Relevant bibliographies by topics / Art China History 18th century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Art China History 18th century'

Author: Grafiati
Published: 10 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Art China History 18th century"

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Neglinskaya, M. A. "Часовая коллекция Цяньлуна (1736–1795): первое собрание европейского искусства в Китае". Iskusstvo Evrazii [The Art of Eurasia], № 4(19) (30 грудня 2020): 168–75. http://dx.doi.org/10.46748/arteuras.2020.04.014.

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Many of European clocks in the Beijing’s Palace Museum (Gugong) were made in second half of the 18th century, by the Qing Emperor Qianlong’s governing (1736–1795), when an exotic “Chinese style” (chinoiserie) in the decorative arts was at its height. The research methodology proposed below, which combines art history and cultural analysis, allows us to see, that the Palace Collection’s mix determined evolution of the clock’s industry in China and some European lands, who took part in the international clock and watch market. In forms and decor of Chinese clocks the 18th century were reflected
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Feng, Lisi. "Developing Encounters between Chinese and Western Art: The Contribution of Two Jesuits in China in the Seventeenth and Eighteenth Centuries." Religions 15, no. 1 (2024): 129. http://dx.doi.org/10.3390/rel15010129.

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This article explores the introduction and influence of Western art in China during the Ming and Qing dynasties, focusing on the role of the Jesuits—especially Matteo Ricci (1552–1610), one of the founders of Catholic missionary work in China—and the most famous and influential Western figure in China’s art history, Giuseppe Castiglione (1688–1766). The Jesuits recognized art’s potential in their missionary efforts. The article examines the varied responses of Chinese literati to Western art theories in the 17th and 18th centuries, and how Jesuit-introduced artistic concepts were assimilated w
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Ani Margaryan. "The General Image of the Armenian Merchant Projected Through the Sino-Armenian Socio-cultural Relations and the Case Study of the Revival of Merchant Traditional Costume." Journal of Information Systems Engineering and Management 10, no. 29s (2025): 48–57. https://doi.org/10.52783/jisem.v10i29s.4446.

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Armenian communities have had a notable historical presence in various regions of China since the 16th century, with particularly thriving settlements in Canton, Macao, Shanghai, and Hong Kong. During the 17th and 18th centuries, Armenians in China occupied influential positions, receiving endorsement from Chinese authorities. Their impact on Chinese society and East-West commerce is evidenced through their active promotion and patronage of Chinese-manufactured visual art objects. Notably, Jesuit preachers seeking unrestricted access to the country adopted Armenian attire as a strategic approa
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Fekete, Albert, and Peter Gyori. "Chinese pavilions in the early landscape gardens of Europe." Landscape architecture and art 18 (October 7, 2021): 78–87. http://dx.doi.org/10.22616/j.landarchart.2021.18.08.

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The image of China perceived by the Europeans in the 17th to 18th century was based on the travelogues of the travellers and missionaries. Despite the fact that the first descriptions did not include any pictures of the world, people and landscapes described, the far exotic country with its history and tangible heritage became very popular. This article deals with Chinese pavilions (pagodas, teahouses) built in the early European landscape gardens before 1750 without any architectural plans, using only sketches based on descriptions and travelogues, since in the first half of the 18th century,
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VAMPELJ SUHADOLNIK, Nataša. "Ferdinand Augustin Hallerstein on Giuseppe Castiglione`s Art." Asian Studies 3, no. 2 (2015): 33–56. http://dx.doi.org/10.4312/as.2015.3.2.33-56.

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Ferdinand Augustin Hallerstein (1703–1774) (Chinese name Liu Songling) was a Slovenian Jesuit, astronomer and mathematician who made an important contribution to the development of science and astronomy in 18th century China. He arrived in Beijing in 1739, and in 1746 was appointed to succeed Ignatius Kogler as Head of the Imperial Board of Astronomy, a position he would hold until his own death nearly 30 years later. Throughout his four decades in China, Hallerstein maintained a rich correspondence with family members, other Jesuits in Europe, and even with the Queen of Portugal, Maria Anna.
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De Winter, Wim. "European perceptions of religion and society in 18th-century China & Bengal, and their subverted gaze in local art and encounter." Religion 50, no. 2 (2020): 278–98. http://dx.doi.org/10.1080/0048721x.2020.1713518.

