Relevant bibliographies by topics / Art dealers in fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Art dealers in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Art dealers in fiction"

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Gauzer, Irina V. "CODE OF SPANISH PAINTING IN RUSSIAN CULTURE (BASED ON THE RUSSIAN FICTION OF THE XIX - EARLY XX CENTURIES)." Interexpo GEO-Siberia 5 (July 8, 2020): 3–10. http://dx.doi.org/10.33764/2618-981x-2020-5-3-10.

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The paper deals with reception of the Spanish pictural images presented in the Russian fiction of the XIX - early XX centuries. The material of the study are works by I.A. Goncharov, A.F. Pisemsky, N.S. Leskov, N.D. Khvoshchinskaya, N.A. Leykin, L.N. Andreev, A.T. Averchenko. The analysis results show that the theme of the Spanish painting in the Russian fiction is focused on images of two painters - Bartolome Murillo and Diego Velazquez. What is more, with time there is a shift of contexts in which the writers put the images of the Spanish painters and their masterpieces. If in the middle of
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Zipfel, Frank. "The Pleasures of Imagination. Aspects of Fictionality in the Poetics of the Age of Enlightenment and in Present-Day Theories of Fiction." Journal of Literary Theory 14, no. 2 (2020): 260–86. http://dx.doi.org/10.1515/jlt-2020-2007.

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AbstractInvestigations into the history of the modern practice of fiction encounter a wide range of obstacles. One of the major impediments lies in the fact that former centuries have used different concepts and terms to designate or describe phenomena or ideas that we, during the last 50 years, have been dealing with under the label of fiction/ality. Therefore, it is not easy to establish whether scholars and poets of other centuries actually do talk about what we today call fiction or fictionality and, if they do, what they say about it. Moreover, even when we detect discourses or propositio
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Muller, Catherine. "L’immersion fictionnelle, ou comment concilier art et émotion en cours de langue." Voix Plurielles 11, no. 1 (2014): 89–100. http://dx.doi.org/10.26522/vp.v11i1.920.

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Cet article porte sur l’expérience artistique en classe de langue sous l’angle des réactions verbales. Nous proposons d’analyser les interactions orales recueillies lors d’une activité de commentaire de photographies mise en œuvre en classe de français enseigné comme langue étrangère auprès d’apprenants adultes en contexte pluriculturel. Notre perspective est focalisée sur l’une des formes de réception des œuvres, l’immersion fictionnelle. Grâce à une analogie perçue entre l’univers fictionnel et le monde réel, les apprenants construisent de l’empathie envers l’un des personnages de la photogr
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Naenko, M. "LITERARY CRITICISM AND THE KIEV BRANCH." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 305–18. http://dx.doi.org/10.17721/2075-437x.2019.35.30.

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The article deals with literary criticism as a comparative mediator between the word of art and the reader. And also – between fiction and other arts and different media. The author emphasizes that the main criterion is art as a form of artistic thinking, as a factor that distinguishes art from journalism and other types of the spoken genre. Writers have always emphasized that criticism is needed to reveal (interpret) the aesthetic, intellectual potential of literature. It focuses on the significant phenomena of literature that are urgently needed to be promoted by the means of television radi
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Gadelha Parente, Lucas. "Da Zona enquanto espaço pregnante." Revista Prumo 4, no. 7 (2019): 124–37. http://dx.doi.org/10.24168/revistaprumo.v4i7.1132.

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The present article results from research around the concept of Zone in what refers to a boundary, symbolic and urban space that activates multiple networks of meaning according to its use in social history, literature, cinema, urbanism and theory of art. Secondly, the text deals with the stalker as a character who traces the paths of the Zone. The article analyzes its emergence in Soviet science fiction, in modern cinema, and its unfolding in theoretical discussions, relating both to cyberspace and to a number of contemporary pedestrian practices. Key-Words: cyberspace; misery belt; science f
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Чигарёва, Евгения. "On the Musicality of Fiction (the Case of Nikolay Leskov's Story “Islanders”)." Музыкальная академия, no. 1(774) (June 24, 2021): 190–97. http://dx.doi.org/10.34690/158.

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Статья посвящена проблеме музыкальности литературы, в частности художественной прозы. Автор, опираясь на работы Е. В. Назайкинского, рассматривает это явление на разных уровнях (фоническом, синтаксическом, композиционном). Ссылаясь на исследование крупного филолога Е. Г. Эткинда «Материя стиха», Чигарёва критически оценивает наличие в музыковедении и литературоведении (стиховедении) общих терминов, имеющих разные значения, - терминов-омонимов. Наиболее продуктивным для аналогий литературы и музыки автор считает ритм - явление, общее для двух видов искусства. В методе анализа конкретных примеро
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Yebra Pertusa, José María. "Retro-Victorianism and the simulacrum of art in Will Self's Dorian: An imitation." Revista Alicantina de Estudios Ingleses, no. 23 (December 15, 2010): 231. http://dx.doi.org/10.14198/raei.2010.23.13.

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This essay aims at exploring Will Self’s novel Dorian: An Imitation (2002) as a postmodernist revision of Oscar Wilde’s celebrated The Picture of Dorian Gray (1891). Exceptional for ones, immoral and shameful for others, Dorian: An Imitation fosters an intertextual relation with the late-Victorian hypotext whereby both texts are transformed out of a refractory process. Like its predecessor, Self’s novel is primarily interested in aesthetic issues. In this light, my main concern consists in analysing the artistic discourses that Dorian: An Imitation reflects and deflects in the era of simulatio
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Tkachenko, Roman. "Utopia of S. Podolynsky and its echo in Ukrainian literature." Synopsis: Text Context Media 26, no. 2 (2020): 42–47. http://dx.doi.org/10.28925/2311-259x.2020.2.4.

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The article deals with the connections between S. Podolynsky and Ukrainian literature, namely his artistic, educational and non-fiction works, scientific studies that testify to the philosophical principles of that era, create an additional explanatory context for the literary process, and the influence of the scientist's ideas on art literature. The object of study was mainly the texts of the thinker, such as “Steam machine” and “Human work and its relation to the distribution of energy.” The relevance of the study is seen in the need for a comprehensive understanding of the so-called populis
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Luchka, Lyudmila. "Book heritage of Dnipropetrovsk region of the 20s–30s of the 20th century: historical review and analysis of sources." Grani 24, no. 3 (2021): 56–61. http://dx.doi.org/10.15421/172126.

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The article deals with general state of the national book publishing business of the 20s – 30s of the 20th century. The author reveals and analyses the publications of the university book collection valuable in terms of content, design, and time of printing. The history and destiny of some books of educational, scientific and fiction literature are researched. The author’s attention is focused on the problems of book publishing process in Ukraine, in particular books of social, economic, agricultural and technical content. The activity of well-known Ukrainian publishing houses of this period i
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Levin, Orna. "Techno-poetics in micro-stories of the digital age: The case of Alex Epstein." Digital Scholarship in the Humanities 35, no. 2 (2019): 342–52. http://dx.doi.org/10.1093/llc/fqz035.

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Abstract In this study, I frame the concept of techno-poetics by analyzing Alex Epstein’s micro-stories and by examining the development of the micro-fiction genre throughout the world. Epstein is a contemporary Israeli author whose universal micro-stories have been translated into several languages (English, Spanish, French, and Russian). Epstein uses a dual language: given his career as a computer programmer in a high-tech company, the language of his thoughts is conveyed through the logic of technology, whereas, as an artist, he is loyal to the language of poetics. Is Epstein a “programmer”
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Dissertations / Theses on the topic "Art dealers in fiction"

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Reynard, Tony. "How do art dealers document sales transactions? : a case study in Paris /." Thesis, May be available electronically:, 2005. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Thesis (J.S.M.)--Stanford University, 2005.<br>Submitted to the Stanford Program in International Legal Studies at the Stanford Law School, Stanford University. "May 2005." Includes bibliographical references. Also available online.
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Huang, Ching-Yi. "John Sparks, the art dealer and Chinese art in England, 1902-1936." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602817.

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Allison, Martha. "On the Beginning of Contemporary Tibetan Art: The Exhibitions, Dealers, and Artists." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1751.

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Contemporary Tibetan art has been internationally exhibited since the year 2000, and it continues to receive increasing recognition among international galleries and collectors. This thesis focuses on three major contributing factors that have affected the rising success of the contemporary Tibetan artists. The factors include ways in which popular stereotypes have influenced Western museum exhibitions of Tibetan art; dealers have marketed the artworks; and artists have created works that are both conceptually and aesthetically appealing to an international audience. Drawing from exhibition ca
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Wang, Yiyou. "The Loouvre from China a critial study of C. T. Loo and the framing of Chinese art in the United States, 1915-1950 /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1195498748.

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Pigeon, Élaine. "Queer impressions Henry Jame's art of fiction /." [Montréal] : Université de Montréal, 2002. http://wwwlib.umi.com/cr/umontreal/fullcit?pNQ82751.

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Thèse (Ph. D.)--Université de Montréal, 2003.<br>"NQ-82751." "Thèse présentée à la faculté des études supérieures en vue de l'obtention du grade de philosophiae doctor (Ph. D.) en études anglaises." Version électronique également disponible sur Internet.
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Bembenick, Candace Lauren. "Boy!!! Love and Fan-Fiction." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1556930447876291.

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Robson, Anne Deirdre. "The market for modern art in New York in the nineteen forties and nineteen fifties a structural and historical survey /." Thesis, Online version, 1988. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.324692.

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Karastathi, Sylvia. "Gender and art writing in contemporary British fiction." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608837.

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Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que le
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Wolff-Thomsen, Ulrike. "Willy Grétor : (1868 - 1923) ; seine Rolle im internationalen Kunstbetrieb und Kunsthandel um 1900 ; ergänzt um bislang unveröffentlichte Briefe von Willy Grétor an Georg Brandes, Theodor Wolff, Frank Wedekind, Peter Nansen, Alfred Lichtwark, Wilhelm Bode, Agnes Slott-Møller, F. J. Willumsen, Karl Larsen und Max J. Friedländer /." Kiel : Ludwig, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2687234&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Art dealers in fiction"

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Konchalovskiĭ, Dmitriĭ. Art-diler. Geleos, 2008.

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The Brutal art. Clipper Large Print, 2008.

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Casting for murder. St. Martin's Press, 1992.

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Beckett, Simon. Fine lines: A novel. Simon & Schuster, 1994.

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James, Russell. Painting in the dark. Bloodlines, 2000.

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Tarw pres. Gwasg Gomer, 2012.

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Blankenship, William D. The time of the cricket: A novel. D.I. Fine, 1995.

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Lustbader, Eric Van. Art kills. Carroll & Graf Publishers, 2002.

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The time of the cricket: A novel. D.I. Fine, 1994.

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Boogie-woogie. Thomas Dunne Books, 2001.

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Book chapters on the topic "Art dealers in fiction"

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Zarach, Stephanie. "Art Dealers and Auctioneers." In British Business History. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-13185-3_6.

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Zarach, Stephanie. "Art Dealers and Auctioneers." In Debrett’s Bibliography of Business History. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08984-0_5.

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Lyna, Dries, Filip Vermeylen, and Hans Vlieghe. "Introduction." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00028.

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Raux, Sophie. "1. Art on Drawing. Lotteries of Works of Art in the Sixteenth-Century Southern Netherlands." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00029.

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Van der Auwera, Joost. "2. All in the Family. Abraham Janssen (1571/75-1632) and his Relations in the Antwerp Art Trade." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00030.

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De Marchi, Neil, and Hans J. Van Miegroet. "3. Antwerp Dealers' Invasions of the Seventeenth-Century Lille Market." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00031.

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Jonckheere, Koenraad. "4. "Ik offre mij in alle dienst". The Art Dealership of Merchant and Diplomat Jan van Beuningen (1667-1720)." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00032.

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Brosens, Koen. "5. "Wie durft daerop bieden"? Tapestry Cartoons, Preparatory Sketches and Tapestries at Auction, 1650-1750." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00033.

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Fredericksen, Burton. "6. The Amsterdam Art Market as a Source and Point of Dispersal for German and Russian Collections at the End of the Eighteenth Century." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00034.

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Manikowska, Ewa. "7. Acquiring Paintings for the Polish Court: King Stanislaw August (1764-1795) and his Dealers." In Art Auctions and Dealers. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00035.

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Conference papers on the topic "Art dealers in fiction"

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Liu, Wenwen. "The Narration of “Forgetting” in Blanchot’s Fiction." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.367.

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Nie, Baoyu. "A Narrative Study on Jennifer Egan's Early Fiction." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.71.

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Shlangman, Marina. "THE USE OF FICTION IN THE PROCESS OF TEACHING A FOREIGN LANGUAGE TO STUDENTS OF NON-LINGUISTIC FACULTIES." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.39.

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Martin, Alex. "Where science meets art: using science-fiction as a medium for science communication." In 5th European Congress of Conservation Biology. Jyvaskyla University Open Science Centre, 2018. http://dx.doi.org/10.17011/conference/eccb2018/107852.

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Ruan, Jian. "Interpretation of Costume Design in Science Fiction Films from the Perspective of Postmodernism." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.96.

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Lu, Dan, Xinyu Zhang, and Xuefei Tan. "Research on the Development Status of “Non-fiction” Writing from the Perspective of Narratology." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.373.

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Li, Han. "Modernity: The Ultimate Problem of Contemporary Science Fiction Movies. Taking the Movie qBlade Runner: 2049q as an Example." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.54.

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Chuwei, Wang, and Li Ting. "The Survival Theme of the Science Fiction “The Three Body Problem” Trilogy from Cixin Liu." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.121.

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Chen, Ling. "The “Retreat” of the Author and the “Advance” of the Reader: Revisiting The Craft of Fiction by Percy Lubbock." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.345.

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Volkova, Yulia. "REFLECTION OF NATIONAL STEREOTYPES IN ENGLISH PHRASEOLOGICAL UNITS IN THE FICTION TEXT (BY L. SNICKET'S NOVEL "THE SERIES OF UNFORTUNATE EVENTS")." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.9.

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Culture and national peculiarities are reflected in phraseology. Any translator must hold to the content and structure of the originals text during the translation process. The article deals with the phraseological units, which reflect in stereotypes and ways of translation of these phraseological units.
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