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Books on the topic 'Art, Gupta'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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1

Early classical art of South Asia. Delhi: Bharatiya Kala Prakashan, 2009.

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2

Jhā, Śaśi. Bhāratīya citrakalā aura mūrtikalā meṃ nārī kā svarūpa. Meraṭha: Mānasī Prakāśana, 1992.

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3

Sudhi, Padma. Gupta art, a study from aesthetic and canonical norms. New Delhi: Galaxy Publications, 1993.

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4

Mishra, Sudhakar Nath. Gupta art and architecture: With special reference to Madhya Pradesh. Delhi: Agam Kala Prakashan, 1992.

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5

Museum, Patna, ed. Gupta art: Zenith of artistic creation. Patna: Patna Museum, Directore of Museums, Department of Art, Culture, and Youth, Government of Bihar, 2006.

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6

Dei, Shashipriya. Development of temple architecture in India: With reference to Orissa in the golden age. Calcutta: Punthi-Pustak, 1998.

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7

Mukherjee, Chhanda. Gupta numismatic art: An artistic and iconographic study. Delhi: Agam Kala Prakashan, 1991.

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8

Art and architecture of Post-Gupta period: Central India. Delhi: Bharatiya Kala Prakashan, 2012.

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9

Royal temples of Gupta period: Excavations at Bhitari. New Delhi: Aryan Books International, 2001.

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10

Madhuri, Sharma, ed. Early Buddhist metal images of South Asia: With special reference to Gupta-Vakatakas period. Delhi: Bharatiya Kala Prakashan, 2000.

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11

Terracotta art of Rajasthan: From pre-Harappan and Harappan times to the Gupta period. New Delhi: Aryan Books International, 1997.

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12

Nigama, Rañjana. Nr̥tya aura saṅgīta: Prācīna kalā meṃ prāgaitihāsika kāla se Gupta kāla taka Madhyapradeśa ke sandarbha meṃ. Dillī: B. R. Rhythms, 2014.

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13

Belēvičs, Guntis, and Anita Vanaga. Latvijas mākslas klasika: Dr. Gunta Belēviča kolekcija. Rīga: Blankenfeldes muiža, 2008.

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14

Ray, Ardhendusekhar. Crafts and technology in ancient India: From the earliest times to the Gupta period. Delhi: S.S. Publishers, 1998.

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15

Mitra, B. B. B.B. Mitra & Sen Gupta on the Transfer of Property Act, 1882: As amended by Act 48 of 2001 and Act 3 of 2003, also includes effect of Act 54 of 2002. Kolkata: Kamal Law House, 2009.

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16

Mitra, B. B. B.B. Mitra & Sen Gupta on the Transfer of Property Act, 1882: As amended by Act 48 of 2001 and Act 3 of 2003, also includes effect of Act 54 of 2002. Kolkata: Kamal Law House, 2009.

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17

Klintowitz, Jacob. Os colecionadores 1998: Guita e José Mindlin : matrizes e gravuras : de 24 de novembro de 1998 a 7 de fevereiro de 1999, terça a domingo, das 9 às 19 horas, Centro Cultural FIESP-Galeria de Arte do SESI. Edited by Centro Cultural FIESP and Galeria de Arte do SESI (São Paulo, Brazil). São Paulo, Brazil]: Leo Burnett, 1998.

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18

Śrīrāma, Goyala, and Goyal Shankar 1959-, eds. Indian art of the Gupta age: From pre-classical roots to the emergence of medieval trends. Jodhpur: Kusumanjali Book World, 2000.

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19

Subodh Gupta: Spirit Eaters. Verlag fur Moderne Kunst, 2013.

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20

J, Khandalavala Karl, ed. The Golden age Gupta art: Empire, province, and influence. Bombay: Marg Publications, 1991.

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21

Subodh Gupta: Gandhi's Three Monkeys. Shainman Gallery, Jack, 2010.

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22

Jayaswal, Vidula. Royal Temples of Gupta Period. Aryan Books International, 2002.

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23

Khandalavala, Karl. The Golden Age: Gupta Art-Empire, Provence and Influence. South Asia Books, 1992.

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24

Chitrangsu Institute of Art & Handicraft., ed. Twenty five graphic prints & drawings of Manindra Bhusan Gupta. Kolkata: Publication Dept., Chitrangsu Institute of Art & Handicrafts, 2001.

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25

Indian numismatics, history, art, and culture: Essays in the honour of Dr. P.L. Gupta. Delhi: Agam Kala Prakashan, 1992.

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26

Amina, Okada, Filliozat Pierre-Sylvain, and Joshi M. C, eds. L' âge d'or de l'Inde classique: L'empire des Gupta : exposition, Paris, Galeries nationales du Grand Palais, 4 avril-25 juin 2007. Paris: Réunion des Musées nationaux, 2007.

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27

Galeries nationales du Grand Palais (France), ed. L' âge d'or de l'Inde classique: L'empire des Gupta : Galeries nationales du grand palais, 4 avril-25 juin 2007. Paris: Réunion des musées nationaux, 2007.

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28

B. B. Mitra & Sen Gupta on the transfer of property Act, 1882. Kolkata: Kamal Law House, 2009.

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29

Hage, Ghassan, ed. Decay. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022039.

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In eleven sharp essays, the contributors to Decay attend to the processes and experiences of symbolic and material decay in a variety of sociopolitical contexts across the globe. They examine decay in its myriad manifestations—biological, physical, organizational, moral, political, personal, and social and in numerous contexts, including colonialism and imperialism, governments and the state, racism, the environment, and infrastructure. The volume's topics are wide in scope, ranging from the discourse of social decay in contemporary Australian settler colonialism and the ways infrastructures both create and experience decay to cultural decay in the aftermath of the Sri Lankan civil war and the relations among individual, institutional, and societal decay in an American high-security prison. By using decay as a problematic and expounding its mechanisms, conditions, and temporalities, the contributors provide nuanced and rigorous means to more fully grapple with the exigencies of the current sociopolitical moment. Contributors. Cameo Dalley, Peter D. Dwyer, Akhil Gupta, Ghassan Hage, Michael Herzfeld, Elise Klein, Bart Klem, Tamara Kohn, Michael Main, Fabio Mattioli, Debra McDougall, Monica Minnegal, Violeta Schubert
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30

Gupta, Gopal K. Māyā in the Bhāgavata Purāṇa. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856993.001.0001.

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The idea of māyā pervades Indian philosophy: it is complex, multivalent, and foundational, with its oldest referents found in the Ṛg -veda. This book explores māyā’s rich conceptual history, and then focuses on the highly developed theology of māyā found in the Sanskrit Bhāgavata Purāṇa, one of the most important Hindu sacred texts. Gopal K. Gupta examines māyā’s role in the Bhāgavata’s narratives, paying special attention to māyā’s relationship with other key concepts in the text, such as human suffering (duḥkha), devotion (bhakti), and divine play (līlā). In the Bhāgavata, māyā is often identified as the divine feminine, and her scope and influence are far-reaching—māyā is the world and the means by which God creates the world, she is the power that deludes living beings and ensorcells them in the phenomenal world, and she is the facilitator of God’s play, paradoxically revealing him to his devotees by concealing his majesty. While Vedānta philosophy typically sees māyā as a negative force, the Bhāgavata affirms that māyā also has a positive role, for in both the conditioned and liberated states, māyā is meant to ultimately draw living beings toward Kṛṣṇa and intensify their love for him.
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31

Bartfeld, Sina, Hannah Schickl, Cantas Alev, Bon-Kyoung Koo, Anja Pichl, Angela Osterheider, and Lilian Marx-Stölting, eds. Organoide. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748908326.

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Organoids are developed from stem cells and serve as three-dimensional model systems for different organs. They have great potential for research and medicine, but also raise philosophical, ethical and legal questions which have rarely been discussed in Germany so far. This thematic study by the interdisciplinary research group (IAG) Gene Technology Report at the Berlin-Brandenburg Academy of Sciences and Humanities offers an overview of current scientific developments, their present and potential application, as well as epistemological, ethical and legal reflections. Hereby, the IAG wants to provide impetus for an interdisciplinary and society-wide debate on this general subject. With contributions by Cantas Alev, Aileen-Diane Bamford, Sina Bartfeld, Andreia S. Batista-Rocha, Ali H. Brivanlou, Thomas Burgold, Cindrilla Chumduri, Stephan Clemens, Emrecan Dilmen, Tobias Erb, Fred Etoc, Melinda B. Fagan, Heiner Fangerau, Boris Fehse, Nina Frey, Tristan Frum, Anne Grapin-Botton, Navin Gupta, Jürgen Hampel, Ferdinand Hucho, Özge Kayisoglu, Rashmiparvathi Keshara, Yung Hae Kim, Bon-Kyoung Koo, Martin Korte, Yaroslav Koshelev, Kai Kretzschmar, Allison Lewis, Lilian Marx-Stölting, Fruzsina Molnár-Gábor, Ryuji Morizane, Stefan Mundlos, Paola Nicolas, Angela Osterheider, In-Hyun Park, Anja Pichl, Sandra Pilat-Carotta, Jens Reich, Marlen Reinschke, Hannah Schickl, Silke Schicktanz, Nicolas Schlegel, Jason R. Spence, Yoshiaki Tanaka, Jochen Taupitz, Isaree Teriyapirom, Margherita Y. Turco, Jörn Walter, Eva Winkler, Martin Zenke.
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32

Series, Michigan Historical Reprint. The telegraph cable. Historical view of the art of electromagnetic telegraphing in connection with the telegraph cable, and its insulation by gutta percha. ... patents, etc., by George Griscom ... in answ. Scholarly Publishing Office, University of Michigan Library, 2005.

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33

Escudero Requena, Denisse Elizabeth, Jessica Lissette Flores Vega, Gema Paola Zambrano Andrade, Johang Mauricio Olivo Román, Génesis Carolina Vargas Párraga, Iván Mauricio Cevallos López, Yomara Catherine Benítez Ormaza, Marlon Enrique Allauca Yumiseba, Bismarck Stiven Pazmiño Antepara, and Lissett Stefania Condo Chaguay. Principios Básicos: Cirugía General. Mawil Publicaciones de Ecuador, 2020, 2020. http://dx.doi.org/10.26820/978-9942-826-40-4.

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PRINCIPIOS BÁSICOS DE LA CIRUGÍA EN GENERAL, es un libro de texto que de una manera simple pero directa, desarrolla temáticas que contribuyen al conocimiento y comprensión de los principios básicos de la cirugía, de los procedimientos quirúrgicos que se llevan a cabo dentro de la especialidad de cirugía general, según indicaciones precisas y de los aspectos que rodea el acto quirúrgico. Examina, asimismo, las reglas fundamentales para el uso del quirófano, el instrumental quirúrgico, el significado y cuáles son las áreas grises y blancas, estériles y las formas que deben guardarse dentro de la sala quirúrgica, aquello que se debe hacer para no estorbar durante los procedimientos y la importancia de la técnica de asepsia antes de entrar a una cirugía, como lo es un simple lavado de manos, para evitar incluso complicaciones. Estas y otras situaciones se ven explicadas con conexión, por parte del autor del texto. La Cirugía General, es una disciplina científica en la que se utilizan las manos, o instrumentos manejados por éstas, para curar enfermedades o mejorar la salud. De manera general, es entendida como una ciencia que abarca el tratamiento total de la enfermedad e incluye la intervención quirúrgica para la corrección de deformidades, reparación de defectos, reparación de lesiones, diagnóstico y tratamiento de enfermedades, mitigación del sufrimiento y prolongación de la vida. Por tanto, se dice, que descansa sobre dos bases: la base científica donde se incluye la técnica manual y la humanista encaminada a buscar el bien del enfermo. En el marco de éstas reflexiones, también se explanan en el libro, aspectos no menos importantes, como son su evolución histórica, la clasificación de las cirugías, los aspectos éticos y profesionalidad en la cirugía, la robótica como ciencia emergente en el campo de la cirugía, las infecciones adquiridas durante el acto quirúrgico y el uso de los antibióticos, la preparación preoperatoria del paciente, los riegos en la cirugía, los principios de la anestesia, el estado de choque, entre otros. El libro, ésta dirigido al lector interesado en conocer los principios básicos y fundamentales de la cirugía general, especialmente, para quién está iniciándose en el arte de la medicina, y de manera particular en la medicina quirúrgica, así como a quien le gusta mantenerse actualizado en los principios básicos y elementales. El texto que se presenta se pasea por diferentes temas de esta ciencia de manera breve, precisa y actualizada, revisada en conformidad con la expansión del conocimiento médico. Con él, se pretende hacer una contribución real a nivel teórico como herramienta de enseñanza – aprendizaje a través de 12 apartes que discurren estrictamente sobre contenidos específicos que gratamente vale la pena leer con atención: 1. La cirugía en general; 2. Especialidades en cirugía general; 3. Elementos del quirófano; 4. Principios de asepsia y antisepsia; 5. Preparación preoperatoria del paciente quirúrgico; 6. Principios de cirugía preoperatoria y operatoria; 7. Infecciones quirúrgicas y uso de antibióticos; 8. Complicaciones quirúrgicas; 9. Principios de anestesiología, tratamiento del dolor y sedación consciente; 10. Riesgo y seguridad del paciente quirúrgico; 11. Estado de choque y 12. Tecnologías emergentes en cirugía.
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