Relevant bibliographies by topics / Art, European – 18th century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art, European – 18th century'

Author: Grafiati
Published: 10 March 2023
Last updated: 31 July 2025

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Journal articles on the topic "Art, European – 18th century"

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Krasnoshchyokov, Vladimir A. "Visualization of Fashion in European Engravings of the 16th — Early 18th Century." Observatory of Culture 21, no. 5 (2024): 502–15. http://dx.doi.org/10.25281/2072-3156-2024-21-5-502-515.

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Images of people from different countries in their traditional costumes as a genre emerged in the second half of the 16th century and actively existed in the form of prints until the first fashion magazines appeared in the late 18th century. The article attempts to build a chronology of iconic examples of costume prints of the 16th — early 18th century on the basis of a number of sources of theoretical, historical and pictorial nature. The functions it fulfilled as a kind of graphic art in its time and artistic and technological features of its creation are defined. The study considers the wor
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Ponte, Alessandra, and Georges Teyssot. "18th-Century Air Conditioning and Purifying: Homage to Carl B. Wadström and George Kubler." Architext 9 (2021): 8–16. http://dx.doi.org/10.26351/architext/9/1.

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The paper presents a compelling early example of mechanical air conditioning for the dwellings of Europeans in a colony in West Africa at the end of the 18th century. The scheme was published by the Swedish engineer and abolitionist Carl B. Wadström in An Essay on Colonization (1794–1795), a well-informed compendium of the strategies and politics of colonization implemented by European powers. Wadström’s ingenious air-conditioned house appeared in a 1944 article by the eminent art historian George Kubler under the title “The Machine for Living in 18th-Century West Africa.”
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Klyushina, Elena V. "Rhino mania in the Western European Art of the 18th Century." Actual Problems of Theory and History of Art 8 (2018): 28–37. http://dx.doi.org/10.18688/aa188-1-2.

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Almelek İşman, Sibel. "Portrait historié: Ladies as goddesses in the 18th century European art." Journal of Human Sciences 14, no. 1 (2017): 396. http://dx.doi.org/10.14687/jhs.v14i1.4198.

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Portrait historié is a term that describes portrayals of known individuals in different roles such as characters taken from the bible, mythology or literature. These portraits were especially widespread in the 18th century French and English art. In the hierarchy of genres established by the Academy, history painting was at the top and portraiture came next. Artists aspired to elevate the importance of portraits by combining it with history. This article will focus on goddesses selected by history portrait artists. Ladies of the nobility and female members of the royal families have been depic
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Karyakina, Tatyana Dmitrievna. "The Allegorical and Symbolic Meaning in West European Porcelain Craft of the 18th Century." Исторический журнал: научные исследования, no. 2 (February 2020): 30–37. http://dx.doi.org/10.7256/2454-0609.2020.2.32607.

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The article takes a look at the works of various porcelain manufactories: Italian Docchia, German Meissen and Nymphenburg, Viennese and French Sèvres. These works are subject to allegorical interpretation and symbolic meaning. This content feature is one of the characteristic features of Baroque and Rococo art. The author pays particular attention to the identification of allegorical attributes and specific elements of form and decor that carry symbolic meaning. Porcelain artifacts, the authors of which are prominent European masters (Soldani, Kändler, Eberlein, Bustelli, N
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Jabbarov, Botirsher Ghulomovich, and Barnokhan Nasirjon kizi Tolibova. "ART AND CULTURE OF THE TIMURID PERIOD." Fars Int J Edu Soc Sci Hum 10(12); 2022; 10, no. 12 (2022): 468–74. https://doi.org/10.5281/zenodo.7468851.

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This article gives the information about the art and culture of the Timurids, which left an indelible mark in world history and is considered the golden age. It is stated that the rise of Movorounnahr and Khorasan from the second half of the 13th century to the end of the 18th century determined not only the cultural and spiritual development of Central Asia, but also influenced the cultural life of India, Afghanistan, Iran and European countries.
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Портнова, Ирина. "Russian Animalier Art in the XVIII- XIX Centuries in the Context of European Schools: The Origins and Nature of Development." Space and Culture, India 9, no. 1 (2021): 50–65. http://dx.doi.org/10.20896/saci.v9i1.1135.

