Relevant bibliographies by topics / Art – History – Congresses

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Academic literature on the topic 'Art – History – Congresses'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Art – History – Congresses"

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Haron, Muhammed. "Second International Congress on Islamic Civilization in Southern Africa." American Journal of Islam and Society 33, no. 3 (July 1, 2016): 150–54. http://dx.doi.org/10.35632/ajis.v33i3.931.

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In 2006 the first International Congress of Islamic Civilization in SouthernAfrica was hosted by AwqafSA (www.awqafsa. org.za) and IRCICA (Centrefor Islamic History, Art, and Culture www.ircica.org) at the University of Johannesburg.IRCICA, the prime mover and funder of this and similar conferencesand congresses worldwide, has been actively promoting these platformsto bring academics, scholars, researchers, and other stakeholders together tohighlight research outputs and findings that reflect upon the status and positionof Muslim minorities worldwide. Since Southern African Muslim communitiesform an integral part of Africa’s Muslims, it decided to host a follow-upevent in the region.IRCICA once again teamed up with AwqafSA, which had been in closecontact with IRCICA since the 2003 Uganda “Islamic Civlization in EastAfrica” conference. For this congress, AwqafSA partnered with the InternationalPeace College of South Africa (IPSA) and the University of KwaZulu-Natal (UKZN). It also teamed up with ITV, Radio Al-Ansaar, and the MinaraChamber of Commerce. Since UKZN was the main academic partner, thecongress was held from March 4-6, 2016, at the Senate Chambers of UKZN’sWestville campus.The organizers’ objectives for the congress were to (a) increase people’sknowledge of the history and heritage of Southern Africa’s Muslims, (b)strengthen cooperation among Muslim and African nations and their peoplesby producing and disseminating Islamic and cultural knowledge, and (c) offera forum for the true understanding of Islamic culture in the world.Donal McCracken (acting dean of research, College of Humanities) officiallywelcomed the delegates. Following his opening remarks, the audienceheard from the representatives of the Congress Organizing Committee.Zeinoul Cajee (CEO, AwqafSA), Halit Eren (director-general, IRCICA), andShaykh Ighsaan Taliep (IPSA). Eren underscored the importance of these ...
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Sabău, Nicolae. "„Sok szíves üdvözlettel régi barátos…”. Colegamenti di amicizia di Coriolan Petranu con storici magiari." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (December 31, 2020): 107–26. http://dx.doi.org/10.24193/subbhistart.2020.06.

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"„Sok szíves üdvözlettel régi barátos...” (“With kind regards, your old friend...”). Coriolan Petranu’s Friendly Connections to the Hungarian Historians. Coriolan Petranu is the founder of modern art history education and scientific research in Transylvania. He had received special education in this field of study that is relatively new in the region. He started his studies in 1911 at the University of Budapest, attending courses in law and art history. During the 1912-1913 academic year he joined the class of Professor Adolph Goldschmiedt (1863-1944) at the Friedrich-Wilhelm University in Berlin. The professor was an illustrious personality from the same generation as art historians Emil Mâle, Wilhelm Vögte, Bernard Berenson, Roger Fry, Aby Warburg, and Heinrich Wölfflin, specialists who had provided a decisive impetus to art historical research during the twentieth century. In the end of 1913, Coriolan Petranu favored Vienna, with its prestigious art historical school attached to the university from the capital of the Austro-Hungarian Empire. There he completed and perfected his education under the supervision of Professor Josef Strzygowski (1862-1941). The latter scholar was highly appreciated for his contributions to the field of universal art history by including the cultures of Asia Minor (Syria, Mesopotamia, Armenia, and Persia), revealing the influence that this area had on proto-Christian art, as well as by researching ancient art in Northern Europe. In March 1920 the young art historian successfully defended his doctoral dissertation entitled Inhaltsproblem und Kunstgeschichte (”Content and art history”). He thus earned his doctor in philosophy title that opened him access to higher education teaching and art history research. His debut was positively marked by his activity as museographer at the Fine Art Museum in Budapest (Szepműveszeti Muzeum) in 1917-1918. Coriolan Petranu has researched Romanian vernacular architecture (creating a topography of wooden churches in Transylvania) and his publications were appreciated, published in the era’s specialized periodicals and volumes or presented during international congresses (such as those held in Stockholm in 1933, Warsaw in 1933, Sofia in 1934, Basel in 1936 and Paris in 1937). The Transylvanian art historian under analysis has exchanged numerous letters with specialists in the field. The valuable lot of correspondence, comprising several thousands of letters that he has received from the United States of America, Great Britain, Spain, France, Switzerland, The Netherlands, Denmark, Sweden, Norway, Finland, Estonia, Latvia, Czechoslovakia, Austria, Hungary, Poland, the USSR, Serbia, Bulgaria, and Egypt represents a true history of the stage and development of art history as a field of study during the Interwar Period. The archive of the Art History Seminary of the University in Cluj preserves one section dedicated to Hungarian letters that he has send to Hungarian specialists, art historians, ethnographers, ethnologists or colleagues passionate about fine art (Prof. Gerevich Tibor, Prof. Takács Zoltán, Dr. Viski Károly, Count Dr. Teleki Domokos). His correspondence with Fritz Valjavec, editor of the “Südostdeutsche Forschungen” periodical printed in München, is also significant and revealing. The letters in question reveal C. Petranu’s significant contribution through his reviews of books published by Hungarian art historians and ethnographers. Beyond the theoretical debates during which Prof. Petranu has criticized the theories formulated by Prof. Gerevich’s school that envisaged the globalization of Hungarian art between the Middle Ages and the Early Modern Period and that also included in this general category the works of German masters and artists with other ethnic backgrounds, he has also displayed a friendly attitude and appreciation for the activity/works of his Hungarian colleagues (Viski Károly and Takács Zoltán). The previously unpublished Romanian-Hungarian and Hungarian-Romanian set of letters discussed here attest to this. Keywords: Transylvania, correspondence, vernacular architecture, reviews, photographs, Gerevich Tibor, Dr. Viski Károly "
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Grzybkowska, Teresa. "PROFESSOR ZDZISŁAW ŻYGULSKI JR.: AN OUTSTANDING PERSON, A GREAT PERSONALITY, A MUSEUM PROFESSIONAL, A RESEARCHER ON ANTIQUE WEAPONS, ORIENTAL ART AND EUROPEAN PAINTING (1921–2015)." Muzealnictwo 58, no. 1 (February 13, 2017): 2–13. http://dx.doi.org/10.5604/01.3001.0009.5602.

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Professor Zdzisław Żygulski Jr. (1921–2015) was one of the most prominent Polish art historians of the second half of the 20th century. He treated the history of art as a broadly understood science of mankind and his artistic achievements. His name was recognised in global research on antique weapons, and among experts on Rembrandt and Leonardo da Vinci. He studied museums and Oriental art. He wrote 35 books, about 200 articles, and numerous essays on art; he wrote for the daily press about his artistic journeys through Europe, Japan and the United States. He illustrated his publications with his own photographs, and had a large set of slides. Żygulski created many exhibitions both at home and abroad presenting Polish art in which armour and oriental elements played an important role. He spent his youth in Lvov, and was expatriated to Cracow in 1945 together with his wife, the pottery artist and painter Eva Voelpel. He studied English philology and history of art at the Jagiellonian University (UJ), and was a student under Adam Bochnak and Vojeslav Molè. He was linked to the Czartoryski Museum in Cracow for his whole life; he worked there from 1949 until 2010, for the great majority of time as curator of the Arms and Armour Section. He devoted his whole life to the world of this museum, and wrote about its history and collections. Together with Prof. Zbigniew Bocheński, he set up the Association of Lovers of Old Armour and Flags, over which he presided from 1972 to 1998. He set up the Polish school of the study of militaria. He was a renowned and charismatic member of the circle of international researchers and lovers of militaria. He wrote the key texts in this field: Broń w dawnej Polsce na tle uzbrojenia Europy i Bliskiego Wschodu [Weapons in old Poland compared to armaments in Europe and the Near East], Stara broń w polskich zbiorach [Old weapons in Polish armouries], Polski mundur wojskowy [Polish military uniforms] (together with H. Wielecki). He was an outstanding researcher on Oriental art to which he dedicated several books: Sztuka turecka [Turkish art], Sztuka perska [Persian art], Sztuka mauretańska i jej echa w Polsce [Moorish art and its echoes in Poland]. Prof. Zdzisław Żygulski Jr. was a prominent educator who enjoyed great respect. He taught costume design and the history of art and interiors at the Academy of Fine Arts in Cracow, as well as Mediterranean culture at the Mediterranean Studies Department and at the Postgraduate Museum Studies at the UJ. His lectures attracted crowds of students, for whose needs he wrote a book Muzea na świecie. Wstęp do muzealnictwa [Museums in the world. Introduction to museum studies]. He also lectured at the Florence Academy of Art and at the New York University. He was active in numerous Polish scientific organisations such as PAU, PAN and SHS, and in international associations such as ICOMAM and ICOM. He represented Polish art history at general ICOM congresses many times. He was also active on diverse museum councils all over Poland.
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Pchelovodova, Irina Vyacheslavovna, and Alevtina Vasilievna Kamitova. "WITH MUSIC THROUGH LIFE (TO THE ANNIVERSARY OF I. M. NURIEVA)." Yearbook of Finno-Ugric Studies 13, no. 4 (December 25, 2019): 718–21. http://dx.doi.org/10.35634/2224-9443-2019-13-4-718-721.

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The article is devoted to the anniversary of Irina Murtazovna Nurieva, the prominent ethnomusicologist, Honored scientist, Doctor of Art. The author focuses on her scientific and creative activity and analyzes her contribution to the study of the Udmurt musical and song tradition. During her period of work in the Udmurt Institute of History, Language and Literature UdmFRC UB RAS I. M. Nurieva published five monographs and more than a hundred articles. Her works are in demand not only among the academic community and teachers of higher education, but also of all those who are interested in folk culture. It was established that a high popularity rating of her research was achieved due to the involvement of the rich material from field practices in which she was directly involved During her activities she conducted a large number of expeditions (folklore-dialectological, folklore-ethnographic, folklore-choreographic), the geography of which, in addition to the Udmurt Republic, covers the Republic of Tatarstan, the Republic of Mari El, the Kirov region. The name of the Udmurt ethnomusicologist is known not only on a Russian scale, but also outside of it. I. M. Nurieva is a returning participant in international conferences, congresses.
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Korner, Paul I., and Frans H. H. Leenen. "Hypertension: Blood pressure regulating systems: cellular, integrative, and therapeutic aspects." Canadian Journal of Physiology and Pharmacology 65, no. 8 (August 1, 1987): 1515. http://dx.doi.org/10.1139/y87-238.

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This is only the second time in the long history of the International Physiological Congresses that a symposium on hypertension has formed part of the official satellite programme. After the 1983 IUPS Congress in Sydney, John Chalmers organized a magnificent satellite meeting at the Flinders Medical Centre in South Australia and we felt that we wished to continue the "tradition." Hypertension research has provided a wonderful example in recent years of how exciting it can be to apply very basic discoveries to the solution of practical problems. This meeting breaks new ground in being the first scientific event sponsored jointly by the Canadian Hypertension Society and the Australian High Blood Pressure Council. The meeting was made possible by generous financial support from Pfizer Canada and Pfizer Australia with, as co-contributors, Bayer Germany and Sandoz Australia. We would also like to acknowledge the help of Mrs. A. Garat of Pfizer Canada Medical Services in the organization of the meeting and Dr. Andrew Rankin who was responsible for all local arrangements.The Hypertension Satellite was held at Whistler, B.C., July 19–21, 1986, following the 30th International Congress of the International Union of Physiological Sciences in Vancouver. It provided a good forum for interdisciplinary information exchange. It also proved to be a pleasant social occasion in the beautiful setting of the coastal range of the Canadian Rockies. There were 48 invited speakers from Canada, Australia, Europe, the U.S.A., Japan, and New Zealand. We were fortunate in having as our patrons two great names in hypertension research, Dr. Arthur Guyton and Dr. Sydney Friedman.Emphasis was on a large range of mechanisms that regulate blood pressure. There were sessions on cell biology, the kidney, autonomic nervous regulation, peptides (including, of course, atrial natriuretic peptide and arginine vasopressin), and pathogenesis. The proceedings provide an up-to-date account of the position of the current "state of the art" in a number of important areas.
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Reams, Bernard D., and Mary Ann Nelson. "Immigration Reform and the Simpson-Rodino Act: A Legislative History of the Immigration Reform and Control Act of 1986 (P.L. 99-603) With Related Documents and Secondary Sources." International Journal of Legal Information 22, no. 1 (1994): 12–72. http://dx.doi.org/10.1017/s0731126500024495.

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The purpose of this bibliography is to provide the researcher with a listing of all the necessary documents for an exhaustive legislative history of the Immigration Reform and Control Act of 1986 as amended. Because the Act has its foundations in both legislative and executive studies, as well as reports and activities from previous Congresses, this compilation extends back to the 91st Congress (1970-1971). A bibliography of relevant readings is provided to give the researcher additional background information. The bibliography extends back to 1978. Additional citations to periodical articles from 1970-1977 can be found in Document No. 201.
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Cohen, Jill. "Access to Medical Care for HIV - Infected Individuals Under the Americans with Disabilities Act: A Duty to Treat." American Journal of Law & Medicine 18, no. 3 (1992): 233–50. http://dx.doi.org/10.1017/s0098858800007103.

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In 1990, Congress enacted the Americans with Disabilities Act (ADA). This Note examines the legislative history of the ADA and uncovers Congress's intent to impose a duty on health care providers to treat people with disabilities unless an individual poses a “direct threat” to the health or safety of others. This Note posits that, with the passage of the ADA, Congress imposed a statutory duty on health care providers to give care to people infected with HIV who qualify under the statute. This Note concludes that while the “direct threat” exception may lessen the impact of the ADA, those infected with HIV should enjoy greater access to health care than ever before.
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Shchedrina, Tatiana G. "International Congress of Philosophy As a Space for Personal Communication." Voprosy Filosofii, no. 12 (2020): 29–33. http://dx.doi.org/10.21146/0042-8744-2020-12-29-33.

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The article looks into the World Philosophical Congress as a space for personal communication. The author examines the archival (primary epistolary) legacy of the organizers and participants of the Second Congress (Édouard Claparède, Henri Bergson, Vladimir Nikolaevich Ivanovsky, Georgy Ivanovich Chelpanov). H. Bergson’s letters to Ed. Claparède show us how the topics of speeches formed, what role journals played in organizing congresses, and how the partici­pants of this event reacted to the publication of reports and speeches. It is return­ing to the history (to the handwritten and published materials) of international philosophical congresses of the beginning of XX century, that allows us today to comprehend the trends in the development of Philosophical issues, to record the successive thematic areas that have not lost their relevance for modern intellec­tual culture, and also to show the existential specifics of reflection about con­gresses, which manifested itself in reviews of V.N. Ivanovsky and G.I. Chel­panov. Their discourse about plenary and sectional reports, evaluations of speeches, as well as general conclusions about the strength and weaknesses of this intellectual event in the life of the world (international) philosophical com­munity, resulted from their own philosophical interests. The most significant at­tention is paid to the “fatal flaws” of any philosophical congress (according to Chelpanov’s apt remark): lack of live communication (debate on reports), as well as “the lack of one language, equally accessible to all participants”. Both of these flaws are genuinely unavoidable. Even with the expansion of the technical possi­bilities of transferring information, the monologue of speakers and terminological pluralism persist throughout the existence of World philosophical congresses.
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Genova, Irina. "AICA Congress in Poland in 1960: “International Character of Contemporary Art”." Sledva : Journal for University Culture, no. 40 (April 7, 2020): 82–90. http://dx.doi.org/10.33919/sledva.20.40.14.

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The art historian prof. Irina Genova traces the history of AICA (Association internationale des critiques d’art) and focuses on its congress in Poland (Warsaw and Krakow) in 1960. The carefully chosen topic of the congress, “International Character of Contemporary Art”, meant to provide a meeting point for Western European and Eastern European artists and to open the post-Stalinist Eastern art scene to the contemporary tendencies of the abstract painting. The situation was different in the different countries. The research draws a parallel between the quite open Polish scene and the more conservative and closed Bulgarian one and the reception the congress had in those two contexts.
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Labuda, Adam. "Polska i niemiecka historia sztuki w polemicznym dyskursie - sympozjum w Rogalinie w roku 1973." Artium Quaestiones, no. 28 (May 22, 2018): 227–50. http://dx.doi.org/10.14746/aq.2017.28.9.

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Polish and German Art History in a Polemic. The Rogalin Symposium of 1973 Summary The paper recapitulates a discussion over the book, Das Kunstwerk zwischen Wissenschaft und Weltanschauung, ed. Martin Warnke, Köln 1970, which was an aftermath of a pungent statement made by critical German art historians at the Congress of German Art Historians held in Köln in 1970. The main idea of the book was showing the “work of art as an object of ideological interests, a victim of ideological interventions” (Warnke) – in this case, those of a nationalist, Nazi, and fascist origin. A critical impulse triggered by the congress and the book was the main reason for organizing a symposium in Rogalin in 1973, during which art historians from Poznań delivered papers-comments on four articles included in the German publication. Taking into consideration the key message of the book, in the first place they focused on the methodological and theoretical assumptions adopted by German scholars. Stressing the discrepancy between the goals and assumptions of the German publication and its Polish reception, the author treats the papers delivered in Rogalin as evidence of a methodological shift in Polish art history of the early 1970s. His main observations are the following: the end of the dominant approach focusing on the artwork itself; a shift toward approaching it in terms of the communicative triad “sender-work-recipient”; acknowledging the inevitable involvement of the art historian (scholar-recipient) in that historically determined framework. It is notable that the Polish scholars virtually ignored the ideological and critical approach to the evolution of art history that was developed in the German book. Moreover, the paper presents the historical background of both the Köln conference and its proceedings as well as the specific determinants of art history in the communist Poland, particularly as regards its contacts with the two German states.
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Dissertations / Theses on the topic "Art – History – Congresses"

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Psaltis, Kosta. "Presidential Power in an Era of Congressional Deference: How Congress and the American People Are Failing Each Other." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1124.

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In this thesis I diagnose the health of the United State’s constitutional regime and extensively explore the changing relationship between Congress and the president. I began by diving into the arguments laid out in The Federalist Papers to explain the basis of America’s separation of powers system. I then explore the rise of presidential power and the increase in congressional deference and abdication through the lens of the budget process and war authority. Next, I provide suggestions for ways in which Congress should assert itself. Lastly, I provide recent indications that Congress may be willing to express its institutional will. In conclusion, I argue that the modern world has changed the incentive structure for representatives who now cater primarily to their constituents and avoid making controversial decisions instead of acting as a check on executive power. I distribute blame between Congress and American citizens for allowing this change to occur and stress the importance of civic education and civic participation in a healthy constitutional regime.
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Fossett, Victoria Lea. "May 1856: Southern Reaction to Conflict in Kansas and Congress." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3673/.

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This thesis examines southern reactions to events that occurred in May 1856: the outbreak of civil war in Kansas and the caning of Senator Charles Sumner of Massachusetts. I researched two newspapers from the upper South state of Virginia, the Richmond Enquirer and the Richmond Daily Whig, and two newspapers from the lower South state of Louisiana, the New Orleans Times-Picayune and the New Orleans Bee to determine the extent to which political party sentiment and/or geographic location affected southern opinion towards the two events. Political party ties influenced the material each newspaper printed. Each newspaper worried that these events endangered the Union. Some, however, believed the Union could be saved while others argued that it was only a matter of time before the South seceded.
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Scott, Katherine Anne. "Reining in the State: Civil Society, Congress, and the Movement to Democratize the National Security State, 1970-1978." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/38730.

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History
Ph.D.
This dissertation explores the battle to democratize the national security state, 1970-1978. It examines the neo-progressive movement to institutionalize a new domestic policy regime, in an attempt to force government transparency, protect individual privacy from state intrusion, and create new judicial and legislative checks on domestic security operations. It proceeds chronologically, first outlining the state's overwhelming response to the domestic unrest of the 1960s. During this period, the Department of Justice developed new capacities to better predict urban unrest, growing a computerized databank that contained millions of dossiers on dissenting Americans and the Department of Defense greatly expanded existing capacities, applying cold war counterinsurgency and counterintelligence techniques developed abroad to the problems of protests and riots at home. The remainder of the dissertation examines how the state's secret response to unrest and disorder became public in the early 1970s. It traces the development of a loose coalition of reformers who challenged domestic security policy and coordinated legislative and litigative strategies to check executive power.
Temple University--Theses
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Ragland, James Deen. "The Commander's Sword & the Executive's Pen: Presidential Success in Congress and the Use of Force." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3926/.

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Post-force congressional rally effects are presented as a new incentive behind presidential decisions to use diversionary behavior. Using all key roll call votes in the House and Senate where the president has taken a position for the years 1948 to 1993, presidents are found to receive sharp decreases in both presidential support and success in Congress shortly after employing aggressive policies abroad. Evidence does suggest that presidents are able to capitalize on higher levels of congressional support for their policy preferences on votes pertaining to foreign or defense matters after uses of force abroad. But, despite these findings, diversionary behavior is found to hinder rather than facilitate troubled presidents' abilities to influence congressional voting behavior.
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Coulter, Matthew Ware. "Beyond the Merchants of Death: the Senate Munitions Inquiry of the 1930s and its Role in Twentieth-Century American History." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279357/.

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The Senate Munitions Committee of 1934-1936, chaired by Gerald Nye of North Dakota, provided the first critical examination of America's modern military establishment. The committee approached its task guided by the optimism of the progressive Social Gospel and the idealism of earlier times, but in the middle of the munitions inquiry the nation turned to new values represented in Reinhold Niebuhr's realism and Franklin D. Roosevelt's Second New Deal. By 1936, the committee found its views out of place in a nation pursuing a new course and in a world threatening to break out in war. Realist historians writing in the cold war period (1945-1990) closely linked the munitions inquiry to isolationism and created a one-dimensional history in which the committee chased evil "merchants of death." The only book-length study of the munitions investigation, John Wiltz's In Search of Peace, published in 1963, provided a realist interpretation. The munitions inquiry went beyond the merchants of death in its analysis of the post-World War I American military establishment. A better understanding emerges when the investigation is considered not only within an isolationist framework, but also as part of the intellectual, cultural, and political history of the interwar years. In particular, Franklin Roosevelt's political use of the investigation becomes apparent. Sources used include the committee's hearings, exhibits, and reports, the Gerald Nye Papers, the Franklin Roosevelt Papers, the Cordell Hull Papers, the R. Walton Moore Papers, the Henry Stimson Papers, the Homer Cummings Diaries, and the State Department's decimal files.
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Alsina, Galofré Esther. "La Societat Artística i Literària de Catalunya (1897-1935). Exposicions, crítica i col·leccionisme d’art." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/350794.

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És convenient focalitzar l’atenció a l’entorn de la Societat Artística i Literària de Catalunya perquè representa una institució fonamental per comprendre el dilatat i complex fenomen que van suposar les societats d’artistes a l’Europa de l’època. No només això, ja que l’entitat ens hauria de permetre analitzar en profunditat la seva notable trajectòria, les seves ambicions estètiques i tots aquells factors que la varen circumdar. Aquí rau el punt de partida del nostre projecte d’investigació, el qual representa la culminació d’un període acadèmic i l’inici d’un rigorós camí científic que avui pot veure la llum. Tot i així, mai s’havia escrit sobre aquesta entitat de forma exhaustiva i monogràfica. I aquest fet sorprèn quan constatem la notable trajectòria que va tenir al llarg dels tres primers decennis del segle XX. Sorprèn encara més quan sabem que el seu instigador va ser el gran mestre paisatgista Modest Urgell, secundat per Enric Galwey i Lluís Graner, els quals precediren altres pintors i també escultors que arribarien a sumar al voltant d’un centenar de firmes. El nostre projecte d’investigació, ara materialitzat en la present tesi doctoral, esdevé la primera proposta per desvetllar d’una manera exhaustiva quins antecedents es van produir al voltant de la Societat Artística i Literària.
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Colomer, i. Costal Anna. "Un estudi sobre la visibilitat de i la participació activa de les persones grans en les exposicions temporals: vincles entre memòria, narratives personals i objectes museístics." Doctoral thesis, Universitat de Girona, 2013. http://hdl.handle.net/10803/129462.

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This thesis is interested in analyzing how museums perceive elderly people as an emerging audience; which are the common educational practices targeted at this group and what is its position within the museum program; how strategies are used by museums to encourage active participation and how elderly people are receiving these proposals. From the study of these issues and the analysis of several experiences held in different Spanish museums, this thesis sketches a new line in museum’s education, based on the links that can be established between the reminiscences of elderly people, personal narratives and museum objects. In this case, the memory becomes a fundamental mechanism for the construction of meaning, considering that the visitor is trying to locate it within the context of their experience. Following this line, education is conducted through two educational activities within the framework of two exhibitions with members of the University Extension Program for Elderly People developed at the Universitat de Girona which aims to reveal the relevance of personal narratives (experiences, memories, imaginations) in the construction of knowledge in the case of elderly people
Aquesta tesi ha estudiat com els museus perceben les persones grans com una audiència emergent; quines són les pràctiques educatives habituals destinades a aquest col·lectiu i quin és el seu posicionament dins la programació museística; com són les estratègies que utilitzen els museus per a fomentar la seva participació activa i com reben les persones grans aquestes propostes. A partir de l’estudi d’aquestes qüestions i de l’anàlisi de diversos programes duts a terme en diferents museus espanyols, es va dibuixar una nova tendència educativa al museu basada en els vincles que es poden establir entre les reminiscències de les persones grans, les narratives personals i els objectes museístics. Seguint aquesta línea educativa es van dur a terme dues accions educatives dins del marc de dues exposicions temporals amb membres de l’Aula d’Extensió Universitària de la Gent Gran de la Universitat de Girona que es proposaven esbrinar quina és la importància que tenen les narratives personals (vivències, records, imaginacions) en la construcció de coneixement en el cas de les persones grans.
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Rosomoff, Sara Stephanie. "Promote the General Welfare: A Political Economy Analysis of Medicare & Medicaid." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1574263717055768.

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Ault, Michael E. "Presidential Support and the Political Use of Presidential Capital." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277874/.

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This research incorporates a decision-making theory which defines the linkage between the public, the media, the president and the Congress. Specifically, I argue that the public holds widely shared domestic and international goals and responds to a number of external cues provided by the president and the media in its evaluation of presidential policies. Although most studies examine overall presidential popularity, there are important differences in the public's evaluations of the president's handling of foreign and domestic policies. Additionally, I am concerned with how the Congress responds to these specific policy evaluations, the president's public activities, and the electoral policy goals of its members when determining whether or not to support the president. Finally, I link together the theoretical assumptions, to examine the influence of varying levels of support among the Congress and the public, and the president's own personal power goals on the type, quantity, and the quality of activities the president will choose. Ultimately, the primary focus of this dissertation is on the sources and consequences of presidential support and the influence of such support on presidential decision-making.
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Van, Ginkel Aileen, Donald L. Knudsen, Paul A. Marshall, Malcolm H. MacRury, Bernard Zylstra, Kathy Vanderkloet, and Steve Shaw. "Perspective vol. 16 no. 2 (Apr 1982)." 2013. http://hdl.handle.net/10756/251292.

