Journal articles: 'Art and race'

1

Agnello, Richard. "Race and Art." Journal of Black Studies 41, no. 1 (January 20, 2009): 56–70. http://dx.doi.org/10.1177/0021934708328444.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Holloway, Camara Dia. "Critical Race Art History." Art Journal 75, no. 1 (January 2, 2016): 89–92. http://dx.doi.org/10.1080/00043249.2016.1171548.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Ian Shin, K. "The Chinese Art “Arms Race”." Journal of American-East Asian Relations 23, no. 3 (October 27, 2016): 229–56. http://dx.doi.org/10.1163/18765610-02303009.

Full text

Abstract:

Interest in Chinese art has swelled in the United States in recent years. In 2015, the collection of the late dealer-collector Robert Hatfield Ellsworth fetched no less than $134 million at auction (much of it from Mainland Chinese buyers), while the Metropolitan Museum of Art drew over 800,000 visitors to its galleries for the blockbuster show “China: Through the Looking Glass”—the fifth most-visited exhibition in the museum’s 130-year history. The roots of this interest in Chinese art reach back to the first two decades of the 20th Century and are grounded in the geopolitical questions of those years. Drawing from records of major collectors and museums in New York and Washington, D.C., this article argues that the United States became a major international center for collecting and studying Chinese art through cosmopolitan collaboration with European partners and, paradoxically, out of a nationalist sentiment justifying hegemony over a foreign culture derived from an ideology of American exceptionalism in the Pacific. This article frames the development of Chinese art as a contested process of knowledge production between the United States, Europe, and China that places the history of collecting in productive conversation with the history of Sino-American relations and imperialism.

APA, Harvard, Vancouver, ISO, and other styles

4

Gates, Valdés, and de la Fuente. "Race and Racism in Cuban Art." Transition, no. 108 (2012): 33. http://dx.doi.org/10.2979/transition.108.33.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Stokes-Casey. "Art/Race/Violence: A Collaborative Response." Visual Arts Research 46, no. 2 (2020): 48. http://dx.doi.org/10.5406/visuartsrese.46.2.0048.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Doy, Gen. "Review: Kimberly N. Pinder (ed.), Race-ing Art History. Critical Readings in Race and Art History." Art Book 11, no. 3 (June 2004): 40. http://dx.doi.org/10.1111/j.1467-8357.2004.00447.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Stulov, Yu V. "IDEOLOGY, RACE, AND ART: JAMES BALDWIN’S LEGACY." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (October 25, 2019): 853–58. http://dx.doi.org/10.35634/2412-9534-2019-29-5-853-858.

Full text

Abstract:

In the 1950s-60s the outstanding African American writer James Baldwin took an active part in the events of the so-called Black Revolution in the USA, which had a tremendous effect on the country’s social and political life for the following years. African American people of art got strongly divided into two camps on the ideological issues. Baldwin belonged to the integrationists who did not separate their fate from the fate of America and insisted on the decisive measures to be taken by the US administration to change the attitude towards the black population. His position as well as his works written at that period aroused severe criticism on the part of the Black radicals. Time took care of it, but Baldwin’s lesson is important for understanding the problems of the connection between ideology and art.

APA, Harvard, Vancouver, ISO, and other styles

8

Beck, Chris. "The Race for Immunity." Manufacturing Management 2020, no. 7-8 (August 2020): 12–15. http://dx.doi.org/10.12968/s2514-9768(23)90331-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Heilmeier, Alexander, Michael Graf, Johannes Betz, and Markus Lienkamp. "Application of Monte Carlo Methods to Consider Probabilistic Effects in a Race Simulation for Circuit Motorsport." Applied Sciences 10, no. 12 (June 19, 2020): 4229. http://dx.doi.org/10.3390/app10124229.

Full text

Abstract:

Applying an optimal race strategy is a decisive factor in achieving the best possible result in a motorsport race. This mainly implies timing the pit stops perfectly and choosing the optimal tire compounds. Strategy engineers use race simulations to assess the effects of different strategic decisions (e.g., early vs. late pit stop) on the race result before and during a race. However, in reality, races rarely run as planned and are often decided by random events, for example, accidents that cause safety car phases. Besides, the course of a race is affected by many smaller probabilistic influences, for example, variability in the lap times. Consequently, these events and influences should be modeled within the race simulation if real races are to be simulated, and a robust race strategy is to be determined. Therefore, this paper presents how state of the art and new approaches can be combined to modeling the most important probabilistic influences on motorsport races—accidents and failures, full course yellow and safety car phases, the drivers’ starting performance, and variability in lap times and pit stop durations. The modeling is done using customized probability distributions as well as a novel “ghost” car approach, which allows the realistic consideration of the effect of safety cars within the race simulation. The interaction of all influences is evaluated based on the Monte Carlo method. The results demonstrate the validity of the models and show how Monte Carlo simulation enables assessing the robustness of race strategies. Knowing the robustness improves the basis for a reasonable determination of race strategies by strategy engineers.

