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Relevant bibliographies by topics / Art Art and history Time in art Chronology / Dissertations / Theses

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Dissertations / Theses on the topic 'Art Art and history Time in art Chronology'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Paar, Donna L. "Chronological time development of primary students through art historical inquiry." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1991. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M. Ed.)--Kutztown University of Pennsylvania, 1991.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2772. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaves [41-46]).

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2

Luckner, Peter P. "The Topology of Time." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405958596.

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3

Hole, Yukiko. "The Art of David Lamelas| Constructions of Time." Thesis, California State University, Long Beach, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10977417.

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<p> David Lamelas’s life-long research projects have included examinations of social phenomena. The artist takes interest in the dynamics of mass communication and media, urban mundane activities, and documentary films. He employs the element of time often in the structure of his art as an innovative approach by which to study his subjects. </p><p> I argue that in pairing the element of time with social phenomena, Lamelas exposes how people’s perceptions, both the visual experience and the thought processes impacted by these experiences, tend to work, therefore leading viewers to

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4

Rawles, Erica M. "The Changing Meanings of Memory, Space, and Time in Photography." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1520.

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What happens to the memories that are left behind in photographs when the person who’s memories they are passes away? After the passing of both my mother and my grandmother, I began to notice the fleeting significance of photographs. I spent time going through boxes of pictures they had saved and every so often I would come across an old photo of someone or something that no one in my family could find a meaning behind or attach a significance to. This paper reveals how the meaning and importance of photographs shift over time from the perspective of the photographer to that of the preserver.

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5

Huh, Sang Hee. "Time-measuring device : making your own history of remembrance box with childhood's physical growth /." Online version of thesis, 2008. http://hdl.handle.net/1850/7742.

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6

Langille, Nicole. "Of Measure and Material." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956.

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7

Penrose, Joshua Adam. "Situating Sound." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282156333.

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8

Klein, Alysia Anne. "History Says." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556277825492802.

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9

Broadus, Cassandra Ann. "Visual works of art as a stimulus for linguistic references and historical time conceptions in third grade students." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc798389/.

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This study investigated the relationship between visual cues in art reproductions, simple linguistic time vocabulary and children's temporal understandings. During interview sessions, 33 third-grade students attending two suburban schools were asked to place three art postcard reproductions sets in chronological order. Interviews were recorded, transcribed, and coded for analysis. Linguistic references used to represent historical time and visual cues within the art postcards which caused students to place art works in a particular time sequence were documented.

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10

Spangler, Ashley Kay. "Hon's Anatomy: The Heart of Niki de Saint Phalle's Oeuvre." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555591478935112.

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11

Coveny, Eloise. "The moving still the existential nature of time, history and the uncanny : a dissertation submitted to Auckland University of Technology of the requirements for the degree of Bachelor of Art and Design (Honours), 2008 /." Abstract. Full exegesis, 2008.

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Dissertation (BA--Art and Design) -- AUT University, 2008.<br>Includes bibliographical references. Also held in print (126 leaves : ill. ; 22 cm + 1 DVD-ROM) in City Campus Theses Collection (T 779.4 COV)

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12

Senior, Louise Marie 1958. "Time and technological change: Ceramic production, labor, and economic transformation in a third millennium complex society (Tell Leilan, Syria)." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282841.

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This study investigates changes in ceramics at Tell Leilan, Syria, during three consecutive periods between 2500 and 2200 B.C. These changes co-occur with significant socio-political changes: urbanization of the region and fledgling statehood. The approach developed to examine ceramic change in this work is Ceramic Technical Sequence Analysis (CTSA) which combines the strategies of ceramic ecology, the French technique et culture school, and behavioral archaeology. CTSA is also informed by practice theory; thus, the limitations of previous work in ceramic technology are reduced. This technolog

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13

Kang, Inhye. "World display, imperial time: the temporal and visual articulation of empire in Japanese exhibitions (1890-1945)." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=110464.

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This dissertation investigates how Japanese expositions held from the 1890s to the 1940s, both abroad and at home, represented Japan itself as a 'guardian of Asian culture' while promoting the expansion of its empire. Japan's governing stance over other Asian nations at expositions during the prewar period appeared to imitate the imperial exhibitions of its Western counterparts, and yet the Japanese engagement of Asia in these exhibitions was portrayed as "almost the same, but not quite" the same empire. This study thus proposes to interpret Japan's exhibitionary practices toward other Asian n

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14

Green, Alison McKenzie. "Abstraction, experience, reduction : time and periodicity in the work of Myron Stout and postwar American art history." Thesis, Oxford Brookes University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427490.

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15

Skaggs, Meredith L. "Fluidity and Transformation: Positioning the Art of Cai Guo-Qiang." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1338435148.

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16

Gross, Mara Judson. "Time, Space, And Energy For Dance In Education." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218206523.

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17

Rine, Julia. "Morphing Monument| The Lincoln Memorial Across Time." Thesis, University of Cincinnati, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1559779.

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<p> The Lincoln Memorial Monument is one of the most successful monuments in Washington D.C. Abraham Lincoln's achievements in his presidency left imprints on every American's life. His memory lives on through the generations. The monument was originally considered a Union Civil War and Presidential memorial, but has evolved into something more. This thesis will analyze the evolution on this monument. This memorial has adapted to a shifting nature of its meaning to different generations throughout the history of the United States. This nature is attributed to its location, the Civil Rights Mov

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18

Kuchenbecker, Emily E. "Lifetime." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5838.

