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Journal articles on the topic 'Art Cologne (19th : 1984)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Sijka, Katarzyna. "Losy Sakramentarza Tynieckiego podczas II wojny światowej." Saeculum Christianum 25 (April 25, 2019): 327–40. http://dx.doi.org/10.21697/sc.2018.25.25.

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The SacramentoriumTynecensis was written in circa 1060-1070, probably in Cologne. It was located in the Benedictine Abbey in Tyniec from 11th century to 19th century. In 1814 the illuminated manuscript was bought by Stanisław Kostka Zamoyski, then in 1818 he located the codex in the Zamoyski Ordynacja Library in Warsaw. It stayed there to the end of World War II. Two formations of Nazi Germany were as follows: a military unit led by Professor of Archaeology, Peter Paulsen and a group led by art historian Kajetan Mühlman. Both were responsible for the plundering of Poland's cultural heritage. T

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Jin, Zichun. "The Influence of Bauhaus "Minimalist" Style on Contemporary Art Production and Consumption." International Journal of Finance and Investment 1, no. 1 (2024): 75–77. https://doi.org/10.54097/tkgh9553.

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This article primarily discusses the challenges posed by new architecture to traditional architectural concepts from the late 19th century to the outbreak of World War I, as well as how Bauhaus, as a representative modernist architectural style, influenced modern architecture and art. The article highlights the theoretical debate between traditional craftsmanship and modernist design, especially the ideological conflict during the "Cologne Debate." It also examines the impact of Walter Gropius' idealism and Hannes Meyer's communist ideals on Bauhaus. The simplicity and practicality of the Bauh

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Acocella, Alessandra. "Mario Bellini e il progetto di allestimento della mostra 'Il Tesoro di San Marco' presentato dalla Olivetti (1984-1987)." Opus Incertum 10 (December 24, 2024): 28–37. https://doi.org/10.36253/opus-15832.

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The 1980s marked a period of intense collaboration between Mario Bellini and the Olivetti company, encompassing the creation of both design objects and display solutions. Among these was the design for the Treasure of St. Mark exhibition, inaugurated in Paris in March 1984 and subsequently toured in Cologne, London, New York, Los Angeles, Dallas, Chicago, Rome, Milan, and Venice. The event was part of Olivetti’s broader initiative aimed to the preservation and enhancement of the Italian cultural heritage, showcasing a selection of some of the most valuable artifacts from Venice’s collection of

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Ivaniuk, O., and Y. Bilodid. "WHILE SAILING ALONG THE RHINE, I HELD IN MY HANDS THE 'RHENISH SAGAS' BOUGHT IN COLOGNE AND READ THEM, CHECKING THE PLACES MENTIONED IN THEM IN NATURE ITSELF." THE VIEWS OF TRAVELLERS FROM THE NADDNIPRIANS ON GERMAN LANDS IN THE NINETEENTH AND EARLY TWENTIETH CENTURIES." Bulletin of Mariupol State University Series History Political Studies 13, no. 35-36 (2023): 34–49. http://dx.doi.org/10.34079/2226-2830-2023-13-35-36-34-49.

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The article considers a range of issues related to travel to Germany in the 19 th – the beginning of the 20th century. Attention is drawn to the purpose of travel, routes, choice of objects for review, interethnic cultural contacts. It was established that the purpose of the trips to Germany were rest, treatment and education. Travelers got to Germany in different ways: by steamboat from Saint Petersburg through Sweden or overland through Radzivyliv, Lemberg and the Czech or Polish lands. Guidebooks printed in Germany became useful for travelers. They helped to develop of the travel route, cho

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Малаева, З. А. "On the question of how to form a model range of “cabinet casting” at the Kasli factory in the second half of the 19th – early 20th centuries." Iskusstvo Evrazii [The Art of Eurasia], no. 1(32) (March 30, 2024): 160–73. http://dx.doi.org/10.46748/arteuras.2024.01.012.