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This study delves into the process of development of Russian animal art of the 18th-19th Centuries. The primary purpose of the research was to make a review of these two historical periods, which determined the typical features of the early and mature periods of development of animal art in Russia—the time of the birth and development of the genre. According to the author, genre issues are important, and talking about it is necessary to define the image of the animalistic nature in all its specificity. In addition, it is noted that researchers do not characterise the stage of early Animalism,
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Neglinskaya, M. A. "Часовая коллекция Цяньлуна (1736–1795): первое собрание европейского искусства в Китае". Iskusstvo Evrazii [The Art of Eurasia], № 4(19) (30 грудня 2020): 168–75. http://dx.doi.org/10.46748/arteuras.2020.04.014.

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Many of European clocks in the Beijing’s Palace Museum (Gugong) were made in second half of the 18th century, by the Qing Emperor Qianlong’s governing (1736–1795), when an exotic “Chinese style” (chinoiserie) in the decorative arts was at its height. The research methodology proposed below, which combines art history and cultural analysis, allows us to see, that the Palace Collection’s mix determined evolution of the clock’s industry in China and some European lands, who took part in the international clock and watch market. In forms and decor of Chinese clocks the 18th century were reflected
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Chebakova, Polina. "“Four Parts of the World: Asia on an Elephant, Europa on a Bull, Africa on a Lion, America on a Crocodile, on Their Usual Signs”: Personifications of Four Continents in 18th-century Russian Art." Человек и культура, no. 3 (March 2024): 36–51. http://dx.doi.org/10.25136/2409-8744.2024.3.70707.

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Since the end of the 17th century, personifications of the four parts of the world, or four continents (Europe, Asia, Africa, and America), have appeared in Russian art, along with many elements of the Western European allegorical vocabulary. These allegorical figures in some works of art attracted the attention of researchers, but their iconography has not yet been elaborately analyzed. The present article summarizes information about personifications of the four parts of the world in 18th-century Russian art. Their iconography is examined in Western European context and in comparison with th
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Solovyeva, Sofia N. "Vienna 18th Century Rococo Ceremonial Carriages." Observatory of Culture 20, no. 6 (2023): 605–21. http://dx.doi.org/10.25281/2072-3156-2023-20-6-605-621.

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The aim of this paper is to describe and review 18th century Viennese parade carriages from the point of view of arts and crafts. Carriages are a small architectural form and are “programme works”, examples of the synthesis of arts, harmoniously combining the principles of architecture, sculpture, painting, decorative art, carpentry, as well as the skills of carvers, gilders, bronzers, embroiderers. At the same time, carriages were an integral part of ceremonies and participated in the most important state ceremonies (coronations, weddings, funerals, baptism of heirs). Certain types of carriag
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Dissertations / Theses on the topic "Art, European – 18th century"

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Schneider, Leann G. "Capturing Otherness on Canvas: 16th - 18th century European Representation of Amerindians and Africans." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437430892.

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Abel, Jonathan 1985. "Jacques-Antoine-Hippolyte, Comte De Guibert: Father of the Grande Armée." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700071/.

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Jacques-Antoine-Hippolyte, comte de Guibert (1743-1790) dedicated his life and career to creating a new doctrine for the French army. Little about this doctrine was revolutionary. Indeed, Guibert openly decried the anarchy of popular participation in government and looked askance at the early days of the Revolution. Rather, Guibert’s doctrine marked the culmination of an evolutionary process that commenced decades before his time and reached fruition in the Réglement of 1791, which remained in force until the 1830s. Not content with military reform, Guibert demanded a political and social
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Weiss, Victoria A. "Food and the Master-Servant Relationship in Eighteenth and Nineteenth-Century Britain." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984138/.

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This thesis serves to highlight the significance of food and diet in the servant problem narrative of eighteenth and nineteenth-century Britain and the role of food in master-servant relationships as a source of conflict. The study also shows how attitudes towards servant labor, wages, and perquisites resulted in food-related theft. Employers customarily provided regular meals, food, drink, or board wages and tea money to their domestic servants in addition to an annual salary, yet food and meals often resulted in contention as evidenced by contemporary criticism and increased calls for legi
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Gilbert, Bennett. "Some Neglected Aspects of the Rococo: Berkeley, Vico, and Rococo Style." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1872.

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The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style. Naming the Rococo raises profound issues for understa
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Jarrett, Nathaniel W. "Collective Security and Coalition: British Grand Strategy, 1783-1797." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984129/.

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On 1 February 1793, the National Convention of Revolutionary France declared war on Great Britain and the Netherlands, expanding the list of France's enemies in the War of the First Coalition. Although British Prime Minister William Pitt the Younger had predicted fifteen years of peace one year earlier, the French declaration of war initiated nearly a quarter century of war between Britain and France with only a brief respite during the Peace of Amiens. Britain entered the war amid both a nadir in British diplomacy and internal political divisions over the direction of British foreign policy
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Baker, Daniel Alexander. "Technologies of encounter : exhibition-making and the 18th century South Pacific." Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13703/.

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Between 1768 and 1780 Captain James Cook led three epic voyages from Britain into the Pacific Ocean, where he and his fellow explorers- artists, naturalists, philosophers and sailors, were to encounter societies and cultures of extraordinary diversity. These 18th Century South Pacific encounters were rich with performance, trade and exchange; but they would lead to the dramatic and violent transformation of the region through colonisation, settlement, exploitation and disease. Since those initial encounters, museums in Britain have become home to the images and artefacts produced and collected
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Teruzzi, Marta. "Byzantium and Florentia. Byzantine art in Florence from the 13th to the 18th century." Thesis, IMT Alti Studi Lucca, 2017. http://e-theses.imtlucca.it/231/1/Teruzzi_phdthesis.pdf.

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The research is placed within the complex matter of the individuation and the comprehension of the movable Byzantine heritage in Italy, and focuses on Tuscany and specifically on Florence as a case study. The main aim of the research is to analyse the movable Byzantine heritage existing today in Florence, also in its historical aspects. Modern heritage is understood as the result of a long process of cultural choices and of dominant interpretations given throughout the centuries, and the research wants to address a double matter: on one side, the principal purpose is to define the extent of
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Tsang, Wing-yi. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B40040355.

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Tsang, Wing-yi, and 曾穎怡. "Jewish imagery and orientalism in nineteenth and early twentieth century European art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B40040355.

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Turner, Grace S. "An Allegory for Life: An 18th century African-influenced cemetery landscape, Nassau, Bahamas." W&M ScholarWorks, 2013. https://scholarworks.wm.edu/etd/1539623360.

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I use W.E.B. Du Bois' reference to the worlds 'within and without the veil' as the narrative setting for presenting the case of an African-Bahamian urban cemetery in use from the early eighteenth century to the early twentieth century. I argue that people of African descent lived what Du Bois termed a 'double consciousness.' Thus, the ways in which they shaped and changed this cemetery landscape reflect the complexities of their lives. Since the material expressions of this cemetery landscape represent the cultural perspectives of the affiliated communities so changes in its maintenance consti
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Books on the topic "Art, European – 18th century"

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Russia) Antikvariat na Sofiĭskoĭ (Moscow. Iskusstvo Rossii i Zapadnoĭ Evropy XVIII - XX Vekov: Russian & European 18th - 20th Century Art. ZAO "Antik-Biznes-Tsentr, ", 2002.

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Italy) Paolo Antonacci (Gallery : Rome. Landscapes of the Grand Tour: From the late 18th to the 19th century. Paolo Antonacci, 2011.

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Kirsi, Eskelinen, Sinebrychoffin taidemuseo, and Valtion taidemuseo (Finland), eds. Magiasta lääketieteeseen: Tiede ja usko 1500-1700 -luvun taiteessa = From magic to medicine : science and belief in 16th to 18th century art. Sinebrychoffin taidemuseo, 2004.

