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Journal articles on the topic 'Art et revolutions'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

HAHARINOV, Oleksii. "MILESTONES IN THE DEVELOPMENT OF ORGANIZATIONAL MODELS BASED ON THE THEORY OF SPIRAL DYNAMICS." Development Service Industry Management, no. 3 (August 29, 2024): 128–33. http://dx.doi.org/10.31891/dsim-2024-7(19).

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The article examines the milestones of the development of the business environment through the prism of industrial revolutions and the theory of spiral dynamics of organizational development. The past influences the present. The present shapes the future. The world is a complex, interconnected whole that is difficult to represent and understand, especially regarding complex socio-economic processes and organizational systems, including enterprises. The first radical change began precisely with the agrarian revolution when people domesticated animals as a basis for the transition from gathering

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Haltern, Ulrich. "Revolutions, real contradictions, and the method of resolving them: The relationship between the Court of Justice of the European Union and the German Federal Constitutional Court." International Journal of Constitutional Law 19, no. 1 (2021): 208–40. http://dx.doi.org/10.1093/icon/moab016.

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Abstract The German Federal Constitutional Court’s (FCC) PSPP ruling has met with criticism of unprecedented fierceness: its doctrine, its politics, and its authors have been attacked and ridiculed. While I agree that the ruling has its weaknesses, I also believe that many reactions to it, including the commentary by Basedow et al., are flawed. They frame the PSPP ruling as an abrupt break in time―a revolutionary narrative of old and new, with the decision splitting history into before and after. This frame alters the meaning of what happened. It throws the FCC alone into the spotlight, keeps

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Mex-Jørgensen, Line. "Den egyptiske revolution 2011 og det gode liv – en analyse af slogans og sange." Tidsskrift for Islamforskning 11, no. 1 (2017): 48. http://dx.doi.org/10.7146/tifo.v11i1.102872.

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Artiklen analyserer forestillinger om det gode liv, som de kom til udtryk i udvalgte sange og slogans på Tahrir-pladsen under den egyptiske revolution i 2011. Det gode liv forstås i denne artikel i kontekst af moderne forståelser om social orden og individets plads heri. I artiklen beskrives det, hvordan livet før revolutionen blev set som et kuet liv i ydmygelse, mens livet under revolutionen blev set som et stolt liv i handlen. Herfra konkluderes det, at omdrejningspunktet i forestillingerne om det gode liv, som de kom til udtryk i slogans og sange under den egyptiske revolution, er agens.Th

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Ziółkowski, Sebastian. "Arthur Rimbaud et l’expressionnisme dramatique." Romanica Cracoviensia 22, no. 1 (2022): 43–51. http://dx.doi.org/10.4467/20843917rc.22.004.15636.

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Arthur Rimbaud and Dramatic Expressionism The aim of this paper is to analyse some characteristics of the art of poetry by Rimbaud in the context of dramatic expressionism. The expressionist movement seems in fact to have inherited some concepts and motifs from the new aesthetic introduced by Rimbaud (poetic language revolution, a very personal vision of art where all the elements of the fictional world seem subordinated to fluctuations of the author’s psyche, subjectivism which abolishes the rules of the Aristotle’s mimesis, etc.). This new analytic perspective is particularly interesting bec

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Hadfield, Andrew. "Sceptical History and the Myth of the Historical Revolution." Renaissance and Reformation 41, no. 1 (2005): 25–44. http://dx.doi.org/10.33137/rr.v41i1.9070.

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Malgré que la question ait été souvent réévaluée attentivement, l'idée que l'écriture de l'histoire ait changé de manière drastique et irréversible au XVIe siècle demeure courante parmi les chercheurs en sciences humaines. Les historiens sont devenus plus sceptiques, ont développé des concepts plus adéquats de temps et d'anachronismes et ont appris à travailler plus prudemment avec les sources. Cet article remet ce point de vue en question, en montrant que les historiens de la fin du Moyen Âge faisaient preuve d'autant de scepticisme et de pensée critique que leurs homologues de l'autre versan

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Fowler, Bridget. "The Russian Revolution and photography: The tragic paradoxes of canonisation." Sociological Review 72, no. 4 (2024): 756–72. http://dx.doi.org/10.1177/00380261241258581.

