Relevant bibliographies by topics / Art Gallery of Alberta

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art Gallery of Alberta'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Art Gallery of Alberta"

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Arnal, Louise, and Corinne Schuster-Wallace. "The Virtual Water Gallery: Art as a catalyst for transforming knowledge and behaviour in water and climate." PLOS Climate 4, no. 4 (2025): e0000398. https://doi.org/10.1371/journal.pclm.0000398.

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Water is essential for life. Water-related challenges, such as droughts, floods, water quality degradation, permafrost thaw and glacier melt, exacerbated by climate change, affect everyone. It is challenging, yet of critical importance, to communicate science on such difficult highly volatile topics. Art is a more approachable medium to traditional scientific outlets, with the potential to diversify voices at the table and to lead to more wholistic solutions to these complex challenges. Launched in 2020, the Virtual Water Gallery is a transdisciplinary science and art project of the Global Wat
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Gregory, Helen, and Kirsty Robertson. "No Small Matter: Micromuseums as Critical Institutions." RACAR : Revue d'art canadienne 43, no. 2 (2018): 89–101. http://dx.doi.org/10.7202/1054385ar.

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En se concentrant sur trois micro-institutions canadiennes, aux mandats spécifiquement difficiles et/ou politiquement chargés, cet article examine le potentiel critique des petits espaces et musées. Il analyse comment, en raison de financement et d’espace limités, la Feminist Art Gallery de Toronto, le STAG Project Space, une galerie et résidence d’artistes de Vancouver (aujourd’hui fermée), et le Musée de la peur et des merveilles de Bergen en Alberta, convoquent de façon inventive la communauté, la marginalité, l’intervention radicale et les stratégies commissariales. Chacun de ces espaces r
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der Wateren, Jan van. "The National Art Library and the Indian Collections of the Victoria & Albert Museum, London." Art Libraries Journal 18, no. 2 (1993): 20–25. http://dx.doi.org/10.1017/s0307472200008300.

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The V&A Museum possesses the largest collection of Indian art outside the Indian sub-continent, dating from the acquisition of items from the Great Exhibition and of collections acquired by the Honourable East India Company. The Nehru Gallery of Indian Art, which opened in 1990, enabled a great deal of this material to be displayed. The Indian Collection is served by its own small research library, the records of which are currently being incorporated in the catalogue of the National Art Library at the Museum, while the National Art Library itself provides scholarly material on Indian art,
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Giasson, Steve. "Grant Arnold et Karen Henry, dir., Trafic : l’art conceptuel au Canada 1965–1980, catalogue d’exposition, trad. Natalie de Blois, Eduardo Ralickas, et al., [Edmonton] : Art Gallery of Alberta; [Montréal] : Leonard & Bina Ellen Art Gallery; [Halifax] : Halifax INK; [Toronto] : Justina M. Barnicke Gallery; [Vancouver] : Vancouver Art Gallery, 2012, 174 p., 55,95 $, ISBN : 978-1-895442-89-2." RACAR : Revue d'art canadienne 40, no. 1 (2015): 100. http://dx.doi.org/10.7202/1032760ar.

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Beetson, Bianca. "Exhibition: Tony Albert, Visible, Queensland Art Gallery, 2 June to 7 October 2018." Queensland Review 26, no. 01 (2019): 180–83. http://dx.doi.org/10.1017/qre.2019.15.

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Santos, Raquel, Ana Claro, Ana Serrano, Maria João Ferreira, and Jessica Hallett. "Textiles, Trade & Taste—Portugal and the World: A Project on the Global Circulation of Textiles and Dyes." Textile Museum Journal 47, no. 1 (2020): 187–95. http://dx.doi.org/10.1353/tmj.2020.a932820.

