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Journal articles on the topic 'Art Deco'

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1

Duncan, Alastair. "Art Deco Lighting." Journal of Decorative and Propaganda Arts 1 (1986): 20. http://dx.doi.org/10.2307/1503901.

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2

Roe, Sue. "Art Deco Bird." New Writing 13, no. 3 (May 20, 2016): 419. http://dx.doi.org/10.1080/14790726.2016.1184687.

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3

Solikhah, Nafiah, and Andi Surya Kurnia. "ECLECTIC ART DECO IN SURAKARTA: COMPARISON OF THREE RESIDENCES IN SURAKARTA (LAWEYAN, BALUWARTI, KAUMAN)." DIMENSI (Journal of Architecture and Built Environment) 45, no. 2 (January 18, 2019): 141. http://dx.doi.org/10.9744/dimensi.45.2.141-152.

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Art Deco emerged from the change of thinking ways of a group of people who one of them backed from the establishment of the economy. In Surakarta, there are areas that get influence Art Deco style, among others: Baluwarti, Laweyan, and Kauman. The problem is the absorption and adaptation of elements of Javanese culture and other culture that produce different art deco typology in each object of study. This study aims to compare the absorption and adaptation of elements of Javanese culture and other culture that produces different art deco typologies in three different areas in Surakarta.With different backgrounds, the absorption and adaptation of Art Deco style in residential houses in each region is different. But the common thread is the absorption of several styles, namely: Java, Art Deco, Art Nouveau, Middle East, and China which finally created the eclectic Art Deco style.
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4

Aulia, Asa, and Anisa Anisa. "Kajian Konsep Arsitektur Art Deco pada Planetarium Adler." Jurnal Linears 4, no. 1 (June 4, 2021): 14–20. http://dx.doi.org/10.26618/j-linears.v4i1.5017.

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ABSTRAK: Gaya ini muncul pertama kali pada tahun 1925 dan berkembang hingga tahun 1940. Nama art deco berasal dari pameran bertajuk paris exposition des Art Decorations et industri pada tahun 1925 di Perancis. Art deco merupakan kombinasi dari berbagai gaya dan modern di awal abad ke-20, seperti gaya konstruksionisme, kubisme, modernisme, bauhaus, art nouveau dan futurisme. Gerakan arsitektur modern yang berkembang saat itu juga mempengaruhi gaya art deco dan memberikan sentuhan modern. Gaya arsitektur Eropa ini diadopsi di berbagai bangunan Amerika karena kondisi mereka di masa revolusi industri. Salah satu bangunan yang mengalami euforia dari konsep arsitektur art deco adalah planetarium Adler yang pada masa itu sangat berbeda dengan fungsi bangunan art deco pada umumnya yang cenderung bersifat komersial dan bertingkat. Penelitian ini bertujuan untuk menganalisis penerapan arsitektur art deco pada planetarium Adler. Metode yang digunakan untuk menganalisis eksterior bangunan adalah metode deskriptif kualitatif, yaitu dengan mengumpulkan data literatur yang memadai dari artikel, jurnal dan buku terkait dengan gaya bangunan art deco dan planetarium Adler, kemudian data yang didapat dijadikan sebagai pedoman deskripsi pada penerapan art deco di planetarium Adler. Selain itu peneliti juga akan mengamati setiap bentukan dan paduan warna dari beberapa gambar pada bagian planetarium Adler. Kesimpulan dari penelitian ini adalah bahwa planetarium Adler sepenuhnya mengadaptasi konsep arsitektur art deco dengan bentuk decorative style, penggunaan ornamen zodiak pada eksterior dan interior bangunan serta penggunaan material marmer yang umumnya digunakan pada bangunan berkonsep art deco.ABSTRACT: This style first appeared in 1925 and developed until 1940. The name art deco comes from the exhibition entitled Paris exposition des Art Decorations et industries in 1925 in France. Art deco is simply a combination of various styles and currents in the early 20th century, including the styles of constructionism, cubism, modernism, bauhaus, art nouveau, and futurism. The modern architectural movement that was developing at that time also influenced the art deco style and provided modern touches. This Europe architectural style was adopted in various building of America as caused by their condition in industrial revolution period. One of the buildings that experiencing the euphoria of art deco concept was Adler planetarium, which at that time was very different from the function of art deco buildings in general, that tended to be commercial and multi-storey. This study aims to analyze the application of art deco in Adler planetarium. The method used to analyze the exterior of the building is a qualitative descriptive method, means by collecting adequate literature data from articles, journals and books related to the art deco building style and Adler's planetarium, then the data obtained is used as a description guide on the application of art deco in the planetarium Adler. In addition, researchers will also observe every shape and color combination of several images in the Adler planetarium section. The conclusion from this research is that Adler planetarium is fully adapting art deco architecture by their decorative style as the shape of the building, the usage of zodiac decoration in exterior and interior, and also their marmer material that commonly used by art deco building.
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Grasilla Hartono, Bianca, and Josef Prijotomo. "PERPADUAN ARSITEKTUR ART DECO DAN INTERNATIONAL STYLE PADA BANGUNAN GAIA HOTEL BANDUNG DAN PADMA HOTEL." Riset Arsitektur (RISA) 9, no. 02 (April 5, 2025): 206–24. https://doi.org/10.26593/risa.v9i02.9208.206-224.

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Abstract - Modernization gradually leads to the development of modern architecture, leaving local architecture behind. Consequently, modern architecture begins to overshadow the existence of Indonesian local architecture. Thus, there’s an urgent need for a fusion of the local and modern elements in architecture.Notably, through observation, the distinctive Art Deco context is a strong character in Bandung. Moreover, Bandung is ranked 9th in the City Of Art Deco in The World. During the modern architecture era, international style was developed as one of the architectural styles. This style has been appreciated and favored by the public up to this day because it is considered to follow the development of the industry and technology while remaining functional. This research method is descriptive qualitative and analytical methods. The first step is to identify the building designs, followed by identifying the Art Deco and international style characteristics in the buildings and the fusion. Theoretically and practically, this research is expected to provide additional insights for both the author and readers regarding Bandung's Art Deco heritage, thereby contributing to the field of architectural knowledge In general, the result reveals that both hotels exhibit Art Deco and international style features in their designs. In terms of percentage, The Gaia Hotel Bandung has a dominance of 46.7% classified as Modern Art Deco. Meanwhile, Padma Hotel Bandung has a percentage of 47.02% classified as Modern Art Deco. It can be observed that Padma Hotel has a higher Art Deco percentage. Keywords: fusion, art deco, international style, dominance
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6

Maris, Ron De. "Art Deco: Miami Beach." Antioch Review 63, no. 4 (2005): 730. http://dx.doi.org/10.2307/4614894.

