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Dissertations / Theses on the topic 'Art, Florentine'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Knotts, Robert Marvin. "Judith in Florentine Renaissance Art, 1425-1512." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1261076833.

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2

Daly, Christopher R. "Jacopo del Sellaio's Altarpieces for the Florentine Oltrarno." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429106675.

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3

Ley, Vicky. "Landscape in the secular paintings of Piero di Cosimo : an aspect of late Quattrocento and early Cinquecento art." Thesis, Birmingham City University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289475.

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4

Pichler, A. "Founders, floods and fathers : narratives of origins and renewal in Florentine art and culture." Thesis, University of Manchester, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528430.

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This dissertation explores the understanding of origins in late medieval and Renaissance Florence as represented in art and in wider fields of literary and historiographic discourse. Its particular focus is a myth associating the foundation of Tuscany with Noah, which was promoted in a volume of forged texts published by Annius of Viterbo in 1498. Rather than focusing on Annius or his scholarly reception as other writers have done, the thesis attempts to set the myths that he publicised in the context of other stories about origins that circulated in Renaissance Florence. The central part of t

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5

Buccheri, Alessandra. "The architecture of clouds in art and theatre : a lost path from the Florentine Renaissance to the Roman Baroque." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508753.

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6

Bélanger, Stéphanie. "Un Flamand à Florence : Van der Straet et la vie florentine à la fin du 16e siècle." Master's thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/70390.

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Jan van der Straet (1523-1605) est un artiste flamand qui migre des Pays-Bas vers l'Italie pour s'accomplir en tant que peintre et graveur. Son parcours en tant qu'artiste immigré à Florence à la fin du 16e siècle est unique en son genre, alors qu'il adopte un style à mi-chemin entre ses origines anversoises et le maniérisme florentin, qu'il maîtrisera avec succès. Le regard externe qu'il pose sur sa communauté adoptive est très éclairant pour en apprécier les préceptes qui la régissent. Ce mémoire a pour but d'explorer la manière dont Van der Straet assume sa double identité à travers les Nov

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7

Jeffers, Leah Rachel. "Fashion and Court-Building in the Sixteenth-Century Florentine Ducal Court: Politics, Agency, and Paleopathology in the Wardrobes of Eleonora di Toledo and Giovanna d'Austria." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1024.

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Fashion in the Renaissance became intensely political, highly gendered, and anatomized (i.e. emphasizing human anatomy rather than masking it). Court culture placed a particular emphasis on the body of the courtier, as skills such as dancing and dressing fashionably became crucial to political success in states throughout Europe. In sixteenth-century Florence, the Medici attempted to install a duchy in what was at the time a republican city (with strong republican heritage). Florentine fears of foreign domination and resentment towards non-republican forms of government made the Medici’s task

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8

Deibel, Danielle Marie. "The Piazza della Signoria: The Visualization of Political Discourse through Sculpture." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent149298059548259.

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9

Büscher, Mareile. "Künstlerverträge in der Florentiner Renaissance /." Frankfurt am Main : V. Klostermann, 2002. http://catalogue.bnf.fr/ark:/12148/cb399930253.

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10

Cyrus, Cynthia J. "Polyphonic borrowings and the Florentine chanson reworking, 1475-1515 /." Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb40063403k.

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11

Teruzzi, Marta. "Byzantium and Florentia. Byzantine art in Florence from the 13th to the 18th century." Thesis, IMT Alti Studi Lucca, 2017. http://e-theses.imtlucca.it/231/1/Teruzzi_phdthesis.pdf.

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The research is placed within the complex matter of the individuation and the comprehension of the movable Byzantine heritage in Italy, and focuses on Tuscany and specifically on Florence as a case study. The main aim of the research is to analyse the movable Byzantine heritage existing today in Florence, also in its historical aspects. Modern heritage is understood as the result of a long process of cultural choices and of dominant interpretations given throughout the centuries, and the research wants to address a double matter: on one side, the principal purpose is to define the extent of

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12

CASADIO, MARTINA. "Museum Florentinum: retroscena editoriali nelle lettere di Braccio Maria Compagni e Anton Francesco Gori a Monsignor Bottari." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2013. http://hdl.handle.net/2108/201911.