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Gallery, Winnipeg Art. The decorative element: British earthenware, mid 18th-early 20th century : collection of the Winnipeg Art Gallery. The Gallery, 2000.

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Draper, James David. Playing with fire: European terracotta models, 1740-1840. Yale University Press, 2004.

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dir, Álvarez Barrientos Joaquín, ed. Don Quijote: Tapices españoles del siglo XVIII = 18th century spanish tapestries : Meadows Museum, Dallas, EEUU, septiembre-noviembre, 2005 : Museo de Santa Cruz, Toledo, España. Ediciones El Viso, 2005.

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Čičo, Martin. Architectura delineata et sculpta: Obraz architektúry v grafike 16.-18. storočia = The image of architecture in 16th-18th century prints. Slovenská Národná Galéria, 2011.

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Walter-Dressler, Helga. Masterpieces of graphic art: German, French, and Italian copperplate, engravings, and etchings of the 15th to 18th century from the Ferdinand Siegel Collection of the City of Karlsruhe. Stadt Karlsruhe-Städtische Galerie, 1991.

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Richard, Wrigley, ed. Regarding romantic Rome. P. Lang, 2007.

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Grit͡saĭ, Natalʹi͡a Ivanovna. The State Hermitage Museum catalogue of Flemish painting: 17th-18th centuries. Yale University Press, 2006.

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Book chapters on the topic "Art, European – 18th century"

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Al-Attar, Iman. "European Involvement in the 18th Century." In A Glimpse at the Travelogues of Baghdad. Routledge, 2022. http://dx.doi.org/10.4324/b23141-6.

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Křupková, Lenka. "“Ideologically Progressive Art” Meets Western Avant-Garde." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century). Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch10.

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Křupková, Lenka. "“Ideologically Progressive Art” Meets Western Avant-Garde." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century). Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch10.

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Köhler, Sigrid G. "Chapter 5. Showing and feeling the atrocities of slavery." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxvi.05koh.

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German-language playwrights inscribed themselves into the international debate on abolition at the end of the 18th century, making themselves part of a transnational political communicative space. Most of these authors are rarely read today, except for August von Kotzebue, the most frequently performed German-language author of this period. These authors usually conceived their plays as discourse dramas that reflected the contradiction between the ideals of the Enlightenment and the system of enslavement and denounced slavery as a violation of human rights. To this end, as an analysis of Kotze
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Atanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century). Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.

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Atanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century). Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.

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Katalinić, Vjera. "The Linguistic Issue in 18th Century Croatian Music." In Word Art + Gesture Art = Tone Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20109-7_24.

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Finnegan, Ruth. "1. Introduction." In World Oral Literature Series. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0428.01.

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The study of oral poetry often involves assumptions that shape its analysis, making it important to distinguish between controversial, empirical, or outdated claims. Several influential approaches to oral poetry are examined. Romantic and evolutionist theories, rooted in 18th and 19th-century European Romanticism, highlight the spontaneous, emotional, and natural aspects of poetry, emphasizing a connection to "primitive" societies. These theories have shaped the perception of oral poetry as a natural, instinctive art form, often linked to rural or unlettered communities. The concept of traditi
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Jansson, Måns, and Göran Rydén. "The œconomia of iron and steel: Material transformations, manual skills, and technical improvement in early modern Sweden." In L’economia della conoscenza: innovazione, produttività e crescita economica nei secoli XIII-XVIII / The knowledge economy: innovation, productivity and economic growth, 13th to 18th century. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0092-9.15.

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Sweden was a major exporter of iron during the early-modern period, but there was also an important domestic steelmaking. We analyse the Swedish iron and steel trade in a long perspective in a European context. Our approach departs from recent discussions on industrial and scientific developments, in which the spheres of “Hand” and “Mind” are brought together, and where artisanal skills and natural resources are highlighted. We emphasise how the migration of people, and movements of materials and knowledge, influenced a process of gradual change. A key feature was the ongoing interactions betw
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Mantovani, Giulia. "Language ideologies in the 18th century." In Discourse Approaches to Politics, Society and Culture. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/dapsac.105.11man.

