Relevant bibliographies by topics / Art in situ – Japon

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art in situ – Japon'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Art in situ – Japon"

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Toda, Hiroyuki, Tomomi Ohgaki, Kentaro Uesugi, et al. "In Situ Observation of Fracture of Aluminium Foam Using Synchrotron X-Ray Microtomography." Key Engineering Materials 297-300 (November 2005): 1189–95. http://dx.doi.org/10.4028/www.scientific.net/kem.297-300.1189.

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Synchrotron X-ray microtomography has been utilized for the 3D characterisation of microstructure in the cell materials of aluminium foams. Tomographs, consisting of about 109 isotropic voxels with a maximum of 1.0µm edge, were collected at the SPring-8 in Japan. A combination of high-resolution phase contrast imaging technique and several state-of–the-art application techniques has enabled the quantitative image analyses of micro-pore, intermetallic particles and grain boundary as well as the assessment of their effects on compressive deformation and fracture behaviours in two kinds of alumin
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Ye, Jiaxing, Yuichi Kurashima, Takeshi Kobayashi, Hiroshi Tsuda, Teruyoshi Takahara, and Wataru Sakurai. "An Efficient In-Situ Debris Flow Monitoring System over a Wireless Accelerometer Network." Remote Sensing 11, no. 13 (2019): 1512. http://dx.doi.org/10.3390/rs11131512.

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Debris flow disasters pose a serious threat to public safety in many areas all over the world, and it may cause severe consequences, including losses, injuries, and fatalities. With the emergence of deep learning and increased computation powers, nowadays, machine learning methods are being broadly acknowledged as a feasible solution to tackle the massive data generated from geo-informatics and sensing platforms to distill adequate information in the context of disaster monitoring. Aiming at detection of debris flow occurrences in a mountainous area of Sakurajima, Japan, this study demonstrate
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Hu, Anming, Jolanta Janczak-Rusch, and Tomokazu Sano. "Joining Technology Innovations at the Macro, Micro, and Nano Levels." Applied Sciences 9, no. 17 (2019): 3568. http://dx.doi.org/10.3390/app9173568.

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With the growing joining requirements of emergent engineering materials and new applications, conventional welding continues to evolve at all scales spanning from the macro- down to the micro- and nanoscale. This mini review provides a comprehensive summary of the research hot spots in this field, which includes but is not limited to selected papers from the international nanojoining and microjoining conference (NMJ) held in Nara, Japan on 1–4 December 2018. These innovations include the integration of nanotechnology, ultrafast laser, advanced manufacturing, and in situ real-time ultra-precisi
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Demoule, Jean-Paul, Takashi Inada, and Laurent Nespoulous. "Art et Préhistoire au Japon : les Jōmon." Perspective, no. 1 (June 5, 2020): 23–40. http://dx.doi.org/10.4000/perspective.17408.

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Doria, Andrea, Gian Piero Gallerano, Emilio Giovenale, et al. "An Alternative Phase-Sensitive THz Imaging Technique for Art Conservation: History and New Developments at the ENEA Center of Frascati." Applied Sciences 10, no. 21 (2020): 7661. http://dx.doi.org/10.3390/app10217661.

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In recent years, THz imaging techniques have been used in several fields of application. At the beginning of the century, the low availability of powerful THz sources was one of the limiting factors to the advancement of THz technology. At the ENEA center in Frascati, two Free Electron Lasers (FELs) operating in the THz spectral region were available at that time, making it possible to exploit all the features of THz imaging. In this paper, we will describe an alternative THz imaging technique, developed over 15 years of studies at the ENEA center of Frascati, and its application in the art co
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Chiari, Giacomo. "Saving art in situ." Nature 453, no. 7192 (2008): 159. http://dx.doi.org/10.1038/453159a.

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Bouchy, Anne. "Une voie de l’« art premier » dans le Japon du XVIIe siècle." L'Homme, no. 165 (January 1, 2003): 143–72. http://dx.doi.org/10.4000/lhomme.201.

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OZDEMİR, Selin. "TARİHSEL SÜREÇ İÇERİSİNDE BUDİZM’İN JAPON SANATINA ETKİSİ." Asya Araştırmaları Uluslararası Sosyal Bilimler Dergisi 5, no. 1 (2021): 69–78. http://dx.doi.org/10.34189/asyam.5.1.007.

