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Relevant bibliographies by topics / Art Art appreciation. Photography, Pinhole. Art

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Academic literature on the topic 'Art Art appreciation. Photography, Pinhole. Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Art Art appreciation. Photography, Pinhole. Art"

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Andrea, Novan Jemmi. "ESTETIKA FOTOGRAFI JURNALISTIK DALAM KAITAN NILAI KEBAIKAN DAN KEBENARAN, OLAH RASA, DAN SINESTESIA." REKAM: Jurnal Fotografi, Televisi, dan Animasi 11, no. 2 (2016): 93. http://dx.doi.org/10.24821/rekam.v11i2.1296.

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Fotografi jurnalistik menjadi salah satu cabang dari pengelompokan besar di bidang fotografi, selain fotografi seni dan fotografi komersial. Sebagai salah satu bidang seni, fotografi jurnalistik tentunya memiliki konsep estetika tersendiri, bahkan konsep estetikanya sangat berkaitan dengan “rasa”, sebuah konsep abstrak mengenai proses peresapan sesuatu dalam diri manusia yang bahkan tidak dapat sepenuhnya dideskripsikan. Pemahaman konsep estetika merupakan proses dialektis berkaitan dengan persoalan lain seperti filsafat, sosial, politik, budaya, dan ekonomi sehingga nilai-nilai kebaikan dan k

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Snyder, Martha. "Kinetic Art and Transcendental Phenomenological Analysis." Qualitative Report, January 14, 2015. http://dx.doi.org/10.46743/2160-3715/2013.1552.

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Transcendental phenomenological analysis (TPA) is a form of qualitative research analysis that engages the researcher in the process of observation, interpretation, reflexivity, and imagination. It is a form science and art. This digital narrative is a story of how I studied TPA through the lens of kinetic art and more specifically, the art of making mobiles. In this video, I present a blend of narrative and photography to share how I made my first mobile and deepened my knowledge and appreciation of TPA.

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West, Patrick. "The Convergence Potentials of Collaboration & Adaptation: A Case Study in Progress." M/C Journal 9, no. 2 (2006). http://dx.doi.org/10.5204/mcj.2621.

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Introduction Collaboration converges with adaptation insofar as collaborative practice involves an adaptation of the differences amongst collaborators with the aim of achieving a seamless blending of personalities and practices. By contrast, this article addresses the topic of the convergence potentials between collaboration and adaptation in those cases where the unmitigated differences across personnel and practices maximize the cultural significance of a project. The case study under review here appears linked to an unusually deep level of engagement with the concerns of its audience, which

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Lisle, Debbie. "The 'Potential Mobilities' of Photography." M/C Journal 12, no. 1 (2009). http://dx.doi.org/10.5204/mcj.125.

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In the summer of 1944, American Sergeant Paul Dorsey was hired by the Naval Aviation Photography Unit (NAPU) to capture “the Marines’ bitter struggle against their determined foe” in the Pacific islands (Philips 43). Dorsey had been a photographer and photojournalist before enlisting in the Marines, and was thus well placed to fulfil the NAPU’s remit of creating positive images of American forces in the Pacific. Under the editorial and professional guidance of Edward Steichen, NAPU photographers like Dorsey provided epic images of battle (especially from the air and sea), and also showed Ameri

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Wang, Jing. "The Coffee/Café-Scape in Chinese Urban Cities." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.468.

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IntroductionIn this article, I set out to accomplish two tasks. The first is to map coffee and cafés in Mainland China in different historical periods. The second is to focus on coffee and cafés in the socio-cultural milieu of contemporary China in order to understand the symbolic value of the emerging coffee/café-scape. Cafés, rather than coffee, are at the centre of this current trend in contemporary Chinese cities. With instant coffee dominating as a drink, the Chinese have developed a cultural and social demand for cafés, but have not yet developed coffee palates. Historical Coffee Map In

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Holleran, Samuel. "Better in Pictures." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2810.

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While the term “visual literacy” has grown in popularity in the last 50 years, its meaning remains nebulous. It is described variously as: a vehicle for aesthetic appreciation, a means of defence against visual manipulation, a sorting mechanism for an increasingly data-saturated age, and a prerequisite to civic inclusion (Fransecky 23; Messaris 181; McTigue and Flowers 580). Scholars have written extensively about the first three subjects but there has been less research on how visual literacy frames civic life and how it might help the public as a tool to address disadvantage and assist in re

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Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima

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Collins, Rebecca Louise. "Sound, Space and Bodies: Building Relations in the Work of Invisible Flock and Atelier Bildraum." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1222.

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IntroductionIn this article, I discuss the potential of sound to construct fictional spaces and build relations between bodies using two performance installations as case studies. The first is Invisible Flock’s 105+dB, a site-specific sound work which transports crowd recordings of a soccer match to alternative geographical locations. The second is Atelier Bildraum’s Bildraum, an installation performance using live photography, architectural models, and ambient sound. By writing through these two works, I question how sound builds relations between bodies and across space as well as questionin

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Hanscombe, Elisabeth. "A Plea for Doubt in the Subjectivity of Method." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.335.