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7

Phillips, Ian. "Fabulous art deco furniture." Lancet 359, no. 9305 (February 2002): 536–37. http://dx.doi.org/10.1016/s0140-6736(02)07690-0.

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8

Zahirah, Devi Zahrah, and Anwar Subkiman. "Eksplorasi Karakteristik Art deco di Kota Bandung sebagai Inspirasi Desain Interior Lobi Hotel dengan Pendekatan Eklektik." rachanainterior 1, no. 02 (October 31, 2024): 76–87. http://dx.doi.org/10.33005/rachanainterior.v1i02.16.

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Kota Bandung pernah ditetapkan oleh UNESCO sebagai kota dengan kekayaan arsitektur Art Deco terbesar di dunia, dan gaya ini telah hadir sejak 1920-an melalui bangunan-bangunan ikonik peninggalan kolonial Belanda. Lobi hotel, sebagai bagian utama dalam menyambut tamu, menjadi fokus dalam penelitian ini yang bertujuan menerapkan elemen-elemen Art Deco pada desain interior lobi hotel. Menggunakan metode deskriptif kualitatif, penelitian ini menganalisis dan mengidentifikasi elemen-elemen Art Deco yang sesuai untuk diaplikasikan. Pendekatan eklektik digunakan untuk menggabungkan berbagai unsur desain yang relevan dengan tema. Penelitian ini diharapkan memberikan kontribusi baru pada desain interior lobi hotel dengan menonjolkan nilai estetika dan sejarah, serta meningkatkan daya tarik visual lobi sebagai kesan pertama yang mendalam bagi pengunjung. Hasil menunjukkan bahwa pengaplikasian elemen-elemen Art Deco dari bangunan bersejarah dapat diterapkan secara efektif dalam desain lobi hotel. Pada akhirnya elemen-elemen Art Deco akan diimplementasikan dalam produk desain interior lobi hotel sehingga dapat menghidupkan kembali pesona dan identitas Art Deco yang sudah lama menjadi bagian dari warisan Kota Bandung.
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Andrianawati, Aida, Aneukeu Azkia Zahra, and Faradhila Zulfa. "Analysis of Interior Elements of Hotel Savoy Homann Bandung." KnE Social Sciences 10, no. 1 (January 6, 2025): 23–29. https://doi.org/10.18502/kss.v10i1.17846.

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Bandung is a city that has the largest number of Art Deco buildings in Indonesia, one of them being the Hotel Savoy Homann. What makes this building an interesting topic is that it remains a fully functioning hotel to this day. This study aims to analyze the adaptation of the additional interior elements within the Hotel Savoy Homann building in a way that significantly impacts the Art Deco architectural style. This study uses a qualitative research method with the building adaptation approach. The results of this study show that the Art Deco concept style is present in the additional interior elements in the building, this addition appears to be an adaptation that emphasizes the Art Deco style in these elements. It is used as a preservation method in these kinds of heritage buildings. Keywords: Art Deco, Hotel Savoy Homann, heritage, interior elements
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10

Marselina, Cindy, Mahdalena Risnawaty, and Wardhana Wardhana. "PERENCANAAN CREATIVE FASHION CENTER DENGAN PENDEKATAN ARSITEKTUR ART DECO DI KOTA SAMARINDA." Jurnal Totem : Architecture, Environment, Region and Local Wisdom 4, no. 1 (April 22, 2023): 40. http://dx.doi.org/10.31293/ttm.v4i1.6698.

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The Creative Fashion Center is a place for fashion workshops, makeup workshops, bazaars and catwalks with an emphasis on the art deco architectural style. Fashion is a familiar term in everyday life. We often identify fashion with clothes or clothes, when in fact what is said fashion is everything that is trending in society. Consumers can be regarded as the main driving force of the fashion industry. Because apart from being a buyer, they are also the ones who determine and choose the style to become a fashion trend. The architectural approach of this building is art deco. Art deco architecture was a popular design movement from 1920 to 1939, which influenced the decorative arts of architecture. This architectural style is suitable for the Creative Fashion Center building because art deco represents charm, elegance and luxury. And in my opinion, art deco style can represent the elegance and luxury of the pop art fashion style favored by young people.
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Simbolon, Sari Desi Minta Ito, and Yunita Syafitri Rambe. "Penerapan Elemen Menara Pada Bangunan Bergaya Art Deco Di Medan." JAUR (JOURNAL OF ARCHITECTURE AND URBANISM RESEARCH) 6, no. 1 (November 10, 2022): 41–50. http://dx.doi.org/10.31289/jaur.v6i1.8244.

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The characteristics of a building style and its character are shaped by some of its architectural elements. One of these architectural styles is an Art Deco-style building that has its own character. This style first appeared in 1925 and developed until 1940. This European architectural style was adopted in various American buildings due to their condition in the time of the industrial revolution. The modern architectural movement that developed at that time also influenced the art deco style and gave it a modern touch. The Art Deco style in graphic design restores again decorativism but not necessarily in the form of ornaments. Decorative impressions can be achieved through the play of elements geometric, typographic blocks, textures and shades of color. Art Deco style has characteristics that are very distinctive and easily distinguished from other architectural styles. Art deco still exists in the spirit of medan city development as place of research evidenced by the many old buildings that are repurposed as well as new buildings that take the characteristics of Art Deco. One of them is the use of tower elements or one part of the building that rises slightly upwards and gives a magnificent impression.
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12

Ramli, Syamsun, Herry Santosa, and Antariksa. "SIGNIFIKANSI ELEMEN ARSITEKTUR BANGUNAN KOLONIAL BERGAYA ART DECO DI KOTA MALANG." Pawon: Jurnal Arsitektur 4, no. 02 (September 3, 2020): 63–78. http://dx.doi.org/10.36040/pawon.v4i02.2806.