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Abstract In the 18th century, public discussion on language was influenced by the philosophical debates of the Age of Enlightenment, bearing a theoretical character. The discussions found concrete expression in the moral weeklies (known as “Spectators”), a prototype of opinion journalism which developed from Joseph Addison and Richard Steele’s periodical The Spectator (London, 1711–1712 and 1714). The Spectators experienced a European circulation through translations and imitations, thus contributing to the creation of wide communication networks among scholars. Concurrently, the language disc
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Conference papers on the topic "Art, European – 18th century"

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Michel, James H., Carol Powell, Ivan Richardson, and Bopinder Phull. "Development of Copper Alloys for Seawater Service from Traditional Application to State-of-the Art Engineering." In CORROSION 2017. NACE International, 2017. https://doi.org/10.5006/c2017-09382.

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Abstract Since antiquity both wrought and cast forms of copper alloys have exhibited significant corrosion resistance in marine environments. Their properties have been developed and modified over the years to meet today’s exacting engineering challenges and continue to offer solutions to a range of industries requiring reliability in seawater including commercial and naval shipbuilding, offshore seawater-handling and firewater systems, and thermal desalination plants. This paper describes the range of copper alloys in marine service today and the evolution of applications which include ships'
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Dima, Gabriela. "WESTERN EUROPEAN GEOGRAPHICAL KNOWLEDGE OF THE ROMANIAN PRINCIPALITIES IN THE 18TH CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s26.057.

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Savitkaia-Baraghin, Iarina. "The pagoda symbol in 17th-18th century Chinese and European porcelain: a cross-cultural study of cultural filtering and cultural misreading." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.14.

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This study analyzes the pagoda symbol in 17th-18th century Chinese and European porcelain to explore the roles of cultural filtering and cultural misreading in cross-cultural exchanges. The research finds that after the pagoda symbol entered Europe, it was not only imitated and adopted by artists but also underwent a significant transformation, reflecting the differences and fusion of Chinese and Western cultural mindsets. Unlike the religious and philosophical meanings of the pagoda in the Chinese tradition, European artists simplified and formalized the symbol, transforming it into an "exoti
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Dima, Gabriela E. "PETER THE GREAT OF RUSSIA AND CHARLES XII OF SWEDEN IN THE 18TH CENTURY ROMANIAN TRANSLATIONS OF WESTERN EUROPEAN HISTORY BOOKS." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b31/s10.049.

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Mengel, Swetlana. "The cultural-lingustic situation in Russia from the end of the 17th until the first third of the 18th century in prospects of foreign first Russian grammar-authors." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.16.

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The lecture addresses the sight of foreign first Russian grammar-authors on the cultural-lingustic situation in Russia from the end of the 17th until the first third of the 18th century. It takes a closer look at the first grammar-models of Russian language codifi cations, which are based on West European grammatical traditions and individual decisions.
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Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were
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Kostenko, Sergey, and Artur Kol'cov. "New variety of meadow timothy grass Grivskaya for Smolensk region." In Multifunctional adaptive fodder production. Federal Williams Research Center of Forage Production and Agroecology, 2025. https://doi.org/10.33814/mak-2024-33-81-67-71.

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Historically one of the main fodder crops in Russia, Timothy meadow grass (Phleum pratense L.) is not a record-breaker in terms of yield or protein content, but in the Non-Black Earth zone it always guarantees a normal yield of green matter or hay, which is quite easy to produce from it. This crop was first cultivated for fodder purposes in the north of European Russia in the first half of the 18th century. Timothy meadow grass is a typical hay crop, which is most often grown in grass mixtures with meadow clover [1]. This species has about five ecological forms-subspecies, which are evolutiona
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Halász, Ivan. "„Obsahovo presýtené ústavy“ a súčasný ústavný vývoj v strednej Európe." In Metamorfózy práva ve střední Evropě 2024. University of West Bohemia, Czech Republic, 2024. https://doi.org/10.24132/zcu.metamorfozy.2024.17-27.

