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Relevant bibliographies by topics / Art Art, American Art, American

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Academic literature on the topic 'Art Art, American Art, American'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Art Art, American Art, American"

1

Lewis, Adrian. "FRAMING AMERICAN ART: A SOCIAL HISTORY OF AMERICAN ART." Art Book 12, no. 3 (2005): 35–36. http://dx.doi.org/10.1111/j.1467-8357.2005.00569.x.

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Caragol, Taína. "Documenting Latin American art at the Museum of Modern Art Library." Art Libraries Journal 30, no. 3 (2005): 33–36. http://dx.doi.org/10.1017/s0307472200014085.

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This article traces the history of the Latin American holdings of the Museum of Modern Art Library, one of the first institutions outside Latin America to start documenting the art of this geopolitical region, and one of the best research centers on modern Latin American art in the world. This success story dates back to the thirties, when the Museum Library began building a Latin American and Caribbean collection that currently comprises over 15,000 volumes of catalogues and art books. The launch of various research tools and facilities for scholars and the general public in recent years also shows the Museum’s strong commitment not only towards Latin American art history but also to the present and the future of the Latino art community.

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Cutler, Jody B., Richard J. Powell, Jock Reynolds, Juanita M. Holland, and Adrienne L. Childs. "African Americans and American Art History." Art Journal 59, no. 1 (2000): 101. http://dx.doi.org/10.2307/778087.

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Manthorne, Katherine. "Remapping American Art." American Art 22, no. 3 (2008): 112–17. http://dx.doi.org/10.1086/595811.

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Weber, John Pitman, and Shifra M. Goldman. "Latin American Art." Art Journal 54, no. 3 (1995): 111. http://dx.doi.org/10.2307/777613.

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FARLEY, JEFF. "Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act." Journal of American Studies 45, no. 1 (2010): 113–29. http://dx.doi.org/10.1017/s0021875810001271.

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Jazz music and culture have experienced a surge in popularity after the passage of the Jazz Preservation Act (JPA) in 1987. This resolution defined jazz as a black American art form, thus using race, national identity, and cultural value as key aspects in making jazz one of the nation's most subsidized arts. Led by new cultural institutions and educational programs, millions of Americans have engaged with the history and canon of jazz that represent the values endorsed by the JPA. Record companies, book publishers, archivists, academia, and private foundations have also contributed to the effort to preserve jazz music and history. Such preservation has not always been a simple process, especially in identifying jazz with black culture and with America as a whole. This has required a careful balancing of social and musical aspects of jazz. For instance, many consider two of the most important aspects of jazz to be the blues aesthetic, which inevitably expresses racist oppression in America, and the democratic ethic, wherein each musician's individual expression equally contributes to the whole. Balanced explanations of race and nationality are useful not only for musicologists, but also for musicians and teachers wishing to use jazz as an example of both national achievement and confrontation with racism. Another important aspect of the JPA is the definition of jazz as a “high” art. While there remains a vocal contingent of critics arguing against the JPA's definitions of jazz, such results will not likely see many calling for an end to its programs, but rather a more open interpretation of what it means to be America's music.

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Coronado, Vibrina. "Ndn Art: Contemporary Native American Art (review)." American Indian Quarterly 32, no. 2 (2008): 229–33. http://dx.doi.org/10.1353/aiq.2008.0020.

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LESENCIUC, Adrian. "AMERICAN ART EDUCATION IN THE LIGHT OF GLOCALIST APPROACH." Review of the Air Force Academy 16, no. 3 (2018): 99–103. http://dx.doi.org/10.19062/1842-9238.2018.16.3.12.

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Barberena, Elsa. "Latinoarte: information on Latin American art." Art Libraries Journal 20, no. 3 (1995): 8–10. http://dx.doi.org/10.1017/s0307472200009433.

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Latin American culture is very rich, yet there is insufficient documentation on Latin American art, and much of the documentation which does exist is not adequately covered by the major art indexes. A number of magazines have set out, especially since the 1940s, to disseminate information about Latin American art, but most have been short-lived. The LATINOARTE project, based in the Facultad de Filosofía y Letras at the Universidad Nacional Autónoma de México (UNAM), aims to develop and to network a database including citations to documentation available in 62 libraries and information centres inside and outside Latin America. Already, some 1,500 records are available on contemporary Latin American art. (The edited text of a paper presented to the IFLA Section of Art Libraries at the IFLA General Conference at Havana, August 1994.)

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Weisman, Celia Y., Craig Houser, Leslie C. Jones, Simon Taylor, and Jack Ben-Levi. "Abject Art: Repulsion and Desire in American Art." Woman's Art Journal 17, no. 2 (1996): 59. http://dx.doi.org/10.2307/1358482.

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Dissertations / Theses on the topic "Art Art, American Art, American"

1

Gartside, Steven. "Appropriations of 'America' and American art in the 1950s." Thesis, Manchester Metropolitan University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327710.