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Tampilan visual dan karakter bangunan dibentuk oleh elemen arsitekturnya. Bangunan bergaya Art Deco memiliki karakter tersendiri. Kota Malang berkembang pesat di era pemerintah Hindia Belanda pada tahun 1920 sampai 1938. Dalam rentang waktu tersebut gaya Art Deco sedang berkembang di Eropa. Tren ini berdampak terhadap bangunan di Kota Malang sehingga sebagian bangunan kolonial bergaya Art Deco. Bangunan-bangunan tersebut berada di kawasan yang memiliki nilai komersial yang tinggi. Hal ini dapat menyebabkan perubahan pada bangunan karena tuntutan komersial, baik keseluruhan bangunan maupun elemen arsitekturnya. Sehingga penelitian ini bertujuan untuk menilai signifikansi elemen arsitektur bangunan kolonial bergaya Art Deco di Kota Malang, sebagai upaya untuk mempertahankan karakter bangunan tersebut. Penelitian ini menggunakan pendekatan kuantitatif, dimana data didapatkan menggunakan kuesioner. Data yang diperoleh kemudian dianalisis menggunakan program SPSS. Hasil penelitian menunjukan bentuk bangunan, atap, kanopi, ornamen, material, dan warna berpengaruh signifikan terhadap karakter bangunan kolonial bergaya Art Deco di Kota Malang.
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Solikhah, Nafiah. "STREAMLINE MODERNE: PERKEMBANGAN GAYA MODERN ARSITEKTUR ART DECO DI KOTA BANDUNG TAHUN 1930-1950." Jurnal Muara Ilmu Sosial, Humaniora, dan Seni 8, no. 1 (April 30, 2024): 8–19. https://doi.org/10.24912/jmishumsen.v8i1.26428.2024.

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Awal abad ke-19 merupakan masa penting perkembangan arsitektur dan kota Bandung yang dilatarbelakangi oleh rencana pemerintah Belanda untuk memindahkan ibu kota Hindia Belanda dari Batavia ke Bandung (Bandoeng als hoofdstad van Indië). Kota Bandung mengalami perkembangan pesat pada periode tahun 1910-1940 dengan desain paling modern saat itu, yaitu Art Deco. Pada tahun 2014, kota Bandung ditetapkan oleh UNESCO sebagai kota dengan bangunan art deco terbanyak dan terlengkap di dunia. Periode akhir Art Deco dikenal dengan sebutan streamline juga berkembang di kota Bandung pada periode 1930-1950. Oleh karena itu, diperlukan adanya kajian tentang Streamline Moderne sebagai Perkembangan Gaya Modern Arsitektur Art Deco di Bandung pada periode tahun 1930-1950. Tujuan penelitian adalah untuk menggali perkembangan streamline moderne Art Deco di dunia sampai dengan pengaruh dan penyerapannya pada bangunan Art Deco di Kota Bandung serta pengaruhnya dalam perkembangan arsitektur modern di Indonesia. Paradigma penelitian yang digunakan adalah naturalistik dengan strategi penelitian kualitatif dalam bentuk pendekatan Interpretive-Historical Research. Tahapan yang dilakukan meliputi tahap Heuristik, Kritik, Interpretasi, dan historiografi. Sampel diambil melalui purposive sampling dengan kriteria bangunan yang memiliki karakter Streamline moderne, yaitu: Vila Isola (sekarang kantor Rektorat UPI) dan Vila De Driekleur (sekarang Kantor Bank BTPN). Berdasarkan hasil studi, diketahui bahwa perkembangan arsitektur di kota Bandung pada periode tahun 1930-1950 didukung oleh pembangunan infrastrukur untuk mendukung aktivitas Pemerintahan Hindia Belanda. Beberapa Arsitek Belanda yang berkarier di Hindia Belanda mengembangkan konsep Arsitektur percampuran arsitektur barat dengan teknologi modern, kebudayaan timur, dan iklim tropis. Periode 1930-1950 sebagai Periode Late Art Deco/Streamline menjadi salah satu tonggak Perkembangan Arsitektur Modern Indonesia.
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Jones, Willie D. "Revamping an Art Deco Masterpiece." IEEE Spectrum 59, no. 9 (September 2022): 14–15. http://dx.doi.org/10.1109/mspec.2022.9881269.

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Krecic, Peter, and Marjan Golobic. "Joze Plecnik and Art Deco." Journal of Decorative and Propaganda Arts 17 (1990): 26. http://dx.doi.org/10.2307/1504075.

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Stipancic, Branka, and Ellen Elias-Bursac. "Ivan Mestrovic's Melancholic Art Deco." Journal of Decorative and Propaganda Arts 17 (1990): 54. http://dx.doi.org/10.2307/1504078.

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Searing, Helen. "Review: Art Deco, 1910-1939." Journal of the Society of Architectural Historians 62, no. 4 (December 1, 2003): 514–16. http://dx.doi.org/10.2307/3592501.

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Striner, Richard. "Art Deco: Polemics and Synthesis." Winterthur Portfolio 25, no. 1 (April 1990): 21–34. http://dx.doi.org/10.1086/496460.

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Williams, Celeste. "Washington and Baltimore Art Deco." Journal of Architectural Education 69, no. 1 (January 2, 2015): 150–51. http://dx.doi.org/10.1080/10464883.2015.989082.

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20

Beddoe, S. "Review: Art Deco 1910-1939." Journal of Design History 17, no. 1 (March 1, 2004): 107–10. http://dx.doi.org/10.1093/jdh/17.1.107.

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Derbak Nariman Feth Zehor. "Art Deco in Algerian architecture." Клио, no. 3 (2023): 73–77. http://dx.doi.org/10.51676/2070-9773_2023_03_73.

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22

Lawrence, Attila. "Postmodern Moods of art Deco." Popular Culture Review 4, no. 1 (January 1993): 87–94. http://dx.doi.org/10.1002/j.2831-865x.1993.tb00009.x.

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23

Wijaya, Marchella, Maureen Nuradhi, and Melania Rahadiyanti. "PERANCANGAN INTERIOR MAHAMERU RESTAURANT DI SURABAYA." KREASI 4, no. 2 (April 23, 2019): 177–96. http://dx.doi.org/10.37715/kreasi.v4i2.1065.