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Bourdieu (et al.’s) Photography contends that it is the fate of photography to remain for ever ‘a middlebrow art’. This is partly because its technological character is held to be inimical to canonisation as a high art-form, but also because it lacks a class willing to invest time in its reception. Here, I argue, Bourdieu has been proved wrong: photography has now been consecrated, including, ironically, his own photography. Support for this claim is drawn from the field of art in Russia. The Russian Revolution and the Constructivist movement brought into the public gaze artists such as Rodche

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Perišić, Alexandra. "The Algerian Revolution Through a Yugoslav Lens." Expressions maghrébines 22, no. 2 (2023): 101–22. http://dx.doi.org/10.1353/exp.2023.a913758.

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Abstract: This article explores the Yugoslav involvement in the Algerian War through the archival collection of Zdravko Pečar and Veda Zagorac, a married couple of Yugoslav journalists and diplomats who founded the Belgrade Museum of African Art. The archive Pe?ar and Zagorac built contains many photographs of the Algerian War that strive to counter French propaganda, by representing the ALN in a different light and focusing mostly on the joy of revolution, rather than its bloody consequences. This archive of friendship and revolution, as I call it, reveals overlooked solidarities that underpi

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Al-Khalili, Charlotte. "Martyrdom and Destiny in Time of Revolution." Social Anthropology/Anthropologie Sociale 30, no. 4 (2022): 70–89. http://dx.doi.org/10.3167/saas.2022.300406.

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Abstract Through the ethnographic exploration of the Syrian uprising, this article shows how revolutionary actions and times are shaped by competing ideas of martyrdom. Aiming at tracing Syrian revolutionary engagement through the fragments left by martyrs and witnesses; this article argues that the urge to act now during the 2011 revolution was linked to the imminence of personal and collective endings. Through revolutionary actions, Syrian revolutionaries seemed to actualise in the present their desired destiny, often understood as martyrdom among my interlocutors. Destiny thus appears not s

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Simmons, Seymour. "Drawing in the Digital Age: Observations and Implications for Education." Arts 8, no. 1 (2019): 33. http://dx.doi.org/10.3390/arts8010033.

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This paper looks at recent examples of how drawing is advancing into the digital age: in London: the annual symposium on Thinking Through Drawing; in Paris: an exhibition at the Grand Palais, Artistes et Robots; a conference at the Institut d’études avancées on Space-Time Geometries and Movement in the Brain and in the Arts; and, at the Drawing Lab, Cinéma d’Été. These events are contrasted to a recent decline in drawing instruction in pre-professional programs of art, architecture, and design as well as in pre-K12 art education due largely to the digital revolution. In response, I argue for t

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Calatayud, Agnès. "« Un beau viveur et un délicat vivant ». Le baron de Besenval, courtisan et collectionneur, à travers son iconographie." Dalhousie French Studies, no. 117 (March 29, 2021): 43–64. http://dx.doi.org/10.7202/1076091ar.

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At the zenith of his life, the baron Pierre-Joseph-Victor de Besenval de Brünstatt (1721-1791), after having distinguished himself in battle under the reign of Louis XV as a colonel in the regiment of Swiss guards, had become the most seasoned courtier of Versailles. Assiduous member of Marie-Antoinette’s entourage, witty and attractive, he excelled in the two arts which were the mainstays of the Queen’s coterie at the Trianon château: the art of conversation and that of gallantry. Besenval had a prevailing passion; he was one of the finest art collectors of his time. In the aftermath of the

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Røge, Pernille. "The Directory and the Future of France's Colonial Possessions in Africa, 1795–1802." French Historical Studies 44, no. 3 (2021): 477–97. http://dx.doi.org/10.1215/00161071-9004993.

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Abstract This article examines how French revolutionaries envisioned a republican imperial future in Africa between the decreed abolition of slavery and its restoration under Napoléon. Drawing on proposals within the Ministry of the Marine and the Colonies and analyzing French activities in the Senegambian holdings of Saint-Louis and Gorée, the author argues that, although the French Revolution included numerous creative imperial processes vis-à-vis Africa, they did not amount to an imperial revolution in their own right. Cet article étudie la manière dont les révolutionnaires français envisag

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Chan, JJ, and Mathew Gillings. "Constructions and representations of Chinese identity through England’s curatorial imagination: A corpus-assisted analysis." Research in Corpus Linguistics 12, no. 1 (2024): 114–39. http://dx.doi.org/10.32714/ricl.12.01.05.

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This article explores the linguistic representation of Chinese identity in art exhibitions across England in the period immediately following the Umbrella Revolution. It focuses on publicly funded institutions through an analysis of press releases from Art Council England’s National Portfolio Organisations (NPOs) between 2014 and 2020. By employing corpus-assisted methods of analysis (Baker et al. 2008; Partington et al. 2013; Gillings et al. 2023) and drawing on Karen Barad’s (2007) notion of ‘diffraction’ to read through linguistic and artistic practices, we identify five key areas of intere

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Autant-Mathieu, Marie-Christine. "Les tournées du Théâtre d’Art de Moscou en Amérique du Nord (1923-1927) : Messianisme et pragmatisme." Slavica Occitania 37, no. 1 (2013): 69–81. https://doi.org/10.3406/slaoc.2013.2647.

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Moscow Art Theatre Tours in the North America (1923-1927) : messiansim and pragmatism Allowed to go on tour in New York, only six years after the Revolution, the Moscow Art Theater went to a capitalist country with an ambiguous mission : on the one hand, to make money and to seduce the American audience by an accomplished art that had already conquered the Europeans since 1906. At the same time it had to overcome prejudice against a class enemy and the fear of urban modernity, and, on the other hand, to win the distrust for the tastes of Americans, accustomed to a commercial art and pure enter

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Lécosse, Cyrille. "Du petit art à l’art du petit. Le portrait miniature et son public sous la Révolution (1791-1799)." Histoire de l'art 77, no. 2 (2015): 19–30. https://doi.org/10.3406/hista.2015.3641.

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In the second half of the 18 th century, many art critics saw a connection between miniaturization in painting and a diminution of talent. This negative conflation between “art du petit” and “petit art,” however, did not prevent miniature portraits from achieving great success with patrons. If the taste for miniature portraiture was already well established in elite circles, it became similarly popular amongst more modest milieus. It was a phenomenon that only increased during the French Revolution. Indeed, at this time of crisis, the reduced prices of miniature portraits made them a very attr

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Perazzolo, Paola. "« Rev.E. Revolution and Empire: pour une archive digitale de la production dramatique du Consulat »." Publif@rum 37 (February 9, 2023): 183–96. https://doi.org/10.5281/zenodo.7624964.

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Née au sein du projet européen « Rev.E. Revolution and Empire. Evolution of the dramatic art and cultural policies between the end of French Revo-lution and the Imperial Era » (Marie Sklodowska-Curie, Horizon 2020, grant agreement n° 895913 ), la base de donnée French Theatre Calendar (1799-1804)est conçue comme une archive digitale en ligne mettant à la disposition des chercheurs la reconstitution du répertoire théâtral pari-sien de la période consulaire ainsi que de multiples informations sur les représentat

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Aziz, Abdul. "Leadership Quality in the Millennial Era in Achieving Organizational Goals." Inovbiz: Jurnal Inovasi Bisnis Seri Manajemen, Investasi dan Kewirausahaan 3, no. 1 (2023): 231. http://dx.doi.org/10.35314/inovbizmik.v3i1.3316.

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Becoming a leader in the era of the industrial revolution and the evolution of society or better known as the millennial era requires a different leadership style. George Bradt said, "Don't even try to manage Millennials but lead them". The basic concept of this journal is extracted from the results of a review of 5 (five) International Journals and is supported by articles and other relevant journals. The important thing that a leader needs to understand is knowledge which includes science, morals and art. Science will determine what is right and wrong, morals will determine good and bad, and

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Stringer, Chris. "Has Australia backdated the Human Revolution?" Antiquity 73, no. 282 (1999): 876–79. http://dx.doi.org/10.1017/s0003598x00065613.

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Australia has usually played a supporting role in the story of human evolution — regarded as a place at the edge of the inhabited world where modern humans arrived relatively late and then remained largely isolated from subsequent developments. However, new dates for a human burial at Mungo, New South Wales (Thorne et al. 1999) may not only force revision of views about the peopling of Australia, but also have a wider impact on ideas about modern human origins.

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Préat, Alain. "Le précambrien: les bactéries, la tectonique des plaques et l'oxygène." Bulletin des Séances - Mededelingen der Zittingen 63, no. 2 (2020): 291–320. https://doi.org/10.5281/zenodo.3894484.

