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Journal articles on the topic 'Art brut'

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Published: 4 June 2021
Last updated: 29 March 2025

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1

Bizien, Daniel. "Art brut ?" Ligeia N° 161-164, no. 1 (2018): 103. http://dx.doi.org/10.3917/lige.161.0103.

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2

Posselt, Winnie, and Nina Ansperger. "Art Brut.?" PTT - Persönlichkeitsstörungen: Theorie und Therapie 28, no. 4 (November 2024): 373–92. http://dx.doi.org/10.21706/ptt-28-4-373.

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3

Hall, Rachael. "Art Brut." British Journal of Psychiatry 202, no. 4 (April 2013): 268. http://dx.doi.org/10.1192/bjp.bp.112.122317.

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4

Baumann, Daniel. "Art brut ? Outsider Art ?" Ligeia N°53-56, no. 2 (2004): 57. http://dx.doi.org/10.3917/lige.053.0057.

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5

Höger, Maria. "die sammlung prinzhorn.! art brut vor der art brut." neuropsychiatrie 33, no. 4 (November 21, 2019): 215–17. http://dx.doi.org/10.1007/s40211-019-00324-x.

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6

Mürner, Christian, and Martin Baumgartner. "Dialog: Art brut/Outsider Art." Vierteljahresschrift für Heilpädagogik und ihre Nachbargebiete 90, no. 1 (December 18, 2020): 57–63. http://dx.doi.org/10.2378/vhn2021.art05d.

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7

Décimo, Marc. "The Art Brut Situation." Critique d’art, no. 53 (November 26, 2019): 157–63. http://dx.doi.org/10.4000/critiquedart.53891.

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8

M. Macgregor, John. "Art Brut chez Dubuffet." Ligeia N°53-56, no. 2 (2004): 115. http://dx.doi.org/10.3917/lige.053.0115.

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9

Bogaert, Éric. "Surréalisme et art brut." Pratiques N° 105, no. 2 (September 25, 2024): 84–85. http://dx.doi.org/10.3917/prat.105.0084.

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10

Feilacher, Johann. "sybille.! – internationale art brut." Psychiatrie und Psychotherapie 3, no. 4 (December 2007): 183–84. http://dx.doi.org/10.1007/s11326-007-0073-y.

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11

Avdeyeva, Vera Vladimirovna. "Psychological approach towards studying the naive art: practice of art brut." Человек и культура, no. 1 (January 2021): 16–25. http://dx.doi.org/10.25136/2409-8744.2021.1.34999.

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The subject of this research is the peculiarities of the psychological approaches of European experts of the late XIX – early XX centuries (psychiatrists of the so-called “historical psychiatry”), art historians and painters of the XX century, specializing in collection of the works of mentally ill people (or art brut). The historical-comparative method is applied for determination of the specifics of the naive art of Western Europe in the XIX – XX centuries and its comparison with other areas of amateur art of this period. The psychological approach is essential for studying the works of mentally ill people (or art brut) and its key peculiarities. The comparative method allows analyzing the modern forms of art brut and naive art. The novelty consists in outlining the principal psychological approaches of foreign experts with the art brut, the interpretation of which contributes to decoding of all amateur art. Evolution of views stems from determination of similarities between genius and mental disorders, tracing patterns in creative process of the patients, assessment of the ability of a person with mental disorder to creative thinking and invent the object of art prior to learning the artistic beginning. In this regard, the psychological approach revealed the key trends in studying amateur art: from the perspective of Marseille Rege (with his “embryonic” view) to the point of view of Morgenthaller (with his realization of creativity of the patients), and artistic views of Prinzhorn and Dubuffet, who focus on the art criteria: vision of form, color, composition and other formal attributes of an artwork. Thus, the interpretation of art brut becomes a certain “bridge” for understanding the sphere of the naive art.
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12

Minturn, Kent Mitchell. "Dubuffet, Art Brut and "Primitivism"." Critique d’art, no. 53 (November 26, 2019): 165–72. http://dx.doi.org/10.4000/critiquedart.53915.

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13

Azzola, Maria. "Art Brut, écriture et musique." Ligeia N°53-56, no. 2 (2004): 41. http://dx.doi.org/10.3917/lige.053.0041.

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14

van der Werf, Carla, Micheline Simon, and Michel Dupart. "Art brut, y es-tu ?" Ligeia N° 161-164, no. 1 (2018): 19. http://dx.doi.org/10.3917/lige.161.0019.

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15

SÜZEN-, Hatice Nilüfer. "Jean Dubuffet’nın Sanatı Art Brut." Turkish Studies-Social Sciences Volume 15 Issue 6, Volume 15 Issue 6 (2020): 3117–29. http://dx.doi.org/10.47356/turkishstudies.44332.