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Restoran Mahameru merupakan restoran yang menyajikan makanan khas Cina, Indonesia hingga Eropa dan memiliki fasilitas ruangan VIP dan ballroom untuk mengadakan acara khusus. Perancangan ini dibuat karena klien ingin selalu eksis dan mengikuti perkembangan jaman dengan merubah interior restorannya menjadi wajah baru sehingga dapat mencapai salah satu misi dan filosofi Mahameru yaitu restoran Mahameru dapat selalu eksis dan selalu berada di puncak. Bangunan restoran ini merupakan salah satu bangunan cagar budaya di Surabaya sehingga pada saat perancangan harus memperhatikan peraturan bangunan cagar budaya yang ada. Selain itu, diperlukan penataan ruang dan alur sirkulasi yang jelas dan nyaman serta fleksibel. Tema desain yang digunakan yaitu fleksibilitas yang dipadukan dengan gaya art Deco. Art Deco dipilih untuk menyelaraskan interior dengan arsitektur bangunan yang bergaya art Deco. Selain itu art Deco dapat memperkuat tampilan mewah, elegan dan megah.
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Pascu, Nicoleta Elisabeta, Victor Adir, and George Adir. "Art and logo design." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (June 4, 2021): 81–86. http://dx.doi.org/10.18844/prosoc.v7i4.5792.

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This paper aims to present a research study concerning the graphics and symbols in logo design exhibited in an art program dubbed ‘Golden Ages of Art Nouveau and Art Deco’. It was important for us to understand these trends, their characteristics and graphics, to create many times beautiful masterpieces of art. We have noticed a lot of differences between these two art movements related to symbols, signs and colours which were used. It was ‘a special art travel’ to study, theoretically and practically, the field of logo design connected to these ages. Starting from our research study, we have tried to make ‘a basket’ of features which characterises each trend. We have tried to explain the diversity of elements used as an art graphic design focused on logos. And, of course, we have tried to create logos using the features of Art Nouveau and Art Deco. Keywords: Art Nouveau, Art Deco, logo design, feature, symbols, colours.
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Dobrydneva, A. S. "Aleksandr Deineka’s Works in the Context of the Art Deco Style." Concept: philosophy, religion, culture 4, no. 3 (September 28, 2020): 168–75. http://dx.doi.org/10.24833/2541-8831-2020-3-15-168-175.

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This paper analyzes the founding bases of comparisons between the Aleksandr Deineka’s artistic works and the art deco, the connection between Deineka’s works and European and American art of the 1930s Deineka’s early works refer to the avant-garde and the late ones are usually related to socialist realism. The novel artistic language is the most important link between the Soviet art and the art deco style, making the artist its most prominent USSR proponent. In this respect, the key event is the artist’s trip to the USA, France and Italy in 1935. What made Deineka engage in the intercultural discussion on artistic styles were industrial, urban, mundane and sport themes the Soviet art and art deco (mostly American) shared. A dialogue with the US Skyscraper style influenced a series of paintings and sketches, including New York. Central Park, The Road to Mount Vernon, Baseball, The Boredom. The Soviet experience contributed to Deineka’s few American works. In the most clear and general manner the art deco ideas and practical solutions were incorporated in the 1938 project of Deineka – in the decoration of the Mayakovskaya metro station, Moscow. The idea was to create a series of allegoric and technically new mosaic plafonds. Both spirit and techniques of late Deineka were partly inspired by the American art deco.
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Puspita, Hana Fadhilah, and Cherry Dharmawan. "KarakteristikGaya Art DecoPada Furniture ( Studi Kasus : Villa Isola )." Waca Cipta Ruang 4, no. 1 (May 17, 2018): 291–94. https://doi.org/10.34010/wcr.v4i1.2039.

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Tulisaniniuntukmembahaskarakteristikgaya art deco padafurnituredenganstudikasus Villa Isola. Tulisaninibertujuanuntukmemaparkankarakteristikgaya art deco pada furniture. Villa Isoladibangunpadatahun 1933 oleharsitekBelandabernama Wolff Schoemaker. Villa IsolasaatinisudahberalihfungsimenjadigedungrektoratUniversitasPendidikan Indonesia. Bentukbergayaart decomenerapkanbentuk ornament, penggabungan furniture denganberbagaimacambentukdan motif membentukcitra modern. Susunan furniture art decoterlihatpadasetiaplantaidari Villa Isoladulu, namunsaatini furniture dengangayaart decohampirtidakterjaga. Satu-satunya furniture peninggalanpada zaman ituhanyaadakursitua yang sudahbeberapa kali diperbaiki.
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Pranowo, Labdo, Sudaryono Sudaryono, and Ikaputra Ikaputra. "TIPOLOGI ARSITEKTUR FASAD ART DECO PADA BANGUNAN-BANGUNAN DI YOGYAKARTA." Journal of Architectural Design and Development 4, no. 1 (June 23, 2023): 12–23. http://dx.doi.org/10.37253/jad.v4i1.7639.

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Art Deco adalah salah satu gaya arsitektur penting yang hadir pada era arsitektur kolonial di Indonesia. Masuk ke Indonesia melalui karya-karya arsitek Belanda yang berpraktek profesional di akhir masa penjajahan Belanda. Sebagai bagian dari gaya yang berkembang di era tahun 20-an, gaya ini berkembang populer di Indonesia dan menjadi salah satu puncak penting dari era arsitektur kolonal. Jejak-jejaknya pada banyak bangunan di kota-kota di Indonesia menunjukkan sangat luasnya gaya ini diterapkan. Kawasan lama dan area komersial di pusat kota menyimpan banyak bangunan dengan gaya ini, yang terekspresikan secara gamblang atau samar-samar melalui cuilan elemennya. Hal ini mengisyaratkan adanya kekayaan keragaman tampilan dalam gaya bangunan art deco di Indonesia, termasuk Yogyakarta. Penelitian ini dilakukan terhadap 44 bangunan yang tersebar di seputar kota Yogyakarta. Pengamatan dan analisis dibatasi pada fasad dan elemen visual pada fasad bangunan. Batasan ini dipilih dengan mempertimbangkan banyaknya obyek penelitian yang akan diamati dan beragamnya kadar/intensitas gaya pada bangunan. Diharapkan penelitian ini dapat menjawab pertanyaan; bagaimana tipologi dan karakteristik arsitektur fasad art deco pada bangunan-bangunan yang ada di Yogyakarta. Hasil penelitian menunjukkan bahwa terdapat 3 tipe arsitektur fasad art deco, yaitu 1) tipe fasad utuh, 2) tipe fasad atas, dan 3) tipe fasad bawah. Ketiga tipe tersebut dibedakan berdasarkan perletakan bentuk dan elemen art deco pada fasad bangunan. Fasad art deco menunjukkan adanya karakter simetris dan asimetris, yang dipilih dan dikuatkan dengan permainan puncak, yang dapat berwujud bentuk menara, bentuk bidang tinggi pada susunan berundak dan perletakan elemen ikonik, yang berupa ornamen atau bentuk tertentu pada fasad datar.
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Savira Maulana, Nungky Puspita, and Yosi Erfinda. "PENGARUH DIRECT MARKETING TERHADAP KEPUTUSAN PEMBELIAN DALAM MENGGUNAKAN SOCIAL EVENT PACKAGE DI ART DECO LUXURY HOTEL & R.docx." Journal of Tourism Destination and Attraction 10, no. 1 (June 30, 2022): 69–84. http://dx.doi.org/10.35814/tourism.v10i1.3415.