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Haight, Sarah M. "American Art Lending, 1895-1975." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.

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This paper documents the range of art lending in the United States to individuals by libraries, museums, and other cultural institutions from roughly 1895-1975. The historical analysis includes the reasons and motivations behind the creation of each kind of lending scheme and what its proponents hoped to accomplish, as well as how these collections fit into the broader goals of each type of institution. Loans of originals and reproductions are discussed.

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Cirino, Gina. "American Misconceptions about Australian Aboriginal Art." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1435275397.

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Jeon, Eun-Hee. "American image /." Online version of thesis, 1990. http://hdl.handle.net/1850/11236.

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Clark, Toby. "Representations of Russian Art in American Art History and Criticism 1917-1939." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522624.

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This dissertation examines the critical reception and historical construction of Russian art in the United States between 1917 and 1939. The study focuses on two main types of Russian art; that of the Russian avant-garde, and that of artists who emigrated to the United States and achieved a high level of critical visibility and commercial success there during the 1920s. The discussion of the Russian emigre artists concentrates on the treatment of their work in the American curatorial system and art market. It examines the critical strategies used to promote these artists, particularly in the writings of Christian Brinton, who formulated a new category termed 'Slavic art' which relied on theories of racial essentialism. The subsequent decline of the careers of the emigre artists can be explained partly by reference to the reorientation in American critical values after the early 1930s. Research on the interpretation of the Russian and Soviet avantgarde in the United States is focussed on two main Modernist institutions; the Societe Anonyme during the 1920s and the Museum of Modern Art in New York after 1929. The Societe Anonyme's management of its large collection of Russian avant-garde art is discussed in relation to the contrasting aesthetic perspectives and political alignments of Katherine Dreier and Louis Lozowick, and compared with alternative interpretations in western Europe. The study of the representation of the Russian avant-garde by the Museum of Modern Art is concentrated on the writings of Alfred Barr and his critical theory of Modernism. Barr's account of the history of Russian Constructivism and Soviet cultural policies in 1936 is seen to have performed an important function for establishing an ideological position for the ascending discourses of American Modernism in opposition to the competing positions of conservative anti-Modernism and left-wing aesthetics.

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Morozova, Ekaterina. "American art criticism and the crisis of art history writing : 1962-1967." Thesis, Open University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413811.

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Gittinger, Anne Meredith. "Class Act: Negotiating Art and Market in the Career of Isadora Duncan." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539626615.

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Gallegos, Jason S. "An Art Unconfined." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253706484.

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Claxton, Ronald Wayne. "The infusion of African American art from eighteen-eighty to the early nineteen-nineties for middle and high school art education." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1387379149.

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Tuomi, Scott Lawrence. "Finnish art song for the American singer." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289889.

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Art song teachers are constantly seeking new repertoire for their students. Many countries outside those commonly represented in American vocal studios (for instance Spain and Russia) have rich art song traditions which merit inclusion in the vocal studio. In this era of increased cultural awareness, many other areas of music education are seeking to explore these repertoires. However, many art songs are unable to be utilized because of the lack of resources in this country concerning their acquisition, identification, history, pronunciation and performance. Finland has a vast art song repertoire that is largely unexplored by American singers and teachers for the reasons mentioned above. A relatively new nation, Finland has a rich past which has remained a mystery to the west because of its close connection to the former Soviet Union. In addition, prior to the twentieth century, Finland had been under the control of foreign governments including those of Russia and Sweden since the Middle Ages. This document seeks to identify and examine Finnish art songs while providing background information regarding their history, development, and relevance to Finnish culture. In addition, tools for acquiring and performing Finnish art song are included to facilitate the inclusion of these songs in American vocal studios. Various sections include the development of the art song genre in Finland, the connection of songs to the Finnish national epic, the Kalevala, and a brief examination of the Finno-Ugrian language group. Biographical information is provided for seven selected composers arranged in chronological order. A total of ten songs are analyzed from the selected composers and an English translation is also provided for each. In addition, a collection of appendices providing complete lists of published songs for each composer, a Finnish IPA pronunciation chart, contact information for Finnish music publishers and musical resources and a selected discography are included.

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Books on the topic "Art Art, American Art, American"

1

J, Slowik Theresa, ed. America's art, Smithsonian American Art Museum. Abrams, 2006.

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Museum, Smithsonian American Art. America's art, Smithsonian American Art Museum. Smithsonian American Art Museum, 2005.

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Ursus Books (New York, N.Y.). American art. Ursus Books, 1987.

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Janice, Lehmberg, ed. American art. Davis Publications, 1998.

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Polsky, Richard. Art market guide: Contemporary American art. Marlit Press, 1998.

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C, Longfish George, ed. Native American art. Hugh Lauter Levin Associates, 1994.

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Melhem, D. H. Art and politics, politics and art. Syracuse University Press, 2010.

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Edward, Lucie-Smith. American art now. W. Morrow, 1985.

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American Art Glass. Collector Books, 1988.

