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Books on the topic 'Art berbère'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Naji, Salima. Art et architectures berbères du Maroc: Atlas et vallées présahariennes. 2nd ed. Editions la Croisée des chemins, 2008.

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2

Art et architectures berbères du Maroc: Atlas et vallées présahariennes. Edisud, 2001.

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3

Les Berbères de l'Atlas: Aït Atta. Yvelinédition, 2013.

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4

Les gravures rupestres libyco-berbères de la région de Tiznit, Maroc. L'Harmattan, 2009.

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5

Muḥammad, BūKabbūṭ, та Institut royal de la culture amazighe, ред. Ayt ʻAṭṭā al-ṣaḥrāʼ wa tahdiʼat afllā-n-drā. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, Markaz al-Tarjamah wa-al-Tawthīq wa-al-Nashr wa-al-Tawāṣul, 2008.

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6

Peabody Museum of Archaeology and Ethnology., ed. Artistry of the everyday: Beauty and craftsmanship in Berber art. Peabody Museum Press, Harvard University, 2008.

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7

ʻAlī, Bin-Ṭālib, та ʻAllāsh Ṣabāḥ, ред. al-Tārīkh al-ijtimāʻī wa-al-sīyāsī li-qabāʼil Ayt ʻAṭā al-ṣaḥrāʼ ilá nihāyat al-qarn al-tāsiʻ ʻashar. al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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8

Mohamed, Elmedlaoui, ed. Syllables in Tashlhiyt Berber and in Moroccan Arabic. Kluwer Academic Publishers, 2002.

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9

Malāmiḥ min al-tārīkh al-iqtiṣādī wa-al-ijtimāʻī li-qabāʼil Āyt ʻAṭā min khilāl amthālihā: Musāhamah fī tadwīn al-amthāl al-Amāzīghīyah. s.n.], 2003.

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10

Bartels, Herwig. Zarte Bande aus Marokko: Gewebe der Berber, Sammlung Lucien Viola : Stickereien der Städterinnen, Sammlung Tamy Tazi : eine Ausstellung des Deutschen Textilmuseums Krefeld, 27.08.-12.11.2000. Edited by Deutsches Textilmuseum Krefeld. [Deutsches Textilmuseum], 2000.

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11

Salah, Mouloud Alouane Ben. An account of the Berber dialect of Ait Alloui with an attempted adequation of the axiomatic-functional model adopted for its phonological description. The Author], 1993.

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12

2160 min al-amthāl wa-al-aqwāl al-sāʼirah ʻinda sukkān qabīlat Āyit ʻAtāb bi-Iqlīm Azīlāl. s.n., 2001.

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13

ʻArabī, ʻĪsá. 2160 min al-amthāl wa-al-aqwāl al-sāʾirah ʻinda sukkān qabīlat Āyit ʻAtāb bi-Iqlīm Azīlāl. s.n., 2001.

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14

Dictionnaire touareg-français (Niger): Tāmažǝq-Tāfrānsist (Niger) Ālqamus. Museum Tusculanum Press, 2003.

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15

Becker, Cynthia. Amazigh Arts in Morocco: Women Shaping Berber Identity. University of Texas Press, 2006.

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16

Amazigh Arts in Morocco: Women Shaping Berber Identity. University of Texas Press, 2006.

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17

Courtney-Clarke, Margaret. Out of North Africa Art of Berber Women 2000 Calendar. Little Brown and Company, 1998.

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18

Saulniers, Alfred H., and Suzanne S. Saulniers. Ait Bou Ichaouen: Weavings of a Nomadic Berber Tribe. Fenestra Books, 2003.

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19

Mauro, Magliani, Bouttiaux Anne-Marie, Sorber Frieda, Cutsem Anne van, and Mack John, eds. African costumes and textiles from the Berbers to the Zulus: The Zaira and Marcel Mis collection. 5 Continents Editions, 2008.

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20

Arabi, Isa. Muqawamat sukkan qabilat Ayt Attab didda al-ihtilal al-Faransi, 1908-1956. [s.n.], 1995.

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21

Dell, F., and M. Elmedlaoui. Syllables in Tashlhiyt Berber and in Moroccan Arabic (International Handbooks of Linguistics). Springer, 2002.

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22

Min ajl al-itiraf al-dusturi bi-al-Amazighiyah: Tahalil wa-wathaiq wa-ara (Silsilat al-Dirasat al-Amazighiyah). al-Jamiyah al-Maghribiyah lil-Bahth wa-al-Tabadul al-Thaqafi, 2002.

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23

Ridouane, Rachid, and Pierre A. Hallé. Word-initial geminates. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754930.003.0004.

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This study investigates the relationship between the production and perception of word-initial gemination in stops and fricatives in Tashlhiyt Berber. Gemination in this language is primarily implemented through longer duration, even for utterance-initial voiceless stops. This timing information is sufficient for native listeners to identify geminate fricatives and voiced stops and distinguish them from their singleton counterparts. For voiceless stops, however, native listeners’ discrimination performance is only slightly above chance level. Native speakers can thus encode a phonemic contrast
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24

Goodman, Jane E. Acting with One Voice. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0010.

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This chapter offers a critique of the well-worn claim that voluntary civic associations are inherently democratizing, modernizing forces. In 1930s‒1950s urban Algeria, unanimism—monological expression of unanimous group consensus in public rituals such as voting—was both what theater companies portrayed onstage and how they operated offstage. Contrary to theorists from Tocqueville to Habermas to Huntington, civic associations can have monological tendencies in which dialogism and plurality are downplayed. There are three possible sources of Algerian interest in public displays of unanimity. On
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25

Aguadé, Jordi. The Maghrebi dialects of Arabic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198701378.003.0002.

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This chapter analyses synchronically and diachronically the Maghrebi Arabic dialects spoken in North Africa, whose most outstanding features are the prefix n- for the first person singular of the imperfect and a vowel system characterized by elision of short vowels in open syllable. Maghrebi Arabic shows less variety than do Middle Eastern dialects and has been influenced by only two substrate languages, Berber and Latin (the latter especially in Mediterranean coastal towns). All Maghrebi dialects have far fewer Turkish loanwords than do Middle Eastern dialects. On the other hand, French influ
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26

Dictionnaire Touareg-Francais: Francis. Museum Tusculanum, 2003.

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27

Özpınar, Ceren, and Mary Kelly, eds. Under the Skin. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.001.0001.

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Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today is set out to show what is beneath the surface, under the appearances of skin, body, colour and provenance, and not the cultural fixities or partial views detached from the realities of communities, cultures and practices from the area. Through 12 chapters, Under the Skin brings together artistic practices and complex histories informed by feminism from diverse cultural and geographical contexts: Algeria, Egypt, Iran, Israel, Lebanon, Palestine, Saudi Arabia, Syria, Tunisia and Turkey. The aim is not to
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28

Fracchia, Carmen. 'Black but Human'. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198767978.001.0001.

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The African presence in imperial Spain, of between 10-15 per cent of the population, was due to the institutionalization of the transatlantic slave trade that brought between seven- to eight hundred thousand Africans as slaves to Spain and Portugal. If we add those slaves born in these European territories and the three to four hundred thousand Moor, Berber and Turk slaves, there were approximately two million slaves living in the Iberian Peninsula during this period. The Afro-Hispanic proverb ‘Black but Human’ that provides part of the book’s title, serves as a lens through which to explore t
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