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16

Eui Jung, Han. "Minor Art: Deleuze`s Aesthetics and Art Brut." Journal of Aesthetics & Science of Art 41 (June 30, 2014): 213–38. http://dx.doi.org/10.17527/jasa.41.0.07.

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17

Parry, Joseph D. "Narrators, Messengers, and Lawman's Brut." Arthuriana 8, no. 3 (1998): 46–61. http://dx.doi.org/10.1353/art.1998.0036.

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18

Bryan, Elizabeth J. "Theoretical Approaches to Lawman's Brut." Arthuriana 10, no. 2 (2000): 3–4. http://dx.doi.org/10.1353/art.2000.0010.

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19

Erman, Deniz Onur. "Purest form of creation: Art Brut." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (September 14, 2018): 134–42. http://dx.doi.org/10.18844/prosoc.v5i6.3850.

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In many cultures, it has been a long-established practice to apply various domains of art as therapy methods in asylums, prisons and rehabilitation centres in order to help people express themselves and their current circumstances and to aid cure themselves. Hans Prinzhorn’s book entitled ‘Artistry of the mentally ill’, which was published in 1924 in Berlin has been the initial resource for Art Brut, also known as ‘raw art’. A French artist, Jean Dubuffet has first used Art Brut as an artistic term in 1945, which has ignited major debates in the artistic milieu. The ultimate goal of these artists was to unveil the works of those with no art education, of mentally ill patients, rejected and marginalised individuals, children and major criminals, in order to question the authenticity of all established approaches to art through the revelation of instinctive expression andthe purest form of creation.Keywords: Art Brut, Jean Dubuffet, raw art, outsider art, primitive art.
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20

Bultel, Jérôme. "Hôpital public : gestion et art brut." Pratiques N° 100, no. 1 (January 1, 2023): 42–43. http://dx.doi.org/10.3917/prat.100.0042.

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21

Alden, Johanna. "Dramatic Spectacle in LaƷamon: The Brut 's Direct Speeches, Aestheticized Violence, and Gendered Historical Reenactments." Arthuriana 33, no. 4 (December 2023): 32–57. http://dx.doi.org/10.1353/art.2023.a914637.

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Abstract: This article explores the phenomena of dramatized direct speech and public performative spectacle within LaƷamon's Brut . In examining the text's largely historically unexplored dramatic dimensions, the piece also engages with the way that speech and performance are politicized and gendered in the Brut .
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22

Guastoni, Mario. "Art Brut et créateurs d’Art Brut, Jean Dubuffet. Éditions L’Atelier contemporain, Strasbourg." Ligeia N° 209-212, no. 1 (March 6, 2024): 178. http://dx.doi.org/10.3917/lige.209.0178.

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23

Weaver, Hannah M. "Translation and Power in Lawman's Brut." Arthuriana 27, no. 3 (2017): 3–23. http://dx.doi.org/10.1353/art.2017.0021.

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24

Allen, Rosamund. "Eorles and Beornes: Contextualizing Lawman's Brut." Arthuriana 8, no. 3 (1998): 4–22. http://dx.doi.org/10.1353/art.1998.0020.

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25

Oliehoek, Cobie. "De l’outsider art ou de l’art brut." Ligeia N° 161-164, no. 1 (2018): 129. http://dx.doi.org/10.3917/lige.161.0129.

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26

Celik, Isil Ezgi. "On the Locus of Art Brut, Today." International Journal of Social, Political and Community Agendas in the Arts 15, no. 4 (2020): 1–8. http://dx.doi.org/10.18848/2326-9960/cgp/v15i04/1-8.

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27

Bogaczyk-Vormayr, Małgorzata. "Art brut oder die Überwindung der Biomacht." ETHICS IN PROGRESS 5, no. 2 (September 1, 2014): 77–102. http://dx.doi.org/10.14746/eip.2014.2.8.

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In this comprehensive paper, I present the thesis that the clinical biopower—which means biopouvoir according to Michel Foucault—can be countered with the help of artistic ability. In this sense, the psychiatric clinic may turn into a space of inclusion, respect, and true self-unfolding. Following Jean Dubuffet, I give a definition of art brut and analyze some works of German and Austrian outsiders of the 20th century, who succeeded in overcoming life-crises, such as childhood poverty, experiences of war, psychical illness, or social ostracism. I match the biopolitical character of psychiatry clinics against the most recent ideas of art therapy. The remainder of the article is organized in four parts: (1) Introduction: Raw Art, (2) Alterity: Beyond of Normality and Pathology, (3) Talent for Sovereignty, (4) Conclusion: The Between.
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28

Frayze-Pereira, João A. "O desvio do olhar: dos asilos aos museus de arte." Psicologia USP 10, no. 2 (1999): 47–58. http://dx.doi.org/10.1590/s0103-65641999000200004.

