Relevant bibliographies by topics / ART / Individual Artists / Monographs

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'ART / Individual Artists / Monographs'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "ART / Individual Artists / Monographs"

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Fawcett, Trevor. "The nineteenth-century art book: Content, Style and Context." Art Libraries Journal 17, no. 3 (1992): 12–17. http://dx.doi.org/10.1017/s0307472200007902.

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Although ‘art books’ of various kinds existed before 1800, art publishing grew significantly and with increasing speed through the 19th century. Two key factors, each encouraging the other, were the growth of interest in art among a heterogeneous public, and developments in printing technology, especially in methods of reproducing illustrations. Increasing numbers of illustrated art books contributed to the dissemination of awareness of an ever-broader spectrum of works of art, and of the decorative arts, throughout society, and nourished the historicism and eclecticism practised by contempora
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Василь, Косів. "У тіні образотворчого мистецтва: історіографія графічного дизайну української діаспори 1945–1989 рр." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 140–58. https://doi.org/10.5281/zenodo.1313132.

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Professional careers of the Ukrainian diaspora artists from 1945–1989 are reflected in foreign magazines and newspapers articles, exhibitions catalogs, illustrated monographs and albums. Over the past decades, their names have become known in Ukraine as well. Publications of a different genre, aimed at different audiences, were published at different times in different countries, but almost all of them show a common tendency. Painting and sculpture are considered to be the greatest achievements, etching and book illustration follow, sometimes bookplates and applied art are presented. Rar
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Reznikova, Ekaterina. "The Process of Formation of National Identity in the Painting of Kazakhstan." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 34–45. https://doi.org/10.31866/2410-1176.45.2021.247341.

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The purpose of the article is to highlight the national idea as a defining constant in the painting of Kazakhstan through the analysis of the main stages of the formation and development of the Kazakh professional school of fine arts on the example of the collection of the A. Kasteyev State Museum of Arts of the Republic of Kazakhstan. Research Methodology. The art studies analysis aimed at exploring the original works of leading Kazakhstani artists became the basic method of research Comparative, analytical and historical methods made it possible to identify the characteristic tendencies of a
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Salnikova, A. A., and S. Yu Malysheva. "HOW CULTURAL HISTORY BOOKS ARE WRITTEN: FROM SPECIAL CASE TO GENERAL PATTERNS." Вестник Пермского университета. История, no. 1 (64) (2024): 188–93. http://dx.doi.org/10.17072/2219-3111-2024-1-188-193.

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The article analyzes the content, structure, and concepts of Igor V. Narskii's monograph on choreographic amateurism in the USSR, focusing on his use of “cultural history” as a research strategy. Narskii’s work presents amateur art as a successful state project that also became an important component of the leisure time of Soviet people of several generations, practices of their self-realization, building their “worlds of their own”. To support his argument, Narskii draws on a variety of sources, including official documents, specialized printed publica-tions, materials of initiative documenta
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Abramovych, Igor. "«New Ukrainian sculpture» and the direction of contemporary Ukrainian art." CONTEMPORARY ART, no. 18 (November 29, 2022): 131–40. http://dx.doi.org/10.31500/2309-8813.18.2022.269721.

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Galina Sklyarenko’s monograph “New Ukrainian Sculpture” (Kyiv: Abramovych.Art; ArtHuss, 2021. 304 p.: il.), characterized in the article, presents the modern consumer of artistic forms of plastic with a conceptual justification, the effectiveness of the conceptual ideas laid down in the basis of the publication, their relevance for current visual practice and scientific importance for elucidating ways of further movement of forms of Modern Ukrainian Sculpture. The article examines the nature and degree of applicability of the concept of “full-value” in relation to the art analysis of modern sc
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Biryulov, Yury. "Lviv school of design of the environment 1872-1918: Theoretical principles and their implementation." Bulletin of Lviv National Academy of Arts 48, no. 48 (2022): 99–114. http://dx.doi.org/10.37131/2524-0943-2022-48-2.

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Formulation of the problem. Teaching the design of the environment, as well as practical achievements in this field of artistic creativity of teachers, students and graduates of Lviv National akademy of arts, have a thorough basis. Lviv school design of interiors has a long history, and the chair of design of the environment of Lviv National akademy of arts is the heir to the traditions and achievements of several generations of Lviv artists. It is important to reveal the process of formation in Lviv artistic design education, the theoretical foundations of the artistic organization of the sub
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Bassin, Aleksander, and Lidia Głuchowska. "Cubist idioms hidden within the discourses on modernism and the Avant-Garde in Slovenia." Umění 72, no. 3 (2024): 269–82. https://doi.org/10.54759/art-2024-0306.

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The evaluation of the largely transitory character of Cubism and Post-Cubism in the art history of the former Kingdom of Serbs, Croats, and Slovenes, apart of monographic presentations of individual artists, doesn’t exist up to date. In Slovenia efforts towards a synthetic presentation of the Modernism and the Avant-Garde have been undertaken only since the 1980s. Generally the meaning, Cubism was ‘impossible’ within the mostly traditional, (neo)realistic profile of the local visual culture dominates. However, breaking the paradigm of the Slovenian art history it can be stated, that there were
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Dundiak, I. "THE SOURCES OF RESEARCH AND HISTORICAL AND CULTURAL FEATURES OF CHURCH PAINTING IN THE UKRAINE OF THE SECOND HALF OF THE XX CENTURY." Традиції та новації у вищій архітектурно-художній освіті, no. 4 (November 30, 2018): 55–59. https://doi.org/10.5281/zenodo.1757765.