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Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s history. The actual nature of such events, although now lost to us, can nevertheless be explored through the distorting lens of memory and academic research. I base such explorations in part on my intuition and sensitivity to emotional experience, which are inevitably riddled with doubt. I write from the position of a psychoanalytic psychologist who is also a creative writer and my doubts increase further when I use the autobi

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Ryan, John C., Danielle Brady, and Christopher Kueh. "Where Fanny Balbuk Walked: Re-imagining Perth’s Wetlands." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1038.

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Special Care Notice This article contains images of deceased people that might cause sadness or distress to Aboriginal and Torres Strait Islander readers. Introduction Like many cities, Perth was founded on wetlands that have been integral to its history and culture (Seddon 226–32). However, in order to promote a settlement agenda, early mapmakers sought to erase the city’s wetlands from cartographic depictions (Giblett, Cities). Since the colonial era, inner-Perth’s swamps and lakes have been drained, filled, significantly reduced in size, or otherwise reclaimed for urban expansion (Bekle). N

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Dissertations / Theses on the topic "Art Art appreciation. Photography, Pinhole. Art"

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Church, Elizabeth Ann. "An autoenthnographic study of the effectiveness of teaching art appreciation through pinhole photography to home schooled students." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-08012007-234936/.

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Thesis (M.A.E.)--Georgia State University, 2007.<br>Title from file title page. Paula Eubanks, committee chair; Akela Reason, Melody Milbrandt, committee members. Electronic text (153 p. : ill.) : digital, PDF file. Description based on contents viewed Oct. 31, 2007. Includes bibliographical references (p. 151-153).

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Church, Elizabeth Ann. "An Autoethnographic Study of the Effectiveness of Teaching Art Appreciation through Pinhole Photography to Home Schooled Students." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/art_design_theses/17.

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This research studies the effectiveness of teaching art appreciation to home schooled children ages 10-17 through a DBAE curriculum in pinhole photography via a weekend workshop. An autoethnographic approach to recording data about the students’ learning and my experience as their teacher was used in the research. Data was recorded as journal notes during and after each workshop from my experiences as their teacher and analyzed according to a grounded theory based on open coding. The workshop was open for registration of up to 25 home schooled students of any race, male or female, from the age

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Burke, Linda. "Transience." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/2988.

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Lightness and darkness pervades much of my work which is visible in images of abandoned, secluded spaces. Light symbolizes hope and joy. It can also reference the spiritual connotation of new life as well as the end of life. The physical movement of light, its ephemeral quality, and its reflectivity is the deciding factor in my choice for using a camera without a lens and using traditional painting techniques. In my photographic mixed media work, I am drawn to the unique qualities of the pinhole camera, the exposure of light on the surface of film yields imagery that blurs the line between

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Jauniūtė, Silvija. "Savianalizės raiška fotografijoje." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100903_130305-65412.

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Šiame darbe analizuojamos sąvojo aš paieškos mene, taip pat teorijų apie sąvajį aš analizės filosofiniu ir psichologiniu aspektais. Praktiniame darbe pateikiamas fotografijų ciklas - pinhole fototehnika atlikti autoportretai.<br>In this work analysed the self search in art, and the theories analyze of the philosophical and psychological aspects. In practical work presents series of photographs - self-portraits by pinhole technology.

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Helfenstein, Denise Valéria. "A captura da paisagem : entre apreensões fotográficas por camera obscura e registros sonoros." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/26087.

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A presente pesquisa, intitulada A Captura da Paisagem: entre apreensões fotográficas por câmera obscura e registros sonoros, analisa os procedimentos de instauração do trabalho A Captura da Paisagem, abarcando as questões que emergem das práticas com câmeras obscuras fotográficas. Neste contexto, são investigadas as relações conceituais e teóricas envolvidas nas ações de apreensão e registro espaço-temporal que ocorrem nesta produção, que envolvem longas durações nas obtenções fotográficas, bem como a simultânea gravação de registros sonoros. Além disto, a pesquisa trata das questões imbricada

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Costa, Ana Angélica Teixeira Ferreira da. "Imagens Precárias." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1164.

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Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro<br>Os principais propósitos desta dissertação consistem em estudar a história do aparato tecnológico que envolve a fotografia e sua relação com o imaginário e a produção de subjetividade; refletir sobre a possibilidade de uma fotografia de caráter conceitual, questionando os pressupostos característicos da fotografia tradicional e das formas de representação na contemporaneidade; pesquisar através da produção de obras e de análises de obras de outros artistas a delimitação de uma experiência que inclui os processos técnicos que ela en

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Vaughters, Amy Lillian. "Delineated Space." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/58.

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This document is a detailed description of the work produced throughout my graduate study in the Department of Photography and Film at VCU. Topics discussed in relation my photographic process include: stage, memory, character, the forgotten, and nostalgia.

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Reed, Hillary Nicole. "Failing, Falling, Flying, and the Knowledge “Gap”." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492005385494479.

