Relevant bibliographies by topics / Art collection

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art collection'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Art collection"

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Rademeyer, Alta. "Telkom art collection." de arte 33, no. 58 (1998): 44–47. http://dx.doi.org/10.1080/00043389.1998.11761277.

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Di Benedetto, Claudio. "The Uffizi Library: a collection that documents collections." Art Libraries Journal 35, no. 2 (2010): 4–7. http://dx.doi.org/10.1017/s0307472200016321.

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The Biblioteca degli Uffizi acts as a documentary ‘black box’ for all the notable collecting that has taken place in Florence during the past 500 years. The Library’s collections stretch from the autograph 22-year diary of the 15th-century painter Neri di Bicci and the different editions of Vasari’s Lives of the painters, through the inventories and lists of objects acquired and held successively by the Medici, the House of Hapsburg-Lorraine and the new Italian united kingdom, and to all the memoirs and plans and catalogues of the directors and ‘royal antiquarians’ of the Uffizi Gallery. In ad
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Klyukanova, Larisa G. "Private Art Collecting as a Present­Day Culture Phenomenon." Observatory of Culture, no. 2 (April 28, 2015): 73–77. http://dx.doi.org/10.25281/2072-3156-2015-0-2-73-77.

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Analyses collecting as a type of cultural activity, its institutional and substantive aspects. The author investigates mechanisms of private collection functioning including formation of collections and storage, systematisation, and exhibition of artifacts. The importance of representing the cultural value and symbolic significance embodied in the collection items is highlighted.
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Petrashyk, Volodymyr. "Oleksandr Tulchinsky – Unknown Collector from Kyiv." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 2 (2019): 267–84. https://doi.org/10.31866/2617-7951.2.2.2019.189742.

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The aim of the article is to investigate the life and collecting experience of Oleksandr Tulchinsky, a collector from Kyiv, whose work remains unknown nowadays; to define the artistic value of the works that belong to his collection; his role and significance in the history of Ukrainian collections of the XX century. The methodology of the research. In the course of the scientific research such methods as historical and art analysis were implemented. The scientific novelty. The name of the collector from Kyiv, Oleksandr Tulchinsky was introduced for the first time into the scien
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Danowitz, Erica Swenson. "Art Magazine Collection Archive." Charleston Advisor 23, no. 3 (2022): 5–9. http://dx.doi.org/10.5260/chara.23.3.5.

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This resource provides full-text access to the digital archives of three significant art publications, ARTnews, Art in America, and The Magazine ANTIQUES. The 3,950 issues found in this database appear in digital format in their entirety as originally published. This database also includes the original advertisements found in these periodicals. These advertisements have been indexed and are searchable. This archive provides an extensive chronicle of art collecting, fine arts, art history, interior design, decorative arts, folk art, antiquing, and architecture in the twentieth and early twenty-
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Rebora, Carrie. "Robert Fulton's Art Collection." American Art Journal 22, no. 3 (1990): 40. http://dx.doi.org/10.2307/1594565.

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Royo Naranjo, Lourdes. "Art Collection Neue Börse." Boletín de Arte, no. 25 (April 2, 2018): 851–55. http://dx.doi.org/10.24310/bolarte.2004.v0i25.4647.

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Bajo el título Art Collection Neue Börse se expuso en el Centro de ArteContemporáneo de Málaga la muestra de un total de treinta y cuatro fotografías de gran formato seleccionadas de la colección de Arte de la Bolsa de Alemania (Deutsche Béirse) entre los días 23 de febrero y 25 de mayo de 2003. Una novedad tanto en el ámbito nacional como internacional, puesto que era la primera vez que la colección Deutsche Börse abandonaba su sede habitual de Francfurtk para ser expuesta.
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Hundt, Stefan. "The Sanlam Art Collection." de arte 40, no. 72 (2005): 67–75. http://dx.doi.org/10.1080/00043389.2005.11877047.

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Barata, Ana. "Resources for Latin American art in the Gulbenkian Art Library." Art Libraries Journal 37, no. 4 (2012): 21–23. http://dx.doi.org/10.1017/s0307472200017697.