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The Ukrainian church art of the second half of XX century is unexplored, but we have found numerous monuments of monumental painting and icon painting in 1950 – 1980’s, being special approaches to distribute Christian culture in times of prohibition by Communists (folk art, nonconformist artists, etc.), methods of preservation of monuments. The artists’ memories, witnesses of events, interviews with relatives of artists, art historians, who study religious culture of certain regions (they can delve in detail into the local art information), private and museum collections, arc
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Sullivan, Michael. "Art in China since 1949." China Quarterly 159 (September 1999): 712–22. http://dx.doi.org/10.1017/s0305741000003453.

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Since the Communists came to power in 1949 Chinese art has seen extraordinary changes. For 30 years, the Party apparatus and its Marxist-Maoist ideology exerted so tight a control over cultural life that it is natural for the art of that period to be viewed primarily as a reflection or expression of political forces. To some degree that is unavoidable, and it is the approach taken by the authors of two important books on post-1949 Chinese art, while Jerome Silbergeld's monograph on the Sichuan eccentric painter Li Huasheng is a fascinating study of the way in which these forces affected the li
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Fănaru, Alice Georgia. "„Fii bun și tare” Recenzie la monografia autorilor Beatrice Bednarik și Alexandru Davidian cu titlul „Familia Bednarik în arta românească”." Revista Muzeelor 1 (2023): 224–30. http://dx.doi.org/10.61789/rm.2023.14.

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Documentation and specialized articles are among the main means of improving stylistic classifications of the works belonging to an art museum’s heritage. A museum’s heritage is also dynamic, although most museums have a well-developed collection of works dating from before the 1990s. As the heritage is enriched, it must also be documented, and volumes of monographs on lesser-known artists are very useful in this process. This is also the case of the volume entitled „The Bednarik Family in Romanian Art” which is the subject of this review. Following the personal and professional career of the
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Dissertations / Theses on the topic "ART / Individual Artists / Monographs"

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Kent, Ellen. "Entanglement: Individual and Participatory Art Practice in Indonesia." Phd thesis, Canberra, ACT : The Australian National University, 2016. http://hdl.handle.net/1885/117054.

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This PhD addresses approaches to art practice that are simultaneously individual and participatory. It comprises a research-based dissertation that sets out to understand why combined practices are so prevalent among contemporary Indonesian artists (66.66 ̇%), and a practice-led body of work that investigates the nexus between individual and participatory modes in my own art practice, accompanied by an exegesis (33.33 ̇%) . The arguments set out in the dissertation are the result of research into primary and secondary written resources, trans
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Oshima, Hiroko. "Artists' groups in Japan and the UK and their impact on the creative individual." Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3340/.

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The aim of this thesis is to give an alternative insight to the existing concept of individuality in visual art through an examination of the meaning of being individual for visual art practitioners, particularly for those who operate in an artists’ group setting. This research project is a critique of the seemingly unchallenged emphasis on the individuality and its strong association with creativity in the current British art schools. Cultivating individuality is one of the most important aims in both British and Japanese institutions where I have trained as an artist. Nevertheless, my group-
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Sulmona, Elena <1996&gt. "Art as collective action: the collective work of feminist artists and the critique to the individual (male) genius: the case of Claire Fontaine." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21180.

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The purpose of this thesis is to investigate the phenomenon of feminist artistic collectives. It explores the reasons that led to feminist art as a collective activity, especially from the second wave of feminism. The thesis confronts the typical modalities of male presence in the art world, the myth of the exceptional individual and the solitary approach to the artistic work . My perspective focuses on critical reviews that thematize artistic work as a collective activity, case study’s analysis and interview. The first chapter analyzes the figure of the “genius” artist and its conception in t
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Keeley, Melissa Ann. "The Benefits And Limitations Of Artist-Run Organizations In Columbus, Ohio." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1230584829.

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Cadge, Catie Anne. "Paradigms of collecting from ethnography to documenting the individual artists, Grace Nicholson and the art history of Native Northwestern California basketry during the Arts and Crafts period, 1880-1930." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ58561.pdf.

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Cadge, Catie Anne. "Paradigms of collecting from ethnography to documenting the individual artists: Grace Nicholson and the art history of Native Nortwestern California basketry during the Arts and Crafts period, 1880-1930." Thesis, 2000. https://dspace.library.uvic.ca//handle/1828/9419.

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During the Arts and Crafts period, from about 1880 to 1930, popular perceptions of Native Americans and their basketry emphasized pristine cultures prior to the effects of contact with Europeans. Pasadena basketry collector and dealer Grace Nicholson used an ethnographic approach, along with mass-marketing, when selling Native Northwestern California baskets in order to cater to Arts and Crafts period collectors' expectations of traditional Indian baskets. In addition, Nicholson expanded her collecting methods to include documenting individual weavers in the field, though she rarely used this
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Books on the topic "ART / Individual Artists / Monographs"

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Zurkow, Marina. More&More: The Invisible Oceans. punctum books, 2016.

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Zurkow, