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Dissertations / Theses on the topic 'Art Exhibition Public'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Högström-Schnee, Linn. "Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.

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The present study is, to my knowledge, the first investigating the newly renovated and rearranged permanent art and design exhibition at Nationalmuseum, Stockholm: The Timeline. The exhibition presents Western art from 1500 to 1914 and design and portraiture from 1500 until today in a chronological arrangement. In the first chapter of the analysis, the exhibition is compared to previous arrangements of the permanent art exhibition at Nationalmuseum, as well as to historical museological trends. In the second chapter, Carol Duncan’s perspective of the ritual structure is applied in order to exp

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2

Bauerfeind, Bettina. "Le contexte en question : les expositions de projets d’art public et leur influence sur la création artistique contemporaine." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040158.

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Les expositions de projets d’art public, nouvelle forme de commande artistique née dans les années 1970, changent de manière significative les paramètres de la création artistique contemporaine dans la ville. Associant une présentation dans l’espace public à la création in situ, elles incitent les artistes à réaliser leurs œuvres en vue d’un événement citadin et en fonction d’éléments spécifiques du contexte d’exposition urbain (comme la topographie du lieu, son histoire, son architecture...). Si l’impulsion première que ces manifestations délivrent aux artistes est primordiale pour la créatio

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Dabul, Ligia Maria de Souza. "O PÃblico em PÃblico: PrÃticas e InteraÃÃes Sociais em ExposiÃÃes de Artes PlÃsticas." Universidade Federal do CearÃ, 2005. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=4088.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>Essa tese Ã o resultado de pesquisa sobre a presenÃa do pÃblico em exposiÃÃes de artes plÃsticas em centros culturais e museus de arte. Utilizando dados da observaÃÃo etnogrÃfica, descrevemos prÃticas sociais e interaÃÃes efetuadas entre os atores sociais durante o tempo em que estÃo em exposiÃÃes. ApÃs aproximarmos o leitor do universo da pesquisa e discutirmos conceitos da abordagem sociolÃgica de exposiÃÃes de arte, tratamos das prÃticas sociais fundamentais do pÃblico em exposiÃÃes, como estudar, brincar, conversar, observar a

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4

Onsal, Basak. "Emergence Of Art Galleries In Ankara A Case Study Of Three Pionerring Galleries In The 1950s." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12608100/index.pdf.

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This thesis attempts to analyze the emergence of private art galleries in Turkey by focusing on specifically the three art galleries, namely Gallery Milar, Helikon Society&rsquo<br>s Gallery, and Society of Artlovers&rsquo<br>Gallery that were opened in Ankara during 1950s. To this aim, both the artistic movements and governmental policies regarding the artistic field are mentioned from a historical point of view. Interviews, analysis of relevant literature, examining periodical magazines, and daily newspapers constitute the main sources of data collecting. In conclusion, in the light of our f

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Sjöberg, Mikaela. "Kronobergsgatan 35 : Från brandvägg till utställningsrum." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165525.

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Utställningsrummet för gatukonst växte fram långsamt på Kronobergsgatan 35. Genom att följa utvecklingsprocessen, platsen och verken som visats undersöker jag hur väggen växer fram till en hybrid som inte bara är ett utställningsrum. Det är även centrum för urban konst i Stockholms offentliga rum. Utställningsrummet är ett ovanligt inslag i en stad som fortsatt är präglad från en långvarig nolltolerans. Curering av väggen återspeglar ett utbildningssyfte för att visa att graffiti är mer än klotter. Jag undersöker vilka aktörer som är inblandade och deras mål med väggen utifrån curating teori.

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Edmundson, Joshua R. "THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/399.

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The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history. Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to eng

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7

Souza, Tálisson Melo de. "18ª e 19ª bienais de São Paulo: curadoria entre a prática e o debate no Brasil." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/84.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-03T14:19:01Z No. of bitstreams: 1 talissonmelodesouza.pdf: 5159280 bytes, checksum: 518577b5946c28a4a28d6be6120c76c2 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-03T14:21:12Z (GMT) No. of bitstreams: 1 talissonmelodesouza.pdf: 5159280 bytes, checksum: 518577b5946c28a4a28d6be6120c76c2 (MD5)<br>Made available in DSpace on 2015-12-03T14:21:12Z (GMT). No. of bitstreams: 1 talissonmelodesouza.pdf: 5159280 bytes, checksum: 518577b5946c28a4a28d6be6120c76c2 (MD5) Previous issue

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Cho, Sung Yeun. "Les expositions aux galeries nationales du Grand Palais : enjeux, pratique et développements 1966-2005." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H026.