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Books on the topic "Art – History – Congresses"

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1966-, Dhar Parul Pandya, and National Museum Institute (New Delhi, India), eds. Indian art history: Changing perspectives. New Delhi: D.K. Printworld and National Museum Institute, 2011.

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Maxwell, Robert A. Representing history, 900-1300: Art, music, history. University Park, Pa: Pennsylvania State University Press, 2010.

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Fictions of Art History (Conference) (2010 : Sterling and Francine Clark Art Institute), ed. Fictions of art history. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2013.

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Kunstwissenschaft, Schweizerisches Institut für, and Kunsthalle Zürich, eds. Visions of a future: Art and art history in changing contexts. Zurich: Swiss Institute for Art Research, 2004.

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1960-, Lockhart Bruce McFarland, and Trần Kỳ Phương, eds. The Cham of Vietnam: History, society and art. Singapore: NUS Press, 2010.

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Centrum Sztuki Współczesnej Znaki Czasu w Toruniu, ed. History of art history in Central, Eastern and South-Eastern Europe. Toruń: Society of Modern Art, 2012.

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Sinha, Chitta Ranjan Prasad, 1941-, Dwivedi Umesh Chandra, and Indian Art History Congress, eds. Proceedings of the 9th Session of Indian Art History Congress, Hyderabad, November 2000. Guwahati: The Congress and Sundeep Prakashan, New Delhi, 2000.

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Session, Indian Art History Congress. Proceedings of the 7th session of Indian Art History Congress, Kanyakumari : November 1998. Guwahati, Assam: Indian Art History Congress, and Sundeep Prakashan, New Delhi, 1998.

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Sinha, Chitta Ranjan Prasad, 1941- and Dwivedi Umesh Chandra, eds. Proceedings of the 8th Session of Indian Art History Congress, Dharmasthala, November 1999. Guwahati: Indian Art History Congress, 2000.

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name, No. Symbols of time in the history of art. Turnhout: Brepols, 2002.

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Book chapters on the topic "Art – History – Congresses"

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Kerrigan, Heather. "COVID-19: CDC, President, and Congress Act in Response to Virus : February 26, March 9, and March 27, 2020." In Historic Documents of 2020, 98–112. 2455 Teller Road, Thousand Oaks California 91320: CQ Press, 2021. http://dx.doi.org/10.4135/9781071839034.n9.

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Sprocati, Anna Rosa, Chiara Alisi, Giada Migliore, Paola Marconi, and Flavia Tasso. "Sustainable Restoration Through Biotechnological Processes: A Proof of Concept." In Microorganisms in the Deterioration and Preservation of Cultural Heritage, 235–61. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69411-1_11.

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AbstractAn understanding of the different microbial constellations or microbiomes, which every habitat and every organism harbor, will be the key to addressing many of the challenges humanity will face in the twenty-first century. Such comprehension could launch several innovations relating to natural and cultural capital, including historical and artistic heritage. In relation to cultural heritage, microorganisms are mainly known through their role as deteriogens, but the features creating damage can be exploited positively, attaining more sustainable restoration strategies, in accordance with the principles of compatibility and retreatability deriving from reflections on the Cultural Heritage inspired by the Charter of Venice (International charter for the Conservation and restoration of monument and sites (the Venice Chart 1964). In: ICOMOS, IInd International Congress of Architects and Technicians of Historic Monuments, 1964) onwards. In this article, we show a series of case studies, using both wild-type microorganisms and plant-based extracts, providing a comprehensive proof of concept of the feasibility of biotechnological solutions for a more sustainable restoration strategy, to replace the products in use which are often dangerous for operators, aggressive for works of art and no longer compatible with the environment. The overview of the case studies presented, many of which are still unpublished, responds to the need to go beyond the state of the art and has entirely sprung from suggestions by restorers, interested in learning about potential innovations and strongly determined to introduce non-toxic products in their daily work. In this perspective, the case studies dealt with two topics: bio-cleaning and disinfection. Noteworthy results were obtained on a platform of different types of artworks and different materials with compatible, harmless and selective products.
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Harkett, Daniel. "The Art of Diplomacy: Jean-Baptiste Isabey at the Congress of Vienna." In A History of the European Restorations. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781788318044.ch-005.

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Ginsberg, Benjamin, and Kathryn Wagner Hill. "A Brief History of Congress: From First Branch to Second Fiddle." In Congress, 37–77. Yale University Press, 2019. http://dx.doi.org/10.12987/yale/9780300220537.003.0002.

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This chapter examines the history of the US Congress. It pays particular attention to issues of constituency, congressional organization, and the ways in which Congress and the executive have dealt with their constitutional invitation to struggle. Focusing on political changes outside Congress and institutional changes within Congress, the history of the legislative branch can be divided into six political eras. These are the Federalist and Jeffersonian eras, the Jacksonian era, the Civil War Congress, the Republican era, the “New Deal” and postwar period, and the contemporary period of congressional gridlock and presidential unilateralism. During each of these periods, the chapter highlights examples of congressional successes and achievements, but the overall picture is one of institutional retrocession.
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Kriner, Douglas L., and Eric Schickler. "When Congress Investigates." In Investigating the President. Princeton University Press, 2016. http://dx.doi.org/10.23943/princeton/9780691171852.003.0002.