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From its creation in 1968 the Gulbenkian Art Library has possessed a number of special collections, and these have been enriched through major bequests or through acquisition. Currently there are about 180 collections with relevance for the study of Portuguese art and culture: they include private libraries, the private archives of Portuguese artists and architects, and photographic archives. Material in the special collections is available through the library’s catalogue and some have already been digitised and are available on the internet, depending on their copyright terms and conditions.
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Romero, Martha. "The JAPS Library: A collection about art." Art Libraries Journal 48, no. 1 (2023): 2–9. http://dx.doi.org/10.1017/alj.2022.22.

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AbstractJuan Antonio Pérez Simón has built one of the most extensive art collections in Mexico and it is well-known around the world. One of the least known facets of Juan Antonio Pérez Simón's collecting is that of a bibliophile, a facet that has led him to form one of the richest private libraries specializing in art in Mexico, known for its great expanse and diversity of themes, as well as for the importance of the works that comprise it. The Juan Antonio Pérez Simón (JAPS) Library is the custodian of Pérez Simón's book collection and strives to manage, research, and preserve the collection
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Dissertations / Theses on the topic "Art collection"

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Haight, Sarah M. "American Art Lending, 1895-1975." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.

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This paper documents the range of art lending in the United States to individuals by libraries, museums, and other cultural institutions from roughly 1895-1975. The historical analysis includes the reasons and motivations behind the creation of each kind of lending scheme and what its proponents hoped to accomplish, as well as how these collections fit into the broader goals of each type of institution. Loans of originals and reproductions are discussed.
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Brogan, Devin. "Art in Wichita instruction, collection and innovation /." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t024.pdf.

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Summerfield, Angela. "Interventions : twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain." Thesis, City, University of London, 2007. http://openaccess.city.ac.uk/17420/.

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In the twentieth century, collecting became a core activity of local authority art galleries and museums in Britain. A key feature of these art collections was the representation of Twentieth Century British Art. The aim of this study is to examine, for the first time, this development as abroad cultural phenomenon, through the distinctive roles played by central government-funded, and independent national and provincial art collection schemes. The central government-funded art collection schemes are the V. & A Purchase Grant Fund, War Artists' Advisory Committee and the National Heritage Memo
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Salmons, John Andrew. "Adopting an Orphaned Collection." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64789.

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"Architecture itself is linked not only to other arts but also to the broader context of life; it is only on that scale that we may understand its specific contribution to the formation of the communicative space of culture."* - Dailbor Vesely 2004 Architects have explored Art Galleries as a medium throughout the ages. In 2014, the Corcoran was sold, dismantled and divided between the National Gallery of Art and George Washington University signaling the end of an era of art display in the Nation's Capital. This transformation of a major DC art collection was the impetus for this thesis: to ma
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Walker, Jessica E. "Unexpected Reflection Collection." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253634229.

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Quito, Anne. "Art at work potential contributions of an art collection to non-profit organizations /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456296265/viewonline.

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Baker, Laura. "The New Orleans Museum of Art: Managing the Collection." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/aa_rpts/173.

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An internship experience in the Office of the Registrar and Collections Management at the New Orleans Museum of Art is reviewed alongside discussion of the Museum’s history, structure, and permanent collection, in addition to analyses of the organization’s finances and its institutional strengths, weaknesses, opportunities and threats. Discussion topics also include the intern’s experience, best practices in similar institutions, and a conclusion with recommendations made by the intern.
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Wilson, Janelle. "Accessioning and Managing the Petersburg Area Art League Collection." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2296.

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Since the 1960s, the Petersburg Area Art League (PAAL) has obtained works of art for its permanent collection through purchases, private donations, and through the local art show, the Poplar Lawn Art Festival, later known as Artfest. Recently, however, the organization has decided to become a non-collecting institution in order to focus on its mission to promote the arts in Petersburg through gallery shows for local artists and educational programs. While PAAL’s staff members share a love of art and a dedication to the local community, they have not been trained in professional standards for
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Lucas, Jean-Jacques. "Les territoires imaginés de la collection, récits individuels et collectifs : les collections et les collectionneurs d'oeuvres d'art, d'archéologie, d'arts décoratifs et appliqués dans le Centre-Ouest Atlantique entre 1870 et 1983." Poitiers, 2010. http://www.theses.fr/2010POIT5007.

