net/2345/507.

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Thesis advisor: Rachel A. Freudenburg
This undergraduate thesis deals with the role of art in national trauma and history. I looked at Joseph Beuys, a post-World War II artist and Kara Walker, a contemporary African American female artist. I used the German installation artist, Joseph Beuys, as a lens for looking at art's reaction and handling of the trauma of World War II. I discussed Kara Walker because she seeks to create a critical understanding of America's racial past through art and who explores, as well, contemporary racial and gender stereotypes. Both artists are important for understanding memory, history, and identity-both personal and national identity
Thesis (BA) — Boston College, 2007
Submitted to: Boston College. College of Arts and Sciences
Discipline: Germanic Studies
Discipline: College Honors Program
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Rodriguez, Linda Marie. "Artistic Production, Race, and History in Colonial Cuba, 1762-1840." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10467.

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This dissertation addresses the works of art of two free men of color, Vicente Escobar (1762-1834) and José Antonio Aponte (date of birth unknown-1812), who lived in late eighteenth and early nineteenth-century Havana. I offer the first consideration of these two artists together in order to illuminate the scope of visual artistic practice of free people of color prior to the foundation of the fine arts academy, the Academia de San Alejandro, in 1818. Creole and Spanish elites who supported the foundation of the school expressed concern that blacks had been “dominating” the arts and excluded them from studying there. I posit that both Escobar and Aponte worked as self-aware artists prior to the elite project of the fine arts academy, which followed an unclear path after its foundation. Escobar painted the portraits of colonial society’s Spanish and creole elites. The works span the dates from 1785 to 1829. Aponte’s only known work of art – a so-called libro de pinturas (book of paintings) found in 1812 – no longer exists. However, a textual description of the book survives in the court record that documents his trial for conspiring to plan slave rebellions across the island. Aponte collaged together an array of images to depict a “universal black history” that we are now forced to imagine as the original work of art has been lost. I argue that both artists, through their artistic practices, embodied a self-awareness as artists that they directed to transformative ends. These artistic practices – as advanced by the works themselves as well as how they were produced and received – involved the articulation of two axes. The first axis moved from the representation of the visible, in the case of Escobar’s portraits, to the representation of the invisible, in the case of Aponte’s book of paintings. The second axis measures how the works themselves could be “historically effective” – following T.J. Clark – and transform a colonial black identity, operating on the scale of the individual to that of a larger community. For Escobar, his artistic practice was personal; for Aponte, his artistic vision extended beyond himself.
History of Art and Architecture
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Lawrence, Cecile Ann. "Rhygin's vortex art as medicine for race/gender fixations in Jamaica and the U.S. /." Diss., Online access via UMI:, 2009.

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Barbee, Matthew Mace. "Race, Memory, and Communal Belonging in Narrative and Art: Richmond, Virginia's Monument Avenue, 1948-1996." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1181594947.

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Chan, Suzanna Shau-Wai. "De/centering whiteness, gender and 'Irishness' : representing 'race', gender and diaspora in Irish visual art." Thesis, University of Ulster, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246716.

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Books on the topic "Art and race"

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Tracie, Morris, ed. Geography: Art, race, exile. Hanover, NH: Wesleyan University Press : University Press of New England, 2000.

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N, Pinder Kymberly, ed. Race-ing art history: Critical readings in race and art history. New York: Routledge, 2002.

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Jean, Campbell, ed. Art therapy, race, and culture. London: Jessica Kingsley Publishers, 1999.

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Martial, Jacques, and J. A. Mbembé. Sexe, race & colonies. Paris: La Découverte, 2018.

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Berger, Maurice. White - Whiteness and Race in Contemporary Art. Baltimore,Maryland: University of Maryland Baltimore County,Fine Arts Gallery, 2003.

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Edward, Lucie-Smith. Race, sex, and gender: In contemporary art. New York: H.N. Abrams, 1994.

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1963-, Mann James, ed. Art of the Formula 1 race car. Minneapolis: MBI Pub., 2010.

