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Relevant bibliographies by topics / Art from the GDR

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Academic literature on the topic 'Art from the GDR'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Art from the GDR"

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Kunz, Hans-Joachim. "Bibliographische Arbeit der SÄchsischen Landesbibliothek Dresden auf dem Gebiet der bildenden kunst." Art Libraries Journal 11, no. 1 (1986): 28–29. http://dx.doi.org/10.1017/s030747220000448x.

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The Bibliographie Bildende Kunst has come out annually since 1973. It records literature of various kinds about painting, graphic art, plastic art, architecture, applied art, book art, design, folk art, artistic photography as well as theory and history of art. The compilation comprises monographs, periodical essays and important contributions from the daily press. Every yearly volume contains an index of authors and an index of subjects. Every five years a cumulated index is published. Since 1973 the Bibliographie Illustrierte Bucher der Deutschen Demokratischen Republik has come out. It lists GDR publications containing artistic illustrations. Every yearly volume is made accessible by means of an index of authors and subject titles. Index cumulations are published every five years. In 1984 a list concerning the location of periodicals and serials about Fine Arts in libraries of the German Democratic Republic was published. It contains titles from the 18th mid-century onward up to the present, including information on the particular ownership of GDR libraries. These publications are obtainable from Sächsische Landesbibliothek Dresden, GDR-8060 Dresden, PSF 467/468.

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März, Roland, and Debbie Lewer. "Introduction to From Collage to Assemblage: Aspects of Material Art in the GDR." Art in Translation 5, no. 1 (2013): 145–50. http://dx.doi.org/10.2752/175613113x13547854569447.

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Troebst, Stefan. "Evacuation to a Cold Country: Child Refugees from the Greek Civil War in the German Democratic Republic, 1949–1989*." Nationalities Papers 32, no. 3 (2004): 675–91. http://dx.doi.org/10.1080/0090599042000246442.

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We Greek political emigres celebrate the thirtieth historical anniversary of the GDR as our own holiday since we are vitally connected to this state from its first steps onwards. We feel better than any other foreigner the great joy and the pride of the people of the GDR since, from the foundation of its socialist state, we are marching side by side and since then we by way of our small contribution feel as co-constructors of this grand act. The thirtieth anniversary of the GDR coincides with the thirtieth anniversary of our political emigration to this hospitable country. Today we all remember the first years after our arrival and our caring reception in the GDR. (Speech of the day at the central celebration of the Greek political emigres in the GDR devoted to the thirtieth anniversary of the GDR and the thirtieth anniversary of the political emigration, Dresden, 29 September 1979).

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Tobin, Elizabeth H., and Jennifer Gibson. "The Meanings of Labor: East German Women's Work in the Transition from Nazism to Communism." Central European History 28, no. 3 (1995): 301–42. http://dx.doi.org/10.1017/s0008938900011857.

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In Christoph Wetzel's 1988 painting, An Everyday Story, the divided canvas proudly depicts women's accomplishments in the German Democratic Republic (Figure 1). On one side, a woman operates a large piece of heavy machinery in a rolling mill, cool and competent behind the enormous mass of metal and gears. On the other side, the same woman helps her two children prepare for school in the morning. In the act of combing her daughter's hair, she looks out directly at the viewer, her expression asking: “And what are you surprised at?” This painting, displayed as part of a 1995 exposition on art commissioned by government agencies in the GDR, graphically displays that government's ideological commitment to women's paid labor, especially in jobs that, in capitalist societies, are often thought to be inappropriate for women.

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Larkey, Edward. "GDR Rock goes West: Finding a Voice in the West German Market." German Politics and Society 23, no. 4 (2005): 45–68. http://dx.doi.org/10.3167/gps.2005.230403.

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Culture in the German Democratic Republic (GDR) is often characterized as isolated from that of the West, with artists locked behind the Iron Curtain, having no opportunities to interact directly with global trends. While this may be true to a great extent for the general population, we should not close our eyes to the actual cross-border movements of artists and art forms that did take place in that regime. Many producers of artistic texts interacted with the West—not just well-known writers and theater directors like Christa Wolf or Bruno Besson, but also rock bands. Indeed, a few privileged GDR bands, belonging to the group of Reisekader (travel functionaries) were granted permission to travel to the West. An analysis of their interactions with their domestic audiences and with audiences in the West gives a more nuanced view regarding the nature of cultural globalization that continues into the 21st century, and provides insights into the role of cultural industries in cultural and political change today. The story of these bands contributes to our knowledge on how GDR authorities were unable to perceive and manage cultural creativity in an era of networked, flexible, and relatively autonomous creators.

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Skare, Roswitha. ""Kann jemand, der diese Musik gehört hat, […] noch ein schlechter Mensch sein?" – om Wieslers forandring og kunstens påståtte rolle i denne prosessen." Nordlit 16, no. 2 (2012): 35. http://dx.doi.org/10.7557/13.2371.

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The Life of Others (2006) has been a successful film, winning the Oscar for Best Foreign Feature in 2007. It is a film about surveillance, but also about the lives of artists and writers in East Berlin in the middle of the 1980s, and about what role literature and art played in the GDR and in the events of autumn 1989. The article focuses on the way the film portrays Wiesler’s transformation from hard-boiled Stasi officer into the guardian angel of his target, and shows how art – both literature and music – plays an important role in this process.

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Goeschen, Ulrike. "From Socialist Realism to Art in Socialism: The Reception of Modernism as an Instigating Force in the Development of Art in the GDR." Third Text 23, no. 1 (2009): 45–53. http://dx.doi.org/10.1080/09528820902786669.

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Kaschek, Bertram. "Face to Face: Christian Borchert's Artist Portraits from 1975/76." Journal of Modern European History 16, no. 4 (2018): 547–68. http://dx.doi.org/10.17104/1611-8944-2018-4-547.

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Face to Face: Christian Borchert's Artist Portraits from 1975/76 The Artist Portraits from 1975/76 were Christian Borchert's (1942–2000) first great project as a freelance photographer. For almost two years, Borchert travelled the GDR in order to take the likenesses of about 200 artists (painters, sculptors, writers, composers and film-makers). He finally presented a good number of them in two much-noticed Berlin exhibitions in the fall of 1976. This article investigates the aesthetic, social and political implications of Borchert's complex project, which so far has never been subject to detailed scholarly analysis. It demonstrates how Borchert, working in a totalitarian system, which attempted to socialize, profile and control public discourse, made use of photography as a medium of negotiation between the private and the public, between individual aspirations and official ideals, and between art and politics.

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Dickel, Hans. "Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke." Zeitschrift für Kunstgeschichte 79, no. 1 (2016): 92–114. http://dx.doi.org/10.1515/zkg-2016-0006.

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Abstract Deutsch-deutsche Kunstgeschichte am Beispiel von Hanne Darboven und Werner Tübke The histories of art in former East and West Germany have been described as evolving synchronously. This article, arguing from another point of view, analyzes two works from the 1980s, both of them outstanding in purpose and size: Werner Tübke’s monumental painting Frühbürgerliche Revolution in Deutschland in the Museum Bad Frankenhausen (formerly GDR) and Hanne Darboven’s Bismarckzeit in the Kunstmuseum Bonn (FRG). The investigation into their subjects, forms, and contents within their historical contexts – the period of Erich Honecker’s claim for a socialist tradition and Helmut Schmidt’s Realpolitik, respectively – reveals a greater distinctness grounded on different concepts of art, i.e., anti-modern (Tübke) versus modernist (Darboven). Nevertheless, in their view of German history a common kind of scepticism about teleology may be discerned, which is based on the artists’ shared experiences of Germany’s disastrous contribution to the twentieth century.

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Welsh, Helga A. "The Elite Conundrum in the GDR: Lessons from the District Level." German Studies Review 24, no. 1 (2001): 19. http://dx.doi.org/10.2307/1433154.