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Cette thèse retrace l’histoire des expositions temporaires à caractère artistique organisées aux Galeries nationales du Grand Palais (GNGP) entre 1966 et 2005. Les analyses sur le contexte historique, politique et social et sur la politique artistique internationale en France révèlent que le pouvoir publique contribue à cette histoire des expositions dès l’origine : il soutient et institutionnalise des expositions temporaires en tant qu’action culturelle de l’État. La mise en oeuvre des expositions est coordonnée principalement par trois organismes publiques : la Réunion des Musées nationaux (

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Cook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /." Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.

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McKenzie, Anna, and n/a. "An Investment in Being Human EXPLORING YEAR 9 STUDENT EXHIBITIONS AN ACT CASE STUDY." University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20081216.140527.

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ACT Year 9 Exhibitions Program aligns curriculum, pedagogy and assessment in the design and implementation of rich learning tasks, which are focussed on transdisciplinary, problem-based, community-centred issues. It provides an authentic assessment model through a panel assessment process of demonstrated student achievement. This case study research examines the uptake of an Exhibitions approach in three ACT high schools. It discovers, through their own telling, what inspires commitment by participants to the program and the ways that they measure success. The study draws on a rich data set of

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DABUL, Lígia Maria de Souza. "O público em público: práticas e interações sociais em exposições de artes plásticas." http://www.teses.ufc.br, 2005. http://www.repositorio.ufc.br/handle/riufc/1290.

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DABUL, Lígia Maria de Souza. O público em público: práticas e interações sociais em exposições de artes plásticas. 2005. 333f. Tese (Doutorado em Sociologia) – Universidade Federal do CEARÁ, Departamento de Ciências Sociais, Programa de Pós- Graduação em Sociologia, Fortaleza-CE, 2005<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2011-11-29T13:54:01Z No. of bitstreams: 1 2005_TESE_LMSDABUL.pdf: 1849039 bytes, checksum: bec58ce55af60c7c6229b3d92fa040f7 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2011-11-29T14:51:32Z (GMT) No. of bitst

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Sousa, Luis. "Between monument and memorial : the design of the Korean War veterans memorial." Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23012.

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McKenzie, Anna. "An investment in being human : exploring year 9 student exhibitions : an ACT case study /." Canberra, 2008. http://erl.canberra.edu.au/public/adt-AUC20081216.140527/index.html.

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Stretch, Eleanor Eunice, and mikewood@deakin edu au. "Using site as the medium of image-making at Tower Hill." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.

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Orofino, Karin Zapelini. "Relações entre público e arte contemporânea: propostas educacionais para espaços expositivos." Universidade do Estado de Santa Catarina, 2011. http://tede.udesc.br/handle/handle/782.

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Made available in DSpace on 2016-12-08T16:19:08Z (GMT). No. of bitstreams: 1 101338.pdf: 3300469 bytes, checksum: d9be952553f8c0738129e7c86e31f4c9 (MD5) Previous issue date: 2011-07-20<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work's point of departure takes the distance between the public and contemporary art. It develops an analysis of some exhibition's proposals and their conceptions of educational processes, considering them as alternatives to the approch between contemporary art and the public. For that, it reports three proposals, as the focus of the pressu

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Dalal-Clayton, Anjalie. "Coming into view : black British artists and exhibition cultures 1976-2010." Thesis, Liverpool John Moores University, 2015. http://researchonline.ljmu.ac.uk/4356/.