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13

CASAMURATA, MARCO. "Una dinastia di artisti "de Florentia" in Liguria: Raffaello, Giulio e Orazio De Rossi (1510-1626)." Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1007752.

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La tesi ha come oggetto lo studio monografico di una famiglia di pittori di origine fiorentina attiva in Liguria, in particolare nel Ponente, entro una vasta area compresa tra Genova e Ventimiglia, con alcune puntate nel Basso Piemonte occidentale, a partire dall’inizio del Cinquecento fino al primo quarto del secolo successivo. L’attenzione si è focalizzata sulla ricostruzione delle vicende biografiche, operata attraverso il sondaggio e la rilettura delle fonti d’archivio, del capostipite Raffaello De Rossi (notizie 1510-1572), attestato per la prima volta a Genova nel 1514 ma già attivo nel

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14

Byington, Elisa Lustosa. "Giorgio Vasari e a edição das "vidas" = entre a Academia Florentina e a Academia do Desenho." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280013.

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Orientador: Luiz Cesar Marques Filho<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-18T19:25:44Z (GMT). No. of bitstreams: 1 Byington_ElisaLustosa_D.pdf: 11767756 bytes, checksum: cc888a875e1153c43477a94f879eb9be (MD5) Previous issue date: 2011<br>Resumo: A primeira edição de "As Vidas dos mais excelentes arquitetos, pintores e escultores italianos de Cimabue aos nossos dias", escrita por Giorgio Vasari (1511-1574), arquiteto e pintor de Arezzo, é publicada em 1550. Ela é marcada pelas questões que ani

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15

Fiedler, Katja Verfasser], Michael J. [Akademischer Betreuer] Herrmann, Theo [Akademischer Betreuer] [Geisel, and Florentin [Akademischer Betreuer] Wörgötter. "Generation principles for arm movements in humans / Katja Fiedler. Gutachter: Theo Geisel ; Florentin Wörgötter. Betreuer: Michael J. Herrmann." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2012. http://d-nb.info/1044045485/34.

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16

Airiau, Mecthilde. "Les mots et les usages de la couleur chez les peintres du Trecento florentin." Electronic Thesis or Diss., Sorbonne université, 2025. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2025SORUL017.pdf.

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Cette thèse s'attache à montrer les usages et les fonctions de la couleur dans la peinture sur panneau de bois florentine au Trecento. Il s'agit du premier travail sur la question qui, pour dépasser la seule analyse des teintes, s'appuie sur une méthode pluridisciplinaire convoquant la lexicographie, les études matérielles et les analyses visuelles. Afin de déterminer la place de la couleur dans la société florentine, la première partie donne lieu à une vaste enquête sur le vocabulaire de la couleur dans les langues italiennes du Trecento, qui permet de constater l'importance du rouge pour la

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17

Gräwer, Johannes Sebastian [Verfasser], Eleni [Akademischer Betreuer] [Gutachter] Katifori, and Florentin [Gutachter] Wörgötter. "Food Distribution in Ant Colonies: Trophallaxis and Self-Organization / Johannes Sebastian Gräwer ; Gutachter: Eleni Katifori, Florentin Wörgötter ; Betreuer: Eleni Katifori." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1139892347/34.

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18

Leuker, Tobias. "Angelo Poliziano : Dichter, Redner, Stratege : eine Analyse der "Fabula di Orpheo" und ausgewählter lateinischer Werke des Florentiner Humanisten /." Stuttgart : B. G. Teubner, 1997. http://catalogue.bnf.fr/ark:/12148/cb37100455w.

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19

Aein, Mohamad Javad Verfasser], Florentin [Akademischer Betreuer] Wörgötter, Ulrich [Gutachter] Parlitz, and Poramate [Gutachter] [Manoonpong. "Development and analysis of a library of actions for robot arm-hand systems / Mohamad Javad Aein ; Gutachter: Ulrich Parlitz, Poramate Manoonpong ; Betreuer: Florentin Wörgötter." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1117219402/34.

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20

Beuzelin, Cécile. "Des décors éphémères de fête à la fondation de l'Accademia Fiorentina : Jacopo Pontormo ou la culture des peintres florentins dans la première moitié du XVIe siècle." Tours, 2007. http://www.theses.fr/2007TOUR2040.

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La première partie de la thèse montre l'apport de certains aspects de la culture florentine dans la formation et dans les oeuvres de Pontormo. D'abord, elle porte sur la place de la littérature et de la philosophie naturelle dans l'éducation et les oeuvres des peintres. Ensuite, elle montre l'importance du réseau social pour la diffusion de la culture, essentiellement constitué, à Florence au début du XVIe siècle, par les compagnies et les ateliers. Enfin, elle s'attache à l'étude des arts éphémères ainsi qu'à l'univers de la fête à la Renaissance et à leur impact dans les oeuvres permanentes

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21

Moustier, Béatrice de. "Jean-Baptiste de Lagoy (1764-1829). Un amateur de dessins provençal entre deux siècles." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL019.

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Jean-Baptiste de Lagoy fut membre de la riche noblesse provençale. Dans l’hôtel familial d’Arles, il s’adonna au loisir lettré de la bibliophilie, et constitua la carte de ses savoirs. La Révolution le poussa hors de Provence. Il se réfugia à Paris, où il installa son cabinet rue Caumartin. En une vingtaine d’années, il acquit environ deux-mille cinq cents dessins. Dans un espace privé de sociabilité, Il revendiqua ses savoirs, et mit en place des critères, découlant d’une réflexion sur l’art, permettant de faire des attributions, et décider qui pouvait être admis dans leur cénacle. Il recherc

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22

Mai, Nadin. "The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/22990.

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Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema of Filipino filmmaker Lav Diaz merges aesthetics of cinematic slowness with narratives of post-trauma in his films Melancholia (2008), Death in the Land of Encantos (2007) and Florentina Hubaldo, CTE (2012). Diaz has been repeatedly considered as representative of what Jonathan Romney termed in 2004 “Slow Cinema”. The director uses cinematic slowness for an alternative approach to an on-screen representation of post-trauma. Contr

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23

Vigotti, Lorenzo. "The Origin of the Renaissance Palace: Domestic Architecture during the Florentine Oligarchy, 1378-1432." Thesis, 2019. https://doi.org/10.7916/d8-jcyp-y210.

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This dissertation investigates the origin of the architectural typology of the Renaissance palace as it emerged in Florence between the end of the fourteenth and the beginning of the fifteenth centuries. This was a period characterized by a dramatic shift in domestic architecture, mirroring a parallel transformation of the Florentine society under the political regime of the Albizi oligarchy. This study fills a clear gap in existing scholarship, comprehensively addressing the private palatial architecture built in Florence in the sixty years before the construction of Palazzo Medici in 1446.

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24

Hoover, Dale. "Affinity between chant and image : a study of a late fourteenth-century Florentine Antiphonary/Gradual (Baltimore : Walters Art Museum, ms. W153) /." 2004. http://wwwlib.umi.com/dissertations/fullcit/3149018.

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25

RUBECHINI, VALENTINA. "Giovanni Domenico Campiglia (1691-1775) "bravo pittore e perfettissimo disegnatore"." Doctoral thesis, 2017. http://hdl.handle.net/11573/938361.

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La tesi delinea le vicende biografiche e artistiche del lucchese Giovanni Domenico Campiglia, artista noto per aver preso parte alle maggiori imprese editoriali del Settecento a Firenze e Roma. Il lavoro è articolato in otto capitoli, corredati da appendice documentaria e immagini, che partono con la ricostruzione della biografia. Grazie a nuove ricerche sono emersi particolari inediti della vita dell’artista che hanno permesso di correggere innanzitutto la data di nascita, anticipandola di un anno rispetto a quella tradizionalmente ritenuta corretta. Inoltre il rinvenimento di alcune lettere

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