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Books on the topic 'Art chrétien – Thèmes, motifs'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Earls, Irene. Baroque art: A topical dictionary. Westport, Conn: Greenwood Press, 1996.

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2

Linda, Murray, ed. The Oxford companion to Christian art and architecture. Oxford: New York, 1996.

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3

Vested angels: Eucharistic allusions in early Netherlandish paintings. Leuven: Peeters, 1998.

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4

Last Judgment iconography in the Carpathians. Toronto: University of Toronto Press, 2009.

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5

Bonnefoy, Yves. L' arrière-pays. Paris: Gallimard, 1998.

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6

Bonnefoy, Yves. L'Arrière-pays: Augmenté d'une postface. Paris: Gallimard, 2005.

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7

Fréchuret, Maurice. L' envolée, l'enfouissement: Histoire et imaginaire aux temps précaires du XXe siècle : [exposition] Musée Picasso, Antibes -- Musée d'art moderne, Villeneuve d'Ascq, communauté urbaine de Lille. Paris: Réunion des Musées nationaux, 1995.

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8

1923-, Schubert Kurt, ed. Jewish historiography and iconography in early and Medieval Christianity. Assen: Van Gorcum, 1992.

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9

Art: Le grand livre de l'amateur : chefs-d'oeuvre du monde classés par thèmes. Paris: Atlas, 1988.

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10

Art in China. 2nd ed. Oxford: Oxford University Press, 2009.

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11

Clunas, Craig. Art in China. Oxford: Oxford University Press, 1997.

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12

1943-, Maguire Henry, Duncan-Flowers Maggie J, Krannert Art Museum, and Kelsey Museum of Archaeology, eds. Art and holypowers in the early Christian house. Urbana: Krannert Art Museum, University of Illinoisat Urbana-Champaign, 1989.

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13

Maguire, Eunice Dauterman. Art and holy powers in the early Christian house. Urbana: Krannert Art Museum, University of Illinois at Urbana-Champaign, 1989.

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14

Élisabeth Laussac de La Garenne. Le thème du félin dans l'art des Seljoukides de Rûm, du Xe au XIVe siècle. Courbevoie: Durante éd., 1999.

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15

Losfeld, Georges. L' art grec et la draperie pure: Avec 9 planches de l'auteur. Paris: Éditions De Boccard, 1999.

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16

Losfeld, Georges. L' art grec et la draperie pure. Paris: De Boccard, 1999.

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17

Wood, Jeremy. La Nativité. Paris: Réunion des musées nationaux, 1992.

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18

Pontifical Institute of Mediaeval Studies, ed. Patrons and painters on Cyprus: The frescoes in the Royal Chapel at Pyrga. Toronto, Ont: Pontifical Institute of Mediaeval Studies, 2010.

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19

Diane, Apostolos-Cappadona, ed. Image and spirit in sacred and secular art. New York: Crossroad, 1990.

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20

Friedman, John Block. Medieval iconography: A research guide. New York: Garland Pub., 1998.

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21

Moi Gabriel, vous Marie: L'Annonciation, une relation visible. Rosny-sous-Bois: Bréal, 2002.

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22

Absalon, Patrick, and Philippe Hoch. Dragons: Album de l'exposition. Metz: Serpenoise, 2005.

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23

Iconology: Image, text, ideology. Chicago: University of Chicago Press, 1986.

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24

The vexations of art: Velázquez and others. New Haven [Conn.]: Yale University Press, 2005.

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25

The power of images in the Age of Augustus. Ann Arbor: University of Michigan Press, 1988.

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26

The power of images in the Age of Augustus. Ann Arbor, Mich: University of Michigan Press, 1988.

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27

Les grands classiques de la peinture. Paris: Solar, 1995.

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28

Zanker, Paul. The power of images in the Age of Augustus. Ann Arbor: University of Michigan Press, 1990.

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29

La ressemblance par contact: Archéologie, anachronisme et modernité de l'empreinte. Paris: Éditions de Minuit, 2008.

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30

Todorov, Tzvetan. Éloge de l'individu: Essai sur la peinture flamande de la Renaissance. Paris: Biro, 2001.

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31

Todorov, Tzvetan. Éloge de l'individu: Essai sur la peinture flamande de la Renaissance. Paris: Adam Biro, 2000.

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32

Hybrid imagery: The fusion of technology and graphic design. London: Architecture Design and Technology Press, 1990.

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33

Hybrid imagery: The fusion of technology and graphic design. New York: Watson-Guptill, 1990.

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34

Tickner, Lisa. Modern life & modern subjects: British art in the early twentieth century. New Haven, CT: Yale University Press, 2000.

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35

Gervereau, Laurent. Voir, comprendre, analyser les images. Paris: Découverte, 1994.

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36

Gervereau, Laurent. Voir, comprendre, analyser les images. Paris: La Découverte, 1997.

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37

Voir, comprendre, analyser les images. 4th ed. Paris: Éd. la Découverte, 2004.

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38

Extrême: Esthétiques de la limites dépassée. Paris: Flammarion, 2006.

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39

Barbet, Alix. Imitations d'Opus sectile et decors à réseau: Essai de terminologie. Paris: CEPMR, 1997.

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40

Ikonografie der Mutterschaftsmystik: Interdependenzen zwischen Andachtsbild und Spiritualität im Kontext spätmittelalterlicher Frauenmystik. Freiburg i. Br: Rombach, 2008.

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41

Battistini, Matilde. Symboles et allégories. Paris: Hazan, 2004.

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42

Derbes, Anne. Picturing the passion in late Medieval Italy: Narrative painting, Franciscan ideologies, and the Levant. Cambridge: Cambridge University Press, 1996.

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43

The iconography of Job through the centuries: Artists as Biblical interpreters. University Park, Pa: Pennsylvania State University Press, 1996.

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44

The sexuality of Christ in Renaissance art and in modern oblivion. 2nd ed. Chicago: University of Chicago Press, 1996.

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45

Stanley, Robert E. Northwest native arts: Basic forms. Surrey, B.C: Hancock House, 2002.

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46

Northwest native arts: Creative colors. Surrey, B.C: Hancock House Publishers, 2003.

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47

Isis lactans-- Maria lactans: Untersuchungen zur koptischen Ikonographie. Altenberge: Oros Verlag, 1996.

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48

Isabelle, Bréda, ed. Le Louvre. Paris: Editions Scala, 1989.

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49

Northrop, Frye, ed. The apocalyptic sublime. New Haven: Yale University Press, 1986.

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50

David d'Angers: Sculptural communication in the age of romanticism. Princeton, N.J: Princeton University Press, 1992.

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