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Le collectionnisme d'œuvres d'art depuis le milieu du XIXème siècle , lisible tout au long de cette période au travers des expositions régionales, des dons et legs aux musées locaux, inscrit des valeurs de repères. Ces situations supposent l'enchâssement de plusieurs territoires imaginaires, temporels et spatiaux. L'objet pouvant prétendre à une durée que le corps n'atteindra pas, la collection le présente à une admiration durable. Elle est monument marquant l'appropriation de son assembleur, par une fonction ligamentaire, avec son territoire généalogique réel ou reconstruit. La translation da
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Donkor, Kimathi. "Africana unmasked : fugitive signs of Africa in Tate's British Collection." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12019/.

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Through painting, drawing, photography and digital design, I have investigated the relationship between, on the one hand, my fine art practice—with its interest in postcolonial African and diaspora identities (or, ‘Africana’)—and on the other hand, works at The Tate Gallery—with its remit to hold the National Collection of British Art. By interrogating iconological ‘conditions of existence’ for works by Fehr, Sargent and Brock, I created new artworks that indicated hidden (or, ‘fugitive’) African connections with the intention of disrupting complacent assumptions and reimagining unacknowledged
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Books on the topic "Art collection"

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1974-, Ilham Khoiri R., and Gautama Candra, eds. Art and collecting art: A collection of writings. Kepustakaan Populer Gramedia in cooperation with OHD Museum and Djarum Foundation, 2012.

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Sykes, Marie. Sugar art collection. Child & Associates, 1989.

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University of Lethbridge. Art Gallery. The art collection. University of Lethbridge Art Gallery, 2003.

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Ottawa Art Gallery. Contemporary Art Collection. Contemporary Art Collection. Ottawa Art Gallery = Galerie d'art d'Ottawa, 2008.

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Barzel, Amnon. Light art: Targetti Light Art Collection. Skira, 2006.

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Gallery, Art Circle. [Art Circle Gallery art book collection]. Art Circle Gallery, 2010.

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Methodist Ladies' College (Kew, Vic.). Contemporary art collection 2009: Methodist Ladies' College Contemporary Art Collection. Bounce Books, 2009.

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Blazy, Jacques. Art précolombien: Collection Gerard Geiger. Binoche, 2005.

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Sabran, Marguerite de, and Jacques Blazy. Art précolombien: La collection Barbier-Mueller = Pre-columbian art : the Barbier-Mueller collection. 5 Continents, 2013.

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Ronte, Dieter. Hess Collection. P. Haupt, 1989.

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Book chapters on the topic "Art collection"

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Barrow, John D. "Art is Critical." In The Frontiers Collection. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92192-7_45.

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Gomes, Noémia Herdade, Elisa Noronha, Filipe Silva, Alexandre Matos, and Mário Vairinhos. "The Drawing Collection." In Art and Technology. SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-863-1_7.

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Robson, Jonathan. "Popular Art, Bad Art, and the Data of Philosophical Aesthetics." In The Frontiers Collection. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_17.

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van Roekel Cordiviola, Eva, and Fiona Murphy. "Ordinary Art." In A Collection of Creative Anthropologies. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-55105-5_11.

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Skrubbe, Jessica Sjöholm. "The Walden Art Collection." In Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art. Routledge, 2021. http://dx.doi.org/10.4324/9781003098935-3.

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McAllister, James W. "Art and Science: A Tangled Relation." In The Frontiers Collection. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_1.

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Aiken, Nancy E. "Figurines and the Origin of Art." In The Frontiers Collection. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_18.

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Kappraff, Jay. "Complexity and Chaos Theory in Art." In The Frontiers Collection. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_9.

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van der Grijp, Paul. "Collection or Museum." In Art Collecting and Gifts to Museums. Routledge, 2024. http://dx.doi.org/10.4324/9781003499244-8.

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Millett-Gallant, Ann. "Curating This Collection." In The Disabled Body in Contemporary Art. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-48251-9_1.

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Conference papers on the topic "Art collection"

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Tsuchiya, Yosuke, and Naoki Ishibashi. "Implementation of Dynamic Art Curation Engine in Global Art Collection Archive." In 2024 International Electronics Symposium (IES). IEEE, 2024. http://dx.doi.org/10.1109/ies63037.2024.10665759.