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The problem studied in this study is the decrease in the number of guests who use the social event package at Art Deco Luxury Hotel & Residence Bandung, this problem must be addressed immediately so that it does not become an obstacle for the hotel. This study aims to find out an overview of the implementation of direct marketing, an overview of purchasing decisions in using the social event package at Art Deco Luxury Hotel & Residence Bandung, and how direct marketing influences in an effort to improve purchasing decisions in using the social event package at Art Deco Luxury Hotel & Residences. Residence Bandung. This research uses descriptive quantitative method. The number of samples in this study were 83 respondents who had used the social event package at Art Deco Luxury Hotel & Residence Bandung. The sampling technique used is purposive sampling. The analysis technique used is multiple linear regression. Hypothesis testing in this study uses the coefficient of determination test, f test and t test. The results of this study indicate the implementation of direct marketing, purchasing decisions in using the social event package, and the influence of direct marketing on purchasing decisions in using the social event package at Art Deco Luxury Hotel & Residence Bandung. The results show that part of direct marketing and the decision to use the social event package is in the high category, and gets the best response, namely telemarketing and online channels. Direct marketing has an effect on purchasing decisions in using the social event package at Art Deco Luxury Hotel & Residence Bandung.
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Purnomo, Agus Dody, Devina Sastrawinata, and Amelia Putri Dianty. "Langgam Art Deco pada Desain Interior Maison Teraskita Bandung." Sinektika: Jurnal Arsitektur 19, no. 2 (June 30, 2022): 184–89. http://dx.doi.org/10.23917/sinektika.v19i2.18255.

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Langgam atau gaya merupakan hasil karya manusia yang terkait dengan ciri budaya, tokoh, peristiwa sejarah, dan sebagainya. Langgam dibutuhkan dalam arsitektur dan desain interior untuk mendukung suasana dan citra yang diinginkan. Salah satu hotel baru yang dibangun di jalan Asia Afrika, Bandung adalah Maison Teraskita yang mengusung konsep Heritage, Luxury, dan Tropical. Arsitektur hotel berupa penggabungan dua bangunan yang berbeda genre antara lama dengan baru. Hotel tersebut menerapkan langgam Art Deco pada desain interiornya. Tujuan penelitian ini untuk mengkaji peran langgam Art Deco pada desain interior hotel Maison Teraskita di Bandung. Metode penelitian menggunakan metode deskriptif kualitatif. Langgam Art Deco diimplementasikan pada desain interior hotel tidak hanya untuk memenuhi aspek estetika saja. Namun langgam Art Deco juga memiliki peran lainnya. Pertama sebagai pendukung citra bangunan yang memiliki nilai historis. Kedua sebagai penghubung untuk kesinambungan bangunan lama dan bangunan baru. Penelitian ini diharapkan dapat menjadi referensi maupun solusi terkait permasalahan global yakni keberlanjutan bangunan cagar budaya.
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Luz, Lourdes, and Nara Iwata. "Art deco cine: lo moderno necesario." POLIANTEA 9, no. 16 (August 13, 2013): 243. http://dx.doi.org/10.15765/plnt.v9i16.400.

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<span style="font-family: Times New Roman; font-size: small;"> </span><p class="MsoNormal" style="margin: 6pt 0cm 0pt; text-align: justify; line-height: 150%;"><span lang="PT-BR"><span style="font-size: small;"><span style="font-family: Times New Roman;">El trabajo presentado se centra en la lectura de los cines de Art Deco en todo el Río de la década de 1930 y 1940. El cine Art Deco fue diseñado como un espacio de neutralidad, la inevitable transición de eclecticismo del siglo XIX hasta la asepsia modernista. Con el fin de evocar el necesario moderno, se convirtió en una revisión crítica de la misma y Art Déco permite cambios formales y conceptuales, así como un análisis de los fundamentos teóricos que impregnaron el movimiento, tomando como paradigma de los Cines Metro.</span></span></span></p><span style="font-family: Times New Roman; font-size: small;"> </span>
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Railing, Patricia. "Tamara de Lempicka Art Deco Icon." Art Book 12, no. 1 (January 26, 2005): 17–18. http://dx.doi.org/10.1111/j.1467-8357.2005.t01-2-00492.x.

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Hart, Karen. "Bold and beautiful — that's Art Deco." Primary Teacher Update 2015, no. 42 (March 2, 2015): 20–22. http://dx.doi.org/10.12968/prtu.2015.1.42.20.

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Sachs, David H., and Carla Breeze. "American Art Deco: Architecture and Regionalism." APT Bulletin 35, no. 4 (2004): 55. http://dx.doi.org/10.2307/4126420.

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Kleine-Gunk, Bernd. "Autoerotik zwischen Art Deco und Dekadenz." gynäkologie + geburtshilfe 19, no. 5 (August 28, 2014): 61. http://dx.doi.org/10.1007/s15013-014-0518-5.

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Ray, Gordon Norton, and G. Thomas (George Thomas) Tanselle. "The Art Deco Book in France." Studies in Bibliography 55, no. 1 (2002): 1–131. http://dx.doi.org/10.1353/sib.2005.0009.

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Ray, Gordon Norton. "The Art Deco Book in France." Studies in Bibliography 55, no. 1 (2002): 19–131. http://dx.doi.org/10.1353/sib.2005.0010.

