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1

Traylor, Bill. Bill Traylor: Exhibition history, public collections, selected bibliography. Luise Ross Gallery, 1990.

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2

Marcon, Marco. Iteration : Again: 13 Public Art Projects across Tasmania. punctum books, 2013.

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3

The Manchester Art Treasures Exhibition of 1857: Entrepreneurs, connoisseurs and the public. Ashgate, 2011.

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4

Gerz, Jochen. Jochen Gerz: Une exposition = an exhibition. Fondation Cartier pour l'Art Contemporain, 1988.

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5

Cragg, Tony. TonyCragg: Exhibition guide. Arts Council of Great Britain, 1987.

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6

What is exhibition design? RotoVision, 2007.

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7

Pergam, Elizabeth A., and Elizabeth A. Pergam. The Manchester Art Treasures Exhibition of 1857: Entrepreneurs, connoisseurs and the public. Ashgate, 2011.

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8

Steirischer Herbst 2009 (2009 : Graz, Austria) and Steirischer Herbst 2010 (2010 : Graz, Austria), eds. Utopia and monument: Exhibition for the public space, steirischer herbst 2009-2010. SpringerWienNewYork, 2011.

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9

Haring, Keith. Keith Haring on Park Avenue: An exhibition of the Public Art Fund. Andre Emmerich Gallery, 1997.

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10

Art for the nation: Exhibitions and the London public, 1747-2001. Manchester University Press, 1999.

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11

Art for the nation: Exhibitions and the London public, 1747-2001. Rutgers University Press, 1999.

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12

Noel, Wanda. The right of public presentation: A guide to the exhibition right. Canadian Conference of the Arts, 1990.

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13

Painters and public life in eighteenth-century Paris. Yale University Press, 1985.

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14

Museum skepticism: A history of the display of art in public galleries. Duke University Press, 2006.

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15

Gerdts, William H. American Impressionism: Masterworks from public and private collections in the United States : exhibition catalogue. Thyssen-Bornemisza Foundation, 1990.

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16

Productions, FORECAST Public Artspace. FORECAST Public Artspace Productions proudly presents Art of the eye: An exhibition on vision. FORECAST, 1986.

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17

Wilson, Kristina. The modern eye: Stieglitz, MoMA, and the art of the exhibition, 1925-1934. Yale University Press, 2009.

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18

The modern eye: Stieglitz, MoMA, and the art of the exhibition, 1925-1935. Yale University Press, 2009.

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19

Isaev, D. A. Sovety khudozhniku-oformiteli͡u︡. "Plakat", 1989.

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20

La médiation de l'art contemporain. Editions d'art Le Sabord, 2007.

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21

Sichel, Kim. Philip Guston, 1975-1980: Private and public battles. Boston University Art Gallery, 1994.

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22

Chicano art inside/outside the master's house: Cultural politics and the CARA exhibition. University of Texas Press, 1998.

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23

Whiteread, Rachel. Rachel Whiteread: [an exhibition held 1 November-21 December 2002]. Haunch of Venison, 2002.

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24

Edward, Purcell L., ed. Horse Mania: A public art project of the Lexington Arts & Cultural Council. Lexington Arts & Cultural Council, 2000.

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25

Lewitt, Shariann. Sol Lewitt, twenty-five years of wall drawings, 1968-1993: January 15 - April 15, 1993, public viewing of the drawings in progress : April 16 - June 13, 1993, public viewing of the completed exhibition. Addison Gallery of American Art, Phillips Academy, 1993.

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26

Lewitt, Sol. Sol Lewitt, twenty-five years of wall drawings, 1968-1993: January 15 - April 15, 1993, public viewing of the drawings in progress : April 16 - June 13, 1993, public viewing of the completed exhibition. Addison Gallery of American Art, Phillips Academy, 1993.

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27

Tacha, Athena. Athena Tacha: Public works, 1970-1988 : a retrospective exhibition, June 27-August 20, 1989, High Museum of Art. The Museum, 1989.

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28

Sjölander-Hovorka, Angela. Schnittstelle Vernissage: Die Besucher als Wegbereiter und Multiplikatoren zeitgenössicher Kunst. Universität Linköping, 1991.

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29

Institut national d'histoire de l'art (France), ed. Le public et la politique des arts au siècle des Lumières: Célébration du 250e anniversaire du premier salon de Diderot. William Blake & Co., Art & arts, 2011.

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30

Rosler, Martha. Martha Rosler: In the place of the public : observations of a frequent flyer = an der Stelle der Öffentlichkeit : Beobachtungen einer Vielfliegerin. Cantz, 1998.

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31

Kiesler, Frederick. Friedrich Kiesler: Art of This Century. Hatje Cantz, 2002.

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32

Mullican, Matt. Matt Mullican: Banners, monuments, and the city : an exhibition of work for public spaces : September 11-October 18, 1987, Goldie Paley Gallery, Moore College of Art. The Gallery, 1987.

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33

1940-, Gaehtgens Thomas W., and Deutsches Forum für Kunstgeschichte, eds. Les musées français et la peinture allemande, 1871-1981. Maison des sciences de l'homme, 2007.