APA, Harvard, Vancouver, ISO, and other styles

10

Thokair, Mosaad Al, Minjian Zhang, Umang Mathur, and Mahesh Viswanathan. "Dynamic Race Detection with O(1) Samples." Proceedings of the ACM on Programming Languages 7, POPL (January 9, 2023): 1308–37. http://dx.doi.org/10.1145/3571238.

Full text

Abstract:

Happens before-based dynamic analysis is the go-to technique for detecting data races in large scale software projects due to the absence of false positive reports. However, such analyses are expensive since they employ expensive vector clock updates at each event, rendering them usable only for in-house testing. In this paper, we present a sampling-based, randomized race detector that processes only constantly many events of the input trace even in the worst case. This is the first sub-linear time (i.e., running in o ( n ) time where n is the length of the trace) dynamic race detection algorithm; previous sampling based approaches like run in linear time (i.e., O ( n )). Our algorithm is a property tester for -race detection — it is sound in that it never reports any false positive, and on traces that are far, with respect to hamming distance, from any race-free trace, the algorithm detects an -race with high probability. Our experimental evaluation of the algorithm and its comparison with state-of-the-art deterministic and sampling based race detectors shows that the algorithm does indeed have significantly low running time, and detects races quite often.

APA, Harvard, Vancouver, ISO, and other styles

11

Mccarty, Daniel J., Susan Manzi, Thomas A. Medsger, Rosalind Ramsey-Goldman, Ronald E. Laporte, and C. Kent Kwoh. "Incidence of systemic lupus erythematosus race and gender differences." Arthritis & Rheumatism 38, no. 9 (September 1995): 1260–70. http://dx.doi.org/10.1002/art.1780380914.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Bernatsky, S., J. F. Boivin, L. Joseph, S. Manzi, E. Ginzler, M. Urowitz, D. Gladman, et al. "Race/ethnicity and cancer occurrence in systemic lupus erythematosus." Arthritis & Rheumatism 53, no. 5 (2005): 781–84. http://dx.doi.org/10.1002/art.21458.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Jewesbury, Daniel. "Art and Society: Race isn't an Irish Issue." Circa, no. 83 (1998): 23. http://dx.doi.org/10.2307/25563243.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Wintz, Cary D., and Amy Helene Kirschke. "Aaron Douglas: Art, Race, and the Harlem Renaissance." American Historical Review 102, no. 1 (February 1997): 203. http://dx.doi.org/10.2307/2171429.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Alfie, Fabian, and Vernon Chadwick. "In Search of Elvis: Music, Race, Art, Religion." Journal of American Folklore 110, no. 438 (1997): 456. http://dx.doi.org/10.2307/541678.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Embrick, David G., Simón Weffer, and Silvia Dómínguez. "White sanctuaries: race and place in art museums." International Journal of Sociology and Social Policy 39, no. 11/12 (October 14, 2019): 995–1009. http://dx.doi.org/10.1108/ijssp-11-2018-0186.

Full text

Abstract:

Purpose This paper examines the Art Institute of Chicago – a nationally recognized museum – as a white sanctuary, i.e., a white institutional space within a racialized social system that serves to reassure whites of their dominant position in society. The purpose of this paper is to highlight how museums create and maintain white spaces within the greater context of being an institution for the general public. Design/methodology/approach The empirical analysis of this study is based on collaborative ethnographic data collected over a three-year period of time conducted by the first two authors, and consists of hundreds of photos and hundreds of hours of participant observations and field notes. The data are analyzed using descriptive methods and content analyses. Findings The findings highlight three specific racial mechanisms that speak to how white spaces are created, recreated and maintained within nationally and internationally elite museums: spatiality, the policing of space, and the management of access. Research limitations/implications Sociological research on how white spaces are maintained in racialized organizations is limited. This paper extends to museums’ institutional role in maintaining white supremacy, as white sanctuaries. Originality/value This paper adds to the existing literature on race, place and space by highlighting three specific racial mechanisms in museum institutions that help to maintain white supremacy, white normality(ies), and serve to facilitate a reassurance to whites’ anxieties, fears and fragilities about their group position in society – that which helps to preserve their psychological wages of whiteness in safe white spaces.

APA, Harvard, Vancouver, ISO, and other styles

17

Kılıç, Zeynep, and Jennifer Petzen. "The Culture of Multiculturalism and Racialized Art." German Politics and Society 31, no. 2 (June 1, 2013): 49–65. http://dx.doi.org/10.3167/gps.2013.310205.