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Dey, Dhananjay, and Deepak Chopra. "The art of in situ cryocrystallization." Resonance 19, no. 12 (2014): 1104–14. http://dx.doi.org/10.1007/s12045-014-0136-5.

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Brisset, Claire-Akiko. "Art bouddhique et cryptographie : le « Salut des femmes » dans le Japon du XIIe siècle." Extrême-Orient, Extrême-Occident, no. 30 (October 30, 2008): 113–43. http://dx.doi.org/10.4000/extremeorient.106.

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Dissertations / Theses on the topic "Art in situ – Japon"

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Nakamura, Motoko. "L'art de Marta Pan et le Japon : invitation aux vingt-quatre lieux de l'oeuvre." Paris 1, 2011. http://www.theses.fr/2011PA010629.

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Le Japon est un lieu de prédilection pour Marta Pan (née à Budapest en 1923 et ayant vécu à Saint-Remy-lès-Chevreuse de 1954 a 2008). C' est le pays où elle a produit le plus, surtout depuis 1984, et où elle a été récompensée par un praemium imperiale en 2001. La présente étude tente de dévoiler le secret des intérêts réciproques entre cette artiste et le Japon. L'examen formel et chronologique de chacune de ses oeuvres in situ au Japon révèle sa pertinence et son accord avec le site naturel ou architectural en tant qu'art de paysage, domaine interdisciplinaire. La forme abstraite, elliptique
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Minami, Asuka. "La figure de l'artiste et la question de l'art dans la littérature du Japon moderne." Paris, INALCO, 2003. http://www.theses.fr/2003INAL0020.

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Le milieu des beaux-arts institutionnalisé après la Restauration de Meiji en 1868 changea la conception de l'art dans l'Archipel. La nouvelle esthétique ainsi que la conception de l'art et de l'artiste introduites de l'Occident influencèrent plus particulièrement les hommes de lettres qui recherchaient des sujets modernes et des façons originales de décrire. Nous examinerons l'évolution de la perception de l'art ainsi que celle de l'image de l'artiste à l'époque moderne au Japon en divisant notre recherche en cinq parties dans lesquelles une dizaine d'écrivains représentatifs seront étudiés. L
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Bayard-Sakai, Anne. "La parole comme art : etude du rakugo." Paris 7, 1989. http://www.theses.fr/1989PA070077.

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Le rakugo est un art traditionnel japonais de conteurs. Notre travail s'articule autour des developpements suivants, dans le but d'explorer l'exploitation que propose le rakugo des potentialites de la parole. A. L'histoire du rakugo, des origines - la litterature d'anecdotes et la predi- cation bouddhique - a nos jours, avec un accent particulier mis sur les premieres seances qui ont lieu a la fin du dix-huitieme siecle. B. Les caracteristiques textuelles des recits de rakugo: leur structure, leur mode d'enonciation, et les genres entre lesquels se distribue le repertoire. C. Les enjeux sociau
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Quentin, Corinne. "Personnalisation, culture et corps : processus de personnalisation dans la pratique de l'aikido, art martial japonais, pour des sujets francais se trouvant au japon." Toulouse 2, 1987. http://www.theses.fr/1987TOU20092.

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Cette recherche etudie ce que peut apporter a l'individu, sur le plan de la personnalisation, un deplacement dans une culture etrangere (japon) allie a la pratique d'un art martial tel que l'aikido. On y etudie la facon dont un individu se met en situation d'effectuer un travail conflictuel identitaire et d'adaptation a la realite institutionnelle. Y est mise en evidence la facon dont l'investissement du corps participe a l'elaboration d'un code, d'un systeme symbolique. Le processus d'acculturation y est envisage dans la perspective d'un modelage de la relation reciproque du sujet et des inst
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Zoughari, Kacem. "Tradition du mouvement dans les écoles classiques de combat du Japon." Paris, INALCO, 2008. http://www.theses.fr/2008INAL0022.

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Boscato, Morishita Sylvie. "L'art des missions catholiques au Japon : XVIe-XVIIe siècles." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAK016.

