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Journal articles on the topic 'Art and state Germany History 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Novikova, Marina V. "THE PROBLEM OF NATIONAL TRAUMA IN THE COLLECTIVE MEMORY OF GERMANS IN THE UNITED GERMANY." RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, no. 2 (2021): 117–26. http://dx.doi.org/10.28995/2073-6339-2021-2-117-126.

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The article attempts to characterize the state of historical con- sciousness of the Germans at the end of the 20th – beginning of the 21 st century. The article examines what factors influenced the formation of the “sacrificial narrative” in the collective memory of the Germans of the united Germany. The research is based on the publications in the German, Polish and Russian press, autobiographical works, interviews, diaries and memoirs of Gunther Grass, Gerhard Schroeder, etc., analyzes the works of art and filmography released at that time. Memories of the suffering of the German civilian po

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Bukharin, Mikhail D. "Exploration of Eastern Turkestan in the Archival Heritage of Albert Grünwedel." Ancient Civilizations from Scythia to Siberia 20, no. 2 (November 24, 2014): 234–55. http://dx.doi.org/10.1163/15700577-12341270.

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The article presents a part of the archival heritage of Albert Grünwedel – his letters to S. F. Oldenburg, devoted to the exploration of Eastern Turkestan at the beginning of the 20th century. Grünwedel gives some important characteristics to the ways of studying of Buddhist art in Central Asia, describes the state of several monuments in Turfan; his information completes the history of cooperation of German and Russian expeditions. Several documents shed some more light on the conditions of the division of the areas of excavations between German and Russian expeditions.

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Лучка, Л. "BOOK SHOWS AND THE READING UNIVERSE PROFESSOR VK YAKUNINA." Problems of Political History of Ukraine, no. 15 (February 5, 2020): 34–40. http://dx.doi.org/10.33287/11924.

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The research deals with creating a diverse reader image of an intellectual personality of a historian. V.K. Yakunin started his reading career as a student of Dnipropetrovsk State University in the 1960’s. During his studies he constantly visited the scientific library. It was at this time when he first became acquainted with rare and valuable editions on historical subjects. The reading experience of the historian is about 60 years. While writing his Candidate dissertation (1972) and PhD thesis (1990), he worked with a significant number of sources and literature, and he also used interlibrar

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4

Lysova, Alexandra, and Helmut Kury. "Obstacles to the Development of Restorative Justice: a Comparative Analysis of Russia, Canada and Germany." Всероссийский криминологический журнал 12, no. 6 (December 28, 2018): 806–16. http://dx.doi.org/10.17150/2500-4255.2018.12(6).806-816.

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Restorative justice (RJ), which is a concept of criminal justice focused on the needs of victims and the community affected by the criminal act rather than on the punishment of the offender, is becoming an integral part of criminal justice in many developed Western countries. Russia, however, is just taking the first steps in the development of restorative justice with the focus on mediation for juvenile delinquents. Using the theory of the (de)civilization process by N. Elias, the authors suggest that a weak state, characterized not so much by inefficient economy as by underdeveloped social i

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5

Dartmann, C. "The State and Economic Crisis in 20th Century Germany." German History 13, no. 1 (January 1, 1995): 80–82. http://dx.doi.org/10.1093/gh/13.1.80.

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Sipos, Regina, and Kerstin Franzl. "Tracing the History of DIY and Maker Culture in Germany’s Open Workshops." Digital Culture & Society 6, no. 1 (December 1, 2020): 109–20. http://dx.doi.org/10.14361/dcs-2020-0106.

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Abstract This article presents preliminary research findings on the history of Do-It-Yourself (DIY) and maker culture in Germany. It aims to identify historical, political, economic and societal shifts that have led to the existence of approximately 1000 makerspaces of various kinds in Germany today. The article summarises the beginnings of DIY in the 20th century in West Germany and East Germany. It focuses on how infrastructures supporting DIY were created out of necessity and economic considerations, how tools and spaces were offered as public service, the influence of counterculture moveme

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Kuhutiak, Mykola, Ihor Raikivskyi, and Oleh Yehreshii. "Halychyna. Journal of Regional Studies: Science, Culture, and Education. Twenty Years of Publishing Activity." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (October 30, 2017): 134–38. http://dx.doi.org/10.15330/jpnu.4.2.134-138.