Full text

Abstract:

This article invites scholars of race and migration to look at the visual arts more closely within the framework of comparative race theory. We argue that within a neoliberal multicultural context, the marketing of art relies on the commodification and circulation of racial categories, which are reproduced and distributed as globalized racial knowledge. This knowledge is mediated by the racial logic of neoliberal multiculturalism. Specifically, we look at the ways in which the global art market functions as a set of racialized and commodified power relations confronting the “migrant“ artist within an orientalizing curatorial framework.

APA, Harvard, Vancouver, ISO, and other styles

18

Constantinescu, Florina, Suzanne Goucher, Arthur Weinstein, Wally Smith, and Liana Fraenkel. "Understanding why rheumatoid arthritis patient treatment preferences differ by race." Arthritis & Rheumatism 61, no. 4 (April 15, 2009): 413–18. http://dx.doi.org/10.1002/art.24338.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Ang, Dennis C., Golda James, and Timothy E. Stump. "Clinical appropriateness and not race predicted referral for joint arthroplasty." Arthritis & Rheumatism 61, no. 12 (December 15, 2009): 1677–85. http://dx.doi.org/10.1002/art.24944.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Nikolaidis, Pantelis, Eleftherios Veniamakis, Thomas Rosemann, and Beat Knechtle. "Nutrition in Ultra-Endurance: State of the Art." Nutrients 10, no. 12 (December 16, 2018): 1995. http://dx.doi.org/10.3390/nu10121995.

Full text

Abstract:

Athletes competing in ultra-endurance sports should manage nutritional issues, especially with regards to energy and fluid balance. An ultra-endurance race, considered a duration of at least 6 h, might induce the energy balance (i.e., energy deficit) in levels that could reach up to ~7000 kcal per day. Such a negative energy balance is a major health and performance concern as it leads to a decrease of both fat and skeletal muscle mass in events such as 24-h swimming, 6-day cycling or 17-day running. Sport anemia caused by heavy exercise and gastrointestinal discomfort, under hot or cold environmental conditions also needs to be considered as a major factor for health and performance in ultra-endurance sports. In addition, fluid losses from sweat can reach up to 2 L/h due to increased metabolic work during prolonged exercise and exercise under hot environments that might result in hypohydration. Athletes are at an increased risk for exercise-associated hyponatremia (EAH) and limb swelling when intake of fluids is greater than the volume lost. Optimal pre-race nutritional strategies should aim to increase fat utilization during exercise, and the consumption of fat-rich foods may be considered during the race, as well as carbohydrates, electrolytes, and fluid. Moreover, to reduce the risk of EAH, fluid intake should include sodium in the amounts of 10–25 mmol to reduce the risk of EAH and should be limited to 300–600 mL per hour of the race.

APA, Harvard, Vancouver, ISO, and other styles

21

ANKYIAH, FRANCIS, and Frederick Bamfo. "Race and Women in Painting." Journal of Advanced Research in Women’s Studies 1, no. 2 (December 5, 2023): 61–71. http://dx.doi.org/10.33422/jarws.v1i2.519.

Full text

Abstract:

This article investigates the intricate relationship between race, gender, and identity within the domain of painting. It delves into the historical depiction of women from diverse racial backgrounds, aiming to shed light on the intersectional experiences and challenges encountered by women of colour in the art world. Through an examination of prominent artworks and an analysis of their social and cultural contexts, this research seeks to enhance our comprehension of how race and gender intersect in artistic representation. The study employs a multifaceted research methodology, including a thorough literature review, visual analysis of selected paintings, socio-cultural contextualization, and an intersectional analysis. The results of the study reveal a historical pattern of underrepresentation and misrepresentation of women of colour in painting, characterized by Eurocentric beauty standards, exoticization, and objectification. However, the analysis also uncovers instances where artists have challenged these stereotypes and presented more diverse and empowering representations. By highlighting these findings, the research emphasizes the importance of fostering inclusivity and appreciation for the diverse voices and narratives of women in painting, ultimately contributing to a more equitable and diverse art world.

APA, Harvard, Vancouver, ISO, and other styles

22

Krishnan, Prakash. "Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries." Public 31, no. 61 (December 1, 2020): 311–13. http://dx.doi.org/10.1386/public_00037_5.

Full text

Abstract:

A review of Anne Dymond’s new book, Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries. In it, she takes a statistical approach to investigating gender and racial parity in large Canadian art galleries. By counting solo exhibitions shown in Canadian art galleries, Dymond reveals that they are not in fact representative of the nation’s diverse population.

APA, Harvard, Vancouver, ISO, and other styles

23

Garrido Castellano, Carlos. "Performance Art, Race, and Contemporaneity in the Dominican Republic." Latin American Research Review 57, no. 1 (March 2022): 42–59. http://dx.doi.org/10.1017/lar.2022.3.