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Gebhard, David. "Pueblo Deco, The Art Deco Architecture of the Southwest Marcus Whiffen Carla Breeze Mayan Revival Style: Art Deco Mayan Fantasy Marjorie Ingle." Journal of the Society of Architectural Historians 45, no. 3 (September 1986): 313–14. http://dx.doi.org/10.2307/990174.

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Hadinanti, Hafifah, and Mochammad Sigit Ramadhan. "PENGEMBANGAN TEKNIK BLOCK PRINTING DENGAN INSPIRASI ORNAMEN ART DECO INTERIOR HOTEL SAVOY HOMANN." Gorga : Jurnal Seni Rupa 13, no. 01 (May 19, 2024): 40. http://dx.doi.org/10.24114/gr.v13i01.55687.

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The rapid advancement of technology in modern times significantly impacts various aspects of human life, including fine arts, crafts, and design. The block printing craft technique is a process of printing on textiles using carved wooden blocks covered with dye and pressed onto the fabric's surface to create a motif. Initially, printing plates were engraved manually using steel chisels. Still, with technological developments, printing plates to produce motifs can be made more efficiently using material cutting tools. This research aims to improve block printing techniques by utilizing technological advancements, specifically by enhancing laser cutting machines to increase printing plate creation efficiency. This will produce cleaner and more precise motifs, thus generating new visual elements. This research uses a qualitative research method with several steps: the first step was conducting a literature study regarding block printing, laser cut, art deco ornaments, and the Savoy Homann hotel to obtain information and research analysis. Then, carry out direct observations on the interior of the Savoy Homann Hotel by observing and taking documentation of art deco ornaments, which have the potential to be used as inspiration for making motifs using the block printing technique. Finally, the exploration step is conducted in three stages: initial, further, and selected exploration, to validate the research. The research results are wooden printing plates that can be created with a laser cutting machine. These plates have the potential to be used to create designs on cloth inspired by the art deco ornaments found in the interior of the Savoy Homann Hotel. Geometric and streamline-deco shapes characterize these ornaments.Keywords: Block printing, laser cut, art deco, textile, and interior Hotel Savoy HomannAbstrakPesatnya perkembangan zaman dan teknologi berdampak pada berbagai bidang di kehidupan manusia, salah satu diantaranya bidang seni rupa, kriya, dan desain. Teknik kriya block printing merupakan proses mencetak pada tekstil dengan menggunakan blok kayu berukir ditutupi pewarna dan ditekan pada permukaan kain untuk menciptakan motif. Pada mulanya plat cetak diukir secara manual dengan alat pahat baja, namun dengan adanya perkembangan teknologi proses pembuatan plat cetak untuk menghasilkan motif dapat dilakukan dengan lebih mudah menggunakan alat pemotong material. Tujuan penelitian ini untuk mengembangkan teknik block printing dengan merespon perkembangan teknologi dengan mengoptimalkan mesin laser cut dalam mengefesiensikan waktu pembuatan plat cetak pada proses pembuatan karya, sehingga dapat menghasilkan kebaruan visual yang lebih rapih dan presisi dalam pembuatan motif pada teknik tersebut. Penelitian ini menggunakan metode penelitian kualitatif dengan beberapa langkah, yaitu: langkah pertama melakukan studi literatur mengenai block printing, laser cut, ornamen art deco, dan Hotel Savoy Homann untuk mendapatkan informasi serta analisa penelitian. Kemudian, melakukan observasi secara langsung pada bangunan interior Hotel Savoy Homann dengan mengamati dan mengambil dokumentasi ornamen art deco yang berpotensi untuk dijadikan inspirasi dalam pembuatan motif pada teknik block printing. Terakhir, melakukan eksplorasi dengan tiga tahapan yaitu: eksplorasi awal, eksplorasi lanjutan, dan eksplorasi terpilih untuk membuktikan penelitian. Hasil penelitian ini berupa plat cetak kayu yang dibuat menggunakan mesin laser cut dan berpotensi untuk dikembangkan menjadi sebuah karya pada lembaran kain dengan menggunakan motif inspirasi ornamen art deco interior Hotel Savoy Homann bercirikan bentuk geometris dan streamline-deco.Kata Kunci: Block printing, laser cut, art deco, tekstil, dan interior Hotel Savoy Homann Authors:Hafifah Hadinanti : Universitas TelkomMochammad Sigit Ramadhan : Universitas TelkomReferences:Ganguly, D., & Amrita. (2013). A Brief Studies on Block Printing Process in India. Man-Made Textiles in India, 41(6), 197–203.Gunawan, D. E. K., & Prijadi, R. (2011). Reaktualisasi Ragam Art Deco dalam Arsitektur Kontemporer. MEDIA MATRASAIN, 8(1), 68–81.Have, M. Ten. (2015, November 5). The Affordable Wonder of Laser-Cut Décor. The Wall Street Journal. https://www.wsj.com/articles/the-affordable-wonder-of-laser-cut-decor-1446753349Olivia, Y., & Ramadhan, M. S. (2019). Pengaplikasian Teknik Block Printing dengan Inspirasi Gorga Batak Ipon-Ipon. eProceedings of Art & Design, 6(3). https://openlibrarypublications.telkomuniversity.ac.id/index.php/artdesign/article/viewFile/11277/11141Rachmayanti, S., Roesli, C., & Savitri, M. A. (2017). KONSERVASI BANGUNAN BERGAYA ART DECO DI KOTA BANDUNG (Studi Kasus: Hotel Preanger dan Hotel Savoy Homann). Jurnal Dimensi Seni Rupa dan Desain, 14(1), 83–100. https://doi.org/10.25105/dim.v14i1.2329Rahman, A. F., Amany, R., Suri, I. F., Febryano, I. G., & Hidayat, W. (2022). PENGARUH DAYA LASER CO2 TERHADAP PERUBAHAN WARNA PERMUKAAN KAYU MERANTI (Shorea sp.) DAN PREFERENSI KONSUMEN The Effect of CO2 Laser Power on the Change of Meranti (Shorea sp.) Wood Surface Color and Consumer Preferences. Dalam JOFPE Journal ISSN 2807 (Vol. 6796)Ramadhan, M. S., Yulianti, K. N., & Ananta, D. (2022). INOVASI PRODUK FASHION DENGAN MENERAPKAN KARAKTER VISUAL CHIAROSCURO MENGGUNAKAN TEKNIK CETAK TINGGI CUKIL KAYU BLOCK PRINTING. Gorga : Jurnal Seni Rupa, 11(1), 192. https://doi.org/10.24114/gr.v11i1.33052Sachin, P., Sandip, B. P., & Anup, B. P. (2015). A Review on Laser Engraving Process. International Journal for Scientific Research & Development, 3(01), 247–250.Seidu, R. K. (2019). The art produced by substitute surfaces in hand block printing. Research Journal of Textile and Apparel, 23(2), 111–123. https://doi.org/10.1108/RJTA-08-2018-0047
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R, Artini K. "PELESTARIAN ART DECO DI INDONESIA: SUATU DILEMA." Jurnal Dimensi Seni Rupa dan Desain 3, no. 2 (February 1, 2006): 203. http://dx.doi.org/10.25105/dim.v3i2.1254.

