Relevant bibliographies by topics / Art, Asian Exhibitions History

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art, Asian Exhibitions History'

Author: Grafiati
Published: 10 December 2022
Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Art, Asian Exhibitions History.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Art, Asian Exhibitions History"

1

Meegama, Sujatha Arundathi. "Curating the Christian Arts of Asia." Archives of Asian Art 70, no. 2 (2020): 151–71. http://dx.doi.org/10.1215/00666637-8620357.

Full text
Abstract:
Abstract This essay examines the transformation of the Asian Civilisations Museum (ACM) into a global art histories museum. An analysis of the new Christian Art Gallery and its objects that date from the eighth through the twentieth century illuminates the ways in which the ACM engages with global art histories in a permanent gallery and not only through special exhibitions. This essay begins with a history of the ACM and its transition from a museum for the “ancestral cultures of Singapore” to one with a new mission focusing on multicultural Singapore and its connections to the wider world. H
APA, Harvard, Vancouver, ISO, and other styles
2

Xiang, Yuning, and Bingzhe Xiang. "Chinese art in the Tang Dynasty and the forms of its presentation in museums of the People’s Republic of China at the beginning of the 21st century." Issues of Museology 12, no. 2 (2021): 257–67. http://dx.doi.org/10.21638/spbu27.2021.208.

Full text
Abstract:
The topic of this study is a realistic due to the fact that in Chinese history, the Tang Dynasty (618–907) is considered as the peak of national strength. It is during this period that ancient China became the center of economic and cultural exchanges with a number of states in the medieval world. Thanks to stable social development and the steadily developing economy, Chinese art of this period flourished. To this day, it has a special meaning for both Chinese and Asian cultures. The article examines the presentational forms of the art of Tang Dynasty in historical and art museums of the Peop
APA, Harvard, Vancouver, ISO, and other styles
3

Teh, David. "Festivity and the contemporary: Worldly affinities in Southeast Asian art1." Art & the Public Sphere 8, no. 2 (2019): 131–45. http://dx.doi.org/10.1386/aps_00012_7.

Full text
Abstract:
What is the place of the festival in the global system of contemporary art, and in that system’s history? Can the large, recurring surveys that are its most prominent exhibitions today even be considered festivals? Such questions become more pressing as sites newly embraced by that system take their place on a global event calendar, and as the events increasingly resemble those held elsewhere or merge with the market in the form of art fairs. What becomes of community and locality, of spontaneity and participation, as that market ‐ and art history ‐ takes up the uncommodified fringes and untol
APA, Harvard, Vancouver, ISO, and other styles
4

Goltz, Sophie, Reza Afisina, Ade Darmawan, and Iswanto Hartono. "New Currencies or the Persistence of Representation." Cultural Politics 20, no. 3 (2024): 458–71. http://dx.doi.org/10.1215/17432197-11321304.

Full text
Abstract:
Abstract In an extended follow-up to their first interview with Sophie Goltz, “Collective Crafting in Post-Suharto Indonesia” (Cultural Politics 18, no. 3), key members of ruangrupa, the Indonesian art collaborative, reflect on their tenure as directors of the fifteenth edition of the international art exhibition documenta (2022), held every five years in Kassel, Germany. Afisina, Dramawan, and Hartono discuss ruangrupa's long-standing attempt to forge a mode of artistic cohabitation through which a perpetually emergent, networked space constitutes, in itself an articulation of autonomy. Empha
APA, Harvard, Vancouver, ISO, and other styles
5

Wee, C. J. W. L. ""We Asians"? Modernity, Visual Art Exhibitions, and East Asia." boundary 2 37, no. 1 (2010): 91–126. http://dx.doi.org/10.1215/01903659-2009-038.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Starodubtseva, Marina V. "Alexander Sedov: “We Tell People about Their Culture”." Oriental Courier, no. 3-4 (2021): 21. http://dx.doi.org/10.18254/s268684310017997-4.