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Пути поступления на Каслинский завод моделей для «кабинетного литья» из чугуна во второй половине XIX – начала XX века в научной литературе практически мало изучены. Монографическая выставка «Каслинское художественное литье» во Всероссийском музее декоративно-прикладного и народного искусства в Москве в 1984 году с активным участием в ней завода, его администрации, главного скульптора и рабочих цеха художественного литья дала сильную мотивацию музейным специалистам для целенаправленного изучения истории этого предприятия, имеющего прямое отношение к русской художественной промышленности. До ко

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Lamb, Robert J. "Robert Rosenblum and H.W. Janson, 19th Century Art. Harry N. Abrams Inc., 1984. 527 pp., 413 illus., 89 colour pl., $63.00 (cloth)." RACAR : Revue d'art canadienne 13, no. 1 (1986): 85. http://dx.doi.org/10.7202/1073570ar.

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Kohama, Yoshimitsu, Hajime Ishikawa, Akira Matsuo, Koichi Kindo, Nic Shannon, and Zenji Hiroi. "Possible observation of quantum spin-nematic phase in a frustrated magnet." Proceedings of the National Academy of Sciences 116, no. 22 (2019): 10686–90. http://dx.doi.org/10.1073/pnas.1821969116.

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Water freezes into ice in winter and evaporates into vapor in summer. Scientifically, the transformations between solid, liquid, and gas are called phase transitions and can be classified through the changes in symmetry which occur in each case. A fourth phase of matter was discovered late in the 19th century: the liquid crystal nematic, in which rod- or disk-shaped molecules align like the atoms in a solid, while continuing to flow like a liquid. Here we report thermodynamic evidence of a quantum analog of the classical nematic phase, the quantum spin nematic (SN). In an SN, the spins of a qu

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Damsté, P. H. "De geschiedenis van het portret van Jaspar Schade door Frans Hals1." Oud Holland - Quarterly for Dutch Art History 99, no. 1 (1985): 30–42. http://dx.doi.org/10.1163/187501785x00035.

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AbstractOnly a few weeks after seeing the Frans Hals portrait of Jaspar Schade in the 1962 exhibition in Haarlem, the author came upon it again in the home of Mr. and Mrs. Waller in Utrecht (Figs. 1 and 2, Note I). He learnt that this particular painting had been in Mr. Waller's family for nearly a century and that it was a copy of the one now in Prague. The story was that the latter had been sold by Mr. Waller's grandfather Beukerfrom his country-house 'Zandbergen', which he had bought in 1865, to his friend P.E.H. Praetorius, on condition that the latter had a copy painted as a replacement.

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Oldfield, Anna C. "The Eldarova Archive Project: Opening New Sources in Azerbaijani Musicology." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 15 (May 30, 2025): 27–34. https://doi.org/10.30819/aemr.15-3.

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This paper discusses the life and work of Azerbaijani ethnomusicologist Emina Eldarova [Əmin ə Əldarova] in the context of a new project to open her previously unexamined professional archives. Mentored by composer Uzeyir Hajibeyli in the 1930s, Eldarova was Soviet Azerbaijan’s first ashiq musicologist and spent her career researching the bardic ashiq [aşıq] genre. Starting from her student days, she conducted decades of fieldwork with the last generation of ashiqs trained by 19th-century masters. She led the active life of a public scholar, contributing general interest articles, radio, and t

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Ruggiero, Amanda Saba, and Luis Michal. "MoMA A&D talks: on curating architecture and design (Second part)." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 17, no. 2 (2019): 129–30. http://dx.doi.org/10.11606/issn.1984-4506.v17i2p129-130.

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During Fall 2016 we had the unique opportunity to participate in the regular internship program of the Museum of Modern Art in New York and assist with ongoing exhibition projects in the Architecture and Design Department (A&D). This Department was established in 1932 as the first curatorial department dedicated to architecture and design and built on an ambitious collection covering major figures and movement of architectural culture from mid-19th century to the present. With looking back on a rich history of influential exhibitions such as Modern Architecture: International Exhibition (1

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Stetsiuk, Bohdan. "The origins and major trends in development of jazz piano stylistics." Aspects of Historical Musicology 19, no. 19 (2020): 411–28. http://dx.doi.org/10.34064/khnum2-19.24.

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This article characterizes development trends in jazz piano from its origins in the “third-layer” (Konen, V., 1984) of music (ragtime and other “pre-jazz” forms) to the present time (avant-garde and retro styles of the late 20th – early 21st centuries). Main attention was devoted to the stylistic sphere, which represents an entirety of techniques and methods of jazz piano improvisation and combines genre and style parameters. In this context, the currently available information about jazz pianism and its sources (Kinus,Y., 2008; Stoliar, R., 2017) was reviewed, and sociocultural determinants,

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Marek Kielasiński. "Judicial Murders: a Report." Archives of Criminology, no. XX (August 1, 1994): 97–135. http://dx.doi.org/10.7420/ak1994e.

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The Lublin castle has historical connections with the old town area. The castle hill was the seat of a stronghold and residence of the starost who ruled in the king’s name. Excavations led to discovery of traces of a 9th century settlement. The construction of a stone castle began in the 14th century. It was used as a prison in the 19th century and until 1954. In 1939‒1944, the Lublin Castle housed a prison of the Nazi secret police and security service, the Sicherheitsdienstpolizei and Sicherheitsdienst Lublin. The role of the Lublin Castle prison was particularly dreadful; dring the period o

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Tao, Jin. "PERFORMANCE CHARACTERISTICS of Eugene Goossens’s Concerto for Oboe and Orchestra." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (2021): 167–83. http://dx.doi.org/10.34064/khnum1-60.09.

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Statement of the problem. The study of the process of development of the concert style of oboe performance is a relevant area of modern musicology, as evidenced, in particular, by the scientific activity of the International Double Reed Society (IDRS) and works of other researchers on the history of the instrument and its repertoire starting with the second half of the 20 century (Bate, 1975; Bartalozzi, 1967; Reeves & Hooper, 1985; Goossens & Roxburgh, 2001). The concept of “concert oboe” is actualized by V. Martynova (2018, 2019) on the basis of the performance art of the 19th – 20th

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Nekrošius, Liutauras. "ARCHITECTURE AS AN ART COLLECTION: PALANGA CASE / ARCHITEKTŪRA KAIP MENO KOLEKCIJA. PALANGOS ATVEJIS." JOURNAL OF ARCHITECTURE AND URBANISM 36, no. 3 (2012): 222–38. http://dx.doi.org/10.3846/20297955.2012.732799.

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The trends in Palanga architecture of the second half of the 19th – first half of the 20th century are represented in the National Cultural Heritage List by 10 villas, 14 residential houses, two hotels (Kurhauses of Nemirseta and Palanga), a pharmacy, a spa building, a ship rescue station and a bus station. But such heritage objects reflect the stages in the town development only partially. If the cultural heritage list of Palanga town is treated as a coherent and continuous collection reflecting different stages in architecture and culture of this town (as it should be), it would be relevant

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SHPYK, Igor. "Bulgarian-Ukrainian Relations in the Late Middle Ages in the Works of Ukrainian Scholars of the 19th–First Quarter of the 20th Century." Problems of slavonic studies 70 (2021): 22–30. http://dx.doi.org/10.30970/sls.2021.70.3754.

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Background: One of the least researched periods of Bulgarian-Ukrainian intercul-tural dialogue is late Middle Ages period. It is explained by the low number of sources and their fragmented character, and mainly by incomplete methodology of their pro-cessing, lack of respective conceptual approaches, which are still applied, despite seri-ous criticism. In the second part of the 20th century Ukrainian Slavic Studies, being under mo-nopoly influence of the Russian historiographic patterns, fully accepted the concept of the “second South Slavic influence”, artificially adapting it to the Ukrainian

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Ojamaa, Triinu, and Maarja Hollo. "Kirjažanrist Euroopa kultuuriloos ning kirjavahetuste avaldamisest ja uurimisest Eestis." Mäetagused 86 (August 2023): 5–30. http://dx.doi.org/10.7592/mt2023.86.ojamaa_hollo.

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The article deals with the emergence, development and blooming of the letter genre in European cultural history until the middle of the 20th century. The oldest letters that have survived to our time date from the 3rd-2nd centuries BC and are written in cuneiform. The first major heyday of the literary genre was in the time of ancient Rome, when both politicians and philosophers exchanged letters, but also several writers used the letter form in their works. The so-called canon of letter writing was formed in the Middle Ages, when the art of letter writing began to be taught at the universitie

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17

Kujundžić Vejzagić, Zilka. "Imperishable light of the Amber from the Japod necropolises in the Una valley." Godišnjak Centra za balkanološka ispitivanja, no. 41 (January 6, 2022): 77–96. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-41.5.

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More than 100 years have elapsed since the discovery of the Japod necropolises in the Una valley, south of Bihać. The Jezerine and Ribić necropolises were excavated in the late 19th century (K. Kovačević, P. Mirković 1890: 330-337; V. Radimsky 1892: 301-310) and another, smaller necropolis in Golubić was systematically excavated in the 1960s (I. Čremošnik 1956: 126-138; B. Raunig 1968: 81-98). The third necropolis is not dealt with here, since the amber artifacts are identical to those from Jezerine. A total of 553 graves were excavated in Jezerine, of which 228 contained skeletons, 298 cinera

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Angelov, Angel. "Hans Sedlmayr (1896–1984): Structural Approach and Pre-Modern Values." Visual Studies 5, no. 3 (2021). http://dx.doi.org/10.54664/ikth3841.

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The prevailing part of art historians, critics and theoreticians from the mid-1950s even until today feels related to the means of expression of the modernist art trends from the last decade of 19th c. until the end of 1960-s. Modernism has become a sacred text, whose complexity should be interpreted, but not criticized. Sedlmayr’s conception of art is built on moral, religious, aesthetic and political grounds, which are the very reason for the actuality of his works – both in the specialized sphere of art history and in the wider public debate on values. That is why I will analyse his structu

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SINKA, Krisztina. "Bai Juyi’s Poetry in György Kósa’s Works." Studia Universitatis Babeş-Bolyai Musica, December 11, 2024, 217–26. https://doi.org/10.24193/subbmusica.2024.2.15.

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The development of the art of song can be linked to German regions. The most intimate of musical genres, it was originally intended to be performed in front of a small audience. The songs were mainly written to poems by contemporary poets, which were read before the music was performed to make it easier to understand. Music on oriental themes appeared in European music from the early 20th century. The first major stage work was a love story set in Japan, which was in fact a 19th-century Italian opera (Giacomo Puccini: Madame Butterfly). Among many other artists, the Hungarian composer György K

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Kangor, Eero. "“Kunstiajalugu on ju siinses ülikoolis uus distsipliin.” Tartu ülikooli kunstiajaloo kabineti rajamine." Ajalooline Ajakiri. The Estonian Historical Journal 179, no. 1 (2022). http://dx.doi.org/10.12697/aa.2022.1.04.

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The aspiration for truth that was a feature of the Age of Enlightenment was also a driving force for studying Baltic history, and for describing and drawing old buildings and ruins. This activity became more systematic in the next century, when the Baltic educated literati established learned societies. However, when the University of Tartu was reopened in 1802, the professor of aesthetics and related subjects focused on classical antiquity and neglected local art history. It was only in 1919, when the University was reorganised as a national institution of the independent Republic of Estonia,

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Daniel, Ryan. "Artists and the Rite of Passage North to the Temperate Zone." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1357.

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IntroductionThree broad stages of Australia’s arts and culture sectors may be discerned with reference to the Northern Hemisphere. The first is in Australia’s early years where artists travelled to the metropoles of Europe to learn from acknowledged masters, to view the great works and to become part of a broader cultural scene. The second is where Australian art was promoted internationally, which to some extent began in the 1960s with exhibitions such as the 1961 ‘Survey of recent Australian painting’ at the Whitechapel gallery. The third relates to the strong promotion and push to display a

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Cashman, Dorothy Ann. "“This receipt is as safe as the Bank”: Reading Irish Culinary Manuscripts." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.616.

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Introduction Ireland did not have a tradition of printed cookbooks prior to the 20th century. As a consequence, Irish culinary manuscripts from before this period are an important primary source for historians. This paper makes the case that the manuscripts are a unique way of accessing voices that have quotidian concerns seldom heard above the dominant narratives of conquest, colonisation and famine (Higgins; Dawson). Three manuscripts are examined to see how they contribute to an understanding of Irish social and culinary history. The Irish banking crisis of 2008 is a reminder that comments

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Wark, McKenzie. "Toywars." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2179.

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I first came across etoy in Linz, Austria in 1995. They turned up at Ars Electronica with their shaved heads, in their matching orange bomber jackets. They were not invited. The next year they would not have to crash the party. In 1996 they were awarded Arts Electronica’s prestigious Golden Nica for web art, and were on their way to fame and bitterness – the just rewards for their art of self-regard. As founding member Agent.ZAI says: “All of us were extremely greedy – for excitement, for drugs, for success.” (Wishart & Boschler: 16) The etoy story starts on the fringes of the squatters’ m

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Danaher, Pauline. "From Escoffier to Adria: Tracking Culinary Textbooks at the Dublin Institute of Technology 1941–2013." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.642.

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IntroductionCulinary education in Ireland has long been influenced by culinary education being delivered in catering colleges in the United Kingdom (UK). Institutionalised culinary education started in Britain through the sponsorship of guild conglomerates (Lawson and Silver). The City & Guilds of London Institute for the Advancement of Technical Education opened its central institution in 1884. Culinary education in Ireland began in Kevin Street Technical School in the late 1880s. This consisted of evening courses in plain cookery. Dublin’s leading chefs and waiters of the time participat

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Rodriguez, Mario George. "“Long Gone Hippies in the Desert”: Counterculture and “Radical Self-Reliance” at Burning Man." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.909.

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Introduction Burning Man (BM) is a festival of art and music that materialises for one week each year in the Nevada desert. It is considered by many to be the world’s largest countercultural event. But what is BM, really? With record attendance of 69,613 in 2013 (Griffith) (the original event in 1986 had twenty), and recent event themes that have engaged with mainstream political themes such as “Green Man” (2007) and “American Dream” (2008), can BM still be considered countercultural? Was it ever? In the first part of this article, we define counterculture as a subculture that originates in th

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Piatti-Farnell, Lorna, and Lloyd Carpenter. "Intersections of History, Media, and Culture." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1323.

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For many, the very idea of ‘history’ calls into question narratives of the past, distant and disconnected from our contemporary moment, and out of tune with the media-centred world of our post-2000 popular culture. This approach to history, however, is based on profound misconceptions, and does not take into account the fact that the present is history: we experience our historical moment via multiple and multi-faceted media practices, from using social media to watching movies, from watching television to consuming food. The past is, in turn, never far removed from our contemporary and everyd

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Goggin, Gerard. "Broadband." M/C Journal 6, no. 4 (2003). http://dx.doi.org/10.5204/mcj.2219.

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Connecting I’ve moved house on the weekend, closer to the centre of an Australian capital city. I had recently signed up for broadband, with a major Australian Internet company (my first contact, cf. Turner). Now I am the proud owner of a larger modem than I have ever owned: a white cable modem. I gaze out into our new street: two thick black cables cosseted in silver wire. I am relieved. My new home is located in one of those streets, double-cabled by Telstra and Optus in the data-rush of the mid-1990s. Otherwise, I’d be moth-balling the cable modem, and the thrill of my data percolating down

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Rosner, Daniela. "Bias Cuts and Data Dumps." M/C Journal 26, no. 6 (2023). http://dx.doi.org/10.5204/mcj.2938.

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Introduction “Patterns are everywhere”, design researcher Anuradha Reddy told her virtual audience at the 2023 speaker series hosted by Brilliant Labs, a Canadian non-profit focussed on experiential digital learning and coding (Brilliant Labs / Labos Créatifs). Like other technology fora, this public-facing series offered designers an opportunity to highlight the accessibility of code. But unlike many such fora, Reddy’s code was worn on the body. Sitting at the now-standard webinar lectern, Reddy shared a flurry of images and contexts as she introduced a garment she called b00b, a bra that she

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Brockington, Roy, and Nela Cicmil. "Brutalist Architecture: An Autoethnographic Examination of Structure and Corporeality." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1060.

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Introduction: Brutal?The word “brutal” has associations with cruelty, inhumanity, and aggression. Within the field of architecture, however, the term “Brutalism” refers to a post-World War II Modernist style, deriving from the French phrase betón brut, which means raw concrete (Clement 18). Core traits of Brutalism include functionalist design, daring geometry, overbearing scale, and the blatant exposure of structural materials, chiefly concrete and steel (Meades 1).The emergence of Brutalism coincided with chronic housing shortages in European countries ravaged by World War II (Power 5) and g

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