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This chapter explores the forces driving variation in congressional willingness to use its investigative powers over time. Marshaling an original dataset identifying more than 11,900 days of investigative hearings held in the House and Senate from 1898 to 2014, it examines the institutional, partisan, and ideological forces that drive the considerable temporal variation in the frequency with which Congress exercises its investigative powers over more than a century of American political history. It shows that both partisan forces and policy disagreements drive variation in investigative activity. These effects are most robust in the House of Representatives, where there is a strong, consistent relationship between divided government and investigative activity, and where heightened polarization boosts the impact of divided party control.
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Baron, Kevin M. "LBJ and the politics of passing FOIA." In Presidential Privilege and the Freedom of Information Act, 109–39. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442442.003.0005.

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Lyndon Johnson's ascension to the presidency following Kennedy's death created the political space for one of the most productive policymaking periods in US history. The politics of this moment provided an astute politician like Moss the opportunity to press forward on getting FOIA passed out of Congress. Years of coalition building on the issue, including support from key congressional Republicans like Donald Rumsfeld and House Minority Leader Gerald Ford, along with Bill Moyers eventual support from within the White House, provided Moss with the opportunity for policy change. LBJ would follow Kennedy's example by signing a letter to Moss reaffirming Kennedy's position on executive privilege, but Johnson was far from supportive of the efforts to get FOIA passed. A tumultuous period marked by massive policy change, FOIA was a small piece of the Great Society, but one that Congress - and Moss - would not back away from. This chapter delves deep into the politics and skills of the individuals in Congress that were able to get FOIA passed and get Johnson's signature on the bill, marking the end of the legislative development period within the CLDC and moving to the next phase of implementation, oversight, and amendment.
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Baron, Kevin M. "Eisenhower’s executive privilege and the public interest." In Presidential Privilege and the Freedom of Information Act, 54–84. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442442.003.0003.

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This chapter delves into the depths of one of the most important developments within modern American politics, the creation and institutionalization of executive privilege. In facing a fervent Congress in the grips of McCarthyism, Eisenhower issued a letter denying testimony to the Senate for the Army-McCarthy hearings. His letter included a memo from Attorney General Brownell that claimed the president had an inherent constitutional privilege to deny information to Congress or the public if it was in the public interest and for national security. This action institutionalized the Cold War Paradigm in the executive branch and created an extra-constitutional power for the president. Eisenhower issued several executive orders concerning classification and public dissemination of government information, along with the creation of the Office of Strategic Information (OSI) within the Commerce Department to oversee these policies. Eisenhower claimed historic precedent to justify his inherent constitutional power, regardless, it showed a learned response that changed executive power. Congress would respond in 1955 by creating the Special Subcommittee on Government Information chaired by Rep. John Moss, given jurisdiction for oversight on all executive branch information policies and practices. With the issue of freedom of information institutionalized in Congress, a 12-year legislative power struggle would unfold between Congress and the White House ending with the passage of the Freedom of Information Act in 1966.
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Rechtschaffen, Alan N. "The History of the CFTC." In Capital Markets, Derivatives, and the Law, 366–96. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190879631.003.0017.

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The Commodity Futures Trading Commission (CFTC) is an independent agency with exclusive jurisdiction over futures trading in all commodities. The Commodity Exchange Act of 1936 (CEA) set forth the first federal regulatory framework for futures trading in agricultural commodities. In 1974, Congress passed the Commodity Futures Trading Commission Act, overhauling the CEA and establishing the CFTC. When President Obama signed the Dodd-Frank Wall Street Reform and Consumer Protection Act into law, the CFTC was a natural regulatory authority for the implementation of Dodd-Frank because of its historical role in regulating a remote corner of the derivatives market place (i.e., futures). This chapter discusses the role of the CFTC, its structure, disciplinary action, and its regulatory background.
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Munteanu, Stefan. "The Art and Philosophy of Balance at Constantin Brâncusi." In The Paideia Archive: Twentieth World Congress of Philosophy, 127–32. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia1998119.

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Our paper intends to be an attempt of making evident the joining of the art and the philosophy of Constantin Brâncusi, the most outstanding representative of sculpture in our century. The way of approaching this topic was suggested to us by the great artist and thinker himself, who urges us that we should not make difficult what he expressed in a simple way. Of course, his multipurpose creation makes our job quite difficult, but we think the effort is worth doing, because in spite of all the limited commentaries, we succeeded in fiding out the coherence and the universality of his thinking as well as his capacity of placing himself above the cleatism—heraclitionism dispute which is considered as being fundamental for the whole history of art. That is because there exists, and we can speak about a unity of his works in all, based on the solidarity of the forms of his sculpture. As a result, mixing up the formal entities with the deviations from the principles of identity and noncontradiction in the discursive logic, we discover another type of logic in his creation. It is the logic of the metaphorical thinking, of the symbolic thinking based on the principle that anything can be something else in the same moment. This is why the aesthetic commentary, concerned with the modality of the suggestive expression, requires a complementarity of a hermeneutics of the symbol, capable of revealing the intention of the work in its complexity. Therefore, our attempt of considering the symbol of the ovoid as the keystone of Brâncusi’s philosophical conception, appears to be verisimilar. That is because, from the archetypal perspective, according to the arhaic Romanian philosophy, the egg is just the in-between shape (between en the spherical and hourglass, between geometric and biotic, between eleatic and heraclitian); it is the element by which the formal-aesthetic analysis can be unified; it is the synthesis of the opposites and the joy of the equilibrium.
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Dirksen, Rebecca. "Epilogue 2." In After the Dance, the Drums Are Heavy, 389–98. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190928056.003.0011.