Full text
Abstract:
An interview with Alexander V. Sedov, the Director-General of The State Museum of Oriental Art devoted to the launch of the new master’s program of the Faculty of Oriental Studies of the State Academic University for the Humanities (GAUGN) and the Department of Oriental History of the Institute of Oriental Studies Russian Academy of Sciences “Socio-Cultural Development of East Asian Countries”, which is headed by Alexander Sedov as an academic curator (Dinara V. Dubrovskaya, the head of the Department of Oriental History of the Institute of Oriental Studies RAS, is the supervisor of the progra
APA, Harvard, Vancouver, ISO, and other styles
7

Barakzai, Homa, and Giangabriele Fini. "A COMPARATIVE ANALYSIS: DIFFERENCES AND SIMILARITIES BETWEEN AFGHANISTAN’S AND KAZAKHSTAN’S FINE ART OVER THE LAST HUNDRED YEARS." Bulletin of Kazakh Leading Academy of Architecture and Construction 88, no. 2 (2023): 142–52. http://dx.doi.org/10.51488/1680-080x/2023.2-16.

Full text
Abstract:
This paper conducts a comparative analysis of the countries of Afghanistan and Kazakhstan. In terms of fine art, contemporary art, and painting, the study compares the two countries’ art history of the last one-hundred years with the aim to find similitudes and resemblances for the evaluation for an inclusion in a thematic conjunct exhibition. A Framework for Comparative Art Analyses is used to compare two Central Asian countries with ancient and rich art histories. Throughout history, Afghan and Kazakh art have merged and absorbed each other, and both have continued to improve and develop. Fi
APA, Harvard, Vancouver, ISO, and other styles
8

Kaidagaliyeva, Alena. "Kazakhstan’s participation in the venice biennale: contexts and transformations." Jete – Jоurnal of Philosophy, Religious аnd Cultural Studies 151, no. 2 (2025): 214–24. https://doi.org/10.32523/3080-1281-2025-151-2-214-224.

Full text
Abstract:
This article examines the preconditions for the formation of contemporary art in Kazakhstan, as well as its gradual gaining visibility, legitimacy and recognition on the world art scene. As an example, it analyzes the country's participation in one of the most prestigious international exhibitions - the Venice Biennale, which began its history in 1895 and continues to be one of the most important platforms of artistic expression. The study focuses on the formation, development and institutionalization of the Kazakhstani pavilion from the moment when the country was included in the artistic dis
APA, Harvard, Vancouver, ISO, and other styles
9

Jennison, Rebecca S. "In/Visible—New Directions in Contemporary Art by Zainichi Koreans: Fragile Frames/Precarious Lives—in Soni Kum's Morning Dew (2020)." Seoul Journal of Korean Studies 36, no. 2 (2023): 465–83. http://dx.doi.org/10.1353/seo.2023.a916927.

Full text
Abstract:
Abstract: A growing body of research, writing, and new spaces for exhibitions, film-showings, dialogue, and exchange elucidate rich and diverse forms of cultural production by Zainichi Koreans across generations. The first section of this paper introduces selected collaborative research and curatorial projects conducted from 2000 to the present that have engaged artists, scholars, and activists concerned with Korean diaspora and postcolonial studies, intergenerational memory and contemporary art in Japan. Over the last two decades, a younger generation of artists and curators and new possibili
APA, Harvard, Vancouver, ISO, and other styles
10

Hongfeng, Tang. "Archive, Mediation, and Reflections on Colonization in Modern Asia." China and Asia 2, no. 1 (2020): 97–133. http://dx.doi.org/10.1163/2589465x-00201004.

Full text
Abstract:
This paper will use the artworks and exhibitions of Cai Yingqian, Chen Min, Timoteus Anggawan Kusno, and Chen Chieh-jen to discuss how contemporary art reflects on modern colonial history through mediations. By employing ready-made media materials handed down through history, archival art moves from medium to mediation, mediating between subjects, media materials, and artistic works, and at the same time highlights the materiality and mediality of media, forming a historical picture where media and the message, objects and narrations, images and the deceased together form a unified entity. Whi
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Art, Asian Exhibitions History"

1

Ferrell, Susanna S. "Black and White: The Exhibiting of Chinese Contemporary Ink Art in European and North American Museums." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/688.