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AbstractArt Deco Architecture in Indonesia as an art that rejlects the spirit of its era can not be separated from the cultural context and mans seaty. The rich cultural heritage of Indonesia has always played an important role in the concept of Indonesimx identity- Throughout histonj identity has always been of paramount significance in man 's response to his need .for an essential foothold. A need which corresponds to the umue characterfstrcs of the physical envt-ronment and the socio cultural attributes of the Indonesian people.Abstrak.Arsitektur Art Deco di Indonesia mencerminkan semangat yang tidak dapat dipisahkan dari ikatan seni budaya serta daya kreativitas manusia. Warisan budaya yang sangat kaya di Indonesia selalu mempunyai peranan penting dalam menentukan konsep identitas nasional bangsa Indonesia. Sepanjang sejarah, identitas selalu menjadi unsur penting bagi seseorang dalam mencari tumpuan utama merespon kebutuhan. yang sesuai dengan sifat khas dari lingflungan fisik serfa perilaku sosial budaya yang dimilifd bangsa Indonesia.Katakund Art deco, idenfitas, warisan budaya
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Dobrydneva, Anastasiia. "Art deco and avant-garde: the nature of interaction." Философская мысль, no. 6 (June 2020): 24–31. http://dx.doi.org/10.25136/2409-8728.2020.6.32798.

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The subject of this research is the distinctions between two fundamental trends in art of the XX century &ndash; art deco and avant-garde, as well as determination of the nature of their interaction. The object of this research is the original texts of artisans and art monuments belonging to both fields. Special attention is given to characteristics of the specific features of art deco and avant-garde, identification of similarities and differences of the two simultaneously developing stylistic concepts. The author examines the key event for the history of interaction of these two trends, namely the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925, and criticism that formed views on art of the era of modernism. The scientific novelty consists in examination of the two paramount trends for grasping history of culture of the XX century in the context of their interaction. Since 1966, art deco was not recognized as an in dependent style, but rather closely connected with modernism and patterned on avant-garde. The main conclusion of the conducted research consists in revelation of adaptive cultural mechanism that allowed art deco to overcome a number of problems, among which in underlines the relation to technological progress and mass society. The author highlights that both trends should be viewed in the context of cultural dialogue. First and foremost, they were united by orientation towards modernity and development of innovative language of art.
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Pendikova, I. "Constructivism and Art Deco: the reaction of Elite art?" Experiment 15, no. 1 (2009): 92–98. http://dx.doi.org/10.1163/2211730x-01501016.

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James, Kathleen. "WASHINGTON DECO: ART DECO IN THE NATION'S CAPITAL. Hans Wirz , Richard Striner." Art Documentation: Journal of the Art Libraries Society of North America 4, no. 2 (July 1985): 94–95. http://dx.doi.org/10.1086/adx.4.2.27947438.

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Alfirević, Đorđe. "Prosen M.: Ar deko u srpskoj arhitekturi, Zavod za zaštitu spomenika kulture grada Beograda i Univerzitet u Beogradu-Fakultet primenjenih umetnosti, Beograd, 2023." Arhitektura i urbanizam, no. 59 (2024): 87–89. https://doi.org/10.5937/a-u0-50728.

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The monograph Art Deco in Serbian Architecture by Milan Prosen is a monumental historiographical work that thoroughly explores the previously insufficiently researched topic of the presence and influence of Art Deco on interwar architecture, as well as the reasons for its emergence, stylistic characteristics, prevalence, and representation in Serbia. Within a broad framework, the monograph covers and presents topics such as the significance of the term and the emergence of Art Deco worldwide, the social circumstances in which the style originated and was recognized globally, the circumstances in which Art Deco appeared in Serbia, and the specificities of its appearance in Serbian architecture. Dr. Milan Prosen conducted his comprehensive scientific research and completed it during the preparation of his doctoral dissertation, defended at the Faculty of Philosophy, University of Belgrade in 2014, before a respectable committee consisting of Dr. Aleksandar Kadijević, Dr. Mirjana Roter-Blagojević, Dr. Aleksandar Ignjatović, and Dr. Simona Čupić, confirming the value and importance of his work. Since then, the content of the monograph has been supplemented and partially revised, with the text expanded based on new research, including published historiographical knowledge and the author's results related to this topic from previous years.
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Angela, Charline, and Hartini Laswandi. "APPLICATION OF ART DECO STYLE IN APARTMENTS IN SUDIRMAN AREA." International Journal of Application on Social Science and Humanities 1, no. 1 (February 20, 2023): 860–71. http://dx.doi.org/10.24912/ijassh.v1i1.25954.

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Sudirman area is one of the strategic locations in the city of Jakarta. This is because the Sudirman area is in the central city and is surrounded by many commercial areas such as office buildings and shopping centres. The Peak Sudirman Apartment is one of the apartments that is classified as luxurious and has a high value in the Sudirman area. Adapting to the lifestyle of the high-end area, this apartment is designed using the Art Deco style. A style that is decorative, elegant, modern, and functional. This Art Deco style is combined with orientalism as an accent in the design. In the process of designing The Peak Sudirman apartment, it is necessary to conduct research in the form of data collection for analysis. The method used in this article is qualitative descriptive. The design process is divided into 2 stages, namely analysis and synthesis. Data collection techniques are carried out through field studies and online. This design produces a residence for 1 (one) person which is divided into several rooms. The use of decorative elements of shape, texture, and color gives a unique abstract impression, making the Art Deco design even more attractive. By using bold colors in the room, it gives a striking and luxurious impression to the room. Decorated with distinctive lamps according to the Art Deco style, it gives a new atmosphere to the room. This article is intended for someone who is doing interior design planning, especially in the Art Deco style.
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Zarembo, Liene. "ART DECO STYLE’S FEATURES IN THE TEXTILE WORKS OF DESIGNERS SONIA DELAUNAY AND PAUL POIRET." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 25, 2018): 530. http://dx.doi.org/10.17770/sie2018vol1.3388.