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This is a review of the twenty-year-long publishing activity of Halychyna. Journal of Regional Studies: Science, Culture and Education, one of the first Ukrainian journals for historians, philologists, art critics that appeared in the independent Ukraine. In Halychyna, there has been published the works by well-known scholars of Vasyl Stefanyk Precarpathian National University and many other higher educational establishments of Ukraine. The Journal can boast an array of sections – archaeology, history, ethnology, political science, historiography, source studies, documents and materials, cultu

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Chernyaeva, Irina V., and Lidiya V. Balakhnina. "On the issue of pricing works of art in the process of historical development of artistic practices." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 321–29. http://dx.doi.org/10.37816/2073-9567-2021-59-321-329.

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In modern art practice, the issue of formation of symbolic and economic value of works of art remains acute and relevant. In the history of art art historians, curators, and art critics used to determine symbolic value. The issue of formation of economic value of works of art is still debatable. The task of the study is to identify features of the pricing of works of art inherent in individual periods of the development of artistic practices in a historical context. The authors address the issue retrospectively, considering the relationships between art and market, originated in the 18th centu

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9

Grantseva, E. O. "Horrors of War in the Context of the Fine Arts Transformation of the XX Century." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 147–57. http://dx.doi.org/10.24833/2541-8831-2020-4-16-147-157.

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The article is dedicated to the outlook on the socio-cultural transformations of the 20th century brought by global conflicts. The main attention is paid to the problems arisen from overcoming traumas by the means of art and to the influence the traumatic experience has had on the transformation of the artistic language. The themes of the horrors of war, war and post-war experience and reflections acquire special significance in the artistic culture of the 20th century, with traumas brought by both world wars and other conflicts giving rise not only to emotional responses to ongoing disasters,

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Grantseva, E. O. "Horrors of War in the Context of the Fine Arts Transformation of the XX Century." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 147–57. http://dx.doi.org/10.24833/2541-8831-2020-4-16-147-157.

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The article is dedicated to the outlook on the socio-cultural transformations of the 20th century brought by global conflicts. The main attention is paid to the problems arisen from overcoming traumas by the means of art and to the influence the traumatic experience has had on the transformation of the artistic language. The themes of the horrors of war, war and post-war experience and reflections acquire special significance in the artistic culture of the 20th century, with traumas brought by both world wars and other conflicts giving rise not only to emotional responses to ongoing disasters,

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11

Kharitonova, Natalya Stepanovna. "Silver Age. Interference of the Russian and German Cultures." Journal of Flm Arts and Film Studies 6, no. 4 (December 15, 2014): 86–95. http://dx.doi.org/10.17816/vgik6486-95.

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The author explores the specific interaction of Russian and German art, their differences, forces of attraction and direct contact. Only conscious and meaningful differences could have reveal the strength and true value of each culture and, most importantly, become a pretext for new and creative quest for ones own way in art. Two-sided interest of Russian and German cultures implies a two-way process mutually contributed and enriched on both parts. The fact that Russian and German art at the turn of the 19th-20th centuries was developing under different conditions does not mean that the exchan

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Klendiy, O. M. "Interpretative aspect of C. Saint‑Saëns’s piano music." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (July 10, 2020): 136–53. http://dx.doi.org/10.34064/khnum1-56.09.

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Background, the objective of the research. From the perspective of interpretative discourse, C. Saint-Sa&#235;ns’s heritage widens the contemporary views of his performance career and explains the nature of his pianoforte mentality. Moreover, an interpretative approach is becoming an important part of its investigation methodology, which makes it possible to state the aim of the paper, which is to determine the priorities of C. Saint-Sa&#235;ns as being an outstanding virtuoso performer of his historical era (what is necessary to understand his artistic mentality). According to the aim

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Dartmann, C. "The State and Economic Crisis in 20th Century Germany: University of Nottingham, Institute of German, Austrian and Swiss Affairs, 14 16 April 1994." German History 13, no. 1 (January 1, 1995): 80–82. http://dx.doi.org/10.1177/026635549501300105.

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Краснова, И. В. "An Electronic Сatalogue of Slobozhanshchina Icons of the Late 18th – Early 20th Centuries: Prerequisites for Creation, Purposes, Functions". Nasledie Vekov, № 1(25) (22 квітня 2021): 109–17. http://dx.doi.org/10.36343/sb.2021.25.1.009.