Full text
Abstract:
Contemporary Chinese ink art is often seen as a part of an ongoing history in the Western art world, as opposed to a part of the contemporary. This thesis addresses the history of Chinese ink, the Westernization of the Chinese art world, and the major exhibitions of Chinese contemporary ink artwork that have been held in the Western world.
APA, Harvard, Vancouver, ISO, and other styles
2

Floe, Hilary Tyndall. "The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.

Full text
Abstract:
This thesis examines the first seventeen years of the history of the Museum of Modern Art Oxford (MOMA), from its founding in 1965 until c. 1982. It is concerned with the changing relationships between the museum and its audience, focusing on those aspects of the museum's programming that shed light on its role as a public mediator of recent art. This provides a means to consider the underlying values and commitments that informed MOMA's emergence as a leading contemporary art institution. Chapter one examines the museum's relationship to utopian countercultures through the metaphor of the mus
APA, Harvard, Vancouver, ISO, and other styles
3

Borchardt-Hume, Achim. "The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Högström-Schnee, Linn. "Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.

Full text
Abstract:
The present study is, to my knowledge, the first investigating the newly renovated and rearranged permanent art and design exhibition at Nationalmuseum, Stockholm: The Timeline. The exhibition presents Western art from 1500 to 1914 and design and portraiture from 1500 until today in a chronological arrangement. In the first chapter of the analysis, the exhibition is compared to previous arrangements of the permanent art exhibition at Nationalmuseum, as well as to historical museological trends. In the second chapter, Carol Duncan’s perspective of the ritual structure is applied in order to exp
APA, Harvard, Vancouver, ISO, and other styles
5

Baldridge, Seth Robert. "Gold powder and gunpowder| The appropriation of western firearms into Japan through high culture." Thesis, The University of Utah, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10006268.

Full text
Abstract:
<p> When an object is introduced to a new culture for the first time, how does it transition from the status of a foreign import to a fully integrated object of that culture? Does it ever truly reach this status, or are its foreign origins a part of its identity that are impossible to overlook? What role could the arts of that culture play in adapting a foreign object into part of the culture? I propose to address these questions in specific regard to early modern Japan (1550&ndash;1850) through a black lacquered <i> &omacr;tsuzumi</i> drum decorated with a gold powder motif of intersecting ar
APA, Harvard, Vancouver, ISO, and other styles
6

Hartman, Laurel. "The shojo within the work of Aida Makoto| Japanese identity since the 1980s." Thesis, San Jose State University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10169581.

Full text
Abstract:
<p>The work of Japanese contemporary artist Aida Makoto (1965-) has been shown internationally in major art institutions, yet there is little English-language art historical scholarship on him. While a contemporary of internationally-acclaimed Japanese artists Murakami Takashi and Nara Yoshitomo, Aida has neither gained their level of international recognition or respect. To date, Aida?s work has been consistently labeled as otaku or subcultural art, and this label fosters exotic and juvenile notions about the artist?s heavy engagement with Japanese animation, film and manga (Japanese comic
APA, Harvard, Vancouver, ISO, and other styles
7

Takegami, Mano. "A Humanitarian Monster| Mizuki Shigeru and Manga as Cultural Redemption." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10829947.

Full text
Abstract:
<p> Shigeru Mizuki (1922-2015) is one of the most sophisticated and accomplished of modern manga artists. His work synthesizes ancient and modern Japanese visual artistic methods with contemporary tropes from Western graphic art to tell profound and complex stories that reflect major themes of war and the supernatural world. This thesis argues that Mizuki&rsquo;s work should be reevaluated as a valuable contribution to modern art based on the following three qualities: technical mastery and innovation in visual art; socio-political and philosophical depth of content; and his impact on other co
APA, Harvard, Vancouver, ISO, and other styles
8

Cook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /." Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Chasse, Sarah Noble. ""A Certain Kinship": The First Exhibitions of American Folk Art, New York, 1924-1932." W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Couser, Kristie. "Exhibiting Berthe Morisot after the Advent of Feminist Art History." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/484.