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Löbling, Zuzana. "The Struggle for Justice: Post-WWII Restitution of Richard Morawetz’ Art Collection." In International Legal History Meeting of PhD Students. Masaryk University Press, 2024. https://doi.org/10.5817/cz.muni.p280-0628-2024-14.

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This paper examines the post-WWII restitution efforts for the significant art collection of Richard Morawetz, which was deposited in the National Gallery Prague in 1939. Following the family’s escape from Czechoslovakia to avoid Nazi persecution, Richard Morawetz engaged in a legal battle after the war to reclaim his art collection. Although his ownership was legally recognised, the artworks remained in the gallery’s vaults and were officially confiscated by the state in the 1960s. This research paper focuses on the immediate post-war restitution efforts, detailing the court proceedings and il
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Li, Chunjiang. "Design of Digital Intelligent Image Art Creation and Collection System Based on AIGC." In 2024 3rd International Conference on Artificial Intelligence and Autonomous Robot Systems (AIARS). IEEE, 2024. http://dx.doi.org/10.1109/aiars63200.2024.00062.

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Pilar, Martin. "�UNPOETICAL� POETRY OF PETR HRUSKA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.23.

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Petr Hruska (born 1964) is a poet and literary historian from Ostrava. This post-industrial city used to be famous for its black coal mines and steel factories. At the time of the industrial boom, Ostrava started to be a �melting pot� of nations living in this part of Central Europe � the Czechs, Poles, Germans from Silesia, Austrians, Jews, and Slovaks. No wonder, then, that the cultural life of this region differs from that in traditional centres of Czech culture like Prague or Brno. Nevertheless, Hruska�s collections of poems have been awarded the most prestigious Czech literary prizes and
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Svansson, Einar. "THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.21.

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic crisis with lockout and exile at home. The parents of the university professor f
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Coulter, Daniel R., Steven A. Macenka, Mark T. Stier, and Roger A. Paquin. "ITTT: a state-of-the-art ultralightweight all-Be telescope." In Critical Review Collection. SPIE, 1997. http://dx.doi.org/10.1117/12.279810.

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"[Cover art]." In 2008 WOMBAT Workshop on Information Security Threats Data Collection and Sharing (WISTDCS). IEEE, 2008. http://dx.doi.org/10.1109/wistdcs.2008.17.

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Graham, Beryl S. "Museums, New Media Art, Documentation and Collection." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.37.

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Chen, Zhiqian. "Chinese Art Appreciation and Collection Under Aesthetical Perspective." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.423.

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Bîzgu, Tatiana. "The art of traditional vests — recovery of treasure." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.29.

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Leather, fur and textile vests are part of the traditional costume of Transcarpathia and not only. This article presents the results of the analysis of vests from the collection of the National Museum of Ethnography and Natural History in Chisinau. The task was to analyze the materials, cut, decoration techniques of the studied exhibits. After a comparative analysis of this collection, was created a gallery with the most remarkable exhibits according to the studied parameters. The growing interest in traditional clothing among designers and artists contributes to the preservation and inclusion
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Reports on the topic "Art collection"

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Romain, Ann-Veronique. Reflections on the Allen C. Davis Collection of African Art. Iowa State University, 1998. http://dx.doi.org/10.31274/cc-20240624-1208.

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Alshaibi, Omar, Victoria Armstrong, Katie Brown, et al. Images of Research: An Art Gallery and Puzzle Book. Edited by Sandra Oza. University of Dundee, 2024. http://dx.doi.org/10.20933/100001304.

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Images of Research is an annual competition that challenges researchers to capture their work in a single image, alongside a short description. This competition has been run at the University of Dundee since 2020 and represents just a handful of the research projects being carried out by postgraduate researchers. The competition celebrates our research and the many original ways it can be expressed. This collection showcases the winning entries, mixed with fun sketches and puzzles to complete.
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Healey, Patrick. The Social Sculpture in Practice: Joseph Beuys, Waldo Bien and the Free International University World Art Collection, A Report. Edited by Gerhard Bruyns. FIUWAC, 2020. http://dx.doi.org/10.31182/001.