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Dissertations / Theses on the topic "Art from the GDR"

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Grant, Colin B. "Literary communication from consensus to rupture : practice and theory in Honecker's GDR /." Amsterdam ; Atlanta (Ga.) : Rodopi, 1995. http://catalogue.bnf.fr/ark:/12148/cb36703124d.

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Svedbäck, Kerstin. "Konst eller Kitsch? : Konst producerad i DDR speglad genom utställningar efter 1990." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97643.

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This thesis explores how art produced in the former GDR has been looked upon, handled and exhibited after the reunification of Germany in 1990. Swedish Art History has paid little attention to art in the GDR. The debate starting in the 50s between the spokesmen for abstract art and the defenders of figuration restrained for a long period the ability to look upon art from the GDR without prejudices. This led to a rejection of all figurative art in the GDR and sweeping judgmental attitudes, like it´s all “kitsch”. Comparatively few artists in the GDR however, painted in the style prescribed by political leaders. An open issue in this study was, against background: Has GDR art gained in interest and respectability? This study focuses on two exhibitions The Divided Heaven in Neue Nationalgalerie, Berlin and an exhibition in Kalmar konstmuseum, Sweden, named Maintaining the Order of Things – the Aesthetic of Modernism in Commercialism, Nationalism, Elitism and Socialism, 2011. The exhibitions have been analyzed along several dimensions: The number of works from the GDR, strategies for hanging them, the presentation of the exhibitions in information brochures and the homepage of the museums. Descriptions of the works give information on typical motives in the GDR over time and some information as regards the artists. The way the building has supported visitors in experiencing an exhibition has been considered and its importance as an institution. The study of the two exhibitions illustrates two different strategies for showing art from the GDR, in contrast or integrated. The Swedish exhibition which primarily exposed paintings from the 60 s focused on comparing GDR paintings and the Swedish sketches on commissioned etchings on vases from Orrefors glassworks. The German exhibition exposed GDR art together with art from other countries, along thematic lines. The study indicates an increasing interest in the art from the GDR, which is confirmed by the great number of exhibitions 2012. Also projects researching the art from this period in German history and the construction of a new museum for it supports the idea that interest in and respect for art produced in the former GDR is gradually established. This increased interest has not yet included the officially promoted style – Socialist Realism.<br><p>Vid den elektroniska publiceringen har två bilder tagits bort från den ursprungliga versionen av upphovsrättsliga skäl, bild 21 och 26.</p>

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Bland, Richard Julian. "East German cabaret from the end of the GDR to the present." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322981.

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Owen, Ruth J. "The poet's role : lyric responses to German unification, by poets from the GDR." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324345.

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Smith, Briana Jennifer. "Creative alternatives: experimental art and cultural politics in Berlin, 1971-1999." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5854.

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Creative Alternatives examines the intersections between cultural politics, experimental art, and the public sphere in late twentieth century Berlin. The work identifies how artists used interactive visual displays to engage with West Berlin publics, develop democratic subjectivities under state socialism in East Berlin, and reject the city’s neoliberal turn after German unification. The work also traces the role of the arts as an economic motor in late twentieth century Berlin, as city leaders responded to the pressures of globalization and interurban competition. This study of divided and unified Berlin transcends the political ruptures and geographical divisions that structure our understanding of modern Germany and hinder integrated histories of the two German states, even as it addresses issues common to major cities worldwide.

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Walker, Linda Jean Huffman. "Art From Nature." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1432.

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Seeing beauty in the simplest aspects of nature inspires me to create art as a testament to our world. Being raised on a farm in rural Virginia gave me an appreciation of a reverence for all life. The inherent forms along with color and value establish nature as the master of aesthetics. An early introduction to Japanese art showed me that all nature was worthy and significant as subjects for art. Using materials derived from nature, cotton, linen, wool, silk, adds a tactile quality that I believe elevates the enjoyment of art.

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Meli, Sarah. "Art from within : an encounter with holocaust art from the Terezin ghetto." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44321.

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Terezin, located in what is now called Prague, Czechoslovakia, functioned as a Holocaust ghetto for the incarceration of Jews during the Second World War. Creating an image of a ‘model camp’ for its detained elite Europeans of economic and intellectual wealth, certain leeway was given to mask the reality of the situation. Being allowed to teach art to children, having a Drawing Office, and providing an Art Workshop, resulted in Terezin being one of the ghettos/camps in which thousands of art pieces were produced by children, youths, and adults. With a focus on the artwork made between the period of 1942 and 1944, a number of images were studied in the archives of the United States Holocaust Memorial Museum, USA, as well as artifacts accessed through the Vancouver Holocaust Education Centre, Canada. As a non-Jewish, Mediterranean art educator trained in Western institutions with no known ties to those deported to Terezin, personal responses to the experience of the encounter were recorded while asking the Deleuzian instructive question of “how does it work?” rather than “what does it mean?.” The a/r/tographical practice was informed by and through, the journey that was taken to access the archives. In selecting seven works, notions of witnessing, intrusion, victimization, clash of religious values, and the unspoken aspects of the ‘typical’ are discussed. The process of understanding what the art became to the self through the encounter with original Terezin artwork, led to the production of an art piece that translates the connections found when sifting through the moments of being with camp art. Recommendations for further research include studies on art from and about the Holocaust camps and ghettos, on the education system that was designed and practiced in Terezin, as well as a recommendation of studying the music, literary, and theatre arts that were also practiced in the spaces of the researched Holocaust ghetto. Through an exploration of the variety of art forms and silent curricula of Terezin, such studies could convey the type, appreciation, and significance of cultural presence that secretly thrived and, furthermore, support connections with the voices of Holocaust deportees.

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Boland, Howard. "Art from synthetic biology." Thesis, University of Westminster, 2013. https://westminsterresearch.westminster.ac.uk/item/8yyq5/art-from-synthetic-biology.

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Schooley, Kathryne Balch. "Shaping: From art to science." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4803/.

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This study evaluated the effectiveness of a procedure for teaching a caregiver to shape vocal language in a young child with autism. A multiple baseline design was employed to assess caregiver use of shaping procedures, child vocal language progress, and the social validity of the procedures. Following baseline and introductory sessions, the coach and caregiver reviewed video from the previous session and the coach gave descriptive feedback to the caregiver about her performance. Following the review of the videotaped segment, procedures to increase skills were selected and practiced. Rates of responsive opportunity arrangement, model presentation, responsive model delivery, and responsive event delivery, as well as the child's rate of requests, vocalizations, diversity of vocalizations, and social validity were measured. Data suggested that the procedures effectively taught the skill of shaping to a caregiver, which in turn seemed to produce increases in the child's vocal responding.

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Bernardini, Elena. "Interrogating installation art from India." Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664613.

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Books on the topic "Art from the GDR"

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Gallery, Bridgeman Art, ed. Cézanne: A compilation of works from the Bridgeman Art Gallery. Parragon, 1994.

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Mannering, Douglas. The life and works of Degas: A compilation of works from the Bridgeman Art Library. Parragon, 1994.

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Andy, Warhol. Andy Warhol, art from art. Edition Schellmann, 1994.

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Hans, Witte. Art from Mali. Gallery Steven van de Raadt & Kathy van der Pas, 1993.

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Hirschl, Milton. Creative figure drawing: Art from life, life from art. Prentice Hall, 1988.

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Abbing, Hans. From high art to new art. Vossiuspers UvA, 2008.

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Loughran, Kristyne. Art from the forge. National Museum of African Art, 1995.

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Art from the mart. ABDO Pub., 2006.

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Imperial War Museum (Great Britain), ed. Art from contemporary conflict. Imperial War Museums, 2015.

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Wilson, Brent. Teaching drawing from art. Davis Publications, 1987.

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Book chapters on the topic "Art from the GDR"

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Cox, David. "The GDR, GSFG and WTO." In Retreating from the Cold War. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230389939_2.