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This study unites the burgeoning academic field of exhibition histories and the critiques of race-based exhibition practices that crystallised in Britain in the 1980s and 1990s. It concerns recent practices of presenting and contextualising black creativity in British publicly funded art museums and galleries that are part of a broader attempt to increase the diversity of histories and perspectives represented in public art collections and exhibitions. The research focuses on three concurrent 2010 exhibitions that aimed to offer a non-hegemonic reading of black creativity through the use of no

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Davčíková, Gabriela. "Kraví hora - rodinné stříbro VUT." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2019. http://www.nusl.cz/ntk/nusl-402992.

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The subject matter of the Master's Thesis deals with the design of the Brno University of Technology (BUT) compound on Kraví hora and comes as a follow-up to the work done in the previous academic term. The aim was to combine the interests of the city of Brno and that of the Brno University of Technology (BUT); to create a common zone which would incorporate attractive park areas for the general public and a representational space for the promotion of BUT and other activities that the university has been lacking to date. The primary objective was to make the compound more accessible to the pub

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Sonter, Sharyn Louise. "The museum and the department store." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030911.113738/index.html.

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Helsel, Sand, and n/a. "A Search For Common Pleasures: CURATING THE CITY." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091216.141950.

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The project-based research questions how professionals working in the built environment can engage a broader range of 'others' (students, client, users) in ways of seeing and acting in a meaningful way. It challenges the role of the expert in architecture and urban design and in particular their use of the masterplan, which is often an oversimplified reductive response, laden with generalisations and the ill-considered overlay of inappropriate models. Design methods are designed to enable us to see afresh and respond accordingly. These are demonstrated in three suites of projects that inc

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Huang, Michelle Ying Ling. "The reception of Chinese painting in Britain, circa 1880-1920 : with special reference to Laurence Binyon." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1020.

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The British understanding of Chinese painting owed much to Laurence Binyon (1869-1943) who enriched the British Museum’s collections of Oriental painting, and for almost forty years, published widely and delivered lectures in Britain and abroad. Binyon’s legacy is to be found in several archival resources scattered in Britain, America, Japan and China. This dissertation is a study of the reception of Chinese painting in early twentieth century Britain, and examines Binyon’s contribution to its appreciation and criticism in the West. By examining the William Anderson collection of Japanese and

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Sin, Song-Chiew James. "Arts, culture and museum development in Singapore /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030901.095617/index.html.

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Cork, Kevin James. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.

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Pergefors, Johanna. "Konstvägen Sju Älvar : Monumentalitet i Norrlands skogar." Thesis, Södertörn University College, The School of Culture and Communication, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-569.

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<p>An analysis of Konstvägen Sju Älvar, an exhibition of modern Nordic sculpture along a road trough the wilderness of Northern Sweden. Konstvägen is a project for public art and contemporary art in northern Sweden. The intention is to see what happens when you exhibit art alongside a road and what function it fills. By comparing the qualities of Konstvägen to the qualities of a monument Konstvägen and it’s exhibitional functions are sought to be understood.</p>

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Reis, Márcio Vinicius. "O art déco na Obra Getuliana. Moderno antes do modernismo." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-16102014-111348/.

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Trata-se de estudo investigativo de mão dupla acerca do art déco enquanto expressão primaz do moderno - não modernista - na Obra Getuliana, que assinalada pelos inúmeros edifícios públicos erigidos no período de 1930 a 1945, contribuiu para disseminá-lo no país. A princípio buscou-se explicitar em forma de panorama, uma parcela da vultosa produção arquitetônica oficial desse período, a cargo das seções de engenharia e arquitetura dos ministérios civis. Para tal, recorreu-se ao universo das exposições propagandísticas das realizações do governo estadonovista, ocorridas a partir de 1938 no antig

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Kaveh, Samira. "Le droit d'exposition publique." Thesis, Montpellier, 2016. http://www.theses.fr/2016MONTD004.

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Le droit d’exposition comme la prérogative patrimoniale du droit d’auteur est l’objet de notre étude. L’exposition publique de l’œuvre est assimilée à un mode d’exploitation au sens du droit d’auteur, c’est une comme une utilité reconnue, réservée à l’auteur. Pourtant l’exercice de ce droit se caractérise par une confusion dans les pratiques contractuelles. L’objet d’art et l’œuvre de l’esprit se confondent. La primauté du droit de la propriété matérielle joue un rôle important dans la reconnaissance du droit d’exposition à une œuvre de l’esprit. Pourtant celle-ci s’incarne dans une matière af

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Brown, James, and katsuben@internode on net. "South Korean Film Since 1986: The Domestic and Regional Formulation of East Asias Most Recent Commercial Entertainment Cinema." Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.