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Time is my bully. Time marks the start of something, as well as the end. We are all carrying out the inexorable passing of time as it relates to our impending mortalities. I do not fear death. The awareness of my body’s impermanence employs me to feel that much more connected to the vessel containing that of which I am. But what am I? Am I my body- or is it much deeper? Through the work executed during my graduate research, I have attempted to quantify my existence through the archiving my time and body. This document ushers you through my perception, my relationship to nature, and how it mani

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19

Ovitt, Amber Nicole. "Perpetuate the Revolution: Embrace the Brick Wall." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64433.

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Washington D.C., along with similar historically significant cities, boasts architectural treasures. Understanding how our above-ground archeology, which represents the passage of time and suggests urban development, will continue to influence our architecture today, is the essential core of this thesis. 14th Street is one of the crucial entrance corridors of the city, existing as a vertical way-finder for modern day travelers coming in and out of the District. Brick rowhouses line this valuable street, providing multi-use functions that have evolved over the past century. Unfortunately, m

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20

Brehme, Kate [Verfasser], Stefanie [Akademischer Betreuer] Bürkle, Jennifer [Akademischer Betreuer] Jenkins, Stefanie [Gutachter] Bürkle, and Jennifer [Gutachter] Jenkins. "Time after time: a history of the Berlin Biennale for contemporary art and its relationship with urban space / Kate Brehme ; Gutachter: Stefanie Bürkle, Jennifer Jenkins ; Stefanie Bürkle, Jennifer Jenkins." Berlin : Technische Universität Berlin, 2020. http://d-nb.info/1216945101/34.

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21

Gabbard, Beverly K. "You Didn't Ask, But It Was Wednesday." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524222470871216.

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22

Frajndlich, Rafael Urano. "Tafuri: tempo da cidade longínqua." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-30062014-105608/.

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A obra do historiador da arquitetura Manfredo Tafuri (1935-1994) mantém grande pertinência nos debates contemporâneos. Sua contribuição é caracterizada pelo rigor filológico de suas pesquisas, pela leitura crítica das utopias das vanguardas e sobretudo pelo trânsito intenso de suas análises por outras disciplinas das ciências humanas, como a filosofia, a psicologia e a sociologia. Em seus textos, o autor ladeou o Renascimento e a atualidade de diferentes modos para tecer suas argumentações, através de articulações de noções de tempo. O tempo, na prosa de Tafuri, é um objeto de estudo em si, e

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23

Tavano, Matteo. "Seismic response of tank-fluid systems: state of the art review and dynamic buckling analysis of a steel tank with the added mass method." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amslaurea.unibo.it/3006/.

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24

Barrett, Rebecca L. "Building in the Styles of Their Time: Fugman, Cramer and Uhlrich." Cleveland, Ohio : Cleveland State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=csu1228780148.

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Thesis (M.A.)--Cleveland State University, 2008.<br>Abstract. Title from PDF t.p. (viewed on Mar. 27, 2009) Includes bibliographical references (p. 107-113) and appendix. Available online via the OhioLINK ETD Center. Also available in print.

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25

Silva, Daniel Corsi da. "Atos tridimensionais: manifestações da existência: interfaces entre a arquitetura e a escultura." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-22082012-103651/.

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Esta dissertação propõe-se a analisar possíveis interfaces entre a Arquitetura e a Escultura, abordando suas produções realizadas a partir da segunda metade do século XX, período que se caracterizou pelo rompimento de inúmeros paradigmas teóricos e conceituais. Considerando essas manifestações a partir de suas naturezas tridimensionais, busca-se, segundo um enfoque transdisciplinar, apurar significados e novos parâmetros de análise compartilhados por ambas expressões, num processo recíproco de influências conceituais e práticas. A pesquisa divide-se em duas partes. Na primeira delas - Conceito

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26

WU, FU AN, and 吳馥安. "The Time Machine and the Deconstruction of Time in Cindy Sherman’s History Portraits and Yasumasa Morimura’s Art History." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/27836785038089233254.

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碩士<br>國立臺灣師範大學<br>藝術史研究所<br>102<br>The American artist Cindy Sherman (born January 19, 1954) and the Japanese artist Yasumasa Morimura (born June 11, 1951) were often compared and discussed together. Not only because they both became famous in the 1980s, but also because they both use photography as medium and perform themselves a variety of archetypal characters in their artistic works. Both Sherman in her History Portraits series (1988 to1990) and Morimura in his Art History series (1985 to 2001) chose Western art history as subject matter and appropriated canonical paintings to create their

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27

Fox-Friedman, Jeanne. "Cosmic History and Messianic Vision: The Sculpture of Modena Cathedral at the time of the Crusades." Thesis, 1992. https://doi.org/10.7916/D80K28S8.

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This dissertation explores the connection between the sculpture of Modena Cathedral, with emphasis on the Porta della Pescheria, the Porta dei Principi, and the West Facade, and the historical and cultural conditions of its conception and creation.

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28

Johnson, Juleen E. "In The Last Season of Air." 2021. https://scholarworks.umass.edu/englmfa_theses/142.

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29

Rodrigo, Ana Margarida Sécio. "África enquanto lugar de memória em Portugal : o espaço e o tempo nas obras de Pedro Valdez Cardoso, Vasco Araújo e Francisco Vidal." Master's thesis, 2012. http://hdl.handle.net/10400.14/17346.

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A memória assume-se enquanto território que ativa o presente na sua relação com o passado. Em Portugal, África apresenta-se como lugar onde convergem memórias individuais e coletivas, públicas e privadas, que resultam de uma relação de séculos que se inicia de forma mais efetiva com o advento dos Descobrimentos. Os vários ciclos de colonização, a ideologia do Estado Novo que coloca o império no centro dos discursos, o 25 de Abril de 1974 e o posterior processo de descolonização concorrem para que África surja no campo da representação (artística) de forma recorrente e heterogénea. Pedro Valdez

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