Full text

Abstract:

AbstractThis essay discusses issues of time and temporality in relation to performance art from the Dominican Republic. It contends that Dominican performance artists are advancing critical understandings of what is to be contemporary. The essay considers the work of David Pérez “Karmadavis,” Sayuri Guzmán, and José Ramia as expressing the role of artists in defining and delving into what it means to make art in and of the present, while simultaneously challenging the presentist understanding of time linked to neoliberalism. From this perspective, the article examines the potential of performance art for criticizing and expanding our understanding of time and temporality.

APA, Harvard, Vancouver, ISO, and other styles

24

Dankwa-Mullan, Irene, M. Christopher Roebuck, Joseph Tkacz, Oluwadamilola Motunrayo Fayanju, Yi Ren, Gretchen Purcell Jackson, and Yull Edwin Arriaga. "Disparities in receipt of and time to adjuvant therapy after lumpectomy." Journal of Clinical Oncology 38, no. 15_suppl (May 20, 2020): 534. http://dx.doi.org/10.1200/jco.2020.38.15_suppl.534.

Full text

Abstract:

534 Background: Adjuvant treatment after breast conserving surgery (BCS) has been shown to improve outcomes, but the degree of uptake varies considerably. We sought to examine factors associated with post-BCS receipt of and time to treatment (TTT) for adjuvant radiation therapy (ART), cytotoxic chemotherapy (ACT) and endocrine therapy (AET) among women with breast cancer. Methods: IBM MarketScan claims data were used to select women diagnosed with non-metastatic invasive breast cancer from 01/01/2012 to 03/31/2018, who received primary BCS without any neoadjuvant therapy, and who had continuous insurance eligibility 60 days post-BCS. Logistic and quantile regressions were used to identify factors associated with receipt of adjuvant therapy (ART, ACT, AET) and median TTT in days for ART (rTTT), ACT (cTTT), and AET (eTTT), respectively, after adjustment for covariates including age, year, region, insurance plan type, comorbidities, and a vector of ZIP3-level measures (e.g., community race/ethnicity-density, education level) from the 2019 Area Health Resource Files. Results: 36,270 patients were identified: 11,996 (33%) received ART only, 4,837 (13%) received ACT only, 3,458 (10 %) received AET only, 5,752 (16%) received both ART and AET, and 9,909 (27%) received no adjuvant therapy within 6 months of BCS. (318) 1% of patients received combinations of either ART, AET or ACT. Relative to having no adjuvant therapy, patients > 80 years were significantly less likely to receive ART only (relative risk ratio [RRR] 0.65), ACT only (RRR 0.05), or combination ART/AET (RRR 0.66) but more likely to receive AET alone (RRR 3.61) (all p < .001). Patients from communities with high proportions of Black (RRR 0.14), Asian (RRR 0.13), or Hispanic (RRR 0.45) residents were significantly less likely to receive combination ART and AET (all p < .001). Having HIV/AIDS (+11 days; p = .01) and residing in highly concentrated Black (+8.5 days; p = .01) and Asian (+12.2 days; p = .04) communities were associated with longer rTTT. Longer cTTT was associated with having comorbidities of cerebrovascular disease (+6.0 days; p < .001), moderate to severe liver disease (+12.3 days; p < .001) and residing in high-density Asian communities (+18.0 days; p < .001). Shorter eTTT (-11.4 days; p = .06) and cTTT (-14.8 days; p < .001) was observed in patients with comorbidities of dementia. Conclusions: Results from this cohort of privately insured patients demonstrate disparities in receipt of post-BCS adjuvant radiation and systemic therapy along multiple demographic dimensions and expose opportunities to promote timely receipt of care.

APA, Harvard, Vancouver, ISO, and other styles

25

Sévère, Richard. "Arthur from the Margins: Race, Equity, and Justice in Arthurian Studies." Arthuriana 31, no. 2 (2021): 3–8. http://dx.doi.org/10.1353/art.2021.0010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Barbhaiya, Medha, Candace H. Feldman, Hongshu Guan, Jose A. Gómez-Puerta, Michael A. Fischer, Daniel H. Solomon, Brendan Everett, and Karen H. Costenbader. "Race/Ethnicity and Cardiovascular Events Among Patients With Systemic Lupus Erythematosus." Arthritis & Rheumatology 69, no. 9 (August 13, 2017): 1823–31. http://dx.doi.org/10.1002/art.40174.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Metrick-Chen, Lenore. "Art and Race in the Time of Covid-19." Janus Head 19, no. 1 (2021): 20–38. http://dx.doi.org/10.5840/jh20211913.