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This thesis investigates the historically composed political and economic contexts that contributed to the late 1990s commercial renaissance of Korean national cinema and that have sustained the popularity of Korean films among local and regional audiences ever since. Unlike existing approaches to the topic, which emphasise the textual characteristics of national film production, this thesis considers relations between film production, distribution, exhibition, and ancillary markets, as well as Korean cinemas engagement with international cinemas such as Hollywood, Hong Kong, China and Japan.

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Flynn, Emma. "Building careers, managing capitals." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9393.

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I sought to find out whether this was a tension between artistic and commercial in the career of visual artists, and if so, how this tension was managed. In attempting to uncover information which could address the research question I undertook in-depth career history interviews with artists which covered their time at art school through to their current practice. The career history method was deliberately chosen in order to address the research question at a tangent as both the literature, and my own personal experience of the field of contemporary visual art, had suggested that the topic of

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Cendoya, Jessica. "Le Guernica : un tableau-monument en expositions. Support de réactivation et d’actualisation des mémoires de la Guerre Civile espagnole (1936-1939)." Thesis, Avignon, 2018. http://www.theses.fr/2018AVIG1192.

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La recherche se donne pour objectif de définir comment la construction des régimes de valeurs artistiques, mémorielles et historiques du Guernica - œuvre d’art réalisée par Pablo Picasso en 1937 - participe à l’écriture patrimoniale du tableau-monument, d'une part, et devient opératoire dans la réactivation ou l’actualisation de la mémoire des événements auxquels il réfère, dans le cadre de la visite muséale, d'autre part. Trois niveaux de recherche ont été pensés. Le premier a été de circonscrire l’objet Guernica en tant qu’objet d’art en posant un socle d’analyse de l’objet détaché de tout c

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Kašpárková, Eliška. "Středoevropské forum Olomouc." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-394019.

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The presented diploma thesis was elaborated as an architectural study of a Central European Forum in Olomouc (SEFO). Campus SEFO will be created as an reconstruction of the Museum of Modern Art (MUO) in Denis street and building in a neighboring vacant lot. The proposal involves urban, architectural, operational layout, design and material solutions objects in spatial context. Within SEFO and MUO they are created each operation - stand-alone units. Objects SEFO and MUO are interconnected. It is necessary to respect the separation of publicly accessible areas of compartments accessible only by

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Kordík, Pavel. "VEŘEJNÝ MĚSTSKÝ PROSTOR – RUDOLFOV." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2015. http://www.nusl.cz/ntk/nusl-216184.

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The main goal of my work was find and define a form of content for potential reconstruction of the castle Rudolfov. The purpose was a make this castle a good place for serving to city. This thesis is a last from analyzes and proposals for dealing with the city Rudolfov and its public space, which I developed in the whole masters degree: City - Vision for the Future. My work has been divided into four semesters. In first one, i have made a detailed analysis of the city Rudolfov and identifying the problem areas and main city problems, which I also discussed. In the second semester the work was

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Veasey, Melanie. "'Reforming academicians' : sculptors of the Royal Academy of Arts, c. 1948-1959." Thesis, Loughborough University, 2018. https://dspace.lboro.ac.uk/2134/34791.

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Post-war sculpture created by members of the Royal Academy of Arts was seemingly marginalised by Keynesian state patronage which privileged a new generation of avant-garde sculptors. This thesis considers whether selected Academicians (Siegfried Charoux, Frank Dobson, Maurice Lambert, Alfred Machin, John Skeaping and Charles Wheeler) variously engaged with pedagogy, community, exhibition practice and sculpture for the state, to access ascendant state patronage. Chapter One, The Post-war Expansion of State Patronage , investigates the existing and shifting parameters of patronage of the visual

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Yi-Ru, Lin, and 林怡如. "Discussion of the Relationship between Public and Public Art Exhibition Regulation Revise - Before and After Revise Analysis/Study." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/13971634084836253927.

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碩士<br>東海大學<br>美術學系<br>98<br>This public art study was inspired by the Hsiaolin Village incident in which the villagers tried on their own to preserve the local traditions versus to remove the citizens’ right of participation from Public Art Regulation Revise and cause apprehension about public-ness. The study is mainly based on the existing literature, and also experts’ comments, in order to have a thorough understanding of scholars’ viewpoints on public subjects, on system agreement, and future viewpoint agreement. In addition, also add the current trend of Public Arts in Taiwan and the diff

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Wang, Hsiao-Wen, and 王筱文. "The impact of the public arts in urban space－A case study of Very Fun ParkⅡ''contemporary art exhibition in eastern area of Taipei." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/tw7frd.

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碩士<br>國立臺北科技大學<br>建築與都市設計研究所<br>97<br>The motive of this research is that the public arts are widely accepted by building trade, art and business in Taiwan within these years. After further understanding, people thought that public art is “sculpture” on the street. At the same time, the definition of public art was narrow in the related law, therefore, limited most people’s thought to the public art. So the present form of public art was dull. Public art in Taiwan has been developed for a period of time and it gradually develops broader explanation in thinking, and the forms of arts have been

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Johnson, Kay. "Unsettling exhibition pedagogies: troubling stories of the nation with Miss Chief." Thesis, 2019. http://hdl.handle.net/1828/11132.

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Museums as colonial institutions and agents in nation building have constructed, circulated and reinforced colonialist, patriarchal, heteronormative and cisnormative national narratives. Yet, these institutions can be subverted, resisted and transformed into sites of critical public pedagogy especially when they invite Indigenous artists and curators to intervene critically. They are thus becoming important spaces for Indigenous counter-narratives, self-representation and resistance—and for settler education. My study inquired into Cree artist Kent Monkman’s commissioned touring exhibition Sha

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Morton, Erin. "Visions which Succeed: Regional Publics and Public Folk Art in Maritime Canada." Thesis, 2009. http://hdl.handle.net/1974/5232.

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This thesis examines the intersections of visual culture with processes of folklorization in Maritime Canada between 1964 and 2007. Throughout this thesis, I explore how visual culture helps make history public in the Maritimes for local and tourist audiences alike. Ultimately, I question which visions succeed when it comes to looking at this “region’s” past in order to visualize its future. I outline chapters that consider how Nova Scotia’s first provincial gallery, the Art Gallery of Nova Scotia (AGNS), labelled the cultural production of local self-taught artists “folk” art and, by collecti

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Santos, Jorge Augusto Mendes Dias dos. "Público(s) de Arte Contemporânea: a Exposição Joana Vasconcelos no Palácio Nacional da Ajuda." Master's thesis, 2014. http://hdl.handle.net/10071/9032.

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A dissertação que se apresenta insere-se no ramo da Cultura e Indústrias Criativas e tem como foco os públicos da arte contemporânea, incidindo sobre aqueles da exposição Joana Vasconcelos no Palácio Nacional da Ajuda que decorreu de 23 de março a 25 de agosto de 2013, neste monumento. O objetivo da pesquisa é, por um lado, caraterizar o público de uma exposição de uma artista plástica contemporânea, num palácio nacional português, incluindo as suas práticas culturais e de lazer, assim como a sua relação com a arte contemporânea e o património, sobretudo a relação (prévia) com o Palácio Nacion

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Léonard, Brouillet Karine. "L'exposition virtuelle : nouvelle forme de diffusion et de représentation des œuvres." Thèse, 2012. http://hdl.handle.net/1866/8788.

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Depuis longtemps déjà, les arts visuels se démarquent par leurs rapports proches quoique créatifs avec les développements technologiques des sociétés modernes. Pour les musées, Internet constitue une opportunité de rejoindre des publics qui s’avèrent de prime abord moins accessibles. Ce nouvel acteur dans le monde de l'art occupe une place croissante dans la présentation des oeuvres tout en jouant un rôle déterminant dans la diffusion et donc dans le retentissement qu'elles ont auprès de publics aux attentes changeantes. Alors que le musée diffusait autrefois ses collections et connaissances p

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Michel, Victoire Marie Isabelle. "From private collections to public exhibitions : the case study of Châteu La Coste." Master's thesis, 2020. http://hdl.handle.net/10400.14/33406.