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A relação entre a arte e a loucura é considerada do ponto de vista da exposição em museus de arte de obras que foram produzidas nos asilos. Nessa transição, são analisadas a situação historicamente determinada da loucura no campo da visualidade e as implicações culturais, psicológicas e estéticas dessa situação, sobretudo após o advento da noção de art brut. Finalmente, é também considerado o impacto da art brut, como prática dos excluídos sociais, sobre o próprio criador marginal e sobre o olhar do espectador.
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29

Brennan, John P. "Myth, Marriage, and Dynastic Crisis in LaƷamon’s Brut." Arthuriana 26, no. 1 (2016): 41–59. http://dx.doi.org/10.1353/art.2016.0001.

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30

Yeager, Stephen M. "Diplomatic Antiquarianism and the Manuscripts of LaƷamon’s Brut." Arthuriana 26, no. 1 (2016): 124–40. http://dx.doi.org/10.1353/art.2016.0014.

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31

Breeze, Andrew. "Caxton's Prologue to Malory and the Welsh Brut." Arthuriana 9, no. 3 (1999): 49–51. http://dx.doi.org/10.1353/art.1999.0045.

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32

Kang, Ju-Hyeong. "A study on the possibility of combining the dismantlement of faciality with digital character creation: Focusing on the 'Art Brut' of Jean Dubuffet." K-Culture·Story Contents Reasearch Institute 1 (July 31, 2022): 27–46. http://dx.doi.org/10.56659/kdps.2022.7.1.27.

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This paper examines the possibility that the discourse of dismantlement of faciality can be combined with character creation in the digital age by analyzing the facial images in Jean Dubuffet's Art Brut painting focusing on Gilles Deleuze's concept of 'faciality'. According to Deleuze, the face is a layer of linguistic expression deterritorialized from the body, and it is the mechanism of faciality that fixes humans to signifiance and subjectification by a single code that dominates Western civilization. This paper attempts to capture the prototype of the face that the mechanism of faciality do not penetrate through the raw image of faces in Art Brut, which breaks down the classical representation system. These informel faces of Art Brut and Deleuze's undecidable faces suggest the possibility of various expressions of face and body images through the undecidability between faciality and body, and the relationship with material objects. In other words, the deconstruction of faciality as claimed in this paper can open the infinite possibilities of creating digital characters with another vitality as a new approach to face representation.
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33

Lee, Hyunjee. "A Study of Symmetrical Compositions in Works from the ‘Collection De l'Art Brut’: Reference to Matte Blanco's Theory of the Unconscious." Korean Society of Culture and Convergence 45, no. 9 (September 30, 2023): 1041–54. http://dx.doi.org/10.33645/cnc.2023.09.45.09.1041.

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This paper examines the symmetry logic of Chilean psychiatrist Matteo Blanco's theory of the unconscious in relation to symmetrical paintings in the Collection de l'Art Brut. The purpose of this thesis is to apply Blanco's theory of symmetry, which has not been developed as a case study, to the Art Brut in order to provide a theoretical basis for the symmetry seen in the work of schizophrenic artists, and to gain a deeper understanding of the Art Brut, which consists almost exclusively of paintings. As a result, the meaning of symmetrical compositions in Blanco's view is summarized as “balance and order in chaos” and “the unrepressed unconscious”. In the case of severe schizophrenia, where the distinction between inside and outside, real and imaginary, is blurred, there is a symmetrical composition that creates balance and order in the unconscious. We hope this paper will be a meaningful message for interdisciplinary research that is biased towards mainstream art, and for the psychiatric community, which needs to listen to the voices of those affected and develop alternatives from their perspective.
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34

Hosaka, Kenjiro. "PCN Art Brut Series No. 19, Artwork Description." Psychiatry and Clinical Neurosciences 75, no. 2 (February 2021): 73. http://dx.doi.org/10.1111/pcn.13192.

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35

Hosaka, Kenjiro. "PCN Art Brut Series No. 20, Artwork Description." Psychiatry and Clinical Neurosciences 75, no. 4 (April 2021): 153. http://dx.doi.org/10.1111/pcn.13209.

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36

Hosaka, Kenjiro. "PCN Art Brut Series No. 28, Artwork Description." Psychiatry and Clinical Neurosciences 76, no. 8 (August 2022): 408. http://dx.doi.org/10.1111/pcn.13447.