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В статье обосновывается необходимость создания виртуального каталога слобожанских икон и ставится цель разработки основных характеристик проектируемой электронной коллекции. Проведен анализ документальных источников, использованы результаты исследований российских и украинских ученых. Исследована история музеев Слободской Украины, собиравших произведения иконописи, изучено влияние событий ХХ в. на иконописное наследие Слобожанщины, которое вследствие атеистической кампании 1930-х гг. и действий оккупантов в период Великой Отечественной войны утратило единство и оказалось раздробленным между мн

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Drysdale, Graeme R. "Kaethe Kollwitz (1867-1945): the artist who may have suffered from Alice in Wonderland Syndrome." Journal of Medical Biography 17, no. 2 (April 28, 2009): 106–10. http://dx.doi.org/10.1258/jmb.2008.008042.

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Kaethe Kollwitz was a 20th century German artist who grew to fame for her sociopolitical impressions of Germany during World Wars I and II. In her diary Kollwitz self-described symptoms of Alice in Wonderland Syndrome during her childhood. She complained of episodes where objects appeared to grow larger or smaller and perceptual distortions where she felt she was diminishing in size. This may explain why Kollwitz's artistic style appeared to shift from naturalism to expressionism, and why her artistic subjects are often shaped with large hands and faces. The distortion present in her visual ar

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Gerschultz, Jessica. "Mutable Form and Materiality: Toward a Critical History of New Tapestry Networks." ARTMargins 5, no. 1 (February 2016): 3–29. http://dx.doi.org/10.1162/artm_a_00130.

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This article raises two concerns underpinning the need for a critical history of fiber art in the 20th century. The first is a critique of aesthetic formalism predominant in the Lausanne Biennale during the 1960s and 70s, which overlooks artistic, ideological, and political milieus that drew together textile artists from localities formerly treated as peripheral in art history. The second holds to account Euro-American institutions and related historiographies for their curatorial exclusion of Arab and African fiber artists. Such inclusion, I argue, would have conjured tapestry's deeper incong

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Shapkin, Igor. "Organized Capital and Labor. Activities of Employers Associations of Russia in the Early 20th Century." Journal of Economic History and History of Economics 19, no. 4 (December 27, 2018): 531–55. http://dx.doi.org/10.17150/2308-2588.2018.19(4).531-555.

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Activity of business associations is of great importance in market environment. Academic literature divides these associations into representative and employer. For the first time employers associations appeared in Germany in the late nineteenth century. They were the reaction of the German business for growing working class movement. History has shown that the process of business self-organization increases in terms of aggravation of social, political and economic contradictions. Employers associations had a significant impact on the development of the so-called monarchical socialism in Germa

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18

Kiba, D. V. "Humanitarian Cooperation of Japan and the USSR in the Second Half of the 20th Century." Modern History of Russia 11, no. 1 (2021): 199–213. http://dx.doi.org/10.21638/11701/spbu24.2021.113.

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The article provides a periodization of humanitarian cooperation between Japan and the USSR. The first stage was activity of the Press Office of the Soviet Union Council for Japan and the Soviet Information Office in the Land of the Rising Sun in 1946–1957. The second stage was the period of active policy of the USSR Embassy, together with the State Committee for Cultural Relations under the USSR Council of Ministers in 1957–1967. The third stage was defined by the activity of Soviet Embassy and Regional Authorities of Japan and the USSR in establishing cultural relations in 1967–1985. The fou

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19

Tvrzníková, Jana. "From the History of the Library of Bohuslav Dušek." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 1-2 (2018): 35–44. http://dx.doi.org/10.1515/amnpsc-2017-0044.

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The article works with sources concerning the history of the library of Bohuslav Dušek (1886–1957), a bank clerk and a collector of books and art. Dušek built his library, comprising more than 3,000 volumes, from the beginning of the 20th century. Despite changing state regimes, he kept it until his death. His second wife, Hermína Dušková (1910–2012), organised the library and donated it in 1977 to the National Museum Library. The personal archival collection of Bohuslav Dušek, deposited in the National Museum Archives, provides as-yet unpublished information on the development of the library

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Hryhorov, V. "Monumental and decorative art of the second half of the 20th century in specialized literature." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 99–104. http://dx.doi.org/10.33838/naoma.27.2018.99-104.

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The article deals with a number of issues highlighted in the research of monumental painting during the 1960–2000s, and follows the development of art studies literature during the specified period. Ukrainian monumental painting during the second half of the 20th century evolved rather unequally, which affecte the art criticism reflections. In the 1960's and 80's the active and dynamic development of monumental art took place. Research in this area also reached the peak of its popularity. For example, the article of I. Pronina contains a review of publications from 1973–1974, and the author br

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Halpern, Ayana, and Dayana Lau. "Social Work Between Germany and Mandatory Palestine: Pre- and Post-Immigration Biographies of Female Jewish Practitioners as a Case Study of Professional Reconstruction." Naharaim 13, no. 1-2 (December 18, 2019): 163–88. http://dx.doi.org/10.1515/naha-2018-0103.