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Abstract: Textiles, Trade & Taste: Portugal and the World (TTT) is a project that aspires to bring new synergies to the field of textile studies by promoting different connections and interdisciplinary approaches involving art history, materials science, and conservation. The TTT research network is based at the Center for Humanities in the School of Social Sciences and Humanities at the Universidade NOVA de Lisboa and organizes workshops, conferences, tours, and lectures in museums and research institutions. The network’s artistic and historical research has ranged from collating archival
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Oliver, P. Graham, Holly Morgenroth, and Andreia Salvador. "Type specimens of Mollusca described by Col. George Montagu in the Royal Albert Memorial Museum & Art Gallery, Exeter and The Natural History Museum, London." Zoosystematics and Evolution 93, no. (2) (2017): 363–412. https://doi.org/10.3897/zse.93.13073.

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A complete list of new molluscan taxa introduced by Col. George Montagu (1753–1815) is presented. The available type material of these taxa are itemised and illustrated. The majority are present in the Royal Albert Memorial Museum & Art Gallery, Exeter with a smaller number in the Natural History Museum, London. The historic background of both collections is reviewed with special reference to the many non-British species spuriously introduced into Testacea Britannica and its Supplement.
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Khadzhylii, T. O. "STRUCTURAL FEATURES OF ENGLISH PICTONYMS." Opera in Linguistica Ukrainiana, no. 31 (July 14, 2024): 151–59. http://dx.doi.org/10.18524/2414-0627.2024.31.309411.

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The article is devoted to the study of structural features of English pictonyms — proper names of paintings. Pictonym is a subclass of imageonym, which is a subclass of artionym, which, in turn, is a subclass of ideonym. Proper names of paintings are an under-researched area of onomastics that attracts the attention of many scientists because proper names play an important role in the spiritual development of society and have their own unique features that distinguish them from other onyms. The purpose of the article is to examine the structural division of English pictonyms. The object of the
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Marchand, Marie-Ève. "L’impossible « chambre des horreurs » du Museum of Ornamental Art : une archéologie du design criminel." RACAR : Revue d'art canadienne 39, no. 1 (2014): 40–51. http://dx.doi.org/10.7202/1026201ar.

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In 1852, the Museum of Ornamental Art, today the Victoria and Albert Museum, opened its doors to the public. Taking part in a general reform of the British art and design education system, the museum sought to instill what were considered good design principles. To do so, a museographic strategy that proved to be as popular as it was controversial was chosen: the exhibition gallery entitled “Decorations on False Principles,” which immediately became known as the “Chamber of Horrors.” This gallery, a dogmatic expression of the functionalist conception of ornament advocated by the museum, referr
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Marshall, P. J. "The Nehru Gallery of Indian Art 1550–1900 at the Victoria and Albert Museum." London Journal 16, no. 1 (1991): 66–68. http://dx.doi.org/10.1179/ldn.1991.16.1.66.

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Dissertations / Theses on the topic "Art Gallery of Alberta"

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Ligorio, Giulia <1992&gt. "Il Mercato dell'Arte e il Ruolo delle Gallerie. La Galleria Alberta Pane." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20690.

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Il presente elaborato analizza il complesso sistema dell’arte contemporanea, focalizzandosi sul ruolo svolto dalle gallerie private. Analizzando i singoli attori che animano il mercato dell’arte (artisti, collezionisti, gallerie, case d’asta, musei, ecc.) e la sua articolata struttura, è possibile comprendere la centralità delle gallerie d’arte contemporanea, al fine di un corretto funzionamento del sistema. Considerando la crisi provocata dalla pandemia di Coronavirus, l’elaborato riporta problematiche e dati in riferimento alla situazione delle gallerie. Dall’analisi del mercato delle galler
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Gollini, Serena <1994&gt. "Professione gallerista: la Galleria Alberta Pane, un caso di studio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14368.

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Questa tesi di laurea si pone come obiettivo lo studio e l’analisi della professione di gallerista, considerando il caso di studio della Galleria Alberta Pane, attiva nelle città di Parigi e Venezia. Si analizza il ruolo del gallerista all’interno del sistema dell’arte contemporanea, specificando in cosa consista questo mestiere, e si ripercorre lo sviluppo di questa figura portando ad esempio le personalità più rilevanti di questo ambito. Si propone un approfondimento sul sistema galleristico in Francia e in Italia e dall’analisi generale ci si concentra al particolare, presentando il caso di
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Ajlani, Tarek F. "Gallery For Art." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/33977.

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For my thesis I explored the idea of the mask in relation to architecture. For my project I designed an art gallery located in Georgetown Washington DC which is composed of three layers: a structural layer, an environmental casing, and an outer layer. Theoretical parallels are drawn between the outer layer of the gallery and what is commonly referred to as a mask. Additionally, I explored the interaction between the layers of the gallery. The distinguishing characteristics of the building include the tri-facade mask, the unique spaces in between the gallery's layers, the glass system, the mask
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Wolters, Erika. "A mobile art gallery." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223739.

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Most art galleries around the world look the same; a large white room with a few artworks placed far apart. This standard way of designing art spaces together with locating them almost exclusively in the city centers makes them both physically and culturally distant for many people.  This project aims to explore other ways of displaying art to make it accessible to more people through small architectural interventions. It is an exploration about the relation between space the body and the object. A prototype for a mobile art gallery has been built as a testing device.
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Bundalo, Mladen. "Cyber Gallery "Art Zeppelin"." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2011. http://www.nusl.cz/ntk/nusl-232290.

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Špirić, Dajan. "Cyber gallery "Art Zeppelin"." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2011. http://www.nusl.cz/ntk/nusl-232321.

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Bergman, John. "IMMERSIVE GALLERY OF DIGITAL ART." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223228.

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Tolley, Rebecca. "Review of Art Museum Image Gallery." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/5631.

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Vicens, Rebeca. "Alley-Gallery." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/9660.

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The site chosen for this thesis project is located in downtown Blacksburg, Virginia. It consists of a 30'­x110' infill lot and an alley running parallel to it. An initial desire to blur the boundary between the alley and the proposed building led to a study of the potential of parallel planes overlapped along the shared border. Representation of these planes in two dimensions allowed almost simultaneous perceptions of multiple spatial and geometrical configurations among them. The architectural consequences of this phenomenon became the main subject of inquiry. Exploration through silkscreen p
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Thomas, Catherine. "Trans, intersections of art, life and the art gallery." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ42105.pdf.

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Books on the topic "Art Gallery of Alberta"

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Stebbins, Joan. Points north: December 7-January 27, 1986, Southern Alberta Art Gallery. The Gallery, 1986.

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Alloucherie, Jocelyne. Jocelyne Alloucherie: Southern Alberta Art Gallery, November 1-25, 1986. La Gallery, 1986.

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Turcot, Susan. Beingrich: Susan Turcot and Roger Turner. Southern Alberta Art Gallery, 2003.

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McWilliams, Al. Al McWilliams: Southern Alberta Art Gallery, October 21-November 29, 1989. Southern Alberta Art Gallery, 1989.

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Rabinovitch, R. Bella. Landon Mackenzie, painting: October 5-27, 1985, Southern Alberta Art Gallery. The Gallery, 1986.

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Koop, Wanda. Wanda Koop: January 26 to March 10, 1991, Southern Alberta Art Gallery. Southern Alberta Art Gallery, 1991.

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Alberta, Provincial Museum of. Gallery of the dolls: Provincial Museum of Alberta, Edmonton, 1985. Alberta Culture, 1985.

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Laviolette, Mary-Beth. Rita McKeough, graphic works: Southern Alberta Art Gallery, May 4-June 2, 1985. The Gallery, 1985.

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Wylie, Liz. Jim Davies, states of being: Southern Alberta Art Gallery, January 12-February 3, 1985. The Gallery, 1985.

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Lexier, Micah. Micah Lexier at Southern Alberta Art Gallery: December 8, 1990 to January 20, 1991. Southern Alberta Art Gallery, 1991.

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Book chapters on the topic "Art Gallery of Alberta"

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Pritchard, Jacki. "The art gallery." In Hypnotherapy Scripts to Promote Children’s Wellbeing. Routledge, 2020. http://dx.doi.org/10.4324/9781003044147-29.