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I promised a story that does not end, and find myself caught up in that very spiral. Travay la pa janm fini; istwa pa kanpe nan wout. The work is never finished; history does not stop in the middle of the road. The wisdom in this proverb was made evident when, on January 11, 2018, US President Donald Trump evidently dismissed Haiti, El Salvador, and nations of Africa as “shithole countries” while arguing with the US Congress over immigration policy. The remark was unceremoniously delivered one day prior to the eight-year anniversary of the January 12, 2010, earthquake. It was a deeply wounding ...
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Conference papers on the topic "Art – History – Congresses"

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Balogh, Ramon Mihai, Ioana Ionel, and Dan Stepan. "Looking through the curtain of history." In ARA 40th Congress. American Romanian Academy of Arts and Sciences, 2016. http://dx.doi.org/10.14510/40ara2016.4031.

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Williams, Rucker J., and Michael R. Lewis. "Event Tree Analysis at the Savannah River Site—A Case History." In Art of Foundation Engineering Practice Congress 2010. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41093(372)37.

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Dee, Ken Kirk. "The History of the Clean Water Act." In World Water and Environmental Resources Congress 2005. Reston, VA: American Society of Civil Engineers, 2005. http://dx.doi.org/10.1061/40792(173)290.

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Lindeman, Donald, and Jennifer Jacka. "HDR History." In Great River History Symposium at World Environmental and Water Resources Congress 2009. Reston, VA: American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41032(344)13.

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Davoud, Mohammad S. "Temperature and Strain History Measurement During an Arc Welding Process." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80477.

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Evaluation of weld temperature field history, strain field history, and residual stress distribution are essential in predicting the performance of weldment during service. During an arc welding process electromagnetic field, radiation, and high temperature gradient away from the centerline of weldment affects measurement of temperature and strain history. The important and critical issues regarding temperature history measurement using thermocouples and strain history measurement using strain gages during the Gas Metal Arc Welding (GMAW) process are explored and overviewed. Guidance is provided to properly select sensors and to reduce the measurement errors in such severe environments during GMAW. Results of experimental temperature and strain history during GMAW are presented.
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CONTRERA ÁVILA, JONATHAN, and DAYANA DE OLIVEIRA FORMIGA. "The Indigenous Theme in History Teaching: a study of the state of the art (2000-2016)." In XXIV Congresso de Iniciação Científica da UNICAMP - 2016. Campinas - SP, Brazil: Galoa, 2016. http://dx.doi.org/10.19146/pibic-2016-51364.

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von Beeren, Christoph. "Biodiversity, life-history adaptations, and network structure of army ant-symbiont communities." In 2016 International Congress of Entomology. Entomological Society of America, 2016. http://dx.doi.org/10.1603/ice.2016.94838.

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Brubaker, Clifford E., and Dudley S. Childress. "Engineering in Rehabilitation: A Brief History of Engineering Contributions to the Science, Art and Practice of Rehabilitation." In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-32041.

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It seems appropriate to begin by acknowledging that the evolution of a field or discipline is subject to invention and discovery but, perhaps, even more so to political and social forces. It is also worth noting that advances proceed erratically for these same reasons. This is certainly the case for Engineering and its sub-disciplines of Bioengineering and Rehabilitation Engineering. Hopefully this will become evident in the following discourse.
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Furlong, John N., Melinda Luna, and Cindy Engelhardt. "History of the Texas Section — ASCE." In Great River History Symposium at World Environmental and Water Resources Congress 2009. Reston, VA: American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41032(344)16.

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Wallace, Garrett, Buddy Blain, and Kathryn Mennella. "The Florida Water Management History Project." In Fourth National EWRI History Symposium at World Environmental and Water Resources Congress. Reston, VA: American Society of Civil Engineers, 2007. http://dx.doi.org/10.1061/40928(251)10.

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Reports on the topic "Art – History – Congresses"

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Adams, Sunny E., Megan W. Tooker, and Adam D. Smith. Fort McCoy, Wisconsin WWII buildings and landscapes. Engineer Research and Development Center (U.S.), November 2020. http://dx.doi.org/10.21079/11681/38679.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) mostly through the National Register of Historic Places (NRHP), which requires federal agencies to address their cultural resources. Section 110 of the NHPA requires federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of federal undertakings on those potentially eligible for the NRHP. This report provides a World War II development history and analysis of 786 buildings, and determinations of eligibility for those buildings, on Fort McCoy, Wisconsin. Evaluation of the WWII buildings and landscape concluded that there are too few buildings with integrity to form a cohesive historic district. While the circulation patterns and roads are still intact, the buildings with integrity are scattered throughout the cantonment affecting the historic character of the landscape. Only Building 100 (post headquarters), Building 656 (dental clinic), and Building 550 (fire station) are ELIGIBLE for listing on the NRHP at the national level under Criterion A for their association with World War II temporary building construction (1942-1946) and under Criterion C for their design, construction, and technological innovation.
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Tooker, Megan, and Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), June 2021. http://dx.doi.org/10.21079/11681/41025.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark District at Fort Huachuca, Arizona. A historic landscape context was developed; an inventory of all landscapes and landscape features within the historic district was completed; and these landscapes and features were evaluated using methods established in the Guidelines for Identifying and Evaluating Historic Military Landscapes (ERDC-CERL 2008) and their significance and integrity were determined. Photographic and historic documentation was completed for significant landscapes. Lastly, general management recommendations were provided to help preserve and/or protect these resources in the future.
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