Full text

Abstract:

Trump and his administration brought with them an inflammatory rhetoric that reduced complex issues into the simplified polarity of "us" and "them." With this as the dominant paradigm, racism was encouraged and spread like a virus throughout the nation, appearing in heightened jingoism against other nations, anger towards fellow citizens and violence towards neighbors. When the pandemic Covid-19 spread throughout the nation and the world, it became politicized, used by Trump as a novel corona vehicle help inflame intolerance. He repeatedly associated China and Chinese people with the virus to forward his political agenda regarding US trade with China and he used the resulting demonization of China as a foil for his complicity with Russian crimes. In response to increased and well-publicized acts of violence against Black Americans, systemic racism against Black people is finally being noticed. However, anti-Asian violence has largely been disregarded. This paper discusses both the increased violence against Asian Americans and the lack of attention to it. Dividing the paper into three sections, I correlate an artwork to the main issue in each section: the state-of-affairs provide a context in which to understand the artworks. Reciprocally, because artworks evoke an embodied understanding, involving our senses as well cognition, artworks change our relationship with issues from topical to personal. The artworks recontextualize what we thought we already knew and present possibilities for constructing the world differently.

APA, Harvard, Vancouver, ISO, and other styles

28

Glazer, Lee Stephens. "Signifying Identity: Art and Race in Romare Bearden's Projections." Art Bulletin 76, no. 3 (September 1994): 411–26. http://dx.doi.org/10.1080/00043079.1994.10786595.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Glazer, Lee Stephens. "Signifying Identity: Art and Race in Romare Bearden's Projections." Art Bulletin 76, no. 3 (September 1994): 411. http://dx.doi.org/10.2307/3046036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Casement, William. "Art and Race: The Strange Case of Eddie Burrup." Society 53, no. 4 (June 9, 2016): 422–24. http://dx.doi.org/10.1007/s12115-016-0037-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Santner, Kathryn. "Approaching Gender and Race in Colonial Latin American Art." Early Modern Women: An Interdisciplinary Journal 18, no. 2 (March 1, 2024): 323–27. http://dx.doi.org/10.1086/728424.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Arrojo, Elisabeth E., Alvaro Martinez, Eduardo Fernandez, Jeffrey D. Forman, Michael Ghilezan, and Frank A. Vicini. "Factors affecting survival in women with ductal carcinoma in situ (DCIS): Race and the delivery of adjuvant radiotherapy." Journal of Clinical Oncology 34, no. 3_suppl (January 20, 2016): 29. http://dx.doi.org/10.1200/jco.2016.34.3_suppl.29.

Full text

Abstract:

29 Background: Recent publications questioned the survival impact of adjuvant radiotherapy (A-RT) in the treatment of DCIS. These reports had in common a short follow up. We wanted to know, in a disease where long term follow up is required, the magnitude of improvement in survival and assess any correlation with race and income. Methods: Search in the Surveillance, Epidemiology and End Results database, of patients diagnosed with DCIS between 1988 and 2012, younger than 70 years old. Analyses of age, race, hormonal receptors (HR), tumor size, surgery, ART and household income. Survival analyses with Kaplan-Meier and multifactorial with Cox proportional-hazard regression. Results: 125,805 patients. Mean follow-up 7.9 years. Patients treated with A-RT resulted in a mortality by breast cancer (DBC) significantly lower (-1.10%; HR: 0.54 [IC95%:0.48-0.59]; p < 0.0001). Based on the type of surgery, mastectomy resulted on a DBC significantly higher than those treated with tumorectomy and A-RT (+1.15%; HR: 2.08 [IC95%:1.84-2.36]; p < 0.0001). Patients with HR+ presented a significantly lower DBC. Black race was the one with the lowest household income (43% < 53900$) opposite to the Asian which was the one with the highest (47% > 71520$). Black race, also presented a DBC significantly higher than the other ones. In the multifactorial analyses (see table), the only variables which presented a significantly influence in DBC were -ART (it decreases DBC) and race (black race increases DBC). Conclusions: These results show blacks, which are the ones with lowest household income, have a significantly increase in cancer mortality than the other races, and that A-RT cuts mortality rates quite drastically in women with DCIS. [Table: see text]

APA, Harvard, Vancouver, ISO, and other styles

33

NZEGWU, NKIRU. "African Art in Deep Time: De‐race‐ing Aesthetics and De‐racializing Visual Art." Journal of Aesthetics and Art Criticism 77, no. 4 (September 2019): 367–78. http://dx.doi.org/10.1111/jaac.12674.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Rodríguez, Sylvia. "Art, Tourism, and Race Relations in Taos: Toward a Sociology of the Art Colony." Journal of Anthropological Research 45, no. 1 (April 1989): 77–99. http://dx.doi.org/10.1086/jar.45.1.3630172.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Knaus, Juliann. "Dissolution of Racial Boundaries." JAAAS: Journal of the Austrian Association for American Studies 2, no. 1 (December 31, 2020): 29–45. http://dx.doi.org/10.47060/jaaas.v2i1.73.