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Margenstern, Maurice. "Hyperbolic Gallery." In Designing Beauty: The Art of Cellular Automata. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-27270-2_8.

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Franks, Anton. "Expanding the gallery." In Debates in Art and Design Education. Routledge, 2020. http://dx.doi.org/10.4324/9780429201714-12.

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Hunt, Bruce. "A Gallery of Algebraic Surfaces." In Mathematics and Art. Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/978-3-662-04909-9_26.

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Hubard, Olga. "Introduction: What Is Gallery Teaching?" In Art Museum Education. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1_1.

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Alekseenko, S., and D. Markovich. "Gallery of physical phenomena." In Science and Art Symposium 2000. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4177-2_15.

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Chandra, Anupam, and Praveen Uchil. "Art of Designing an e-Art Gallery." In Research into Design for Communities, Volume 1. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3518-0_47.

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Besnoy, Kevin D. "Opening A Digital Art Gallery." In Teaching Gifted Children. Routledge, 2021. http://dx.doi.org/10.4324/9781003238638-44.

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Fekete, Sándor P., Stephan Friedrichs, Alexander Kröller, and Christiane Schmidt. "Facets for Art Gallery Problems." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-38768-5_20.

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Werner, Thomas. "Gallery and Museum Teams." In The Business of Fine Art Photography. Routledge, 2022. http://dx.doi.org/10.4324/9781003086925-3.

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Conference papers on the topic "Art Gallery of Alberta"

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Roorda, Derrick, and Mei Kuen Liu. "Implementation of Building Information Modeling (BIM) on the Renovation of the Art Gallery of Alberta in Edmonton, Alberta." In 18th Analysis and Computation Specialty Conference at Structures Congress. American Society of Civil Engineers, 2008. http://dx.doi.org/10.1061/41000(315)6.

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Alvarez-Jimenez, Alberto, Karen Barbour, Rodrigo Hill, Xavier Meade, and Declan Patrick. "Solastalgia: conflict and the fabric of life. Transdisciplinary creative practice research approaches." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.201.

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The focus of this keynote presentation is to explore the value of transdisciplinary and creative practice research approaches to address complex concepts and principles. One of the outputs of this research was Solastalgia: conflict and the fabric of life, a gallery installation exhibited at Ramp Gallery in August 2023. This collaboration began with conversations between researchers in law, and visual and performing arts, in relation to international humanitarian law, specifically the principles of distinction and proportionality. As the research progressed, the pivot point became the investiga
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Truckenbrod, Joan, Heather Elliott, Jessica Westbrook, et al. "Art gallery." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281397.

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Bureaud, Annick, Stephen A. Benton, Deanna Morse, and Jane Stevens. "Art gallery." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281398.

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"D-Art Gallery." In 2019 23rd International Conference in Information Visualization – Part II. IEEE, 2019. http://dx.doi.org/10.1109/iv-2.2019.00007.

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"D-Art Gallery." In 2013 17th International Conference on Information Visualisation. IEEE, 2013. http://dx.doi.org/10.1109/iv.2013.92.

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"D-Art Gallery." In 2014 18th International Conference on Information Visualisation (IV). IEEE, 2014. http://dx.doi.org/10.1109/iv.2014.82.

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"D-Art Gallery." In 2023 27th International Conference Information Visualisation (IV). IEEE, 2023. http://dx.doi.org/10.1109/iv60283.2023.00010.

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"D-Art Gallery." In 2021 25th International Conference Information Visualisation (IV). IEEE, 2021. http://dx.doi.org/10.1109/iv53921.2021.00010.

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Lin, Ziyao. "Love letters without the recipient." In SIGGRAPH Art Gallery '24: ACM SIGGRAPH 2024 Art Gallery. ACM, 2024. http://dx.doi.org/10.1145/3641523.3665168.

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Reports on the topic "Art Gallery of Alberta"

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Brison, Jeffrey, Sarah Smith, Elyse Bell, et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.

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The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière
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Campbell, J. R. Downtown Art Gallery Jacket. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1585.

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Alshaibi, Omar, Victoria Armstrong, Katie Brown, et al. Images of Research: An Art Gallery and Puzzle Book. Edited by Sandra Oza. University of Dundee, 2024. http://dx.doi.org/10.20933/100001304.

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Images of Research is an annual competition that challenges researchers to capture their work in a single image, alongside a short description. This competition has been run at the University of Dundee since 2020 and represents just a handful of the research projects being carried out by postgraduate researchers. The competition celebrates our research and the many original ways it can be expressed. This collection showcases the winning entries, mixed with fun sketches and puzzles to complete.
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Mahat, Marian, Guy Morrow, Brian Long, Siew Fang Law, Amy Gullickson, and Chengxin Guo. Developing an impact framework for Science Gallery Network: Final report. University of Melbourne, 2022. http://dx.doi.org/10.46580/124372.

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The aim of this project was to develop an impact framework for the Science Gallery Network (SGN). This work was commissioned by the Science Gallery International (SGI). The SGN has eight member organisations across four continents: Dublin, London, Melbourne, Bengaluru, Detroit, Rotterdam, Atlanta and Berlin. Whilst the network consistently sees unprecedented levels of accomplishment by its members, a testimony to their capacity, innovation and vision, the SGN does not have a systematic way to measure and monitor this impact. An impact framework that can assist with understanding and reporting
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Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt, and Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), 2023. http://dx.doi.org/10.21079/11681/47184.

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The 1943 art exhibition at the Mountain View Officers’ Club (MVOC), Fort Huachuca, Arizona should be considered one of the most significant events in the intersection of American art, military history, and segregation. Organizers of the event, entitled Exhibition of the Work of 37 Negro Artists, anticipated it would boost soldiers’ morale because Fort Huachuca was a predominately Black duty station during WWII. This report provides a brief history of Black art in the early 20th century, biographies of the artists showcased, and provides information (where known) about repositories that have or
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Parallel Realities: Five Pioneering Artists from Barbados. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0006427.

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Sixty-four pieces executed in a variety of media: sculpture, painting, pastel and pencil drawing, watercolor, linoleum and metal engraving, monotype and stencil, by two generations of Barbadian artists considered pioneers in 20th century Barbadian art: Golde White, Aileen Hamilton, Katherine Hawkins, Karl Broodhagen, and Ivan Payne; from the collections of the Barbados Gallery of Art, the Barbados Museum and Historical Society, and private collectors. Upon the exhibition¿s return to Barbados, it was reenacted at the Barbados Gallery of Art and the Barbados Museum and Historical Society in Brid
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Selections from the IDB Art Collection: August 2-31, 1999. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0005942.

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Forty-nine sculptures, paintings, drawings and graphics from the IDB Art Collection, representative of several periods, with emphasis on the 20th century. This was the third exhibition of works from the IDB Art Collection in the Cultural Center Gallery over the past seven years; normally they are displayed inpublic areas of the IDB building.
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Coombs, HC opening exhibition of contemporary Australian paintings at Art Gallery - September 1955. Reserve Bank of Australia, 2022. http://dx.doi.org/10.47688/rba_archives_pn-002886.

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At the Gates of Paradise: Art of the Guaraní of Paraguay. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008210.

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The exhibit unites a number of artistic expressions of the Guaraní Indians of Paraguay, from the colonial period to the present. Include 65 pieces including statuary, both sacred and secular, photographs, videos, and contemporary art. All of the art works allow for a better understanding of the Guaraní culture that transmits knowledge fundamentally through an oral tradition, but has also come to assimilate a number of influences, modifying them to their own needs. The exhibition was open at the Art Gallery of the Cultural Center of the Inter-American Development Bank on September 2005.
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Graphics from Latin America and the Caribbean: October 1 - 29, 2000. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0005917.

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43 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by 40 artists from the Americas were united in this exhibition presented at the art gallery of York College, in York, Pennsylvania, on occasion of the College's 2000-2201 academic year, which is dedicated to the culture of Latin America and the Caribbean. All works belong to the IDB art collection. Artists included Diego Rivera, Roberto Matta, and Carlos Mérida.
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