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37

Hosaka, Kenjiro. "PCN Art Brut Series No. 29, Artwork Description." Psychiatry and Clinical Neurosciences 76, no. 10 (October 2022): 537. http://dx.doi.org/10.1111/pcn.13480.

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38

Hosaka, Kenjiro. "PCN Art Brut Series No. 27, Artwork Description." Psychiatry and Clinical Neurosciences 76, no. 6 (June 2022): 275. http://dx.doi.org/10.1111/pcn.13376.

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39

Hosaka, Kenjiro. "PCN Art Brut Series No. 21, Artwork Description." Psychiatry and Clinical Neurosciences 75, no. 6 (June 2021): 213. http://dx.doi.org/10.1111/pcn.13223.

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40

Hosaka, Kenjiro. "PCN Art Brut Series No. 24, Artwork Description." Psychiatry and Clinical Neurosciences 75, no. 12 (December 2021): 403. http://dx.doi.org/10.1111/pcn.13305.

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41

Hosaka, Kenjiro. "PCN Art Brut Series No. 22, Artwork Description." Psychiatry and Clinical Neurosciences 75, no. 8 (August 2021): 271. http://dx.doi.org/10.1111/pcn.13280.

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42

Hosaka, Kenjiro. "PCN Art Brut Series No. 26, Artwork Description." Psychiatry and Clinical Neurosciences 76, no. 4 (April 2022): 131. http://dx.doi.org/10.1111/pcn.13353.

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43

Hosaka, Kenjiro. "PCN Art Brut Series No. 25, Artwork Description." Psychiatry and Clinical Neurosciences 76, no. 2 (February 2022): 65. http://dx.doi.org/10.1111/pcn.13327.

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44

Méndez Sánchez, José Emmanuel. "África y art brut en el siglo XXI." MODOS: Revista de História da Arte 6, no. 1 (January 10, 2022): 495–513. http://dx.doi.org/10.20396/modos.v6i1.8664898.

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Este artículo explora los aspectos particulares del llamado art brut con respecto de las expresiones artísticas de raíces africanas. En principio, las artes plásticas del continente negro sirvieron como influencia para el proyecto del pintor francés Jean Dubuffet, quien reconocía sus valores “primitivos” o “salvajes”, equiparándolos con creaciones realizadas por pacientes de hospitales mentales. La crítica a esta categorización heredera del colonialismo europeo se complementa con un repaso breve por las más recientes variaciones teóricas conocidas como outsider art y folk art, que retoman trabajos de afrodescendientes surgidos de contextos tan dispares como Cuba, Ghana o Benín, y les imponen su signo de globalización. Ya en el siglo XXI, Brasil resulta un caso peculiar, pues aunque está inscrito en el circuito mercantil del art brut, cuenta además con una propia tradición de arte psicoterapéutico. Al centrarnos en el análisis estético y cultural de los trabajos de dos creadores marginales afrobrasileños (Antônio Roseno de Lima y Arthur Bispo do Rosário), quienes realizaron importantes proyectos en condiciones adversas y motivados por razones distintas, se concluye que la expresión creativa es también un acto de resistencia que no debe circunscribirse a las fórmulas dadas por la historia del arte ni la red institucionalizada.
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45

Hirano, Yoji, and Kenjiro Hosaka. "PCN Art Brut Series No. 23, Artwork Description." Psychiatry and Clinical Neurosciences 75, no. 10 (October 2021): 325. http://dx.doi.org/10.1111/pcn.13303.

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46

Thévoz, Michel. "Y a-t-il du faux art brut ?" Ligeia N° 161-164, no. 1 (2018): 26. http://dx.doi.org/10.3917/lige.161.0026.

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47

Hosaka, Kenjiro, and Yoji Hirano. "PCN Art Brut Series No. 2, Artwork Description." Psychiatry and Clinical Neurosciences 72, no. 4 (April 2018): 295. http://dx.doi.org/10.1111/pcn.12642.

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48

Hosaka, Kenjiro, and Yoji Hirano. "PCN Art Brut Series No. 3, Artwork Description." Psychiatry and Clinical Neurosciences 72, no. 6 (June 2018): 458. http://dx.doi.org/10.1111/pcn.12664.

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49

Hirano, Yoji, and Kenjiro Hosaka. "PCN Art Brut Series No. 4, Artwork Description." Psychiatry and Clinical Neurosciences 72, no. 8 (August 2018): 626. http://dx.doi.org/10.1111/pcn.12690.

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50

Hosaka, Kenjiro, and Yoji Hirano. "PCN Art Brut Series No. 7, Artwork Description." Psychiatry and Clinical Neurosciences 73, no. 2 (February 2019): 92. http://dx.doi.org/10.1111/pcn.12708.

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