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The current report corresponds to an internship at Château La Coste, in the department of art and architecture for the private collection of Patrick McKillen in Aix-En- Provence, France. The duration was of 4 months from the 15th August 2019 to the 15th December 2019. The collection of Patrick McKillen at Château La Coste consists of an outdoor exhibition 36 artworks and architecture installation from famous contemporary artists and architects worldwide. The first artist to construct a massive architectural building on the property was Tadao Ando, who built the art centre starting from 2

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Hackney, Luke David. "Activist art vs. public performances as sources of activism for black South African lesbians." Thesis, 2016. http://hdl.handle.net/10539/22230.

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A Research Report submitted to the Department of History of Art, Faculty of Humanities, University of the Witwatersrand in partial fulfilment of the requirements for the Degree of Master of Arts, 2016<br>Statistics indicate that over the past 16 years (since the year 2000), there have been over 30 black lesbians in South Africa, who have been victims of rape (and in some cases, brutal murder as well) as a result of homophobic violence, which is aimed at “curing” lesbians of their homosexuality. The aim of this research report is to examine how activist methods, such as art exhibitions and

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Walton, Diana. "Stratégies pour encourager et soutenir l’exploitation des archives par des artistes dans les centres et les services d’archives au Québec." Thèse, 2018. http://hdl.handle.net/1866/21242.

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Moran, David. "GAYME: The development, design and testing of an auto-ethnographic, documentary game about quarely wandering urban/suburban spaces in Central Florida." Master's thesis, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6141.

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GAYME is a transmedia story-telling world that I have created to conceptually explore the dynamics of queering game design through the development of varying game prototypes. The final iteration of GAYME is @deadquarewalking'. It is a documentary game and a performance art installation that documents a carless, gay/queer/quare man's journey on Halloween to get to and from one of Orlando's most well-known gay clubs - the Parliament House Resort. "The art of cruising" city streets to seek out queer/quare companionship particularly amongst gay, male culture(s) is well-documented in densely, popu

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Van, Niekerk Leone Anette. "Documenta 11 as examplar for transcultural curating : a critical analysis." Thesis, 2008. http://hdl.handle.net/2263/27143.

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This study investigates to what extent the curatorial project of Documenta 11 offered an operative cultural concept beyond multiculturality by favouring a transcultural approach to difference in the global sphere. It questions whether the central strategy employed – of postcoloniality as tactical manoeuvre to expand both the public and aesthetic spheres in order to create the conditions for an ethical engagement with difference – could facilitate a workable exemplar for showing art from different production sites, yet resist levelling of differences for an ever-expanding global art market. Pro

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Cloete, Zelda. "Site-specificity in The educators new clothes by Mark Rautenbach." Diss., 2019. http://hdl.handle.net/10500/27031.

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Text in English, with summaries and keywords in English, Sesotho and Afrikaans<br>This study is an enquiry into how The educator’s new clothes by Mark Rautenbach is an example of site-specific art. The aim is to demonstrate how boundaries in TENC become blurred between site-specific performance, other art forms, and every-day activities. The key concepts explored are: Rautenbach’s approach to the concept of site, the connections that develop between his performance and each site that he travels to; his use of the art gallery and viewer participation. Through literature study relevant theory i

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Lehkoživová, Irena. "Mezi architekturou a uměním: Recepce vzájemných vztahů." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-398615.

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Irena Lehkoživová Between Architecture and Art: Reception of Mutual Relationships Doctoral thesis Abstract My doctoral thesis deals with the relationship between contemporary architecture and fine art. I track examples of such concepts and approaches in which architecture and art permeate and influence each other. Besides, I examine how selected authors approach the chosen topic. A detailed analysis of the work and ideas of individual selected architects or artists is thus complemented by clarification of their methods and starting points. The aim of this work is to look at the predefined stud

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