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1

Metzger, Rainer. Munich 1900: La sécession, Kandinsky et le blaue Reiter : Architecture, Peinture, Design, Théâtre, Musique, Cabaret, Littérature, Art du livre, Édition. Paris: Hazan, 2009.

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2

Spehner, Norbert. Écrits sur le fantastique: Bibliographie analytique des études & essais sur le fantastique publiés entre 1900 et 1985 (littérature/cinéma/art fantastique). Longueuil, Québec: Le Préambule, 1986.

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3

Albert, Nicole G. Saphisme et décadence dans Paris fin-de-siècle. Paris: Martinière, 2005.

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4

Albert, Nicole G. Saphisme et décadence dans Paris fin-de-siècle. [Paris]: La Martinière, 2005.

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5

Victorian appropriations of Shakespeare: George Eliot, A.C. Swinburne, Robert Browning, and Charles Dickens. Madison [N.J.]: Fairleigh Dickinson University Press, 2003.

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6

Tony, Pinkney, ed. The politics of modernism: Against the new conformists. London [England]: Verso, 1989.

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7

Caribbean shadows & Victorian ghosts: Women's writing and decolonization. Charlottesville: University Press of Virginia, 1999.

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8

The green breast of the new world: Landscape, gender, and American fiction. Athens: University of Georgia Press, 1996.

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9

Ruas, Charles. Conversations with American writers. London: Quartet, 1986.

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10

Ruas, Charles. Conversaciones con escritores norteamericanos. Buenos Aires: Subamericana, 1986.

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11

Conversations with American writers. New York: Knopf, 1985.

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12

Ruas, Charles. Conversations with American writers. New York: McGraw-Hill, 1986.

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13

Serra, Richard. Richard Serra: Exchange, Luxembourg : Musée national d'histoire et d'art. Düsseldorf: Richter Verlag, 1996.

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14

Maurice, Fréchuret, Pacoud-Rème Elisabeth, and Musée national Message biblique Marc Chagall., eds. Marc Chagall: Monstres, chimères et figures hybrides. Paris: Réunion des musées nationaux, 2007.

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15

Ontario. Esquisse de cours 12e année: Littérature du Canada français flc4m. Vanier, Ont: CFORP, 2002.

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16

Art, ideology & economics in Nazi Germany: The Reich chambers of Music, Theater, and the Visual Arts. Chapel Hill: University of North Carolina Press, 1993.

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17

Steinweis, Alan E. Art, ideology and economics in nazi Germany: The reich chambers of music, theater, and the visual arts. Chapel Hill: University of North Carolina Press, 1993.

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18

Ontario. Esquisse de cours 12e année: Grandes oeuvres de la littérature flo4u cours préuniversitaire. Vanier, Ont: CFORP, 2002.

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19

Theater figures: The production of the nineteenth-century British novel. Columbus: Ohio State University Press, 2003.

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20

I, Johnston Paul, ed. Anthology of the theological writings of J. Michael Reu. Lewiston: E. Mellen Press, 1997.

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21

C, Huygens R. B., and Herzog August Bibliothek, eds. Beringerius Turonensis Rescriptum contra Lanfrannum. Turnholti: Brepols, 1988.

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22

Frédérique, Toudoire-Surlapierre, and Surlapierre Nicolas, eds. Hypnos: Esthétique, littérature et inconscients en Europe (1900-1968). Paris: L'Improviste, 2009.

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23

Frédérique, Toudoire-Surlapierre, and Surlapierre Nicolas, eds. Hypnos: Esthétique, littérature et inconscients en Europe (1900-1968). Paris: L'Improviste, 2009.

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24

Frédérique, Toudoire-Surlapierre, and Surlapierre Nicolas, eds. Hypnos: Esthétique, littérature et inconscients en Europe (1900-1968). Paris: L'Improviste, 2009.

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25

In girum imus nocte et consumimur igni: The situationist international (1957-1972). Zürich: JRP/Ringier, 2006.

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26

Smeaton, Suzanne, James Tottis, Vincent Digirolamo, Valerie Ann Leeds, and Marianne Doezema. Life's Pleasures: The Ashcan Artists' Brush With Leisure, 1895-1925. Merrell, 2007.

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27

Life's pleasures: The Ashcan artists' brush with leisure, 1895-1925. London: Merrell, 2007.

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28

Marc Chagall: Monstres, chimères et figures hybrides : exposition, Nice, Musée Chagall, juin-octobre 2007. Paris: Réunion des Musées nationaux, 2007.

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29

Steinweis, Alan E. Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. The University of North Carolina Press, 1996.

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30

Steinweis, Alan E. Art, Ideology, and Economics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts. University of North Carolina Press, 2017.

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