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Shin, Sangchel. "The History of Art Exchanges Between China and France by Jesuit Missionaries in the 18th Century : The Intellectual Foundation of French Chinoiseries and Beavais Tapestries." Art History 32 (August 31, 2016): 263. http://dx.doi.org/10.14769/jkaahe.2016.08.32.263.

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Dubrovskaya, Dinara V. "“Peacocks?!” or How James Abbot McNeal Whistler (1834–1903) Redefined Chinoiserie and Patron–Artist Relationship." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 2 (2024): 134. http://dx.doi.org/10.31857/s086919080030184-9.

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One of the illustrative examples of the intervention of Chinese art in the formulation of the most important styles of the late 19th – early 20th centuries and its creative tandem with Japanese culture, which was then extremely popular in Europe, is James Whistler’s Peacock Room, the famous masterpiece of aestheticism and “Anglo-Japanese style”. The time has come to reflect on this work not only using several familiar stylistic labels, but also by trying to understand why the famous art style is classified as an Anglo-Japanese style if the key work in the room bears the unambiguous title “Prin
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Suraeva, Natalia G. "THE IMAGE OF CHINA IN THE CORRESPONDENCE OF CATHERINE II." Scientific and analytical journal Burganov House. The space of culture 17, no. 4 (2021): 62–78. http://dx.doi.org/10.36340/2071-6818-2021-17-4-62-78.

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In 1762, Catherine II (1729-1796), Catherine le Grand, as Voltaire called her, an extraordinary woman who was destined to undergo many reforms and establish Russia’s place in the world, ascended to the Russian throne. Her reign coincided with the reign of Emperor Qianlong (1711-1799), one of the most enlightened monarchs in Chinese history; during his time, the empire achieved many military victories and brilliant achievements in the arts. By the time of Catherine’s accession to the throne, relations between the two countries were very strained. Meanwhile, the age of Enlightenment, the century
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Arman, Dedi. "Sejarah Pulau Siantan sebagai Pusat Aktivitas Bajak Laut dan Daerah Pelarian Politik pada Abad 18 M." Local History & Heritage 2, no. 1 (2022): 1–9. http://dx.doi.org/10.57251/lhh.v2i1.307.

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This paper discusses the history of Siantan Island (Anambas) in the South China Sea as a center of pirate activity (lanun and political escape areas in the 18th century. The writing uses historical historical research methods and uses library research to extract sources. From the research, it is known that a number of nobles from the Sultanate Siak, the Sultanate of Palembang and the Bugis nobility from Luwu moved to Siantan after losing the power struggle in their native area. In Siantan, the nobles gathered strength by relying on the Orang Laut. The existence of the Orang Laut became the mai
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Dissertations / Theses on the topic "Art China History 18th century"

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Baker, Daniel Alexander. "Technologies of encounter : exhibition-making and the 18th century South Pacific." Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13703/.

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Between 1768 and 1780 Captain James Cook led three epic voyages from Britain into the Pacific Ocean, where he and his fellow explorers- artists, naturalists, philosophers and sailors, were to encounter societies and cultures of extraordinary diversity. These 18th Century South Pacific encounters were rich with performance, trade and exchange; but they would lead to the dramatic and violent transformation of the region through colonisation, settlement, exploitation and disease. Since those initial encounters, museums in Britain have become home to the images and artefacts produced and collected
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Min, Shu. "Evolving Vernacular Architecture: Case Studies in Sichuan, China, 18th-20th Century." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15474.

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This thesis investigates how and why Sichuan courtyard dwellings evolved to adapt to changing social and cultural conditions from the 18th to the 20th century. Located in south-western China, Sichuan courtyard dwelling share some similarities with those in other regions of China but have its unique characteristics. While much of the existing scholarship studies Sichuan vernacular architecture from a static perspective, this research examines the development of Sichuan vernacular architecture as a dynamic process of immigration, localization, and acculturation. The research is based on three in
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Lee, Sai-chong Jack, and 李世莊. "China trade painting: 1750s to 1880s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015442.

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尹浩然 and Ho-yin Wan. "Population expansion, internal migration and social disturbances in eighteenth-century China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31221828.

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Wong, Chi-man Lorraine, and 黃芷敏. "Cultural fever, consumer society and pre-orientalism China in eighteenth-century England." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227946.