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Abstract When social work emerged as a profession in the first decades of the 20th century, it was strongly influenced by emancipatory motives introduced by various sociocultural and religious movements, and at the same time devoted itself to the construction and maintenance of a powerful welfare and nation state. Transnational agents and social movements promoted these processes and played a crucial role in establishing and developing national welfare systems and relevant professional discourses. This article examines the gendered construction of the social work profession through the transna

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Krzysztofiński, Mariusz. "Tadeusz Żenczykowski-Zawadzki — biografia polityka, publicysty i żołnierza Recenzja publikacji: Karolina Trzeskowska, Tadeusz Żenczykowski-Zawadzki (1907–1997). W kraju i na emigracji." Przegląd Sejmowy 5(160) (2020): 229–36. http://dx.doi.org/10.31268/ps.2020.74.

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The life of Tadeusz Żenczykowski-Zawadzki was sofull that it could be lived by more than one person. Karolina Trzeskowska’s book presents this outstanding politician, conspirator and publicist against the background of the 20th-century history of Poland, marked by the aggression and occupation of Polish lands by Germany and the USSR. Żenczykowski-Zawadzki, subordinating his life to the service to the country, wrote the honorable page in the history as a soldier, a politician, and finally a journalist and an activist in exile. In the latter role, he defended the good name of the Polish Undergro

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Puff, Roman. "Scientists of the State, Science of the State, and the State: Austrian and German Public Lawyers in the Short 20th Century Part 1: The Age of Catastrophe, 1914-1945." Baltic Journal of Law & Politics 5, no. 2 (December 1, 2012): 109–31. http://dx.doi.org/10.2478/v10076-012-0013-z.

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ABSTRACT Between the First World War and the end of the Cold War, Germany and Austria, whose legal cultures were highly interdependent in terms of persons, conceptions, and institutions, saw eleven or twelve fundamentally different regimes, depending on the interpretation of Austria’s status from 1938-45. Lawyers often ensured the legal functioning of these regimes and legitimized their existence. This again affected their notions of law, legality, and justice, and of the principles underlying these concepts, as well as their personal preferences and societal roles. Based on the analysis of ab

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Davenport, Nancy. "Pater Desiderius Lenz at Beuron: History, Egyptology, and Modernism in Nineteenth-Century German Monastic Art." Religion and the Arts 13, no. 1 (2009): 14–80. http://dx.doi.org/10.1163/156852908x388359.

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AbstractThe text is an introduction to the art made by a Benedictine community of artist/monks in the village of Beuron in the state of Hohenzollern-Sigmaringen in southwestern Germany in the late nineteenth and early twentieth centuries. The founder of the school, Pater Desiderius Lenz, studied art in Munich, received a scholarship to work in Rome, but discovered the source for his work in the flat two-dimensional colored drawings and prints of Egyptian art in albums published by the German archaeologist, Richard Lepsius. The iconic and non-empathetic style of Beuron art inspired by Lenz's id

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Zinkow, Leszek. "Egypt in the Early 20th Century in the Light of Newspaper Essays of Tadeusz Smoleński." Perspektywy Kultury 31, no. 4 (December 31, 2020): 9–28. http://dx.doi.org/10.35765/pk.2020.3104.03.

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This paper brings to light the reports and analyses written by Tadeusz Smoleński, a forgotten source on the political history of the Middle East and particularly Egypt, in the first decade of the 20th century. Tadeusz Smoleński (1884–1909), the first Polish Egyptologist, was also a regular correspondent of the Lviv daily newspaper Słowo Polskie [‘The Polish Word’]. In his reports, he outlines a panoramic view of Egypt’s extraordinarily complex political situation, determined by tensions between the European powers, i.e., the rivalry between Britain and France, and between Russia and Germany.

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Rozenberg, Nataliya Abramovna. "The Concept of a Romantic Hero in the Sculpture of Argentina in the 20–40s of the 20th Century." Общество: философия, история, культура, no. 12 (December 11, 2020): 140–45. http://dx.doi.org/10.24158/fik.2020.12.24.