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L’oxygène n’est pas apparu aussi brutalement qu’on le pensait sur notre planète. Malgré un apport en oxygène lié aux cyanobactéries dès l’archéen, ce ne sont pas ces microorganismes qui sont à la base de la première grande «révolution» de l’oxygène qui a eu lieu à la limite archéen/paléoprotérozoïque (il y a deux milliards et demi d’années) dans l’atmosphère, lors du Grand Événement d’Oxydati

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Li, Shuangyi. "Novel, Film and the Art of Translational Storytelling: Dai Sijie's Balzac et la petite tailleuse chinoise." Forum for Modern Language Studies 55, no. 4 (2019): 359–79. http://dx.doi.org/10.1093/fmls/cqz019.

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Abstract This article examines the novel and film Balzac et la Petite Tailleuse chinoise, by the Franco-Chinese writer and filmmaker Dai Sijie, the story of which takes place against the background of the Cultural Revolution. The first part of my analysis will make clear how the film illuminates and dramatizes the special texture, aesthetic and structure of the novel, highlighting the cinematic sensibility of Dai’s literary aesthetic. I then move on to investigate the linguistic aspects of the various translations between the novel and the film in French, Mandarin Chinese and Sichuanese. The a

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Holert, Tom, and Edouard Pommier. "L'art de la liberte. Doctrines et debats de la Revolution francaise." Zeitschrift für Kunstgeschichte 56, no. 1 (1993): 142. http://dx.doi.org/10.2307/1482667.

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Wells, Stanley, and Anne Sophie Haahr Refskou. "Shakespeare, Globalization, and the Digital Revolution." New Theatre Quarterly 30, no. 1 (2014): 65–71. http://dx.doi.org/10.1017/s0266464x14000086.

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In an interview given during a lecture tour in Scandinavia organized by the universities of Copenhagen, Bergen, and Aarhus in October and November, 2012, Stanley Wells talks about his own career in Shakespeare studies and discusses past and present major changes and issues within the field, including his own Oxford Complete Works of 1986, co-edited with Gary Taylor et al., revision and collaboration theories, global Shakespeare, and new challenges for Shakespearean scholars. He shares thoughts on his own current and future research projects, which include a new monograph on Shakespearean actor

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Hansen, Catherine. "A Revolution in Consciousness: Dolfi Trost's Visible and Invisible." ARTMargins 1, no. 2–3 (2012): 186–90. http://dx.doi.org/10.1162/artm_a_00026.

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An introduction to and abridged translation of Romanian Surrealist Dolfi Trost's 1953 book Visible et Invisible. Trost was part of a semi-clandestine and infrequently studied Bucharest Surrealist group; his book is about forming a new kind of revolutionary collectivity on the basis of what he calls a self-regarding or “cosmic” consciousness” made manifest within certain forms of dreams, as well as on the basis of a “spiritually heightened schizophrenia.” Gilles Deleuze and Félix Guattari were attentive readers of his work, and I place the translation in the context of their anti-oedipal and sc

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Aulia, Asa, and Anisa Anisa. "Kajian Konsep Arsitektur Art Deco pada Planetarium Adler." Jurnal Linears 4, no. 1 (2021): 14–20. http://dx.doi.org/10.26618/j-linears.v4i1.5017.

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ABSTRAK: Gaya ini muncul pertama kali pada tahun 1925 dan berkembang hingga tahun 1940. Nama art deco berasal dari pameran bertajuk paris exposition des Art Decorations et industri pada tahun 1925 di Perancis. Art deco merupakan kombinasi dari berbagai gaya dan modern di awal abad ke-20, seperti gaya konstruksionisme, kubisme, modernisme, bauhaus, art nouveau dan futurisme. Gerakan arsitektur modern yang berkembang saat itu juga mempengaruhi gaya art deco dan memberikan sentuhan modern. Gaya arsitektur Eropa ini diadopsi di berbagai bangunan Amerika karena kondisi mereka di masa revolusi indus

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Anthes, R. A. "Exploring Earth's atmosphere with radio occultation: contributions to weather, climate and space weather." Atmospheric Measurement Techniques 4, no. 6 (2011): 1077–103. http://dx.doi.org/10.5194/amt-4-1077-2011.

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Abstract. The launch of the proof-of-concept mission GPS/MET (Global Positioning System/Meteorology) in 1995 began a revolution in profiling Earth's atmosphere through radio occultation (RO). GPS/MET; subsequent single-satellite missions CHAMP (CHAllenging Minisatellite Payload), SAC-C (Satellite de Aplicaciones Cientificas-C), GRACE (Gravity Recovery and Climate Experiment), METOP-A, and TerraSAR-X (Beyerle et al., 2010); and the six-satellite constellation, FORMOSAT-3/COSMIC (Formosa Satellite mission {#}3/Constellation Observing System for Meteorology, Ionosphere, and Climate) have proven t

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Thogmartin, Clyde, James R. Dow, and Christian Faure. "Le projet culturel de Vichy. Folklore et revolution nationale 1940-1944." Journal of American Folklore 104, no. 413 (1991): 370. http://dx.doi.org/10.2307/541459.