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Feng, Huanian, and 馮華年. "The reception of western art history in Republican China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227326.

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Edwards, Stephen Otis. "Lintin Island :the Canton trade at anchor, 1790 to 1840." Thesis, University of Macau, 2015. http://umaclib3.umac.mo/record=b3335244.

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Schneider, Leann G. "Capturing Otherness on Canvas: 16th - 18th century European Representation of Amerindians and Africans." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437430892.

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Turner, Grace S. "An Allegory for Life: An 18th century African-influenced cemetery landscape, Nassau, Bahamas." W&M ScholarWorks, 2013. https://scholarworks.wm.edu/etd/1539623360.

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I use W.E.B. Du Bois' reference to the worlds 'within and without the veil' as the narrative setting for presenting the case of an African-Bahamian urban cemetery in use from the early eighteenth century to the early twentieth century. I argue that people of African descent lived what Du Bois termed a 'double consciousness.' Thus, the ways in which they shaped and changed this cemetery landscape reflect the complexities of their lives. Since the material expressions of this cemetery landscape represent the cultural perspectives of the affiliated communities so changes in its maintenance consti
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Li, Mumiao, та 李木妙. "明末淸初中國的海外貿易". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B15967517.

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Books on the topic "Art China History 18th century"

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Louvre, Musée du, ed. Les batailles de l'empereur de Chine: La gloire de Qianlong célébrée par Louis XV, une commande royale d'estampes. Musée du Louvre éditions, 2009.

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William, Alexander. Views of 18th century China: Costumes : history : customs. Studio Editions, 1988.

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Henry, Mason George, ed. Views of 18th century China: Costumes, history, customs. Studio Editions, 1988.

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Cooper, Paul. Going to war in the 18th century. Franklin Watts, 2001.

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Couturier, Sonia. Drawn to art: French artists and art lovers in 18th-century Rome. National Gallery of Canada, 2011.

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Mcelwee, Penelope. Non-representation of the agricultural labourers in 18th and 19th century english paintings. Cambridge Scholars Publis, 2016.

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Stevens, Christopher Claxton. 18th century English furniture: The Norman Adams collection. Antique Collectors' Club, 1985.

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Stevens, Christopher Claxton. 18th century English furniture: The Norman Adams Collection. Antique Collectors' Club, 1985.

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1943-, Fukai Akiko, Suoh Tamami, and Kyōto Fukushoku Bunka Kenkyū Zaidan., eds. Fashion: A history from the 18th to the 20th century. Taschen, 2005.

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Stewart, Whittington, ed. 18th century English furniture: The Norman Adams Collection. Antique Collectors' Club, 1994.

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Book chapters on the topic "Art China History 18th century"

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Golvers, Noël. "The Jesuits as translators between Europe and China (17th–18th century)." In Studies in the History of the Language Sciences. John Benjamins Publishing Company, 2021. http://dx.doi.org/10.1075/sihols.130.03gol.

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Bergvelt, Ellinoor. "History in the Dutch National Museums 1800-1900." In Spaces for Shaping the Nation. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839466940-005.

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In this article, Bergvelt discusses how historical objects were handled in the Dutch 19th-century national museums. Three examples are given: a painting by Jan Asselijn, The Threatened Swan (later made into an allegory on Grand Pensionary Johan de Witt); an 18th-century cannon captured in Sri Lanka (which would have belonged to the 17th-century admiral Michiel de Ruyter), and a portrait of Michiel de Ruyter by Ferdinand Bol. In general one can say that history was subordinate to art, both when we look at acquisitions and at the amount of space and attention that history received in the museum
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Kenderdine, Sarah, Lily Hibberd, Jeffrey Shaw, Tsong-Zung Chang, and Yumeng Hou. "Archery Rites: Remaking Confucian Rites." In Martial Studies. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-16-8321-3_13.