Full text
Abstract:
Feminist art historians reassessed French Impressionist Berthe Morisot (1841-1895) throughout the late twentieth and early twenty-first century, a period in which her work coincidentally received steady exposure in major museum exhibitions. This thesis examines how the feminist art historical project intersects with exhibitions that give prominence to Morisot’s work. Critical reviews by Morisot scholars argue that more frequent display of the artist’s work has not correlated to nuanced interpretation. Moreover, prominent feminist scholars and museum theorists maintain that curators virtually e
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Art, Asian Exhibitions History"

1

Museum, Singapore Art. The collectors show: Weight of history. Singapore Art Museum, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

1954-, Eliëns Titus M., Tucker Janey (Translator), and Haags Gemeentemuseum, eds. Asian art and Dutch taste. Waanders, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wonil, Rhee, Weibel Peter, Jansen Gregor 1965-, and Museum für Neue Kunst (Karlsruhe, Germany), eds. Thermocline of art: New Asian waves. ZKM, Center for Art and Media, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wonil, Rhee, Weibel Peter, Jansen Gregor 1965-, and Museum für Neue Kunst (Karlsruhe, Germany), eds. Thermocline of art: New Asian waves. ZKM, Center for Art and Media, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Margo, Machida, Desai Vishakha N, Tchen John Kuo Wei, and Asia Society Galleries, eds. Asia/America: Identities in contemporary Asian American art. Asia Society Galleries, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Puay-peng, Ho, Yang Chʻun-tʻang, University of Hong Kong. University Museum and Art Gallery. та University of Hong Kong. Dept. of Fine Arts., ред. Fa hsiang chʻuan chen: Ku tai fo chiao i shu. Hsiang-kang ta hsüeh mei shu po wu kuan, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

E, Osborne Milton, and Powerhouse Museum, eds. Arts of Southeast Asia: From the Powerhouse Museum collection. Powerhouse Pub., 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Marino, Ilde. Esotismo: Architettura e arti decorative nelle esposizioni universali : 1851-1900. Altralinea edizioni, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bae, Myungji. Awakenings: Art in society in Asia, 1960s-1990s. Edited by National Gallery Singapore, Tōkyō Kokuritsu Kindai Bijutsukan, Kungnip Hyŏndae Misulgwan, and Kokusai Kōryū Kikin. Ajia Sentā. National Gallery Singapore, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Filippo, Maggia, Lazzarini Francesca, and Foro Boario (Modena Italy), eds. Contemporary photography from the Far East: Asian dub photography. Skira, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Art, Asian Exhibitions History"

1

George, Jayashree. "History Matters." In Asian Art Therapists. Routledge, 2020. http://dx.doi.org/10.4324/9781003109648-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Baldacci, Cristina. "Re-Presenting Art History." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_18.

Full text
Abstract:
Can reenactment both as reactivation of images and restaging of exhibitions be considered an alternative way of tackling the critical task to re-present art history (i.e., to present it anew) in the here and now, over and over and over again? The gesture of restoring visibility to something no longer present, reactivating or reembodying it as an object/image in and for the present, is here proposed as a (political) act of restitution and historical recontextualization. Examining the boundaries between past and present, original and copy (as well as originality and copyright), repetition and va
APA, Harvard, Vancouver, ISO, and other styles
3

Bartosch, Christina, Nirmalie Mulloli, Daniel Burckhardt, Marei Döhring, Walid Ahmad, and Raphael Rosenberg. "The Database of Modern Exhibitions (DoME)." In The Routledge Companion to Digital Humanities and Art History. Routledge, 2020. http://dx.doi.org/10.4324/9780429505188-36.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Marazzi, Massimiliano. "New ‘Excavations’ in the Pergamon-Museum and in the Gipsformerei of Berlin and New Elements for the Study of the Decorative Programme of Kammer B in Yazılıkaya." In Studia Asiana. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0042-4.06.