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Les missions catholiques au Japon au XVIe siècle se sont développées dans le contexte de l'expansion ibérique en Extrême-Orient. Les convertis ont fait bon accueil à l'art religieux introduit par les missionnaires. La présente étude dresse l'inventaire des principales œuvres d'art qui ont échappé aux destructions depuis l'interdiction du christianisme en 1614, retrace les différentes modalités de leur conservation depuis cette date et leur découverte progressive depuis 1865. Tout en présentant les traces iconographiques de l'action des ordres mendiants, une large place est réservée à l'activit
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Boyer, Marie-Monique. "L'Organisation spatiale des formes dans l'oeuvre plastique de l'enfant au Japon et en France." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37603408z.

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Guillain, Lionel. "L' expérience de la réalité intérieure par la voie du Nô." Paris 1, 2005. http://www.theses.fr/2005PA010650.

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Le Nô est un passage entre la rupture de nos habitudes et un ailleurs toujours lointain. De cet entre deux naîtra la découverte de notre être profond et aussi celle de l'autre. Car, le Nô, qui est une expérience de la perception, instaure une beauté intérieure par la fusion totale avec l'état émotionnel de l'autre. C'est cette perception qui nous libère des limites du visible et qui nous ouvre sur une " vision juste ". La photographie devient alors le mode de connaissance d'une réalité rendue abstraite par la théâtralisation du Nô qui recentre le spectateur sur sa vie immédiate et ses ressourc
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Gossot, Anne. "L'apport de Yokoo Tadanori au graphic design japonais : Art, design et société dans les années soixante." Paris 7, 1994. http://www.theses.fr/1994PA070145.

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Le graphic designer japonais de renom international Yokoo Tadanori (né en 1936) est l'auteur d'une œuvre d'influence sur plusieurs générations de créateurs à travers le monde, mais qui avait peu été étudiée jusqu'ici. Particulièrement novatrice dans les années soixante, cette œuvre a eu un rôle majeur à jouer dans le tournant décisif alors pris par le graphic design japonais contemporain. Par ailleurs, cette œuvre a également tenu un rôle non-négligeable dans la définition des mouvements d'idées qui parcouraient la société japonaise des années soixante, période-charnière de la civilisation du
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Leggeri-Bauer, Estelle. "Le temps du récit, le temps du regard : production et réception de la peinture narrative dans le Japon du XIe au XIIIe siècle." Paris, INALCO, 2001. http://www.theses.fr/2001INAL0010.

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L'objectif poursuivi par cette thèse est de comprendre comment et pourquoi la peinture narrative était-elle regardée dans le Japon ancien. Le travail s'appuie sur un corpus d'une douzaine d'œuvres réalisées entre le XIe et le milieu du XIIIe siècle, et sur de nombreuses sources écrites. Dans la première partie sont étudiées des rouleaux (emaki) à images narratives en continu, du point de vue de leur organisation matérielle et discursive, en tenant compte de leur format particulier. La méthode d'analyse, originale, emprunte des concepts à la narratologie filmique et littéraire. Dans la deuxième
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Books on the topic "Art in situ – Japon"

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Camin, Philippe. Le Japon, créations in-situ, 1997. Musée Despiau-Wlérick, 1997.

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Verna, Gaëtane. In situ. Art Gallery, Bishop's University = Galerie d'art, Université Bishop's, 2001.

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Berthier, François. Bestiaire du Japon. Publications orientalistes de France, 1989.

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JAPON: Ism. Kyūryūdō, 2011.

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Kanno, Hachirō. Une promenade au Japon. Albin Michel, 2003.

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Shimizu, Christine. Femmes du Japon. Imprimerie nationale, 1997.

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Association des conservateurs des musées de la Région Bretagne, ed. Bretagne Japon 2012: Un archipel d'expositions, 12 musées. Éditions Palantines, 2012.

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Le chat vu par les peintres: Inde, Corée, Chine, Japon. Vilo, 1988.

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Emmons, Didi. Destination Japon: Sur les pas de Guimet et Claudel. EMCC, 2005.

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Impressions du Soleil Levant: 150 ans de relations Alsace-Japon. I.D. l'Édition, 2014.

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Book chapters on the topic "Art in situ – Japon"

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Sundstrom, Linea. "Rock Art in Situ: Context and Content as Keys to Meaning." In A Companion to Rock Art. John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118253892.ch19.

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Francese, Simona, and Cristina Russo. "Fingermarks as a New Proteomic Specimen: State of the Art and Perspective of In Situ Proteomics." In ACS Symposium Series. American Chemical Society, 2019. http://dx.doi.org/10.1021/bk-2019-1339.ch006.

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Potter, Stephen, and Ian Buist. "In-Situ Burning for Oil Spills in Arctic Waters: State-of-the-Art and Future Research Needs." In NATO Science for Peace and Security Series C: Environmental Security. Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-8565-9_5.

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Argyropoulos, Vasilike, Stamatis C. Boyatzis, Maria Giannoulaki, Elodie Guilminot, and Aggeliki Zacharopoulou. "Organic Green Corrosion Inhibitors Derived from Natural and/or Biological Sources for Conservation of Metals Cultural Heritage." In Microorganisms in the Deterioration and Preservation of Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69411-1_15.

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AbstractIn the last decade, there has been an increase in research related to green corrosion inhibitors for conservation of metals cultural heritage to help promote sustainable practices in the field that are safe, environmentally friendly, and ecologically acceptable. The most common are organic substances derived either from natural and/or biological sources: plant extracts and oils, amino acids, microorganisms, and biopolymers. The chapter will provide a review of these substances as corrosion inhibitors for metals conservation, by discussing the state-of-the-art research to date, with a special focus on cysteine. Most of the research has focused on the examination of such inhibitors on metal coupons with or without corrosion products using electrochemical techniques or weight-loss measurements to determine their effectiveness. Some of these studies have also considered the conservation principles for practice, i.e., reversibility of the treatment and the visual aspect of the modification of the treated metal surface. However, before such green inhibitors can be routinely applied by conservators, more research is required on their application to real artefacts/monuments using in situ corrosion measurements. Furthermore, given that the composition of a green inhibitor is highly dependent on its extraction process, research must also involve identifying the specific adsorption models and involved mechanisms to ensure reproducibility of results.
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Reynès, Laurent. "Art in situ et sites antiques." In Armillaire. La Découverte, 2003. http://dx.doi.org/10.3917/dec.paquo.2003.01.0172.

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Miraglia, Kathy Marzilli. "Learning in Situ." In Advances in Media, Entertainment, and the Arts. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1665-1.ch007.

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By examining the intersections of the critical and pedagogical theories of experiential learning, situated cognition and learning, communities of practice, and culture learning, this chapter examines how a short-term university sponsored summer study abroad art program in Italy addressed concerns for global citizenship and transformation, while implementing on-site courses in art history and painting. Students from a university art college traveled to Italy, studied within a community of learners, and practiced and applied their knowledge, techniques and skill to studio practices. Learning in situ, students constructed meaning from transformative encounters in this summer study abroad program in Italy.
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Bradley, Richard. "Life and Art." In The Idea of Order. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199608096.003.0008.

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Not many prehistoric houses survive above their foundations. The three dimensions of the buildings are collapsed (sometimes literally) into the two dimensions of the site plan. That may be all that can be discovered by archaeology, and yet the missing component could have been all-important. The change of perspective is revealing, for the treatment of the walls and roof may be just as significant as the layout of the floor. Few excavated houses are as well preserved as those in the Near East, and there are many parts of Europe in which the question cannot be investigated directly. Here, the existence of ceramic models suggests an alternative approach. During 2010, two exhibitions featuring the arts of the first farmers took place in Britain. They ran simultaneously, one in Oxford and the other in Norwich. They also complemented one another geographically and thematically. The Lost World of Old Europe was organized by The Institute for the Study of the Ancient World at New York University (Anthony 2010), and Unearthed by the Sainsbury Centre for Visual Arts of the University of East Anglia (Bailey et al 2010). The display at the Ashmolean Museum in Oxford featured artefacts from Romania, Moldova, and Bulgaria, whilst that in Norwich was restricted to finds of figurines from Romania, Albania, and Macedonia, although they were compared with others from the Jomon Culture of Japan. Not surprisingly, the Neolithic and Chalcolithic objects spanned a long period of time and were associated with several regional groups. Some were elaborately decorated, while others were entirely plain. The artefacts shown in Norwich were all depictions of the human form, but those in Oxford also included pottery vessels, stone artefacts, and early metalwork. One small group of objects was especially striking, for it consisted of ceramic models of domestic buildings. In one case, from the Cucuteni Culture of Romania, a group of figurines had been discovered inside a miniature house of this kind. The evidence of such models is revealing. There were examples in which the outer wall was highlighted by angular designs, as if to emphasize the rectilinear outline of the building, but there was also a model in the Oxford exhibition which showed a structure with a similar ground plan whose exterior was covered by curvilinear motifs.
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Marennyi, Ya I., and R. B. Zeidler. "State-of-the-art report: progress in the eighties." In Tunnels with In-Situ Pressed Concrete Lining. CRC Press, 2020. http://dx.doi.org/10.1201/9781003077640-7.

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Doğrul, Mürsel. "Japon Siyasi Tarihinde Cengiz Han ve Moğollar." In Cengiz Han ve Mirası. Turkish Academy of Science, 2021. http://dx.doi.org/10.53478/tuba.2021.030.

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"Today, Japan's political culture is represented by peace-lover (pacifist), economic and aesthetic imagery. With the exception of certain historical periods, the Japanese archipelago is known for its many cultural values such as Samurai, Buddhism, Shintoism and ikebana as the cradle of aesthetics and art. On the other hand, the non-aesthetic and non-cultural concept that comes to mind with Japan is “kamikaze” (suicide bomber). The term appeared in Japanese political history during World War II, when the Japanese armies made suicide plunges from the air to the enemy's naval forces. However, the deep meaning and concept of kamikaze can be traced back to the history of Mongo-Japanese relations. Imperial historical literature in Japan brings us with the assertion that Genghis Khan was a Japanese. Moreover, Japan is also said to be the architect of Mongolian nationalism, which is shaped by the perception of Genghis Khan today. Entitling the Japanese suicide operations as kamikaze towards the end of the Pacific War between the United States and Japan can be thought as an attempt to transmit a divine mission to these attacks. The divine meaning of the kamikaze for the Japanese brings along unstudied considerations. The main objective of this study is to reveal the contemporary impressions of Genghis Khan's legacy in Japan. This study deals with the phenomenon of Genghis Khan and his effects with an eclectic method, focusing on his effects on the political history of the Japanese rather than historical periodicity."
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Peterson, William. "The Master of the Form." In Asian Self-Representation at World’s Fairs. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.

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By the early 20th century, Japan was the master of the international exhibition format. With over fifty years of experience at world’s fairs in the West, Japan knew how to market its culture and products in a manner appealing to the Western consumer of both high art and decorative objects. The 1915 Panama Pacific International Exposition provided the country with a unique opportunity to create a strong and lasting imprint on American bodies in the country pavilion site with its famed gardens and exotic, kimono-clad women. As the epicenter of Asian migration, San Francisco also offered unique opportunities to further the power of Japonisme in the arts, while politicians in both countries used the event to champion Japanese-American relations.
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Conference papers on the topic "Art in situ – Japon"

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Stochino, Emanuele. "STREET ART: IN SITU OR INSIDE." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s15.48.

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Sato, T., S. Mikake, M. Sakamaki, et al. "Underground Research Laboratories in Japan: What Are the Important Factors for Facilities Design?" In ASME 2003 9th International Conference on Radioactive Waste Management and Environmental Remediation. ASMEDC, 2003. http://dx.doi.org/10.1115/icem2003-4736.

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This paper describes the current status of two Japanese off-site Underground Research Laboratories (URLs) Projects, one for crystalline rock and the other for sedimentary rock. This paper is focused on mechanical stability and ventilation, important factors relevant to the design and construction of deep underground facilities. High-pressure inflow, another important factor, will be included in the URL project for crystalline rock. The site of the URL project for crystalline rock is located in Mizunami, Gifu, in the central part of the main island of Japan. The regional geology consists of the
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Neely, William J. "Heave of Driven, Cast In Situ Piles Due to Driving Displacements." In Art of Foundation Engineering Practice Congress 2010. American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41093(372)21.

