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1

Far Eastern art. New York: Facts on File, 1997.

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2

Noble, Richard Naomi, ed. A history of Far Eastern art. 5th ed. Englewood Cliffs, N.J: Prentice Hall, 1994.

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3

A history of Far Eastern art. 4th ed. London: Thames and Hudson, 1988.

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4

Lee, Sherman E. A history of Far Eastern art. 5th ed. New York: Harry N. Abrams, 1994.

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5

Lee, Sherman E. A history of Far Eastern art. 5th ed. Englewood Cliffs, N.J: Prentice Hall, 1994.

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6

Kenkyūjo, Kurokawa Kobunka. Kurokawa Kobunka Kenkyūjo meihin sen =: Masterpieces from Kurokawa Institute of Ancient Cultures. Hyōgo-ken Nishinomiya-shi: Kurokawa Kobunka Kenkyūjo, 1990.

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7

Understanding Far Eastern art: A complete guide to the arts of China, Japan, and Korea : ceramics, sculpture, painting, prints, lacquer, textiles, and metalwork. New York: Dutton, 1987.

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8

Understanding far eastern art: A complete guide to the arts of China, Japan and Korea : ceramics, sculpture, painting, prints, lacquer, textiles and metalwork. Oxford [England]: Phaidon, 1987.

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9

Indian contribution to the development of Far Eastern Buddhist iconography. Kolkata: K.P. Bagchi & Co., 2002.

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10

International Institute for Conservation of Historic and Artistic Works. Congress. Conservation of Far Eastern art: Abstracts of the contributions to the Kyoto Congress, 19-23 September 1988. [Kyoto?]: Japanese Organizing Committee of the IIC Kyoto Congress, 1988.

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11

Shah, Ashita. East on West: The impact of far eastern art and design on the West twentith century?. London: LCP, 1999.

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12

museet, Östasiatiska. Glimpses of Southeast Asia: Exhibition catalogue and introduction to Southeast Asian collections at the Museum of Far Eastern Antiquities, Stockholm. Stockholm: Museum of Far Eastern Antiquities, 2002.

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13

(Firm), Bonhams. Decorative arts: [auction]: ... Tuesday, 29 September, 1998 ... ; Far eastern works of art : [auction]: Wednesday, 30 September, 1998 .... London: Bonhams, 1998.

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14

Hakubutsukan, Tōkyō Kokuritsu. Tōkyō Kokuritsu Hakubutsukan meihin hyakusen. Tōkyō: Tōkyō Kokuritsu Hakubutsukan Unʾei Kyōryokukai, 1990.

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15

Japan), Onjōji (Ōtsu-shi. Miidera hihōten: Chishō Daishi 1100-nen goonki kinen. [Tokyo]: Nihon Keizai Shinbunsha, 1990.

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16

Onjōji, (Ōtsu-shi Japan). Miidera hihōten: Chishō Daishi 1100-nen goonki kinen. [Tokyo]: Nihon Keizai Shinbunsha, 1990.

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17

Hakubutsukan, Tōkyō Kokuritsu, Kyōto Kokuritsu Hakubutsukan, and Nagoya-shi Hakubutsukan, eds. Miidera hihōten: Chishō Daishi 1100-nen goonki kinen. [Tokyo]: Nihon Keizai Shinbunsha, 1990.

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18

Far Eastern art at Spink: An exhibition for sale to be held at 5-7 King Street, St James's, London SW1 in the Oriental Galleries, 3rd-18th June, 1993. London: Spink & Son, 1993.

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19

Maleszko, Katarzyna. Animals in Far Eastern art: From the collection of the National Museum in Warsaw : the National Museum in Warsaw, July 8-September 1, 1996. Warsaw: The Museum, 1996.

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20

Tanizaki, Junʾichirō. Quicksand. New York: Alfred A. Knopf, 1994.

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21

Tanizaki, Junʾichirō. Quicksand. London: Vintage, 1994.

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22

Ferrari, Aldo, Stefano Riccioni, Marco Ruffilli, and Beatrice Spampinato. L'arte armena. Storia critica e nuove prospettive Studies in Armenian and Eastern Christian Art 2020. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-469-1.

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Exploration of Armenian art began in the 19th century with French, Russian, German, Finnish, Austrian and Armenian art historians, and continued into the 20th century primarily with Russian, Armenian, Ukrainian, American and Italian scholars, who brought to the attention of a large public – not only of academics –, the artistic heritage of a territory that goes beyond the borders of present-day Armenia and encompasses an area known as Subcaucasia, a term used to indicate the regions from the South Caucasus to Anatolia, Iran and Upper Mesopotamia. Interest in Armenian art, from illuminated manuscripts to khachkars and architecture, has grown in the last twenty years, a fact that provided the knowledge of these works of art with a global dimension. The book illustrates the characteristics, themes and methods of the various research paths, sprouting from different historiographical traditions. In other words, the volume intends to trace a map capable of orientating the reader among the artistic and cultural phenomena of this complex territory, thus offering different keys to understanding them and also useful insights for future scientific research.
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23

Guoqing, Li, ed. The Chinese as they are: Zhen shi de Zhongguo ren. Guilin Shi: Guangxi shi fan da xue chu ban she, 2009.

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24

Gurshtein, Ksenya, and Simonyi, eds. Experimental Cinemas in State Socialist Eastern Europe. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462982994.

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Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions.
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25

Frenkel, Michael. How symmetric are the shocks and the shock adjustment dynamics between the euro area and Central and Eastern European countries? [Washington, D.C.]: International Monetary Fund, IMF Institute, 2002.

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26

Gary, Gagliardi, ed. The art of war: &, The art of sales. Shoreline, WA: Clearbridge Pub., 1999.

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27

Gary, Gagliardi, and Gagliardi Gary, eds. The art of war: &, The art of marketing. Shoreline, WA: Clearbridge Pub., 1999.

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28

Sunzi. The art of war: Plus, The art of parenting teens. Shoreline, WA: Clearbridge, 2002.

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29

Sunzi. The Art of war. Boston: Shambhala, 1991.

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30

The art of war. New York, N.Y: Spark Pub., 2003.

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31

Sunzi. The art of war. New York: Penguin Books, 2006.

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32

1945-, Rudnicki Stefan, ed. The art of war. West Hollywood, CA: Dove, 1996.

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33

Sunzi. The art of war. Boston: Shambhala, 2009.

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34

The art of war. New York: Columbia University Press, 2007.

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35

The art of war. New York: Penguin Books, 2006.

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36

Sunzi. The art of war. London: Wordsworth, 1998.

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37

The art of war. Boston: Shambhala, 1988.

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38

Sunzi. The art of war. New York: Columbia University Press, 2007.

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39

Sunzi. The art of war. St. Petersburg, FL: Red and Black Publishers, 2008.

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40

Sunzi. The Art of War. New York: Penguin USA, Inc., 2009.

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41

John, Minford, ed. The art of war. New York: Viking, 2002.

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42

Sunzi. Sun Tzu's The art of war: Plus, The art of marketing. Shoreline, WA: Clearbridge Pub., 2003.

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43

Sunzi. Sun Tzu's The art of war: Plus, The art of sales. Shoreline, WA: Clearbridge Pub., 2003.

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44

UNESCO. Young people today: Time to act now : why adolescents and young people need comprehensive sexuality education and sexual and reproductive health services in eastern and southern Africa. Paris: United Nations Educational Scientific and Cultural Organization, 2013.

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45

Carr, John. We are an Easter people: The triumph of God's love in our lives ; a group process ; participant's notebook. Nashville, Tenn: Upper Room Books, 1996.

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46

Sunzi. Sun Tzu's The art of war. Tokyo: Tuttle Pub., 2008.

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47

Understanding Far Eastern Art. Dutton Adult, 1987.

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48

Lee, Sherman E. History of Far Eastern Art. Pearson Education, Limited, 1994.

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49

Lee, Sherman. History of Far Eastern Art (5th Edition). 5th ed. Prentice Hall, 2002.

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50

Lee, Sherman. History of Far Eastern Art (5th Edition). Prentice Hall, 2002.

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