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Parley, Charles. "Affiches cubaines: Révolution et cinéma, 1959–2019 (Cuban posters: Revolution and film, 1959–2019)." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 27, no. 2 (2020): 294–98. http://dx.doi.org/10.1086/715385.

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DJAVARI, Mohammad Hossein. "Les mémoires et les témoignages littéraires de guerre: Le cas de la guerre entre Iran et Iraq." Revue plurilingue : Études des Langues, Littératures et Cultures 1, no. 1 (2017): 119–29. http://dx.doi.org/10.46325/ellic.v1i1.12.

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Abstract  Memories of Iran-Iraq war after the revolution need consideration. Through examination evidence and memoirs of war, this paper attempts to reveal what Iranian people have gone through during Iran-Iraq war. It builds upon two stages, i.e., a) how children have experienced the war, and b) memoirs of young warriors who were directly involved in the act of war. There are amounts of literary and artistic writings for children in Iran in this regard. In this paper, resistance and unity of Iranian people is shown through investigation of some of such literary works. Résumé &#x0D

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Noomen, Bahri. "Les inégalités d'accès à l'éducation des enfants en Tunisie." GPH-International Journal of Educational Research 07, no. 01 (2024): 31–41. https://doi.org/10.5281/zenodo.10638813.

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<strong>La sensation de privation, en particulier dans les premières stades de la vie de l'enfant, est négativement corrélée au développement physique et psychologique des ménages, menaçant sa survie et exerçant une influence sur ses opportunités sociales et professionnelles ainsi que sur son bien-être à l'âge adulte. Par conséquent, investir dans toutes les formes de privation des enfants et lutter contre toutes les formes de privation sont des moyens de surmonter les problèmes sociaux et les impas

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Chidiebere, S. Ekweariri. "Teaching the Performing Arts for Tomorrow: A Search for New Perspectives." NDỤÑỌDE : Calabar Journal of The Humanities 13, no. 2 (2018): 426–37. https://doi.org/10.5281/zenodo.1469052.

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Abstract Traditionally, the performing art is a visual art which is conceived as those areas of artistic creativity that seek to communicate primarily through the eye and ear. Over the years and in all institutions, the performing arts have always been a medium through which ideas, feelings and meanings are expressed and released through the ingenuity, imaginative impetuses and creativity of an artist. Investigations have revealed that these arts are mostly taught in schools solely by the lecture method activities whereby basic concepts are defined and examples demonstrated in practical terms.

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Buendía, Pedro. "Urban art, public space, and political subversion: The Egyptian revolution through graffiti Arte urbano, espacio público y subversión política la revolución egipcia a través del graffiti Art urbain, espace public et subversion politique : La révolution égyptienne à travers du graffiti." Regions and Cohesion 2, no. 3 (2012): 84–117. http://dx.doi.org/10.3167/reco.2012.020306.

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The emergence of graffiti's urban subculture as a means of political expression has become a singular issue of the so-called Arab Spring. Graffiti and urban art, which had little to no relevance in the Arab world until now, emerged with unusual force in many countries, notably in the Palestinian territories, Lebanon, and Egypt. This blossoming takes shape in tangent with the strengthening of a civil society and its rise as a decisive actor in the new political arena. In Egypt's case, graffiti achieved a leading role that reflected the milestones of civil disturbance, marking the walls with vir

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Bernasconi, Roberto. "(Electrodeposition Division Early Career Investigator Award) Wet Metallization of Additive Manufactured Parts: State of the Art and Future Perspectives." ECS Meeting Abstracts MA2024-02, no. 22 (2024): 1927. https://doi.org/10.1149/ma2024-02221927mtgabs.

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In the context of the fourth industrial revolution, Additive Manufacturing (AM) is probably the most relevant key enabling technology. This family of techniques overcomes the well-known limitations of conventional subtractive fabrication by introducing advanced manufacturing strategies based on a simple concept: the layer-by-layer building of a real object starting from a digital 3D model [1]. By implementing this approach, production can be made more scalable and customized, while material and energy use can be highly improved. With AM, it is possible to optimize parts design and even to get

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Harsløf, Olav. "Plakater fra Nellikerevolutionen i Portugal 1974-76." Arbejderhistorie - tidsskrift for historie, kultur og politik, no. 2 (January 11, 2025): 99–113. https://doi.org/10.7146/arbejderhistorie.vi2.152674.