Full text

Abstract:

As the field of mixed-race studies continues to expand, my article adds to this growth by analyzing the representation of mixed-race children in Natasha Trethewey's Thrall in relation to the corresponding Mexican casta paintings she refers to. I explore how Trethewey uses diction and etymology in Thrall by performing close readings of her Mexican casta painting poems. Throughout my analysis, I pay special attention to how aspects of knowledge and colonialism affect the portrayal of these mixed-race offspring. The aim of this article is to demonstrate that Trethewey skillfully uses diction and etymology to emphasize the relationship between knowledge and power, particularly with regard to the representation of mixed-race people in society. Trethewey intertwines mixed-race representation and experiences that seem disparate—her poems cross geographical, temporal, and spatial boundaries—in order to illustrate how mixed-race peoples' positioning and representation in society often transcends such boundaries while additionally critically assessing power dynamics controlling said representation. Accordingly, by closely examining the representation of mixed-race people and miscegenation in art and poetry, this article sheds a new light on how meaning can be developed between races and cultures and stresses how colonialism and knowledge can be connected to contextualizing difference across time and space.

APA, Harvard, Vancouver, ISO, and other styles

36

Kamhi, Michelle Marder. "Confronting Woke Groupthink in Art Education." Academic Questions 35, no. 2 (July 22, 2022): 52–61. http://dx.doi.org/10.51845/35.2.9.

Full text

Abstract:

For the crimes of challenging the National Arts Education Association’s rigid adherence to Critical Race Theory, transgender ideology, and “systemic racism,” as well as for questioning the assumption that art teachers are morally obliged to be “actively antiracist,” art critic Michelle Marder Kamhi has been booted from the NAEA Collaborate Community.

APA, Harvard, Vancouver, ISO, and other styles

37

Smith, Kirstin. "Stumping and Stunts: Walking in Circles in the “Go-As-You-Please” Race." TDR/The Drama Review 59, no. 2 (June 2015): 129–50. http://dx.doi.org/10.1162/dram_a_00454.

Full text

Abstract:

New York City, 1884: 14 contestants set out to walk round and round a track for six days in the “go-as-you-please” race, taking as little rest as possible. What does this durational act tell us about a type of performance just beginning to be named in New York slang as a “stunt”? Anticipating early-20th-century dance marathons and later durational performance art, the race enacted and troubled circulation, revealing fault lines of valorization: between work and leisure, work and life, and sporting and theatrical performance.

APA, Harvard, Vancouver, ISO, and other styles

38

Niittynen, Miranda. "Interspecies Blendings and Resurrections: Material Histories of Disability and Race in Taxidermy Art." Canadian Journal of Disability Studies 9, no. 2 (July 30, 2020): 103–38. http://dx.doi.org/10.15353/cjds.v9i2.627.

Full text

Abstract:

This paper analyzes the contemporary art practice of rogue taxidermy. Specifically, I look at the rogue taxidermy of Sarina Brewer, an artist who utilizes sensationalist aesthetics and representations found in historical sideshows alongside unconventional forms of taxidermy to critique historical and contemporary forms of body display. I discuss the material histories that informed and shaped the practice of taxidermy and how taxidermy was (and continues to be) bound up with a complex history of human and nonhuman animal exploitation. I analyze the interconnections between nonhuman animal taxidermy display and the historical preservation, study, and exhibition of postmortem human bodies in museums. The ethical implications of using nonhuman animal bodies as objects for political art entangle rogue taxidermy artists within the domination of nonhuman animals (alive and dead). The act of using postmortem nonhuman animal materials in artistic sculpture makes rogue taxidermy artists complicit in the history of modernity that used various bodies to outline “undesirable” racial and physiological variances. Furthermore, I analyze the subversive potential of Brewer’s sculptures to differently reconstruct sculptures of lusus naturae – from past representations – but, also, address the risky complexity of staging “monstrosity” in contemporary rogue taxidermy art. I conclude that the access and permission to place nonhuman animal bodies on display – from the outset – shows a normalization of human domination over nonhuman animal bodies, but argue that Sarina Brewer’s art, in various instances, critiques exploitation through multiple forms of body display.

APA, Harvard, Vancouver, ISO, and other styles

39

Smith, Zoey. "Lesbian Motherhood and Artificial Reproductive Technologies in North America: Race, Gender, Kinship, and the Reproduction of Dominant Narratives." Pathways 3, no. 1 (November 7, 2022): 71–81. http://dx.doi.org/10.29173/pathways29.