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Zhang, Ling, Chunhui Xiang, and Eulanda A. Sanders. Testing Chinese Ink as a Natural Dyestuff on Silk and Cotton Fabrics: The Foundation for a Collection of Wearable Art. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-131.

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Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt, and Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), 2023. http://dx.doi.org/10.21079/11681/47184.

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The 1943 art exhibition at the Mountain View Officers’ Club (MVOC), Fort Huachuca, Arizona should be considered one of the most significant events in the intersection of American art, military history, and segregation. Organizers of the event, entitled Exhibition of the Work of 37 Negro Artists, anticipated it would boost soldiers’ morale because Fort Huachuca was a predominately Black duty station during WWII. This report provides a brief history of Black art in the early 20th century, biographies of the artists showcased, and provides information (where known) about repositories that have or
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Poloboc, Alina. Fancy Pink Goat. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2998.

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"Fancy Pink Goat" is a contemporary art piece from the Fancy Collection, created in Spain in 2022. It is a vividly colorful painting dominated by pink and blue, which are the signature colors of the artist`s style. The painting features a fancy goat walking through the jungle with its elegant collar and abstract, long legs. Surrounding the Fancy Pink Goat are a variety of other unusual creatures inhabiting the jungle and keeping the goat company. The artist`s signature red high-heeled shoes are also present, adding a touch of sophistication and style to the painting. This artwork is an impress
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Czaker, Sandra, Thomas Wieland, Moritz Mager, Mohammad Hassan Akhras, and Jörg Fischer. From PP waste to high-quality products: Decontamination of the material throughout the entire recycling process chain using state-of-the-art technologies. Universidad de los Andes, 2024. https://doi.org/10.51573/andes.pps39.ss.cep.6.

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Turning waste into high-quality products should be the aim of recycling, but it requires considerable effort to separate specific materials from others, clean them properly, and reconvert them into products. Such a process chain of mechanical recycling of post‑consumer polypropylene (PP) from a mixed waste collection was conducted with an advanced combination of state‑of‑the‑art technologies considering the material’s decontamination throughout the different process steps. The levels of solid and volatile contamination were analyzed with an optical control system and a gas chromatographic meth
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Trachunthong, Deondara, Suchintana Chumseng, Worrayot Darasawang, and Mathuros Tipayamongkholgul. Risk Factors and National Burden of Selected Noncommunicable Diseases in People Living with HIV: Systematic Review, Meta-Analysis and, Disability-Adjusted Life Years protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.9.0018.

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Review question / Objective: 1. Are the prevalence/incidence of four major groups of NCDs including MetS, DM, CVD, and CKD different among adults with and without HIV infection? 2. Are there relationships between HIV status, ART (ART use, short and long-term effects of ART), traditional risk factors (BMI), and the development of four major NCDs? 3. Does the trend of NCDs burden attributable to HIV in Thailand increase according to the time? Information sources: 1. Electronic databases: the following databases will be searched: PubMed/Medline, Scopus, Embase, Cochrane Library Thai journals onli
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Grbich, Carol. Qualitative Research: From Study Design to Publication. Instats Inc., 2023. http://dx.doi.org/10.61700/agyyplpbvqj7l469.

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This seminar is designed to provide an overview of the current state of the art of Qualitative research. In particular, the theoretical and practical aspects which need to be addressed for the undertaking of a successful qualitative project will be a primary focus. The research questions, design changes, paradigms, methods and methodological shifts, data collection, analysis, presentation, and interpretation will all be explored in detail. There is no assumption of previous knowledge or experience in this dynamic field of research. An official Instats certificate of completion is provided and
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Grbich, Carol. Qualitative Research: From Study Design to Publication. Instats Inc., 2023. http://dx.doi.org/10.61700/e4mrp7zhpz8xn469.

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This seminar is designed to provide an overview of the current state of the art of Qualitative research. In particular, the theoretical and practical aspects which need to be addressed for the undertaking of a successful qualitative project will be a primary focus. The research questions, design changes, paradigms, methods and methodological shifts, data collection, analysis, presentation, and interpretation will all be explored in detail. There is no assumption of previous knowledge or experience in this dynamic field of research. An official Instats certificate of completion is provided and
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You might also be interested in the extended bibliographies on the topic 'Art collection' for particular source types:
Journal articles Dissertations / Theses Books
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