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Nellikerevolutionen, Revolução dos Cravos, den ikke-voldelige revolution, hvor soldaterne stak nelliker i gevær- og kanonløbene i stedet for krudt og kugler, førte til diktaturets fald og åbning for frie valg for første gang i 50 år. I en to-årig periode blomstrede den politiske diskussion og kulturelle debat i hele Portugal, og fra de kunstneriske scener vistes forestillinger og spilledes musik, som havde været forbudt i et halvt århundrede. Olav Harsløf og Beth Juncker var i Lissabon i efteråret 1975 og oplevede alt dette. Med sig hjem havde de både farvestrålende og udtryksfulde valg- og te

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Vicens Pujol, Carlota. "Literatura francesa de viajes y códigod QR. Espacios culturales, espacios interculturales." Anales de Filología Francesa, no. 29 (November 24, 2021): 521–37. http://dx.doi.org/10.6018/analesff.481671.

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Desde finales del siglo XIX, tanto los relatos de viajes como las clásicas guías turísticas en papel conceden un lugar privilegiado al encuentro con el Otro, es decir, a la alteridad / interculturalidad; unos y otras encuentran en la intertextualidad una de sus principales características. Si la Revolución Industrial supuso nuevas maneras de viajar y un antes y un después en la relación del hombre con el tiempo y el espacio, esta segunda revolución marcada por las tecnologías de la información y la comunicación, incide también de manera rotunda en el sector turístico. Ambas revoluciones han su

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Silva Junior, Daniel de Souza, Ruan Carlos Dos Santos, and Ismael Luiz dos Santos. "Inovações da Indústria 4.0 na Gestão de Processos na Prestação de Serviços na Construção Civil." Future Studies Research Journal: Trends and Strategies 12, no. 3 (2020): 394–415. http://dx.doi.org/10.24023/futurejournal/2175-5825/2020.v12i3.500.

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Objective: This study aims to understand the impact of technological innovations in Industry 4.0 in the provision of services in the construction sector. Project / methodology / approach: Documental qualitative approach research gathering data from reports related to the civil construction segment (CBIC, 2016a, 2016b, 2018; SEBRAE, 2020; KPMG, 2016; WEF, 2016). The research followed in six steps: formulate the problem, establish a conceptual plan, conduct the research, collect the information, analyze and undertake a general assessment (Létourneau, 2011; Silveira Gontijo Motta Alves, 2019). Fi

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Ebmeier, Klaus P., and Julia M. Lappin. "Electromagnetic stimulation in psychiatry." Advances in Psychiatric Treatment 7, no. 3 (2001): 181–88. http://dx.doi.org/10.1192/apt.7.3.181.

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One hundred years ago, D'Arsonval and Beer first described the effects of magnetic fields on human brain function. Placing one's head into a powerful magnet produced phosphenes, vertigo or even syncopes (George & Belmaker, 2000). However, only since 1985 has the technology of fast discharging capacitors developed sufficiently to generate reproducible effects across the intact skull, with peak magnetic field strengths of about 1–2 tesla (Barker et al, 1985). The headline-grabbing news has been about therapeutic applications of transcranial magnetic stimulation (TMS), but in the meantime a r

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Russo, Paolo. "Visions of Medea: Musico-dramatic transformations of a myth." Cambridge Opera Journal 6, no. 2 (1994): 113–24. http://dx.doi.org/10.1017/s0954586700004201.

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On 13 March 1797, Cherubini's Médée was given its première at the Théâtre Feydeau in Paris. The opera was designed to be a tragédie lyrique with all the trappings: only the hostility directed towards young composers (Cherubini, but also Méhul and Le Sueur) during the Terror and the Directory had prevented its performance at the city's first theatre, the Académie Royale de Musique (briefly re-christened the Théâtre de la République et des Arts after the Revolution). Although Cherubini's opera followed the conventions of opéra comique (most important, of course, the use of spoken dialogue), it a

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Lafon, Dominique. "Des coulisses de l'histoire aux coulisses du théâtre: la dramaturgie québécoise et la Crise d'octobre." Theatre Research International 23, no. 1 (1998): 24–37. http://dx.doi.org/10.1017/s0307883300018186.