Full text

Abstract:

This paper reviews current ethnographic literature on lesbian motherhood as it relates to artificial reproductive technologies (ART) through intersectional, biopolitical and critical-race frameworks. I argue that white, lesbian intending mothers intersecting identity markers of whiteness and queerness place them in a unique position within ART discourses. ART functions as a biopolitical mechanism which aims to normalize and naturalize privilege in hierarchized power structures, while suggesting that the meanings that it produces are objectively scientific rather than socially constructed. I suggest that ART mechanizes white lesbian women’s insecurities as queer women, nearing the falsified construction of ideal motherhood, by exerting pressure on them to conform and therefore, reproduce dominant reproduction narratives. Simultaneously, I assert that white, lesbian, intending mothers’ positionality could enable critical interrogation into the harmful social stratifications that ART perpetuates based on race, class, ability, and sexuality. In sum, a review of relevant literature is used to posit that women privileged within dominant ART discourses must utilize that privilege to create meaningful change.

APA, Harvard, Vancouver, ISO, and other styles

40

Vernon, Matthew X. "The Invention of Race in the European Middle Ages by Geraldine Heng." Arthuriana 30, no. 1 (2020): 140–41. http://dx.doi.org/10.1353/art.2020.0007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Barton, Jennifer L. "The role of race in patient preferences for treatment in rheumatoid arthritis." Arthritis & Rheumatism 61, no. 4 (April 15, 2009): 411–12. http://dx.doi.org/10.1002/art.24457.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Hassan, Dr Abida, Muhammad Irshad Ijaz, and Sadia Saeed Rao. "Racism and International Human Rights Law." Journal of Law & Social Studies 4, no. 2 (June 30, 2022): 306–15. http://dx.doi.org/10.52279/jlss.04.02.306315.

Full text

Abstract:

Racism is as old as human history. It gives rise to different shapes such as race, caste, color, creed, nationality and origin. Ancient philosophers, namely, Aristotle, Rousseau, Hobbes and Locke have been against racism and supported humanity. Discrimination against humanity is a dark chapter for human rights. Art 1(3) of UN declaration presents to accomplish global collaboration by promoting and encouraging reverence for all human freedoms and rights devoid of difference as to race, sex, language or religion. Art 2 of UDHR speaks that “every person is entitled for all the rights and liberties mentioned in this declaration, without any sorts of distinction.’ 20th Century witnessed the abolition of slavery and trafficking of men in all forms. All the constitutions of the world have provisions of fundamental human rights without any discrimination and distinction, more than that, the Holy Quran and the Sunnah of the Prophet Muhammad (PBUH) as well as his Last Sermon are the sources of fundamental rights, equality of all races with reference to ancient and modern laws of the world.

APA, Harvard, Vancouver, ISO, and other styles

43

Barber, Tiffany E. "GhostcatchingandAfter Ghostcatching, Dances in the Dark." Dance Research Journal 47, no. 1 (April 2015): 45–67. http://dx.doi.org/10.1017/s0149767715000030.

Full text

Abstract:

In 1999, Bill T. Jones, in collaboration with digital artists Paul Kaiser and Shelley Eshkar, presented an installation at the intersection of dance, drawing, and digital imaging.Ghostcatchingfeatured Jones's previously improvised movements recorded using motion capture technology. In 2010, Kaiser, Eshkar, and Marc Downie of the OpenEndedGroup revisedGhostcatchinginto a new piece titledAfter Ghostcatching, composed of unused sequences of Jones's movement and sound captured forGhostcatching. This essay focuses on the extended relation betweenGhostcatchingandAfter Ghostcatchingto track a shift from so-called identity politics to a discourse of post-racialism over a ten-year period in U.S. history. A consideration of various media—motion capture technology, digital art and imaging, and improvised, virtual dance—as well as formal analysis of each piece, highlight the political effects and visual implications of each work in a racially mediated world. In this article, I question the status of Jones's raced, sexed, and gendered body within neoliberal fantasies of post-racialism. In spite of the persistence of visible markers such as skin color that are mobilized to construct racial subjects, with the development of digital imaging and new visual technologies, to what degree is race actually visual? That is, how are race and the racialized body in motion subject to and determined by specific media, i.e., photography and digital art, improvised dance and choreographic form? This analysis ofGhostcatchingandAfter Ghostcatchingreveals how each piece tests the boundaries of choreographic form and digital imaging technologies as well as the category of race as inherently visual—a test that posits race as technology itself in visual, haptic, and spatial terms.

APA, Harvard, Vancouver, ISO, and other styles

44

Darabant, Adrian Sergiu, Diana Borza, and Radu Danescu. "Recognizing Human Races through Machine Learning—A Multi-Network, Multi-Features Study." Mathematics 9, no. 2 (January 19, 2021): 195. http://dx.doi.org/10.3390/math9020195.