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The interest in the history and culture of Argentina in the Russian Federation today has a special char-acter. It is believed that the presence of a huge number of immigrants from Europe, including from Russia, distinguishes Argentina culturally from oth-er countries of the New World, makes its culture more understandable. There is a perception that this is the most Europeanized country in South America. To a large extent, this ideologeme is the result of foreign policy pursued by Argentina itself. At the same time, the process of the formation of national identity in here was complicated and

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Zavidovskaya, Ekaterina A. "Tradition, Innovations and Historical Events in the Early 20th Century Chinese Calendars from the Russian Collections." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 4 (2021): 204. http://dx.doi.org/10.31857/s086919080015487-2.

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The paper discusses two types of Chinese calendars – a traditional agricultural calendar “nongli” which existed in China since the 9th century and a Westernized “yuefenpai” calendar that emerged in Shanghai in the late 19th century and flourished until the 30-40s of the 20th century. Apart from the lunar and solar calendars and a table of 24 seasons woodblock “nongli” calendar featured a Stove God Zao-wang alone or with a spouse surrounded by a suite, fortune bringing deities and auspicious symbols, Stove God was believed to ascend to heaven and report good and bad deeds of the family members

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Turpin, John. "Researching Irish art in its educational context." Art Libraries Journal 43, no. 3 (June 18, 2018): 123–26. http://dx.doi.org/10.1017/alj.2018.16.

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Documentary sources for Irish art are widely scattered and vulnerable. The art library of the Royal Hibernian Academy of Arts was destroyed by bombardment during the Rising of 1916 against British rule. The absence of degree courses in art history delayed the development of art libraries until the 1960s when art history degrees were established at University College Dublin, and Trinity College Dublin. In the 1970s the state founded the Regional Technical Colleges all over Ireland with their art and design courses. Modern approaches to art education had transformed the education of artists and

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Guseltseva, Marina S. "State Academy of Arts: Traditions and Modernity. Part 1: Inexhaustible History." Volga Region Pedagogical Search 2, no. 36 (2021): 8–20. http://dx.doi.org/10.33065/2307-1052-2021-2-36-8-20.

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The State Academy of Arts (SAA) represents the phenomenon of Russian culture at the beginning of the 20th century, still the research interest in SAA has not been exhausted to this day. Its appearance is due to the configuration of random factors, unintentional social actions, as well as the implicit, inertial development of prerevolutionary cultural movements in the first decade of the Soviet era. Interdisciplinarity, the search for a synthesis of arts acted as a kind of trail of the Silver Age, the aftertaste of the interrupted era, continuation of its life outburst. After all, cultural trad

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Vukotic-Lazar, Marta, and Jasmina Djokic. "Complex history as a source of planning problems: Old Belgrade fairground." Spatium, no. 13-14 (2006): 34–40. http://dx.doi.org/10.2298/spat0614034v.

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The Old Belgrade Fairground complex is the large area in the center of Belgrade that is completely isolated from other parts of Belgrade: it is one of the most devastated city areas, populated by poor inhabitants, often by those from the marginal groups, burdened with tragic history and it represents one of hardest problems for planners to solve. It is situated on the left bank of the Sava River between two bridges and downtown New Belgrade. Opposite to it, the Sava Amphitheatre slopes down the Belgrade Ridge towards the river. The complex was built in the thirties of the 20th century across t

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Qinyan, An. "The Fate of the Russian inTelligentsia in the XX Century. Re-Reading Milestones." Voprosy Filosofii, no. 3 (2021): 113–27. http://dx.doi.org/10.21146/0042-8744-2021-3-113-127.

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The article provides an analysis of historical events in Russia in the 20th century from the point of view of the influence of the Russian intelligentsia on them, its theoretical and practical activities. The starting point for the author is the collection Milestones (1909) and the criticism of the intelligentsia, which is the main meaning of the articles in this collection. The author shows that, despite the great influence of the intellectuals on the fate of Russia, they was not able to fully realize its ideals, and the fate of many of them was tragic. Their ideals were in contradiction wit

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Stepanov, Boris. "“Coming Soon?”: Cinematic Sociology and the Cultural Turn." Sotsiologicheskoe Obozrenie / Russian Sociological Review 19, no. 4 (2020): 152–77. http://dx.doi.org/10.17323/1728-192x-2020-4-152-177.