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On 8 October 1990 a ceremony of remembrance took place at the Théâtre d'Aujourd'hui (Montreal) to commemorate the political crisis which, twenty years earlier, had shaken Quebec. The 1970 ‘October Crisis’ remains, to this day, a sensitive subject of Québécois history entirely oriented, as we know, towards the national question. The kidnapping, on 5 October 1970, of the English commercial attaché, James Richard Cross, by the FLQ (Front de libération du Québec), followed on 10 October, by the kidnapping of Pierre Laporte, the Quebec Minister for Labour and Immigration, marked the climax of a mov

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Milne, Jo. "Artists’ Books as Resistant Transmitters." Arts 8, no. 4 (2019): 129. http://dx.doi.org/10.3390/arts8040129.

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Since the early 1970s, the origins of artists’ books have been extensively discussed and documented (Drücker, Lauf, Lippard, Phillpot, Gilbert et al.), yet the genre continues to generate new questions and paradoxes regarding its place and status within the visual arts as a primary medium. Whilst the conception of contemporary artists’ books lay in the medium’s potential for dissemination via mass production and portability, opportunities for distribution remain limited to a select number of outlets worldwide or, as an alternative, through the growing in number but time-limited artists’ book f

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Kennedy, R. Emmet, Simone Bernard-Griffiths, Marie Claude Chemin, and Jean Ehrard. "Revolution francaise et "Vandalisme revolutionnaire"; Actes du colloque international de Clermont-Ferrand, 15-17 decembre 1988." Eighteenth-Century Studies 27, no. 2 (1993): 300. http://dx.doi.org/10.2307/2739389.

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Makarchuk, Volodymyr. "Timeo danaos et dona ferentes, or how the Kremlin was friends with independent lithuania against another common thing (1918–1940): historical and historical-legal intelligence." Visnik Nacional’nogo universitetu «Lvivska politehnika». Seria: Uridicni nauki 11, no. 41 (2024): 173–82. http://dx.doi.org/10.23939/law2024.41.173.

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Soviet foreign policy in the interwar (1918–1939) period was carried out on the basis of the strategy and tactics of the "world revolution", which, in turn, provided for the rallying of all "anti-imperialist forces", including the so-called oppressed peoples. While supporting the struggle of the Hindus against the British colonialists or the Chinese Kuomintang against imperial Japan, the Kremlin manipulators did not let the European continent out of their sight. One of the powerful knots of contradictions at that time became the Polish-Lithuanian relations, caused by the forceful annexation of

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Dvorkin, Ihor. "MUSEUMS IN KYIV (1830'S - 1919): FORMATION, DEVELOPMENT, TRANSFORMATION DURING THE REVOLUTION." City History, Culture, Society, no. 8 (June 17, 2020): 24–35. http://dx.doi.org/10.15407/mics2020.08.024.

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The article analyzes the formation and development of Kyiv museums during the imperial period, as well as the transformations, that took place in this field during the revolutionary period (1917 - 1919). The article deals with the history of museums through the prism of analyzing the contribution of central and local authorities to the development and further activities of museum institutions. The influence of the state authorities and the Ukrainian national movement on the development of museums is considered in the example of the largest Kyiv museums.  Museums have played an essential

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Mirzoeff, Nicholas, 1962. "Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93." Eighteenth-Century Studies 31, no. 2 (1997): 153–74. http://dx.doi.org/10.1353/ecs.1998.0008.

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PLATT, SUSAN. "THE DINNER PARTY FROM CREATION TO PRESERVATION BY JUDY CHICAGO, GLOBAL FEMINISMS. NEW DIRECTIONS IN CONTEMPORARY ART BY MAURA REILLY AND LINDA NOCHLIN (EDS) AND WACK! ART AND THE FEMINIST REVOLUTION BY CORNELIA BUTLER ET AL." Art Book 15, no. 2 (2008): 41–43. http://dx.doi.org/10.1111/j.1467-8357.2008.00946.x.

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Vdovina, Irena. "Mounier Emmanuel." Philosophical anthropology 9, no. 2 (2023): 198–224. http://dx.doi.org/10.21146/2414-3715-2023-9-2-198-224.