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Shaheen, Merali, and Mulvey Jeremy, eds. Radical postures: Art, new media and race. London: Panchayat, 1996.

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Wendy, Ewald, Roediger David R, Williams Patricia J. 1951-, University of Maryland, Baltimore County. Center for Art and Visual Culture., and International Center of Photography, eds. White: Whiteness and race in contemporary art. Baltimore, Md: Center for Art and Visual Culture, University of Maryland Baltimore County, 2004.

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1925-1961, Fanon Frantz, Farr Ragnar, Institute of Contemporary Arts (London, England)., and Institute of International Visual Arts., eds. Mirage: Enigmas of race, difference, and desire. London: Institute of Contemporary Arts, 1995.

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Book chapters on the topic "Art and race"

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Day, Kevin Tsuan-Hsiang. "Playing the Race Card." In Counternarratives from Asian American Art Educators, 130–35. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003222293-20.

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Yoon-Ramirez, Injeong. "Testimonio Art as Critical Praxis." In Critical Race Theory and Classroom Practice, 96–104. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003172253-12.

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Scheer, August-Wilhelm. "A six-day race — a company purchase adventure." In The Art of Timing, 3–12. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-38515-6_1.

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Holochwost, Catherine. "Race-ing the Embodied Imagination." In The Embodied Imagination in Antebellum American Art and Culture, 112–37. New York: Routledge, 2020. | Series: Routledge research in art history: Routledge, 2020. http://dx.doi.org/10.4324/9780367175573-4.

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Olin, Margaret. "Formal Analysis: Art and Anthropology." In Ideas of 'Race' in the History of the Humanities, 89–111. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49953-6_3.

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Lewis, Tyson E. "Art Education and Whiteness as Style." In The Palgrave Handbook of Race and the Arts in Education, 303–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-65256-6_17.

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Lawton, Pamela Harris. "Where Is the Color in Art Education?" In The Palgrave Handbook of Race and the Arts in Education, 373–90. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-65256-6_21.

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Middlemost, Renee. "Rewriting ‘herstory’: Sasha Velour's drag as art and activism." In RuPaul’s Drag Race and the Cultural Politics of Fame, 49–64. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003438854-5.

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Blank, Jacqueline. "The Art of BioShock Infinite: Identity, Race, and Manifest Destiny." In Playing the Field, edited by Sascha Pöhlmann, 235–48. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110659405-016.

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Dallow, Jessica. "Richard McLean's Equine Acts." In Race, Gender, and Identity in American Equine Art, 128–71. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781351034340-5.

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Conference papers on the topic "Art and race"

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Datz, Suzanne. "Race for Atlantis --- in Imax 3D." In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281978.

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Wang, Michael, Shashank Srikant, Malavika Samak, and Una-May O’Reilly. "RaceInjector: Injecting Races to Evaluate and Learn Dynamic Race Detection Algorithms." In SOAP '23: 12th ACM SIGPLAN International Workshop on the State Of the Art in Program Analysis. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3589250.3596142.

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Faridah, Sutiyono, Faridah Faridah, and Sutiyono Sutiyono. "The Meaning of Symbols and Moral Values in Equipment of Mappaccing Tradition of Bugis Race." In Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.38.

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Abramovic, Boris, Grisha Coleman, Marco Donnarumma, Elizabeth Jochum, and Christina Schoux Casey. "Decolonizing the Machine: Race, Gender and Disability in Robots and Algorithmic Art." In Proceedings of Polititcs of the machines - Rogue Research 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/pom2021.1.

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DU, YI-FAN. ""SOIL" OF MODERN CHINESE LANDSCAPE PAINTING—ANALYSIS OF RACE, ENVIRONMENT AND THE TIMES." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35693.

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As we all know, material civilization and spiritual civilization depend on three factors: race, environment, and times. [1] As a kind of culture, modern Chinese landscape painting has undergone new changes, mainly because the "soil" and "climate" on which it depends for survival have changed. In order to clarify how the changes of modern Chinese landscape painting in recent years are affected by three factors, this article will take the modern Chinese landscape painting as the research object, and study its influence on modern Chinese landscape painting from three aspects: race, environment, and times. The author hopes that this article can provide a reference for the future development of Chinese landscape painting.
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Brueckner, Sophia, Shannon Yeung, Jing Liu, David Choberka, Kerby Shedden, John Turner, Isabelle Marie Anne Gillet, Mingchen Lu, and Xingwen Wei. "White Cube / Black Box: Investigating Bias in Museums and Algorithms." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-45-full-brueckner-et-al-white-cube-black-box.

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White Cube / Black Box seeks to identify bias and the many ways bias gets introduced into and amplified within systems. A highly interdisciplinary team of data scientists, curators, designers, and artists used face detection and race classification algorithms to explore bias in algorithms and University of Michigan Museum of Art’s collection of artworks.
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Hayes, Cleveland. "Creative Resistance to Critical Race Art: Co-Creating an Urban Based Resistance Arts Curriculum." In 2023 AERA Annual Meeting. Washington DC: AERA, 2023. http://dx.doi.org/10.3102/2003256.

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Garcia, Luis. "Creating, Resisting, and Visual Counternarratives: Funds of Knowledge, Critical Pedagogy, and Critical Race Theory in Art Education." In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1895459.

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Trujillo, Maria Isabel, Paulien Veen, Waldemar Szemat-Vielma, and Esther Escobar-Burnham. "The Race to Conquer the Hydrogen Business: The Seven Territories of Australia's Strategy." In SPE EuropEC - Europe Energy Conference featured at the 84th EAGE Annual Conference & Exhibition. SPE, 2023. http://dx.doi.org/10.2118/214426-ms.

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Abstract Australia has embarked on a fast race to become the leading hydrogen provider in the Asia Pacific, supported by countries such as Japan and South Korea as firm customers. The seven territories of Australia are developing their business strategies to achieve competitiveness and a place in the race. A strategy based on a strengths, weakness, opportunities, and threats (SWOT) analysis has been derived from each territory, considering the current state-of-the-art hydrogen technologies and their main drivers. These strategies have been benchmarked against the Australia Council National Hydrogen Strategy and the Australia Electricity Market Operator Strategy regarding the scenario of a hydrogen superpower for Australia to become an essential player in the hydrogen market using the IBA (Interactive Bundle Analysis) framework. The seven territories’ strategies were analyzed, and a set of recommendations are derived from this analysis with the aim to reinforce each territory strategy, providing the Australian Federal Government a framework to assess which project to finance projects first and assist in de-risking them to attract private capital, which is essential for the country to become a large-scale hydrogen producer and exporter. This analysis recommends that should Australia focus on the development of blue hydrogen first and secures market share via Western Australia using steam methane reformer (SMR) and Victoria with the brown coal gasification, both fitted with the corresponding carbon capture and storage (CCS). In parallel, the Australian Federal government should incentivize Tasmania to produce green hydrogen followed by Queensland and Western Australia while other territories need to develop as per their individual strengths.
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Klapálek, Jaroslav, Michal Sojka, and Zdeněk Hanzálek. "Comparison of Control Approaches for Autonomous Race Car Model." In FISITA World Congress 2021. FISITA, 2021. http://dx.doi.org/10.46720/f2020-acm-053.