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34

John, Maizels, Lespinasse Philippe, and Chand Nek, eds. Nek Chand's outsider art: The rock garden of Chandigarh. Flammarion, 2006.

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35

Peiry, Lucienne. Nek Chand's outsider art: The rock garden of Chandigarh. Flammarion, 2005.

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36

Arts Council of England. Visual Arts Department. Visual Arts Department contacts list: Exhibition spaces, public art organisations, photography centres, new media organisations, architecture centres & visual arts organisations in the UK. Arts Council of England, 1998.

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37

Cragg, Tony. Tony Cragg: [catalogue of an exhibition held] Musée Départemental d'Art Contemporain de Rochechouart, 27 juin-4 octobre 1992, Centre d'Art Contemporain du Domaine de Kerguéhennec, 4 juillet-1er novermbre 1992. Musée Départemental d'Art Contemporain de Rochechouart, 1992.

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38

Kānsadǣng Sinlapakam hǣng Chāt (41st 1995 Mahāwitthayālai Sinlapākō̜n). Kānsadǣng Sinlapakam hǣng Chāt khrang thī 41 na Hō̜sinlapa, Mahāwitthayālai Sinlapākō̜n, Thanon Nā Phra Lān, Krung Thēp Mahā Nakhō̜n 15 Kanyāyon-8 Tulākhom 2538, Wančhan-Wansuk wēlā 9.00 no.-19.00 no. Wansao wēlā 9.00 no.-16.00 no., yut Wanʻāthit læ wan yut rātchakān =: The 41st National Exhibition of Art at the Silpakorn University Art Gallery, Nah Phra Lan Road, Bangkok, September 15-October 8, 1995, Monday-Friday 9.00 a.m.-7.00 p.m., Saturday 9.00 a.m.-4.00 p.m., closed Sunday and public holidays. Mahāwitthayālai Sinlapākō̜n, 1995.

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39

Kansadǣng Sinlapakam hǣng Chāt (42nd 1996 Mahāwitthayālai Sinlapākō̜n). Kānsadǣng Sinlapakam hǣng Chāt khrang thī 42 na Hō̜sin, Mahāwitthayālai Sinlapākō̜n, Wang Thā Phra, Thanon Nā Phra Lān, Krung Thēp Mahā Nakhō̜n, 15 Kanyāyon-10 Tulākhom 2539, Wančhan-Wansuk wēlā 9.00 Nō̜.-19.00 Nō̜., Wansao wēlā 9.00 Nō̜.-16.00 Nō̜., yut Wanʻāthit læ wan yut rātchakān =: The 42nd National Exhibition of Art at Silpakorn University Art Gallery, Wang Tha Phra, Na Phra Lan Road, Bangkok, September 15th-October 10th, 1996, Mondays-Fridays 9.00 a.m.-7.00 p.m., Saturday 9.00 a.m.-4.00 p.m., closed Sundays and public holidays. Mahāwitthayālai Sinlapākō̜n, 1996.

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40

Chance, George. George Chance, photographs: An exhibition organised by the Dunedin Public Art Gallery with the assistance of the Queen Elizabeth II Arts Council of New Zealand. The Gallery, 1985.

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41

1976-, Rothkopf Scott, Moody Rick, Roy Lichtenstein Foundation, and Mitchell-Innes & Nash, eds. Roy Lichtenstein: Times Square Mural : a catalogue published on the occasion of the unveiling of the Times Square Mural and the exhibition at Mitchell-Innes & Nash, September 5-October 19, 2002. Roy Lichtenstein Foundation, 2002.

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42

Along the way: MTA arts for transit. Monacelli Press, 2007.

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43

Kiesler, Frederick. Friedrich Kiesler: Architekt, Maler, Bildhauer, 1890-1965. Löcker, 1988.

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44

Isamu, Noguchi. Isamu Noguchi: The new bronzes, 1987-88 : [Exhibition] May 6 through June 18, 1988, Arnold Herstand, New York. Arnold Herstand, 1988.

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45

Wright, Christopher. Masterpieces of reality: French 17th century painting : a loan exhibition from public and private collections in Britain and Ireland : the Leicestershire Museum and Art Gallery, New Walk, Leicester, 23 October 1985-2 February 1986. The Museum, 1985.

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46

Gerz, Jochen. Jochen Gerz: Res publica : the public works 1968-1999. Hatje Cantz, 1999.

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47

Gerz, Jochen. Jochen Gerz: Res publica : the public works, 1968-1999. Hatje Cantz, 1999.

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48

Bauer, Dominique, and Camilla Murgia, eds. The Home, Nations and Empires, and Ephemeral Exhibition Spaces. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463720809.

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Abstract:
This book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country’s borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realitie
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49

Pamela, Houk, Nordland Gerald, and Experiencenter Gallery, eds. Art for the public: New collaborations. The Institute, 1988.

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50

Exhibit 320 (Gallery : New Delhi, India), ed. Public enemy number 1. Exhibit 320, 2011.

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