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Throughout the 20th century, cinema has played, and, to some extent, continues to play a key role in shaping the social imagination and anthropology of modern human. Nevertheless, as a review of English scholarly literature shows, cinema, unlike art and music, remains a marginal subject of analysis for sociologists. The article attempts to consider the state of sociological reflection on cinema in the context of the cultural turn in sociology in both the international and national contexts. By reconstructing the history of the interaction between sociology, film studies, and cultural studies,

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Crespi, Paola. "Rhythmanalysis in Gymnastics and Dance: Rudolf Bode and Rudolf Laban." Body & Society 20, no. 3-4 (September 2014): 30–50. http://dx.doi.org/10.1177/1357034x14547523.

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The translation of Rudolf Bode’s Rhythm and its Importance for Education and Rudolf Laban’s ‘Eurhythmy and kakorhythmy in art and education’ aims at unearthing rhythm-related discourses in the Germany of the 1920s. If for most of the English-speaking world the translation of Henri Lefebvre’s Rhythmanalysis: Space, Time and Everyday Life marks the moment in which rhythm descends into the theoretical arena, these texts, seen in their connection with other sources, express, instead, the degree to which rhythm was omnipresent in philosophical, artistic, socio-economical and psychological discourse

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Batyreva, Svetlana G. "Живопись и графика П. И. Емчегировой 1930–1950-х гг. (по материалам музейных и частных коллекций)". Oriental Studies 13, № 5 (28 грудня 2020): 1378–88. http://dx.doi.org/10.22162/2619-0990-2020-51-5-1378-1388.

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Goals. The article aims at examining visual arts of pre-war Kalmykia and the deportation period (1943‒1957) through the example of P. I. Emchegirova (1907–1992) ― first ethnic Kalmyk female painter ― and her works. The artistic path remains understudied and is of special interest due to a unique nature of art pieces. Studies of the cultural heritage are complicated by the absence of documents and archival sources completely lost during the Siberian deportation. Materials and Methods. The work analyzes paintings, drawings and pieces of applied art created by P. I. Emchegirova virtually for over

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Szymanowicz, Maciej. "W poszukiwaniu „narodowości w fotografice”." Artium Quaestiones, no. 28 (May 22, 2018): 65–86. http://dx.doi.org/10.14746/aq.2017.28.3.

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In Search for the “National Features in Photography” Summary The main point of the paper is the interest of Polish photographers in nationalist ideas, which has long been one of the forgotten and overlooked episodes in the history of twentieth-century Polish photography. The issue appeared for the first time in 1931-1933, when Polish photographic magazines published a debate about revealing national traits in a photo. It was an aftermath of the idea of the national style in Polish art, promoted since the early 1920s in relation to the needs of the state that just became independent. The greate

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Lufkin, Felicity. "The Cult of Happiness: Nianhua, Art and History in Rural North China. By James A. Flath. [Vancouver: University of British Columbia Press, 2004. 195 pp. $60.00. ISBN 0-7748-1034-3.]." China Quarterly 182 (June 2005): 446–47. http://dx.doi.org/10.1017/s0305741005300269.

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James Flath's The Cult of Happiness is a stimulating and accessible book that contributes to more than one area of current concern in Chinese studies. The author effectively situates his work in relation to developing debates about print culture, alternative conceptions or experiences of modernity, and the relationship of popular culture to markets and to state power. It should also appeal to readers interested more generally in modern Chinese art, history and visual culture.In this general vein, the book would be valuable simply as one of only a very few English-language works that deal with

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Kubiak, Szymon Piotr. "Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective." Ikonotheka, no. 30 (May 28, 2021): 89–112. http://dx.doi.org/10.31338/2657-6015ik.30.5.

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In March 1945, the combined Polish-Soviet forces captured the German city of Stettin. On 26 April, the 65th Army of the 2nd Belorussian Front entered the city, in which the rule of the Soviet military command was soon established. Due to its unresolved status and territorial disputes, Polish politicians, self-government officials, and first settlers were forced to leave Szczecin twice. In the period of the Polish-German “race for Szczecin”, which ended with the Potsdam Conference, the only stable element having control over the lower Oder was the USSR, whose emissaries treated the conquered te

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Miller, Malcolm. "Conference Report: Potsdam – The New Jewish School in Music." Tempo 58, no. 230 (October 2004): 62–67. http://dx.doi.org/10.1017/s0040298204290313.