Full text
Abstract:
Based on the work conducted during winter 2017 both on casts of the Hittite reliefs exhibited at the Pergamon-Museum and the original matrices of the Humann casts (1892) kept at the Gipsformerei in Berlin/Charlottenburg, a series of results are presented regarding the sculptural decoration programme present in the Yazılıkaya rock sanctuary. In addition, the exhibition and publication of a series of casts of Hittite reliefs on the occasion of the exhibition Royaumes Oubliés, held in Paris in 2019, made it possible to provide some insights into the history of the casts made by E. Chantre on the
APA, Harvard, Vancouver, ISO, and other styles
5

Wang, Aileen June. "Curating to Remember Injustice: Exhibitions on Toyo Miyatake and Roger Shimomura." In Socially Engaged Art History and Beyond. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-43609-4_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

von Falkenhausen, Lothar. "East Asian art history at UCLA." In Global and World Art in the Practice of the University Museum. Routledge, 2017. http://dx.doi.org/10.4324/9781315621722-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Braysmith, Hilary A. "Public Sculpture Exhibitions in Neighborhoods: Arts-Driven, Heritage-Based, Urban Revitalization, and Social Practice (Part 1)." In Socially Engaged Art History and Beyond. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-43609-4_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Taylor, Nora A. "Whose Art are We Studying? Writing Vietnamese Art History from Colonialism to the Present." In Studies in Southeast Asian Art, edited by Nora A. Taylor. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501732584-010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Arata, Shimao. "Reconsidering the History of East Asian Painting." In East Asian Art History in a Transnational Context. Routledge, 2019. http://dx.doi.org/10.4324/9781351061902-2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Correia, Alice. "East African, South Asian, British Artists." In The Routledge Companion to African Diaspora Art History. Routledge, 2024. http://dx.doi.org/10.4324/9781003295129-23.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Art, Asian Exhibitions History"

1

Prince, P. "A brief history of SIGGRAPH art exhibitions." In SIGGRAPH 89 Art show catalog - Computer art in context. ACM Press, 1989. http://dx.doi.org/10.1145/73877.73878.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Holovata, Roksolyana. "Between the Artist and the Patron: The Society of Friends of Fine Arts in Lviv (before 1914)." In Lviv Interactive. Lviv Interactive, 2024. https://doi.org/10.69915/lia008en.

Full text
Abstract:
The Society of Friends of Fine Arts in Lviv was the first art organization in Lviv to operate from 1868 until the outbreak of the Second World War. The Society brought together artists and art connoisseurs, organized exhibitions, sold works of art and provided material support to artists. Through its activities, the Society animated artistic life in Lviv. Against the background of its history, not only the development of art, but also a general change in public mood in the city can be followed. Until 1914, the Society was the leading art organization in Lviv.
APA, Harvard, Vancouver, ISO, and other styles
3

Montague, Eamonn Thomas, Donald Hosking Sherlock, and Erwin Santoso. "History Matching Considerations of an Analogue Reservoir Model (ARM)." In SPE Asia Pacific Oil & Gas Conference and Exhibition. Society of Petroleum Engineers, 2006. http://dx.doi.org/10.2118/101880-ms.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bhat, Raj Nath. "Language, Culture and History: Towards Building a Khmer Narrative." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-2.

Full text
Abstract:
Genetic and geological studies reveal that following the melting of snows 22,000 years ago, the post Ice-age Sundaland peoples’ migrations as well as other peoples’ migrations spread the ancestors of the two distinct ethnic groups Austronesian and Austroasiatic to various East and South–East Asian countries. Some of the Austroasiatic groups must have migrated to Northeast India at a later date, and whose descendants are today’s Munda-speaking people of Northeast, East and Southcentral India. Language is the store-house of one’s ancestral knowledge, the community’s history, its skills, customs,
APA, Harvard, Vancouver, ISO, and other styles
5

Varenov, Andrey V. "Life and Works of Gai Shanlin (1935–2020) — a Prominent Chinese Rock Art Researcher." In Current Issues in the Study of History, Foreign Relations and Culture of Asian Countries. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1268-0-84-89.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Conti, Alessandro, Grazia Tucci, Valentina Bonora, and Lidia Fiorini. "HOW WERE THE TAPESTRIES IN THE SALA DI SATURNO OF PITTI PALACE ARRANGED? GEOMATICS AND VIRTUAL REALITY FOR ART CURATORS." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12175.