Full text

Abstract:

The human face holds a privileged position in multi-disciplinary research as it conveys much information—demographical attributes (age, race, gender, ethnicity), social signals, emotion expression, and so forth. Studies have shown that due to the distribution of ethnicity/race in training datasets, biometric algorithms suffer from “cross race effect”—their performance is better on subjects closer to the “country of origin” of the algorithm. The contributions of this paper are two-fold: (a) first, we gathered, annotated and made public a large-scale database of (over 175,000) facial images by automatically crawling the Internet for celebrities’ images belonging to various ethnicity/races, and (b) we trained and compared four state of the art convolutional neural networks on the problem of race and ethnicity classification. To the best of our knowledge, this is the largest, data-balanced, publicly-available face database annotated with race and ethnicity information. We also studied the impact of various face traits and image characteristics on the race/ethnicity deep learning classification methods and compared the obtained results with the ones extracted from psychological studies and anthropomorphic studies. Extensive tests were performed in order to determine the facial features to which the networks are sensitive to. These tests and a recognition rate of 96.64% on the problem of human race classification demonstrate the effectiveness of the proposed solution.

APA, Harvard, Vancouver, ISO, and other styles

45

Hartman, Joseph R. "Race, Gender, Giants." Cultural Politics 14, no. 2 (July 1, 2018): 174–97. http://dx.doi.org/10.1215/17432197-6609060.

Full text

Abstract:

This article reconnoiters a set of repeating images of “cubanness” in state-sponsored art, particularly seen in works created by and appropriated under the patronage of the dictator Gerardo Machado y Morales, in power 1925–33. The primary object of study is Havana’s Statue of the Republic, a colossal gold and bronze woman nearly fifty feet tall and weighing forty-nine tons. Telescoping back to the colonial plantation and forecasting ahead to Cuba’s revolutionary future in 2018, the article argues that La República embodied a tension between ethical consensus and political dissensus in a much broader history of cultural politics, race, and gender in Cuba. With the face of a white Cuban aristocrat and a body based on a mixed-race mulata model, the statue activated—and still galvanizes—a range of memories, myths, and meanings related to aesthetic constructs of the nation. Those repeating images, born from the plantation and projecting forward to the Revolution, give shape to a relationship between politics, ethics, and aesthetics that is particular to Cuba and its history.

APA, Harvard, Vancouver, ISO, and other styles

46

Cagulada, Elaine. "Persistence, Art and Survival." Canadian Journal of Disability Studies 9, no. 4 (November 10, 2020): 50–70. http://dx.doi.org/10.15353/cjds.v9i4.668.

Full text

Abstract:

A world of possibility spills from the relation between disability studies and Black Studies. In particular, there are lessons to be gleaned from the Black Arts Movement and Black aesthetic about conjuring the desirable from the undesirable. Artists of the Black Arts Movement beautifully modeled how to disrupt essentialized notions of race, where they found “new inspiration in their African ancestral heritage and imbued their work with their experience as blacks in America” (Hassan, 2011, p. 4). Of these artists, African-American photographer Roy DeCarava was engaged in a version of the Black aesthetic in the early 1960s, where his photography subverted the essentialized African-American subject. My paper explores DeCarava’s work in three ways, namely in how he, (a) approaches art as a site for encounter between the self and subjectivity, (b) engages with the Black aesthetic as survival and communication, and (c) subverts detrimental conceptions of race through embodied acts of listening and what I read as, ‘a persistent hereness.’ I interpret a persistent hereness in DeCarava’s commitment to presenting the unwavering presence of the non-essentialized African-American subject. The communities and moments he captures are here and persistently refuse, then, to disappear. Through my exploration of the Black Arts Movement in my engagement with DeCarava’s work, and specifically through his and Hughes’ (1967) book, The Sweet Flypaper of Life, we are invited to reimagine disability-as-a-problem condition (Titchkosky, 2007) and deafness as an ‘excludable type’ (Hindhede, 2011) differently. In other words, this journey hopes to reveal what the Black Arts Movement and Black aesthetic, through DeCarava, can teach Deaf and disability studies about moving with art as communication, survival, and a persistent hereness, such that different stories might be unleashed from the stories we are already written into.

APA, Harvard, Vancouver, ISO, and other styles

47

Lee, NaJuana. "Culturally Responsive Teaching for 21st-Century Art Education: Examining Race in a Studio Art Experience." Art Education 65, no. 5 (September 2012): 48–53. http://dx.doi.org/10.1080/00043125.2012.11519192.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Neagu, Adriana-Cecilia. "Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese." American, British and Canadian Studies 33, no. 1 (December 1, 2019): 222–24. http://dx.doi.org/10.2478/abcsj-2019-0024.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Lopes, Paul. "Art Rebels: Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese." Social Forces 98, no. 4 (February 13, 2020): 1–3. http://dx.doi.org/10.1093/sf/soaa008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Driscoll, Megan. "Introduction to "No Template: Art and the Technologies of Race"." Media-N 18, no. 1 (February 1, 2022): 1–5. http://dx.doi.org/10.21900/j.median.v18i1.928.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Art and race'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles