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Relevant bibliographies by topics / Art History of 19th Century

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Journal articles

Academic literature on the topic 'Art History of 19th Century'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Art History of 19th Century"

1

Herucová, Marta. "Case Studies in the 19th Century History of Art." Acta Historiae Artium 49, no. 1 (2008): 351–59. http://dx.doi.org/10.1556/ahista.49.2008.1.38.

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2

Tawadros, Çeylan. "Foreign bodies: Art history and the discourse of 19th‐century orientalist art." Third Text 2, no. 3-4 (1988): 51–67. http://dx.doi.org/10.1080/09528828808576189.

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3

Peckhaus, Volker. "19th Century Logic Between Philosophy and Mathematics." Bulletin of Symbolic Logic 5, no. 4 (1999): 433–50. http://dx.doi.org/10.2307/421117.

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AbstractThe history of modern logic is usually written as the history of mathematical or, more general, symbolic logic. As such it was created by mathematicians. Not regarding its anticipations in Scholastic logic and in the rationalistic era, its continuous development began with George Boole's The Mathematical Analysis of Logic of 1847, and it became a mathematical subdiscipline in the early 20th century. This style of presentation cuts off one eminent line of development, the philosophical development of logic, although logic is evidently one of the basic disciplines of philosophy. One need

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4

Arutynyan, A. A. "German history of art of 19th century and problems of Armenian Medieval heritage." Vestnik of Saint Petersburg State University of Culture, no. 2 (31) (June 2017): 147–50. http://dx.doi.org/10.30725/2619-0303-2017-2-147-150.

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The science of art in Germany is based on the classical tradition, associated with a focus on ancient heritage, and a romantic perception of Gothic as a manifestation of the national school. In the mid-nineteenth century the first General history of art appeared, which, along with the national art and culture examined regional schools. Armenian medieval art is systematized and concisely described in the work of Kugler, in Schnaase’s book analysis becomes more comprehensive, detailed and consistent.

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5

Neset, Arne. "Rowing in Eden: Waterscapes in 19th Century American Art and Literature." American Studies in Scandinavia 30, no. 1 (1998): 1–16. http://dx.doi.org/10.22439/asca.v30i1.1114.

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6

Green, Nile. "Technologies of the Image: Art in 19th-Century Iran." Iranian Studies 51, no. 5 (2018): 795–99. http://dx.doi.org/10.1080/00210862.2018.1488390.

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7

Tena Ramírez, Carmen de. "Precedentes de la institucionalización de la Historia del Arte en España: los estudios histórico-artísticos en el siglo XIX = Precedents of the institutionalisation of Art History in Spain: Historical and artistic studies in the 19th century." REVISTA DE HISTORIOGRAFÍA (RevHisto) 31 (September 23, 2019): 253. http://dx.doi.org/10.20318/revhisto.2019.4882.

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Resumen: El objetivo de este artículo es ofrecer una visión general acerca de los estudios histórico-artísticos realizados y publicados en España a lo largo del siglo XIX, así como poner de manifiesto que estos trabajos dieron base y fundamento a la posterior institucionalización de la Historia del Arte en la universidad española a comienzos de la centuria siguiente. Comenzamos nuestro texto con un estado de la cuestión para subrayar la necesidad de acometer esta clase de estudios; seguidamente exponemos una amplia perspectiva diacrónica sobre las circunstancias históricas que rodearon la prác

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8

Baptista, Sofia. "O Que Pode “O Médico” de Sir L. Fildes Dizer-nos Hoje." Acta Médica Portuguesa 28, no. 4 (2015): 540. http://dx.doi.org/10.20344/amp.6743.

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9

Karstein, Uta. "Konkurrenzbeziehungen: Allgemeine und konfessionelle Kunstvereine im Kunstfeld des 19. Jahrhunderts." Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, no. 2 (2020): 334–44. http://dx.doi.org/10.1515/iasl-2020-0019.

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AbstractThe article compares secular and faith-based art societies in the 19th century. Of special interest are the societies’ missions and purposes, as well as their activities and organizational structures. The main thesis is based on the work of German sociologist Georg Simmel and his conflict theory. I argue that the competition of these societies had invigorating effects on the field of art and its institutionalization in the course of the 19th century.

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10

Smith, Karen Manners. "Exhibit Review: Angels and Tomboys: Girlhood in 19th-Century American Art." Public Historian 36, no. 1 (2014): 123–27. http://dx.doi.org/10.1525/tph.2014.36.1.123.

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