Full text
Abstract:
Three-dimensional acquisition techniques, reality-based modelling and virtual reality are tools used in Digital Humanities prevalently for displaying the results of a study, but they can also suggest new methods of investigation to humanities scholars. In a case study regarding art history, these techniques made it possible to recreate the layout of the Sala di Saturno in Pitti Palace (Florence) in the 17th century, based on information obtained from archive documents on the tapestries designed for that hall and a 3D model expressly elaborated with geomatic techniques. The results were summari
APA, Harvard, Vancouver, ISO, and other styles
7

Gross, Herve, Mehrdad Honarkhah, and Yuguang Chen. "Offshore Gas Condensate Field History-Match and Predictions: Ensuring Probabilistic Forecasts Are Built With Diversity in Mind." In SPE Asia Pacific Oil and Gas Conference and Exhibition. Society of Petroleum Engineers, 2011. http://dx.doi.org/10.2118/147848-ms.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Борзова, Е. В. "ON THE PROBLEM OF STYLING OF JEWELRY PRODUCTS OF THE SAZIKOV’S COMPANY (BASED ON THE NARYSHKIN’S TREASURE)." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.05.

Full text
Abstract:
Ювелирная фирма «Сазиков» являлась ведущим производителем столового серебра на протяжении XIX в. Мастера фабрики превратили утилитарные предметы в произведения декоративно- прикладного искусства. Их изделия получали призы на главных промышленных выставках, пользовались спросом у российской аристократии. Сервизы из клада семьи Нарышкиных позволяют проследить эволюцию русского стиля, выявить его стилистические особенности в контексте истории фабрики. Sazikov’s jewelry company was a leading manufacturer of silverware throughout the XIX century. The masters of the factory turned utilitarian object
APA, Harvard, Vancouver, ISO, and other styles
9

Tripoppoom, Sutthaporn, Chonlada Doungprasertsuk, Potcharaporn Pongthunya, and Taweewat Prasertbordeekul. "Characterization of Reservoir Properties Calibrating with Production Data for Carbon Capture and Storage in the Depleted Gas Reservoirs - An Integrated Assisted History Matching Approach for Reservoir Simulation." In SPE/IATMI Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/215364-ms.

Full text
Abstract:
Abstract One of a key responsibility for oil and gas industry is to ensure the balance between energy sustainability and minimizing the net carbon footprint to the environment. PTTEP, Thai national oil and gas company, has aligned this goal to achieve net zero greenhouse gas emission in 2050. Therefore, the scope of this project is to utilize carbon capture and storage (CCS) technology by injecting CO2 into the depleted reservoirs in the Gulf of Thailand. To evaluate the feasibility of the project, the simulation model was required to mimic the physics behaviors, including free gas structural
APA, Harvard, Vancouver, ISO, and other styles
10

Narumi, Ryuta, Ryo Iizuka, Tomohiro Miyazaki, et al. "Demonstration of a Practical Ensemble-Based Reservoir Modelling Workflow for Development Planning on the Ichthys Gas-Condensate Field." In SPE/IATMI Asia Pacific Oil & Gas Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/215400-ms.

Full text
Abstract:
Abstract A practical ensemble-based reservoir modelling workflow has been implemented for the Ichthys gas-condensate field, located in the Browse Basin, North West Shelf of Australia, where the field production commenced in July 2018. Ensemble-based modelling methods are attractive tools for reservoir uncertainty quantification; however, for some development planning such as the well count optimisation, it is challenging to use a full history-matched ensemble because it requires an impractical number of forecast simulation runs. An objective of this work was to establish an ensemble-based work
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Art, Asian Exhibitions History"

1

Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

Full text
Abstract:
Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
APA, Harvard, Vancouver, ISO, and other styles
2

Ocampo-Gaviria, José Antonio, Roberto Steiner Sampedro, Mauricio Villamizar Villegas, et al. Report of the Board of Directors to the Congress of Colombia - March 2023. Banco de la República de Colombia, 2023. http://dx.doi.org/10.32468/inf-jun-dir-con-rep-eng.03-2023.

Full text
Abstract:
Banco de la República is celebrating its 100th anniversary in 2023. This is a very significant anniversary and one that provides an opportunity to highlight the contribution the Bank has made to the country’s development. Its track record as guarantor of monetary stability has established it as the one independent state institution that generates the greatest confidence among Colombians due to its transparency, management capabilities, and effective compliance with the central banking and cultural responsibilities entrusted to it by the Constitution and the Law. On a date as important as this,
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Art, Asian Exhibitions History' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography