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1

Tracie, Morris, ed. Geography: Art, race, exile. Hanover, NH: Wesleyan University Press : University Press of New England, 2000.

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2

N, Pinder Kymberly, ed. Race-ing art history: Critical readings in race and art history. New York: Routledge, 2002.

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3

Jean, Campbell, ed. Art therapy, race, and culture. London: Jessica Kingsley Publishers, 1999.

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4

Martial, Jacques, and J. A. Mbembé. Sexe, race & colonies. Paris: La Découverte, 2018.

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5

Berger, Maurice. White - Whiteness and Race in Contemporary Art. Baltimore,Maryland: University of Maryland Baltimore County,Fine Arts Gallery, 2003.

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6

Edward, Lucie-Smith. Race, sex, and gender: In contemporary art. New York: H.N. Abrams, 1994.

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7

1963-, Mann James, ed. Art of the Formula 1 race car. Minneapolis: MBI Pub., 2010.

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8

Shaheen, Merali, and Mulvey Jeremy, eds. Radical postures: Art, new media and race. London: Panchayat, 1996.

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9

Wendy, Ewald, Roediger David R, Williams Patricia J. 1951-, University of Maryland, Baltimore County. Center for Art and Visual Culture., and International Center of Photography, eds. White: Whiteness and race in contemporary art. Baltimore, Md: Center for Art and Visual Culture, University of Maryland Baltimore County, 2004.

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10

1925-1961, Fanon Frantz, Farr Ragnar, Institute of Contemporary Arts (London, England)., and Institute of International Visual Arts., eds. Mirage: Enigmas of race, difference, and desire. London: Institute of Contemporary Arts, 1995.

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11

Gonzalez, Jennifer A. Subject to display: Reframing race in contemporary installation art. Cambridge, Mass: MIT Press, 2008.

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12

Kirschke, Amy Helene. Aaron Douglas: Art, race, and the Harlem Renaissance. Jackson: University Press of Mississippi, 1995.

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13

Vernon, Chadwick, and International Conference on Elvis Presley (1st : 1995 : University of Mississippi), eds. In search of Elvis: Music, race, art, religion. Boulder, Colo: Westview Press, 1997.

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14

Lopez, Carl. Going faster!: Mastering the art of race driving. Cambridge, MA: Bentley Publishers, 2001.

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15

Lopez, Carl. Going faster!: Mastering the art of race driving. Cambridge, MA: R. Bentley, 1997.

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16

Richard, Fung, and Bailey Cameron 1963-, eds. 13 conversations about art and cultural race politics. Montreal, Q[uebe]c, Canada: Artextes Editions, 2002.

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17

contributor, Mirzoeff Nicholas 1962, Walker Rebecca author, Bailey Radcliffe 1968 artist, Beamon Benae artist, Beasley Kevin 1985 artist, Baldwin James 1924-1987 author, Douglass Frederick 1818-1895 author, Institute for Contemporary Art (Richmond, Va.), and Racial Imaginary Institute (New Haven, Connecticut), eds. Great force. Richmond, VA: Institute for Contemporary Art at Virginia Commonwealth University, 2019.

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18

Maddock, R. T. The political economyof the arms race. Basingstoke: Macmillan, 1990.

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19

Edward, Lucie-Smith. Race, sex and gender in contemporary art: The rise of minority culture. London: Art Books International, 1994.

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20

Frank, Nance. One Race, the Human Race. Independent Publisher, 2013.

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21

Pinder, Kymberly N., ed. Race-ing Art History. Routledge, 2013. http://dx.doi.org/10.4324/9780203614440.

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22

Race and Art Education. Davis Publications, Incorporated, 2021.

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23

Art of the Race. Art of Publishing Limited, 2016.

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24

Heath, Darren, and Andy Cantillon. Art of the Race. Art of Publishing Limited, 2020.

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25

Pinder, Kymberly N. Race-Ing Art History: Critical Readings in Race and Art History. Taylor & Francis Group, 2013.

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26

Pinder, Kymberly N. Race-Ing Art History: Critical Readings in Race and Art History. Taylor & Francis Group, 2013.

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27

Pinder, K. Race-ing Art History: Critical Readings in Race and Art History. Routledge, 2002.

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28

Pinder, K. Race-ing Art History: Critical Readings in Race and Art History. Routledge, 2002.

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29

Race-Ing Art History: Critical Readings in Race and Art History. Routledge, 2013.

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30

Space Race Leporello. Nobrow Press, 2012.

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31

Heath, D. Art of the Race V18. Art of Publishing Limited, 2019.

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32

Art of Jigging the Race. Lulu Press, Inc., 2012.

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33

listed, No author. Art Therapy Race and Culture. Taylor & Francis Group, 1999.

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34

Art Therapy Race And Culture. Jessica Kingsley Publishers, 1999.

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35

Cole, Tom Clohosy. Space Race. Flying Eye Books, 2013.

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36

Sporting art. London: Christie's, 2004.

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37

The Art of Race Car Design. Icon Publishing Ltd., 2016.

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38

Nash, Dina, and Rachelle Hana Nash. Race Is On: Art and Poetry. Independently Published, 2019.

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39

Nash, Dina, and Rachelle Hana Nash. Race Is On: Art and Poetry. Independently Published, 2019.

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40

Center for American Indian Research and Native Studies. Great Race: An Educational Art Exhibition. Center for American Indian Research & Native Studies, 2016.

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41

Blake, Nayland, Patricia Williams, David Roediger, Mike Kelley, William Kentridge, Wendy Ewald, Nancy Burson, Barbara Kruger, and Gary Simmons. White: Whiteness and Race in Contemporary Art. Center for Art and Visual Culture, UMBC, 2003.

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42

White: whiteness and race in contemporary art. Baltimore, MD: Center for Art and Visual Culture, University of M, 2004.

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43

Woods Jr., Naurice Frank, and George Dimock. Race and Racism in Nineteenth-Century Art. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496834348.001.0001.

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Abstract:
Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.
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44

Gates, Henry Louis. 'Race Is Everything': Art and Human Classification. Reaktion Books, Limited, 2023.

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45

Other Conundrums: Race, Culture, And Canadian Art. Arsenal Pulp Press, 1999.

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46

Parker, Bright, and Lumumba Pastiche, eds. Whitewalling: Art, race & protest in 3 acts. Badlands Unlimited, 2018.

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47

Gates, Henry Louis. 'Race Is Everything': Art and Human Difference. Reaktion Books, Limited, 2023.

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48

Space Race Archaeologies: Photographs, Biographies and Design. DOM Publishers, 2016.

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49

Adrian Piper: Race, gender, and embodiment. Durham [N.C.]: Duke University Press, 2011.

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50

Keith Haring's Line: Race and the Performance of Desire. Duke University Press, 2020.

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