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AbstractRitual archery has a long and vital history in Chinese civilization. This chapter examines the current reenactment and digital reconstruction of the specific tradition of the Archery Rites embedded in the Confucian tradition, ritual practice and cosmology of li, which suffered major decline in the twentieth century with modern China’s political upheaval and social shifts. In recent decades, scholars and practitioners in China have sought to revive the lost art of the Archery Rites. The most significant endeavor to date is the “Re-Making of Confucian Rites (RCR),” a major reenactment pr
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Polovinkina, Olga I. "“Greece in China”: Some Characteristics of the “New Classical Spirit” in Anglo-American Modernism of the 1900s–1910s." In Under the Sign of “Neo-”: Theory and History of Retrospective Movements in Modern Literature. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2025. https://doi.org/10.22455/978-5-9208-0786-1-112-173.

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The article explores neoclassical tendencies in Anglo-American Modernist aesthe- tics and poetry in relation to the utopia of China, its history being traced from the 18th up to the 20th century. Debates with advocates of the romantic idea of poetry are considered to be the cru- cial factor for the “new classical spirit” in Modernist poetry to assert itself. T.E. Hulme’s ideas of Classicism are analysed as formulated in dialogue with Ch. Maurras, A. Bergson, W. Pater, J.M. Kennedy, M. Denis and R. Fry. The main Classicist principle of Modernist aesthetics is defined as imitation of models, and
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Yü, Ying-shih. "Reflections on Chinese Historical Thinking." In Chinese History and Culture, edited by Josephine Chiu-Duke and Michael S. Duke. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231178600.003.0015.

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Of this series of reflections, one of the most important is that the first generation of Chinese historians who were exposed to Western influence only in a limited way produced historical scholarship far superior to that of the later generations who applied the so-called scientific method. Comparing Chinese historiography to Western theories since the 18th century, China seems backward, but compared to ancient Greek historiography as far as underlying assumptions, principles, and methods are concerned, there appear to be as many similarities as differences. The essay argues that fundamental to
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Siu, Helen F. "Recycling Tradition." In Tracing China. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888083732.003.0008.

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This article is bringing studies of Chinese culture, society, and history closer to the mainstream of contemporary social theory. By analyzing the community-wide festivals in Xiaolan from the late 18th century to the present and by explicating how the nature, meaning, and dynamics of these cultural expressions intertwined with the evolution of the regional political economy, this essay suggests how one may build upon the rich body of historical materials and rethink the analytical tools.
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Light, Alison. "The Figure of the Servant." In Alison Light - Inside History. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481557.003.0012.

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A review of an exhibition of servant portraits, this is a wide-ranging discussion – one of the first – of the absolute centrality of domestic service in British society. It explores the ways in which servants are represented literature and art, from the domestic novel of the 18th and 19th century to the present day, and the history of the relationship between mistress and maid. It suggests that service is still crucial in the making of class difference and fostering racial assumptions, especially today when those doing society’s dirty work are often low-paid migrants.
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Skov, Martin. "How Neuroimaging Is Transforming Our Understanding of Aesthetic Taste." In Brain, Beauty, and Art. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197513620.003.0007.

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The concept of aesthetic appreciation is a historical construction with a history that traces back to the beginning of the 18th century. It proposes the idea that humans can experience a specific kind of nonutilitarian pleasure when exposed to a distinct set of aesthetic qualities. This chapter surveys findings from recent neuroimaging studies that have cast doubt on this idea. It explains how studies of neural activity associated with aesthetic appreciation have found “aesthetic” liking to engage similar neural structures as utilitarian liking, suggesting that aesthetic appreciation is rooted
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Robertson, Ritchie. "3. Classical art and world literature." In Goethe: A Very Short Introduction. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780199689255.003.0003.

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‘Classical art and world literature’ shows that Goethe’s knowledge of art and literature was wide-ranging and explains that, in both, he came to believe that the works produced by the ancient Greeks formed a standard that could never be surpassed. In art, he explored the classical tradition that descended via the Renaissance to the neoclassicism of the 18th century. In literature, his taste was much wider. He read easily in French, Italian, English, Latin, and Greek, and in his later life he eagerly read translations of Asian texts—novels from China, epics and plays from India, and the Arabic
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Clunas, Craig. "Chiang Yee as Art History." In Chiang Yee and His Circle. Hong Kong University Press, 2022. http://dx.doi.org/10.5790/hongkong/9789888754137.003.0003.