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Islam, M. R., A. Chakma, and S. M. Farouq Ali. "State-of-the-Art of In-Situ Combustion Modeling and Operations." In SPE California Regional Meeting. Society of Petroleum Engineers, 1989. http://dx.doi.org/10.2118/18755-ms.

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Marinucci, Antonio, Ellen M. Rathje, J. Scott Ellington, Brady R. Cox, Farn-Yuh Menq, and Kenneth H. Stokoe, II. "Evaluation of the Effectiveness of Prefabricated Vertical Drains Using Full-Scale In Situ Staged Dynamic Testing." In Art of Foundation Engineering Practice Congress 2010. American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41093(372)17.

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Balsley, Ben B., Michael L. Jensen, Rod G. Frehlich, Frank D. Eaton, Kenneth P. Bishop, and Ronald J. Hugo. "In-situ turbulence measurement technique using state-of-the-art kite/blimp platforms." In AeroSense '99, edited by Todd D. Steiner and Paul H. Merritt. SPIE, 1999. http://dx.doi.org/10.1117/12.356947.

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Zubaidi-Polli, Anna Maria Al, Nervo Verdezoto, Nawfal Al Zubaidi R-Smith, and Gabriele Anderst-Kotsis. "Ex-situ technology appropriation of an e-deliberation platform in an art gallery." In iiWAS2017: The 19th International Conference on Information Integration and Web-based Applications & Services. ACM, 2017. http://dx.doi.org/10.1145/3151759.3151761.

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Sanada, Hiroyuki, Takahiro Nakamura, and Yutaka Sugita. "In Situ Stress Measurements in Siliceous Mudstones at Horonobe Underground Research Laboratory, Japan." In ASME 2010 13th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2010. http://dx.doi.org/10.1115/icem2010-40019.

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The stress measurement methods implemented during the surface-based investigations and during construction of the underground facilities in the Horonobe mudstones, as well as information on the initial stress state around the Horonobe URL, are described in this paper. During the surface-based investigations, determination of deep in situ stress was conducted using HF, BB information in deep boreholes and core-based methods such as AE and DSCA. During construction of the underground facilities, subsurface investigations utilizing CCBO, HTPF and the monitoring of spalling around the shafts were
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Lemang, Mathilde. "In-situ heating and microstructural characterization using state of the art SEM-TKD stage." In European Microscopy Congress 2020. Royal Microscopical Society, 2021. http://dx.doi.org/10.22443/rms.emc2020.440.

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Amano, Kenji, Tadafumi Niizato, Kunio Ota, Bill Lanyon, and W. Russell Alexander. "Development of Comprehensive Techniques for Coastal Site Characterisation: Integrated Palaeohydrogeological Approach for Development of Site Evolution Models." In ASME 2011 14th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2011. http://dx.doi.org/10.1115/icem2011-59259.

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Radioactive waste repository designs consist of multiple safety barriers which include the waste form, the canister, the engineered barriers and the geosphere. It is widely considered that the three most important safety features provided by the geosphere are mechanical stability, favourable geochemical conditions and low groundwater flux. To guarantee that a repository site will provide such conditions for timescales of relevance to the safety assessment, any repository site characterisation has to not only define whether these features will function appropriately today, but also to assess if
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Reports on the topic "Art in situ – Japon"

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Kingston, Jennifer T., Paul R. Dahlen, Paul C. Johnson, Eric Foote, and Shane Williams. Critical Evaluation of State-of-the-Art In Situ Thermal Treatment Technologies for DNAPL Source Zone Treatment. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada580220.

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Duque, Earl, Steve Legensky, Brad Whitlock, et al. Summary of the SciTech 2020 Technical Panel on In Situ/In Transit Computational Environments for Visualization and Data Analysis. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/40887.

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At the AIAA SciTech 2020 conference, the Meshing, Visualization and Computational Environments Technical Committee hosted a special technical panel on In Situ/In Transit Computational Environments for Visualization and Data Analytics. The panel brought together leading experts from industry, software vendors, Department of Energy, Department of Defense and the Japan Aerospace Exploration Agency (JAXA). In situ and in transit methodologies enable Computational Fluid Dynamic (CFD) simulations to avoid the excessive overhead associated with data I/O at large scales especially as simulations scale
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