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Ketchum, William C. Native American art. Todtri, 1997.

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Book chapters on the topic "Art Art, American Art, American"

1

Bradley, Patricia. "Outsider Art." In Making American Culture. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100473_3.

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Motta, Ana Paula, and Guadalupe Romero Villanueva. "South American Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-51726-1_2914-1.

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Podestá, María Mercedes, and Matthias Strecker. "South American Rock Art." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1623.

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Whitley, David S. "North American Rock Art." In Encyclopedia of Global Archaeology. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2144.

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Ciornai, Selma, and Maria Cristina Ruiz. "Latin American Art Therapy." In The Wiley Handbook of Art Therapy. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118306543.ch74.

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Podestá, María Mercedes, and Matthias Strecker. "South American Rock Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1623.

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Whitley, David S. "North American Rock Art." In Encyclopedia of Global Archaeology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2144.

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de Oliveira, Antonio Genivaldo Cordeiro. "Art of Living." In Encyclopedia of Latin American Religions. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-27078-4_146.

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de Oliveira, Antonio Genivaldo Cordeiro. "Art of Living." In Encyclopedia of Latin American Religions. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-08956-0_146-1.

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Gatlin, Rochelle. "Education, Art and Spirituality." In American Women Since 1945. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18896-3_9.

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Conference papers on the topic "Art Art, American Art, American"

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"[Spine art]." In 2013 Latin American Computing Conference (CLEI). IEEE, 2013. http://dx.doi.org/10.1109/clei.2013.6670675.

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"[Cover art]." In 2008 IEEE Latin American Robotic Symposium. IEEE, 2008. http://dx.doi.org/10.1109/lars.2008.41.

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"[Spine art]." In 2017 XLIII Latin American Computer Conference (CLEI). IEEE, 2017. http://dx.doi.org/10.1109/clei.2017.8226369.

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"[Cover art]." In 2008 Latin American Web Conference (LA-WEB). IEEE, 2008. http://dx.doi.org/10.1109/la-web.2008.31.

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"[Cover art]." In 2009 Latin American Web Congress. LA-WEB 2009. IEEE, 2009. http://dx.doi.org/10.1109/la-web.2009.45.

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"Cover Art." In 2016 Seventh Latin-American Symposium on Dependable Computing (LADC). IEEE, 2016. http://dx.doi.org/10.1109/ladc.2016.41.

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"[Cover art]." In 2009 Fourth Latin-American Symposium on Dependable Computing (LADC). IEEE, 2009. http://dx.doi.org/10.1109/ladc.2009.34.

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"Cover Art." In 2011 5th Latin-American Symposium on Dependable Computing Workshops (LADC-W). IEEE, 2011. http://dx.doi.org/10.1109/ladcw.2011.28.

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"Cover Art." In 2016 XIII Latin American Robotics Symposium and IV Brazilian Robotics Symposium (LARS/SBR). IEEE, 2016. http://dx.doi.org/10.1109/lars-sbr.2016.68.

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Koukopoulos, Dimitrios, and Georgios D. Styliaras. "Security in collaborative multimedia art communities." In the 2009 Euro American Conference. ACM Press, 2009. http://dx.doi.org/10.1145/1551722.1551731.

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Reports on the topic "Art Art, American Art, American"

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Wansley, William J. American Art: Toward an American Theory of Peace. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada253169.

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Anastas, Kevin P. The American Way of Operational Art: Attrition or Maneuver. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada254194.

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Edwards, Sebastian. The Economics of Latin American Art: Creativity Patterns and Rates of Return. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10302.

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Miller, Naomi J., and Scott M. Rosenfeld. Demonstration of LED Retrofit Lamps at the Smithsonian American Art Museum, Washington, DC. Office of Scientific and Technical Information (OSTI), 2012. http://dx.doi.org/10.2172/1044507.

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Galenson, David. The Reappearing Masterpiece: Ranking American Artists and Art Works of the Late Twentieth Century. National Bureau of Economic Research, 2003. http://dx.doi.org/10.3386/w9935.

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Licata, Paul Z. Operational Art and Munitions Supply: An Analysis of Munitions and Their Influence on Operational Art Practiced by the American Expeditionary Forces During World War I. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada606311.

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Price, John K. The American Expeditionary Force Siberia: A Case Study of Operational Art with Ambiguous Strategic Objectives. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada611985.

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Matheny, Michael R. The Development of the Theory and Doctrine of Operational Art in the American Army, 1920-1940. Defense Technical Information Center, 1988. http://dx.doi.org/10.21236/ada195657.

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Casey, Michael W. The Clinton Doctrine: An Unfinished Work of Strategic Art, A Call for a Strategy to Counter the Subnational WMD Warfare Threat Against the American Homeland"". Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada443855.

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Greene, Jr, and Channing M. Canopies of Blue: The American Airborne Experience in the Pacific in the Second World War as a Case Study in Operational Art and Multi-role Flexibility. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada484755.

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