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Lieb, Michelle. "The Enduring Image." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1500.

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Nicoletti, Martino. "Submerged landscapes : aesthetics of visual primitivism." Thesis, University of the West of Scotland, 2012. http://hdl.handle.net/10545/303736.

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This practice-based thesis presents the results of experimental research devoted to ethnic tourism among the Kayan minority and has involved the interconnection of artistic and anthropological languages. Known worldwide for the traditional female custom of wearing a long coiled brass necklace aimed at causing a considerable extension to the neck, the Kayan are a Tibeto-Burman ethnic group originally from Burma. Due to the prolonged civil war in their own homeland, a large number of Kayan recently fled from Burma to refuge in neighbouring Thailand. Here, over the past years, in response to the

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Books on the topic "Art Art appreciation. Photography, Pinhole. Art"

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Bobbe, Besold, Renner Eric, and Center for Contemporary Arts of Santa Fe, eds. The International Pinhole Photography Exhibition. The Center for Contemporary Arts of Santa Fe?, 1990.

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Renner, Eric. Bibliography of pinhole optics in science and art from the 5th century B.C. to 1850 A.D.: (from the earliest recorded use to the beginnings of photography). Pinhole Resource, 1985.

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Hébert, Bénédicte. Ca̧ me regarde. Nous, 2009.

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Varchetta, Giuseppe. Le tracce dello sguardo. L. Sossella, 2001.

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Lucrezia, De Domizio Durini, ed. L' obiettivo dell'arte di Buby Durini =: The art world through the lens of Buby Durini. Charta, 1997.

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Belk, Michael. Journeys with the Messiah: A fashion photographer journeys with Christ. Journeys with the Messiah, LLC, 2009.

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Tucker, Jean S. Come look with me: Discovering photographs with children. Thomasson-Grant, 1994.

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Stanley, Fiorini, ed. Mdina, the cathedral city of Malta: A reassessment of its history and a critical appreciation of its architecture and works of art. Central Bank of Malta, 1996.

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Peggy, Tenison, Born to Read Program, San Antonio Public Library Foundation, San Antonio Museum of Art, and Trinity University Press, eds. 1, 2, 3, sí!: A numbers book in English and Spanish / [design by Madeleine Budnick ; photography by Peggy Tenison]. Trinity University Press, 2011.

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Vermeer's camera: Uncovering the truth behind the masterpieces. Oxford University Press, 2001.

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Book chapters on the topic "Art Art appreciation. Photography, Pinhole. Art"

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Renner, Eric. "Pinhole’s History in the Exploration of Art." In Pinhole Photography. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-81047-8.00002-7.

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"● Pinhole’s History in the Exploration of Art." In Pinhole Photography. Routledge, 2012. http://dx.doi.org/10.4324/9780080927893-6.

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Beaver, John. "Ray optics 1: pinhole photography." In The Physics and Art of Photography, Volume 1: Geometry and the nature of light. IOP Publishing, 2018. http://dx.doi.org/10.1088/2053-2571/aae1b6ch8.

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"The Creation and Appreciation of Art in Photography." In Science for the Curious Photographer. A K Peters/CRC Press, 2010. http://dx.doi.org/10.1201/b10683-19.

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Johnson, Charles S. "The Creation and Appreciation of Art in Photography." In Science for the Curious Photographer. Routledge, 2017. http://dx.doi.org/10.4324/9781315211169-18.

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Shneer, David. "Valuing Grief." In Grief. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190923815.003.0006.

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This chapter traces Baltermants’s entry into the art photography market. In the mid-1960s, he had his first New York City exhibition alongside other well-known photojournalists, including Robert Doisneau and Irving Penn. From there his work was included in a Metropolitan Museum show, and he was often the lone Soviet representative in major photography shows. In the 1970s, Baltermants began giving Grief visual context by exhibiting other images taken that same wartime day in Kerch. In 1983, Baltermants had his first solo show in New York City, and although reviewers loved his wartime work, reviewers panned the overall show. The critical appreciation for his wartime work and disappointment at his postwar Soviet “propaganda” did not dampen a few intrepid collectors’ interest in bringing him to the Western art photograph market and adding financial value to the list of values his photography possessed.

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Conference papers on the topic "Art Art appreciation. Photography, Pinhole. Art"

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Hertzberg, Jean, and Alex Sweetman. "Impact and Outcomes of a Flow Visualization Course." In ASME 2009 Fluids Engineering Division Summer Meeting. ASMEDC, 2009. http://dx.doi.org/10.1115/fedsm2009-78480.

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For the past six years, a course on flow visualization has been offered to mixed teams of graduate and undergraduate engineering and fine arts photography students at the University of Colorado. The course has significant technical content on flow visualization and photographic techniques, and includes some emphasis on documentation and the interpretation of results, particularly with respect to atmospheric dynamics as revealed by clouds. What makes this course unusual is the emphasis on the production of images for aesthetic purposes: for art. While a number of art/science collaborations are

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