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Craig Clunas’s contribution places Chiang’s writings on the arts of China in the context of their time, and looks at the development of his thought over the course of his career. The Chinese Eye: An Interpretation of Chinese Painting (1935) and Chinese Calligraphy: An Introduction to Its Aesthetic and Technique (1938) presented themselves as ‘authentic’ presentations of Chinese aesthetic principles by a Chinese author, in contrast with the existing literature on these subjects by Westerners. Clunas argues that a close reading of these texts reveals them to be part of a complicated process of t
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Conference papers on the topic "Art China History 18th century"

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Sosnitsky, D. A. "Images of Russian history in popular art works of the second half of the 18th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-318-327.

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Карасева, И. С. "THE HISTORY OF RUSSIA IN THE THEATRICAL ART OF THE EARLY XIX CENTURY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.21.

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В России начало XIX в.— время коренных изменений в области театральнодекорационного искусства. В ходе нашего исследования будут рассмотрены постановки, которые можно объединить темой истории России, интерес к которой намечался еще в конце XVIII в. Однако историческая точность и достоверность зачастую приносятся в жертву ради сценического эффекта. Целью работы является выявление тенденций, отличающих театрально- декорационное искусство начала XIX в. The beginning of the 19th century in Russia was a time of fundamental changes in the theatrical art. In the course of our research, we will conside
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Vang, E., I. I. ,. Orlov, and M. L. Polovinkina. "A Brief Overview of Historiography of Traditional Chinese Art." In Scientific achievements of the third millennium. НИЦ "LJournal", 2023. http://dx.doi.org/10.18411/satm-08-2023-03.

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This article examines the historiography of the problem of exploring the features of traditional art in China, which has been most clearly formed since about the 19th century. Later, already in the 20th century, the art and culture of the Chinese habitat is already clearly manifested in the variety of types and subjects of fine and decorative arts. The article gives a brief historiography of the problem from the beginning of the 19th century to the beginning of the 21st century, when hundreds of articles were published on the visual and decorative applied traditional art of China. They present
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Bazhenova, O. D. "Architectural treatises of the 18th century in libraries of Belarus." In Fedorovskie Chteniya – 2024. To the 460th Anniversary of Russian Book Printing. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111030_21.

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The article actualises the importance of collections of architectural tracts in the collections of old printed books in the libraries of Belarus. Six treatises from the theoretical heritage of the French neoclassicist architect Jacques François Blondel (1705–1774), professor atthe Royal Academy of Architecture, a leading theorist of the French school of architecture of the mid–18th century, are presented as an example. The books not only contain elegant text with detailed and careful analyses of architectural problems and architectural monuments of France of the 17th century, but also represen
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Petrović, Emina Kristina. "Two Conceptualisations of Change in Architectural History: Towards Driving Pro-sustainable Change in Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a4006pqv8s.

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At the time when it is important to act on the Climate Emergency and other pro-sustainable efforts, the key question is how to drive change. This paper examines two conceptualisations of change in architectural history in an attempt to support a better understanding of architecture-specific conceptualisations of change itself. Such understanding could offer real value in articulating how to drive pro-sustainable change in architecture. The paper identifies two conceptualisations of change which are easily found in existing writing on change in architectural history. One such conceptualisation
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Russo, Yvonne. "La valorizzazione del Castello Angioino di Civitacampomarano, Molise." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20408.

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The medieval village of Civitacampomarano, located in the province of Campobasso and populated by around 300 inhabitants, is dominated by the mighty Angevin Castle, one of the most beautiful in the Molise region. Originally isolated from the town centre, in the 18th century the castle became an obstacle for the inhabitants’ lives who during the insurrection of 1795 filled in the moat to connect the ‘two’ towns divided by the castle, changing its structure forever. From its origins the fortress has been the heart of this town which preserves an authentic and resilient character. To face the ris
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Герцен, Андрей. "Средневековые фортификации Северо-Западного Причерноморья в атласе Рицци-Дзаннони". У Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-89-101.

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Unique maps of the atlas of Poland compiled by G.A.B. Rizzi-Zannoni in the middle of the 18th century and published in early 1772 are important scientific sources. The atlas contains detailed information on the historical geography of the Northern and North-Western Black Sea region. Of particular importance is the unique map of Moldavia and the territories adjacent to it (the 23rd, as well as the 22nd and 24th sheets of the atlas), compiled based on earlier sources – the rich cartographic materials of the predecessors (G.L. Beauplan, D.K. Cantemir and others), and first of all, the works of th
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