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Both for the quality of the repertoire and the influence of the composers, the ‘New Jewish School in Music’, the subject of a two-day conference on 10–11 May 2004 at the University of Potsdam, Germany, represents a significant aesthetic movement in the history of 20th-century music. To apply the term ‘school’ to a varied group which lasted from 1908 till 1938, and spread from St. Petersburg, through Russia, to Berlin and Vienna, as in the conference title (it is also that of a new book by Dr Jascha Nemtsov, conference organizer), begs the question of the extent to which there was a unanimity o

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Fomicheva, Daria Vladimirovna. ""Picturesque graphics": three pencil technique, multi-layered charcoal drawing." Secreta Artis, no. 1 (July 11, 2021): 16–46. http://dx.doi.org/10.51236/2618-7140-2021-4-1-16-46.

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The article describes methods of achieving painterly qualities while drawing with soft materials, which include: 1) creation of a polychrome image effect using an extremely limited color palette (white, black and red chalk (sanguine)); 2) thorough work on a multi-layer charcoal drawing employing techniques similar to those of multi-layer watercolor, oil and pastel painting, as well as papier-pelle drawing. The study was first conducted by analyzing drawing manuals, catalogs of manufacturers and suppliers of art materials from France, Great Britain, Germany, USA and Russian Empire in the second

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Počs, Kārlis. "A VIEW ON THE HISTORY OF LATVIAN-FRENCH CULTURAL RELATIONS BEFORE WORLD WAR II." Via Latgalica, no. 1 (December 31, 2008): 75. http://dx.doi.org/10.17770/latg2008.1.1598.

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Because of the geographic location of the Latvian and the French nations and of different trends in the development of their histories contacts between them were established relatively late. This in turn slowed down the development of their cultural relations. In this development, we can distinguish two stages: before the formation of the Latvian state (from the second half of the 19th century until 1918), and during the Latvian state until the Soviet occupation (1920–1940). The objective of this paper is to determine the place and the role of the Latvian-French cultural relations in the devel

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Zakharova, Olga. "PETER THE GREAT IN THE FOLKLORE LEGENDS OF THE 19TH — EARLY 20TH CENTURIES: PLOTS, MOTIFS, GENRE PROBLEM." Проблемы исторической поэтики 19, no. 1 (February 2021): 75–87. http://dx.doi.org/10.15393/j9.art.2021.9202.

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Peter the Great is one of the most popular characters in the folk prose of the Russian North. His sojourns in thinly populated and inaccessible places had left a noticeable mark in the people's memory. The first tales about him were written in the mid-18th century. Researchers define the genre of these works in different ways. They are classified as folklore, legends, fairy tales, anecdotes, stories about royal favors. The main motifs they contain are release from work, communication with ordinary people, treats, presenting with a caftan, coat, cloth, money, infliction and compensation for los

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Kholodova, M. V., and M. M. Chikhacheva. "OUTSTANDING FIGURES OF OPERA ART OF KRASNOYARSK: LARISA VLADIMIROVNA MARZOEVA." Northern Archives and Expeditions 5, no. 2 (June 30, 2021): 159–67. http://dx.doi.org/10.31806/2542-1158-2021-5-2-159-167.

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The study of the culture of various regions of Russia, including the musical culture of Siberia, is one of the intensively developing areas of modern russian art history and cultural studies. The history of the formation and development of the musical culture of Krasnoyarsk - one of the largest siberian centers — is a multi-faceted picture, already meaningful in a number of fundamental works, a series of scientific publications. At the same time, not all aspects of the musical life of Krasnoyarsk received comprehensive coverage, many of its pages are waiting for their researcher. The article p

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Yancheva, Svetla, Boryana Ivanova, and Hristina Yancheva. "Agricultural education in Bulgaria – traditions and future." Agricultural Sciences 13, no. 29 (June 7, 2021): 6–11. http://dx.doi.org/10.22620/agrisci.2021.29.001.

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The foundations of Bulgarian higher agricultural education date back to 1921. Until then, agricultural university graduates were trained in France, Germany, Italy and other European countries. In 1945, based on the Regents’ Council Decree No 180 of August 4th, published in the State Gazette on August 20th, the Ordinance setting up a state university located in Plovdiv was enacted. Nowadays, the Agricultural University (AU) is the successor of that first university situated outside the capital Sofia. The history and traditions of this higher educational establishment have invariably followed th

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Luchka, Lyudmila. "Book heritage of Dnipropetrovsk region of the 20s–30s of the 20th century: historical review and analysis of sources." Grani 24, no. 3 (March 30, 2021): 56–61. http://dx.doi.org/10.15421/172126.