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Art Deco is an artistic term that stands for an elegant eclectic design style dating back to the 1920s. Style has affected virtually all industries, including architecture, fine arts, applied arts, interior design, industrial design, fashion and jewellery, as well as painting, graphics and cinema. Art Deco architecture and arts expanded on other movements - Constructivism, Cubism, Modernism, Bauhaus, and Futurism. Principles of Constructivism and Cubism are also used in contemporary textile patchwork and quilt. The aim of the paper: exploration of the features of Art Deco style in the textile works of 20th century designers - Sonia Delaunay and Paul Poiret. The methods of the research: exploration of theoretical literature and Internet resources, the experience of reflection.The research emphasizes Sonja Delaunay’s particular importance of textile works in the development of contemporary quilt in the 21st century.
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Roura-Burbano, Alexandra, and Paúl Ochoa-Arias. "INFLUENCIAS DE ESTILOS ARQUITECTÓNICOS EN EL CENTRO HISTÓRICO DE CUENCA." Universidad-Verdad, no. 64 (August 15, 2014): 99–118. http://dx.doi.org/10.33324/uv.vi64.256.

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En el presente artículo se describe la influencia que ha recibido la arquitectura cuencana desde los diferentes estilos foráneos como: el Neoclásico Francés, el Art Nouveau, el Art Déco, el Racionalismo y otros, los mismos que se evidencian con notoriedad en algunas de las edificaciones del centro histórico de la ciudad. Palabras Clave: Centro histórico Cuenca, arquitectura, patrimonio edificado, Neoclásico Francés, Art Nouveau, Art Déco. AbstractThe present article describes the influence that Cuenca’s architecture has received from different foreign styles such as: French neoclassical, Art Nouveau, Art Deco, Rationalism, and others, which are strongly evident in some of the buildings in the Historic Center of the city. Keywords: Historic Centre of Cuenca, architecture, building heritage, French neoclassical, Art Nouveau, Art Deco.
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Gumulya, Devanny. "DESAIN PRODUK DENGAN INSPIRASI ART DECO EROPA ERA TAHUN 1920 DENGAN PENDEKATAN CHART MORFOLOGI." Jurnal Patra 2, no. 2 (October 28, 2020): 1–10. http://dx.doi.org/10.35886/patra.v2i2.114.

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Chart morfologi berasal dari ilmu teknik, pada paper ini dipelajari bagaimana penerapannya dalam proses desain kreatif yang memungkinkan pemikiran divergen dan logis digunakan bersamaan. Yang dibahas adalah tugas mahasiswa desain produk yang merancang dengan menggunakan chart morfologi. Di sisi lain, sejarah telah menginspirasi banyak desainer untuk menciptakan banyak hal baru. Art Deco adalah gerakan desain yang bersifat ornamental, glamor dan elegant yang berawal dari Paris di era tahun 1920an. Art Deco dikarakterkan dengan penggunaan bahan-bahan seperti kayu eksotis, aluminum, stainless steel dan inlaid wood. Tujuan perancangan yang ingin dicapai pada penelitian ini adalah untuk merancang nakas dan lampu meja dengan gaya art deco yang digabungkan dengan preferensi mahasiswa desain produk. Hasil dari paper ini adalah kerangka bagaimana menggunakan chart morfologi dalam proses desain untuk proyek jangka pendek. Dari Latihan ini dihasilkan 10 ide desain produk baru yang terlihat berbeda dengan produk sekatagorinya
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Simanaitienė, Raimonda. "Tautinio stiliaus ir art deco krypties apraiškos XX a. 4 deš. Kauno meno mokyklą baigusių keramikų kūryboje." Acta Academiae Artium Vilnensis, no. 112 (March 19, 2023): 206–32. http://dx.doi.org/10.37522/aaav.112.2024.202.

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Straipsnyje tyrinėjamas Lietuvos keramikos vystymuisi svarbus XX a. 4 deš. etapas, siejamas su profesionaliosios lietuvių keramikos užgimimu. 1931 m. Kauno meno mokykloje buvo įsteigta, o nuo 1934 m. intensyviai veikė Keramikos studija. Jos vadovas Liudvikas Strolis mokymo programą orientavo į tautinio stiliaus, taip pat į naujos iš Europos ateinančios art deco krypties estetiką, skatino modernizmo pažinimą. 4 deš. Kauno meno mokyklos absolventai pamažu suformavo pirmąją ryškią Lietuvos profesionalių keramikų kartą, kurią sudarė Vaclovas Miknevičius, Valdemaras Manomaitis, Emilija Vaškevičiūtė, Ona Šuminaitė-Jurkienė, Bronė Bakutytė-Vosylienė, Eleonora Lukštaitė-Marčiulionienė, Povilas Krivaitis ir dar keli jaunieji menininkai. Išanalizavus šių dailininkų darbus, tapo akivaizdu, kad jie labiausiai pasižymėjo tautiškumo ir art deco bruožais. Ir nors Lietuvos keramikoje art deco stilistika reiškėsi kur kas nuosaikiau nei kitose Europos šalyse, vis dėlto jaunosios kartos keramikų kūriniuose neabejotinai atsiskleidė pastarosios krypties specifiniai ypatumai: įdomesnių indų ar skulptūrėlių formų paieška, išraiškingos smulkios dirbinių detalės, geometriniai elementai, stilizuoto dekoro pomėgis.
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Todd, Drew. "Dandyism and Masculinity in Art Deco Hollywood." Journal of Popular Film and Television 32, no. 4 (January 2005): 168–81. http://dx.doi.org/10.3200/jpft.32.4.168-181.

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Jung, Hojin, and Hosup Kan. "Taoistic Fashion Aesthetics in Art Deco Fashion." Journal of the Korean Society of Costume 69, no. 1 (January 31, 2019): 127–40. http://dx.doi.org/10.7233/jksc.2019.69.1.127.

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