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Autonomous cars represent the future of human transportation. We contribute to this course by cooperation with the automotive industry on making a Porsche Panamera car drive autonomously. Unfortunately, performing experiments with real cars is expensive, potentially dangerous, and sometimes not convenient. For this reason, we prototype many of the algorithms for the Panamera on an RC-car (a scaled-down model of autonomous car), which makes many experiments easier to conduct. To validate our work and to compare it with others, we participate in the International F1/10 Autonomous Racing Competition. In this racing event, student teams from all over the world compete in a so-called battle of algorithms. When developing these algorithms or combining a few of them in more complex control approaches, it is not always easy to decide which approach is better. In this paper, we present a comprehensive methodology for comparing the control approaches. We selected the algorithms for the comparison from the list of state-of-the-art approaches as well as approaches used by the teams within the competition. The compared algorithms include: - Iterative Follow The Gap algorithm, - Iterative Follow The Gap algorithm extended with location-based information (Map-based Follow The Gap), and - Static Optimal Trajectory Tracking algorithm. We compare the approaches above directly on the platform used in the competition rather than in simulations. Our evaluation is supported by a high-precision external localization system. We use the comparison criteria, selected based on our years-long experience, and which have proven themselves essential for successful participation in the competition. The criteria are: - racing performance (i.e., how fast is the car able to drive through the track), - obstacle avoidance slowdown (i.e., how much is the performance of the approach penalized by the presence of static obstacles), - hardware load (computing resources on the platform are limited; as the platform is selected by the organizers of the event), and - configuration effort (i.e., how much effort does it take to tune the parameters of the approach). The results of this paper will serve as a baseline for assessing the performance of control approaches developed in the future.
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Reports on the topic "Art and race"

1

Osanami Törngren, Sayaka, and Marcus Nyström. Are Swedes really racially color-blind? Examination of racial ascription and degree of Swedishness. Malmö University, 2022. http://dx.doi.org/10.24834/isbn.9789178772735.

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This is one of the first studies in Sweden testing the notion of racial color-blindness empirically in a Swedish context, by asking a sample of Swedish participants to assign race to images of faces with different phenotypes, rate how ‘Swedish’ the faces are perceived (referred to the degree of ‘Swedishness’) and identify the skin color of the faces (through the NIS skincolor scale). We also use eye-tracking to explore whether participants look differently at faces of different racial groups. The results show that skin-color is a decisive factor in the racial ascription as Black, while skin color is not determinant of the degree of Swedishness. What determines the degree of Swedishness is the racial assignment itself, in other words, how individuals perceive and categorize phenotypes into different racial groups. We conclude that Swedes are not truly racially color-blind and race does indeed matter in Sweden.
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Kremer, Michael. Why are Worker Cooperatives So Rare? Cambridge, MA: National Bureau of Economic Research, July 1997. http://dx.doi.org/10.3386/w6118.

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Coibion, Olivier, and Yuriy Gorodnichenko. Why Are Target Interest Rate Changes So Persistent? Cambridge, MA: National Bureau of Economic Research, January 2011. http://dx.doi.org/10.3386/w16707.

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Eichengreen, Barry, and Raul Razo-Garcia. How Reliable are De Facto Exchange Rate Regime Classifications? Cambridge, MA: National Bureau of Economic Research, October 2011. http://dx.doi.org/10.3386/w17318.

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Facchini, Giovanni, Brian Knight, and Cecilia Testa. The Franchise, Policing, and Race: Evidence from Arrests Data and the Voting Rights Act. Cambridge, MA: National Bureau of Economic Research, July 2020. http://dx.doi.org/10.3386/w27463.

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Juvenal, Luciana. Sources of Exchange Rate Fluctuations: Are they Real or Nominal? Federal Reserve Bank of St. Louis, 2009. http://dx.doi.org/10.20955/wp.2009.040.

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Staiger, Douglas, James Stock, and Mark Watson. How Precise are Estimates of the Natural Rate of Unemployment? Cambridge, MA: National Bureau of Economic Research, March 1996. http://dx.doi.org/10.3386/w5477.

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Andersen, Torben, Tim Bollerslev, Francis Diebold, and Paul Labys. Exchange Rate Returns Standardized by Realized Volatility are (Nearly) Gaussian. Cambridge, MA: National Bureau of Economic Research, January 2000. http://dx.doi.org/10.3386/w7488.

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Wei, Shang-Jin, and Jeffrey Frankel. Are Option-Implied Forecasts of Exchange Rate Volatility Excessively Variable? Cambridge, MA: National Bureau of Economic Research, November 1991. http://dx.doi.org/10.3386/w3910.

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Engel, Charles, Nelson Mark, and Kenneth West. Exchange Rate Models Are Not as Bad as You Think. Cambridge, MA: National Bureau of Economic Research, August 2007. http://dx.doi.org/10.3386/w13318.

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