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The paper deals with the current constitutional development in Centrel Europe from the aspect of their growing content.Naturally, every constitution is the product of a specific age, society and political mentality. However, since the 18th century, there has been a core of content that modern constitutions should have. The content of the world‘s constitutions would range from modest and narrow constitutions to saturated constitutions with many declarative and innovative elements. After the fall of communist regimes in 1989, the first type was more fashionable in the Central European region, bu
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Mattone, Manuela, Fabio Fratini, and Silvia Rescic. "Lorenese forts on the Tuscan coast: type, construction materials, state of preservation." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20329.

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The system of fortification along the Tuscany coast is made up of 160 structures, including fortified centres, individual castles, watchtowers and buildings for soldiers’ residential purposes. Built since the Middle Ages, they formed a relatively dense and effective network aimed at guaranteeing an adequate protection against possible incursions by enemy fleets. During the 18th century, the European Wars of Succession and Seven Years' War led to a further strengthening of the Tuscany fortified system with the building of fifty new structures. These include the six forts built between 1786 and
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Themelis, Nickolas J. "Current Status of Global WTE." In 20th Annual North American Waste-to-Energy Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/nawtec20-7061.

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This paper is based on data compiled in the course of developing, for InterAmerican Development Bank (IDB), a WTE Guidebook for managers and policymakers in the Latin America and Caribbean region. As part of this work, a list was compiled of nearly all plants in the world that thermally treat nearly 200 million tons of municipal solid wastes (MSW) and produce electricity and heat. An estimated 200 WTE facilities were built, during the first decade of the 21st century, mostly in Europe and Asia. The great majority of these plants use the grate combustion of as-received MSW and produce electrici
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Reports on the topic "Art, European – 18th century"

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Rodrigues-Moura, Enrique, and Christina Märzhauser. Renegotiating the subaltern : Female voices in Peixoto’s «Obra Nova de Língua Geral de Mina» (Brazil, 1731/1741). Otto-Friedrich-Universität, 2023. http://dx.doi.org/10.20378/irb-57507.

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Out of ~11.000.000 enslaved Africans disembarked in the Americas, ~ 46% were taken to Brazil, where transatlantic slave trade only ended in 1850 (official abolition of slavery in 1888). In the Brazilian inland «capitania» Minas Gerais, slave numbers exploded due to gold mining in the first half of 18th century from 30.000 to nearly 300.000 black inhabitants out of a total ~350.000 in 1786. Due to gender demographics, intimate relations between African women and European men were frequent during Antonio da Costa Peixoto’s lifetime. In 1731/1741, this country clerk in Minas Gerais’ colonial admi
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Yatsymirska, Mariya. Мова війни і «контрнаступальна» лексика у стислих медійних текстах. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11742.

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The article examines the language of the russian-ukrainian war of the 21st century based on the materials of compressed media texts; the role of political narratives and psychological-emotional markers in the creation of new lexemes is clarified; the verbal expression of forecasts of ukrainian and foreign analysts regarding the course of hostilities on the territory of Ukraine is shown. Compressed media texts reflect the main meanings of the language of the russian-ukrainian war in relation to the surrounding world. First of all, the media vocabulary was supplemented with neologisms – aggressi
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17th & 18th Century Sculpture in Quito. Inter-American Development Bank, 1994. http://dx.doi.org/10.18235/0006442.

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Graphics from Latin America and the Caribbean: January 18th - March 9th, 2002. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005918.

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43 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by 40 artists from the Americas were presented at the Riverside Art Museum, Riverside, California. On loan from the IDB Cultural Center; the artistic holdings serve to promote understanding of the cultural heritage of its member countries. Included in the exhibit are graphics by important 20th century Mexican muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros; the surrealist Roberto Sebastián Matta; Carlos Mérida and others.
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