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Richter, Angelika. "Artistic collaborations of performing women in the GDR." In Performance Art in the Second Public Sphere. Routledge, 2018. http://dx.doi.org/10.4324/9781315193106-16.

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Wollmann, Hellmut. "Transformation of Public Administration in East Germany Following Unification." In Public Administration in Germany. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-53697-8_15.

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AbstractAfter 1990, the rupture of the politico-administrative system and transformation of the German Democratic Republic (GDR) was essentially shaped by the process of German unification and the GDR’s integration into the ‘old’ Federal Republic. Thus, basic constitutional and institutional issues, such as legal rule (Rechtsstaat)-based administration, inclusion in the European Union, were (‘exogenously’) pre-determined by the GDR’s accession to the ‘old’ Federal Republic. The chapter highlights East Germany’s politico-administrative transformation after 1990 by addressing the organisational and personnel dimensions of the remoulding and rebuilding of the administrative structures at the new Länder and local levels. Finally, notwithstanding the particularities of the ‘East German case’, it raises question whether there are lessons which other countries facing transition or transformation can draw from East Germany’s experience.

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Conacher, Jean E. "Adapting Hein’s Willenbrock: Andreas Dresen and the Legacy of the GDR ‘Ensemble’ Tradition." In Adaptation Considered as a Collaborative Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-25161-1_10.

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Zhang, Yu, and Mathias Funk. "From idea to completion." In Coding Art. Apress, 2021. http://dx.doi.org/10.1007/978-1-4842-6264-1_7.

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Hansson, Mats G. "Striking a Balance Between Personalised Genetics and Privacy Protection from the Perspective of GDPR." In GDPR and Biobanking. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-49388-2_3.

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AbstractGDPR is currently being implemented across Europe and researchers, ethical review boards and national authorities are waiting for guidance on how to do the ethical balancing of the interests of privacy and the interest of conducting effective scientific, e.g. biomedical research, in practice. In order to reach this one must both understand the specific challenges that are related to new developments within the field of personalised medicine where massive uses of personal data are foreseen and what it really means to protect someone’s privacy. In this chapter I will suggest how a balance may be reached between personalised medicine and privacy protection based on the premises of genetic science, ethics and the GDPR.

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Bartle, Richard A. "On Art." In MMOs from the Inside Out. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-1724-5_4.

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Rosebury, Brian. "Objections from Historical Realism." In Art and Desire. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19496-4_2.

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Rosebury, Brian. "Objections from Moral Realism." In Art and Desire. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19496-4_3.

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Böhm, Bernhard. "From heterogeneity to hybridity?" In Practicing Art/Science. Routledge, 2018. http://dx.doi.org/10.4324/9781315175881-7.

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Conference papers on the topic "Art from the GDR"

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Rindelhardt, Udo, Hans-Werner Viehrig, Joerg Konheiser, and Jan Schuhknecht. "Weld Material Investigations of a WWER-440 Reactor Pressure Vessel: Results From the First Trepan Taken From the Former Greifswald NPP." In 16th International Conference on Nuclear Engineering. ASMEDC, 2008. http://dx.doi.org/10.1115/icone16-48070.

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Between 1973 and 1990 4 units of the Russian NPP type WWER-440/230 were operated in Greifswald (former GDR). The operation was stopped after the German reunification, because the units did not completely follow western nuclear safety standards. Material probes from the pressure vessels were gained in the frame of the ongoing decommissioning procedure. The investigations of this material started with material from the circumferential core weld of unit 1. This weld was annealed after 13 cycles and operated further for 2 cycles. Additionally, starting with cycle 11, dummy assemblies were inserted to reduce the neutron fluence in the RPV wall. Firstly this paper presents results of the RPV fluence calculations depending on different loading schemes and on the axial weld position based on the Monte Carlo code TRAMO. The results show, that the use of the dummy assemblies reduces the flux by a factor of 2 – 5 depending on the azimuthal position. The fluence increase is reduced to 1/6 at the position of the maximum fluence. The neutron fluence at the different circumferential welds is closely related to their distance to the core. The circumferential core weld (SN0.1.4) received a fluence of 2.4·1019 neutrons/cm2 at the inner surface, it decreases to 0.8·1019 neutrons/cm2 at the outer surface. The neutron fluences at the both other welds are 2 resp. 4 orders of magnitude smaller according to their distances to the core. It should be mentioned that in this cases the fluence gradient can be negative through the wall. The material investigations were done using a trepan from the circumferential core weld. Master Curve and Charpy V-notch testing were applied. Specimens from 7 locations through the thickness of the welding seam were tested. The reference temperature T0 was calculated with the measured fracture toughness values, KJc, at brittle failure of the specimen. Generally the KJc values measured on pre-cracked and side-grooved Charpy size SE(B) specimens of the investigated weld metal follows the course of the Master Curve. The KJc values show a remarkable scatter. In addition the MC SINTAP procedure was applied to determine T0SINTAP of the brittle fraction of the data set. There are remarkable differences between T0 and T0SINTAP indicating macroscopic inhomogeneous weld metal. The highest T0 was about 50°C at a distance of 22 mm from the inner surface of the weld. It is 40 K higher compared with T0 at the inner surface. This is important for the assessment of ductile-to-brittle temperatures measured with sub size Charpy specimens made of weld metal from the inner RPV wall. This material does not represent the most conservative condition. Nevertheless, the Charpy transition temperature TT41J estimated with results of sub size specimens after the recovery annealing was confirmed by the testing of standard Charpy V-notch specimens. The VERLIFE procedure prepared for the integrity assessment of WWER RPV was applied on the measured results. It enables the determination of a reference temperature, RTT0 to index a lower bound fracture toughness curve. This curve agrees with the MC 5% fractile as specified in ASTM E1921-05. The measured KJc values are not enveloped by this lower bound curve. However, the VERLIFE lower bound curve indexed with the SINTAP reference temperature RTT0SINTAP envelops the KJc values. Therefore for a conservative integrity assessment the fracture toughness curve indexed with a RT representing the brittle fraction of a dataset of measured KJc values has to be applied.

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Deng, Yanchen, and Bo An. "Speeding Up Incomplete GDL-based Algorithms for Multi-agent Optimization with Dense Local Utilities." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/5.

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Incomplete GDL-based algorithms including Max-sum and its variants are important methods for multi-agent optimization. However, they face a significant scalability challenge as the computational overhead grows exponentially with respect to the arity of each utility function. Generic Domain Pruning (GDP) technique reduces the computational effort by performing a one-shot pruning to filter out suboptimal entries. Unfortunately, GDP could perform poorly when dealing with dense local utilities and ties which widely exist in many domains. In this paper, we present several novel sorting-based acceleration algorithms by alleviating the effect of densely distributed local utilities. Specifically, instead of one-shot pruning in GDP, we propose to integrate both search and pruning to iteratively reduce the search space. Besides, we cope with the utility ties by organizing the search space of tied utilities into AND/OR trees to enable branch-and-bound. Finally, we propose a discretization mechanism to offer a tradeoff between the reconstruction overhead and the pruning efficiency. We demonstrate the superiorities of our algorithms over the state-of-the-art from both theoretical and experimental perspectives.

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Balmès, Etienne, and Jan R. Wright. "Garteur Group on Ground Vibration Testing: Results From the Test of a Single Structure by 12 Laboratories in Europe." In ASME 1997 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1997. http://dx.doi.org/10.1115/detc97/vib-4255.

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Abstract In an effort to assess state of the art methodologies for the experimental determination of modal characteristics, 12 European groups, most of them working in the area of aircraft ground vibration tests for flutter certification, participated in a GAR-TEUR action group whose main activity was to have independent tests of a single representative structure. Design considerations for the common structure are first detailed. Estimates of frequency response functions and modal characteristics are then compared and show a level of consistency that is much higher than those reported in previous similar exercises.

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Lombeyda, Santiago V. "Art from Ephemeral." In ACM SIGGRAPH 2004 Art gallery. ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185943.

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"Narrative Evolvement From Panoramic Art to Interactive Art." In 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.88.

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BENZONI, G., A. BRACCO, F. CAMERA, et al. "THE GAMMA DECAY OF THE PYGMY RESONANCE FAR FROM STABILITY AND THE GDR AT FINITE TEMPERATURE." In Proceedings of the International Symposium on the ISPUN07. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812776150_0021.

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Mejtoft, Thomas, Erik Frängsmyr, Ulrik Söderström, and Ole Norberg. "Deceptive Design: Cookie Consent and Manipulative Patterns." In Digital Support from Crisis to Progressive Change. University of Maribor Press, 2021. http://dx.doi.org/10.18690/978-961-286-485-9.29.

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Abstract:

As a larger proportion of our lives moves onto the web, so does important and valuable information. This has led to an increase in different kinds of manipulative patterns (dark patterns) in web design with the sole purpose of being deceptive and tricking users. This paper discusses the comprehensive suite of deceptive design patterns on Internet services where the users are expected to comply with the use of cookies. This was done by analyzing 50 different home cooking recipe websites, regarding their appliance to GDPR and how they use different dark patterns in their design. Even though legislation tries to move the choices from the website to the user, it is clear that by using deceptive design patterns it is possible to “bypass” the legislation and trick the user into making a favorable choice for the owners behind the website. The results show that out of the websites that were GDPR approved, a majority still use two types of deceptive design patterns - misdirection and sneak into basket.

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Maj, Adam, Ismail Boztosun, and A. B. Balantekin. "GDR as a Probe of the Collective Motion in Nuclei at High Spins, Temperatures or Isospins." In NUCLEAR PHYSICS AND ASTROPHYSICS: Nuclear Physics and Astrophysics: From Stable Beams to Exotic Nuclei. AIP, 2008. http://dx.doi.org/10.1063/1.3039825.

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Tan, LiQin, Roberta K. Tarbell, and Robert Wuilfe. "Animating art history." In Educators program from the 30th annual conference. ACM Press, 2003. http://dx.doi.org/10.1145/965106.965118.

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Innocent, Troy. "Scenes from Ludea." In ACM SIGGRAPH 2006 Art gallery. ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179028.

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Reports on the topic "Art from the GDR"

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Jarman, Kristin H., Richard C. Hanlen, and P. A. Manzolillo. Handwriting Examination: Moving from Art to Science. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/15001462.

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Jarman, K. H., R. C. Hanlen, and P. A. Manzolillo. Handwriting Examination: Moving from Art to Science. Office of Scientific and Technical Information (OSTI), 1999. http://dx.doi.org/10.2172/5703.

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Zhang, Ling, Brent Holland, and Eulanda Sanders. From Chinese Painting to Wearable Art: The Development of Wearable Art Design Process Model and Evaluation Methods for Wearable Art Designers. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1755.

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Milne, Thomas A., Carolyn C. Elam, and Robert J. Evans. Hydrogen from biomass: state of the art and research challenges. Office of Scientific and Technical Information (OSTI), 2002. http://dx.doi.org/10.2172/792221.

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Galenson, David. A Conceptual World: Why the Art of the Twentieth Century is So Different From the Art of All Earlier Centuries. National Bureau of Economic Research, 2006. http://dx.doi.org/10.3386/w12499.

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Qureshi, Muhammad A. Understanding the Iran-Hezbollah Nexus from the Perspective of Operational Art. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada614154.

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Chiaravalle, Susan M. Operational Art: Lessons from Japan's Malaya Campaign and Capture of Singapore. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada298126.

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Mayfield, Ryan G. An Analysis of Operational Art: Field Force Synchronization in Vietnam from 1965-1967. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada587447.

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Galenson, David. Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History. National Bureau of Economic Research, 2005. http://dx.doi.org/10.3386/w11152.

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Cottrell, Scott B. From COBRA to the Seine, August 1944: A Microcosm of the Operational Art. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada174270.

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