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The article deals with general state of the national book publishing business of the 20s – 30s of the 20th century. The author reveals and analyses the publications of the university book collection valuable in terms of content, design, and time of printing. The history and destiny of some books of educational, scientific and fiction literature are researched. The author’s attention is focused on the problems of book publishing process in Ukraine, in particular books of social, economic, agricultural and technical content. The activity of well-known Ukrainian publishing houses of this period i

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Makar, Vitaliy, Yuriy Makar, Vitaly Semenko, and Andriy Stetsyuk. "Events in Ukraine 1914–1922 Their Importance and Historical Background (Part 2)." Історико-політичні проблеми сучасного світу, no. 40 (December 15, 2019): 207–43. http://dx.doi.org/10.31861/mhpi2019.40.207-243.

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The editorial board continues to publish the most significant documents, which characterize the status and progress of the Ukrainian national liberation movement, its vision in other countries in the early 20th century. The documents from the first book «Events in Ukraine 1914–1922 their importance and historical background» were published in Volume 39 of the Scientific journal. We publish the papers from the second book in current volume. We have selected 10 documents that chronologically cover the period from January 17 to May 9, 1918, and reproduce the vision of the Ukrainian problem by the

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Kolomiyets, Lada. "The Psycholinguistic Factors of Indirect Translation in Ukrainian Literary and Religious Contexts." East European Journal of Psycholinguistics 6, no. 2 (December 27, 2019): 32–49. http://dx.doi.org/10.29038/eejpl.2019.6.2.kol.

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The study of indirect translations (IT) into Ukrainian, viewed from a psycholinguistic perspective, will contribute to a better understanding of Soviet national policies and the post-Soviet linguistic and cultural condition. The paper pioneers a discussion of the strategies and types of IT via Russian in the domains of literature and religion. In many cases the corresponding Russian translation, which serves as a source text for the Ukrainian one, cannot be established with confidence, and the “sticking-out ears” of Russian mediation may only be monitored at the level of sentence structure, wh

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Kirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (December 4, 2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.

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The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kondakov. The book, which consists of seven chapters, is devoted to the history of the emergence and development of mass culture in Russia from ancient times to the beginning of the 20th century. Studying its origins dating back to antiquity, the author proves that Russian mass culture received an “impulse of independence” in the 17th century, as the cu

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Ящук, Інна. "THE WAYS OF RENOVATING THE ETHNIC HISTORY OF THE MODERN STATE: THE ACTIVITIES OF THE PROSKURIV POLISH PEDAGOGICAL TECHNICAL SCHOOL." Інноватика у вихованні 1, no. 12 (November 21, 2020): 41–48. http://dx.doi.org/10.35619/iiu.v1i12.325.

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The article is devoted to the analysis of the process of formation and functioning of the Proskuriv Ukrainian Pedagogical Technical School, which was organized in 1921 of the 20th century. Its activity is presented through the prism of regulations, reports, letters, orders of various management levels. Particular attention is paid to the motivation of students in obtaining professional education related to the study of the Ukrainian, Polish, Russian languages; natural sciences - Mathematics and Physics. Teachers of the technical school organized lectures, consultations, individual educational

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Linnik, M. S. "Refl ection of the scientifi c-critical position of R. Genika in his letters to N. Findeisen." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 14–26. http://dx.doi.org/10.34064/khnum2-13.02.

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Background. The present article is devoted to the consideration of the critical activity of R. Genika, one of the most prominent creative personalities in the musical life of Kharkov during the period of the turn of the 19th and 20th centuries, the founder of the Kharkov professional music school. The present study is based on the material of the correspondence between R. Genika and his long-term mentor N. Findeisen – the chief editor of the Russian Musical Newspaper, the publisher of historical essays. The system of R. Genika’s critical views, his assessment of the intonation situation of the

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Fedotova, Svetlana V. "Mapping out Methodological Approaches to Russian Symbolism (on the Example of Vyacheslav Ivanov)." Studia Litterarum 5, no. 4 (2020): 38–65. http://dx.doi.org/10.22455/2500-4247-2020-5-4-38-65.

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This article is a multidimensional study of Russian symbolism as one of the most prominent 20th century literary schools that had a major impact on the development of Russian modernism. The current state of art in the field of modernism is relevant in the context of the metamodern paradigm. The article specifically focuses on the figure of Vyacheslav Ivanov, symbolist poet, leading theoretician of this literary school, and religious thinker who played important role in the development of the so-called Silver Age in Russian literary history. The purpose of the article is to map out methodologic

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