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The article is devoted to the work of Emmanuel Mounier (1905–1950), the founder and leading theorist of the philosophy of French personalism. The philosopher sees the purpose of his teaching in finding a way out of a deep civilizational crisis, in which, in his opinion, by the beginning of the twentieth century, human society found itself. He seeks to find ways to comprehend a qualitatively new civilization based on the effective priority of spiritual values. The central idea in the thinker's views is transcension as a fundamental property of a human personality, overcoming mechanistic connect

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Najmi, Fahimeh. "Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)." New Theatre Quarterly 39, no. 1 (2023): 50–60. http://dx.doi.org/10.1017/s0266464x22000367.

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The quarterly journal Faslnameh Teatr has been published in the Iranian capital of Tehran since 1977, although with some interruptions. In a country where, since the Islamic Revolution, systematic efforts have been made to erase any trace of past monarchies, the continued publication of this journal proves to be an extremely rare, if not unique, occurrence. Of course, the prominence of the Ta’zieh ritual gives imposing visibility to the current dominant ideology within Iranian society, and the journal is effective in propagating the desired vision of the ruling Shi’ite power. The journal, then

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Gussenhoven, Carlos. "Zwara (Zuwārah) Berber." Journal of the International Phonetic Association 48, no. 3 (2017): 371–87. http://dx.doi.org/10.1017/s0025100317000135.

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Zwara Berber is a variety of Nafusi (ISO 639-3; Lewis, Simons & Fennig 2016) which belongs to the eastern Zenati group within northern Berber (where Berber is the scientific term for Tamazight), a branch of Afro-Asiatic. Zwara (Zuwārah, Zuwara, Zuāra, Zuara, Zouara) is a coastal city located at 32.9° N, 12.1° E in Libya. The speakers refer to themselves as /at ˈwil.lul/ (also /ajt ˈwil.lul/) ‘those of Willul’ and to their specific variety of the language as /t.ˈwil.lult/ ‘the language of Willul’. Having no official status during the Italian colonization of Libya and the first period after

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Banasiak, Jakub. "„Pozycja prawie idealna”. Związek Polskich Artystów Plastyków wobec przemian politycznych, kryzysu gospodarczego i napięć środowiskowych w latach 1980–1981." Artium Quaestiones, no. 32 (December 15, 2021): 295–328. http://dx.doi.org/10.14746/aq.2021.32.11.

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This paper examines the participation of the Polish Artists' Union in the complex transformation of communist Poland in 1980–1981 . It is one of the most mythologized phenomena in Polish art history. The main approach to this period assumes that before the of “Solidarity” movement uprising, the Polish Artists' Union was totally dependent on the communist authorities. Then, after August 1980, the Union was to become idealistic, anti-communist organization. The following paper recognizes this kind of historiographical narrative as an example of the 'totalitarian model'. It is a model based on a

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Hayes, Martin. "Technology Focus: Bits and Bottomhole Assemblies (December 2024)." Journal of Petroleum Technology 76, no. 12 (2024): 81–82. https://doi.org/10.2118/1224-0081-jpt.

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Drillstring dynamics has been a central focus of research and mitigation efforts in the drilling industry for many years. The effect of dysfunction and poor dynamic motion extends far beyond simply reducing the lifespan of drilling equipment. When these issues degrade borehole quality to the extent that petrophysical measurements become compromised, managing these dynamics becomes crucial. Addressing drillstring dynamics in these cases effectively can be the key to improving our understanding of reservoir characterization, which directly affects hydrocarbon-recovery strategies. Neglecting to m

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Mai, Vu Thi Tuyet, and Nguyen Thi Phuong Thu. "Is the Maturity Model applicable in Vietnam?" Asian Social Science 16, no. 9 (2020): 11. http://dx.doi.org/10.5539/ass.v16n9p11.

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Manufacturing enterprises are currently facing many challenges of industrial revolution 4.0 when beginning to change the production model, working with embedded systems which can collect and transmit specific data. The application of maturity models to the Industry 4.0 may help organizations to address the challenges regarding the concept of Industry 4.0 and the diversification methodology. This research is going to examine the application of a maturity model for assessing Industry 4.0 created by Schumacher et al. (2016). The Maturity model of Schumacher et al. (2016) was built to assess the m

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Arnoux, Mathilde. "Jérôme Bazin et Joanna Kordjak (dir.), Cold Revolution. Central and Eastern European Societies in Times of Socialist Realism, 1948-1959 , Milan-Varsovie, Mousse Publishing-Zachęta-National Gallery of Art et Adam Mickiewicz Institute, 2021, 320 p." Le Mouvement Social N° 283, no. 2 (2023): 181m—226m. https://doi.org/10.3917/lms1.283.0181m.

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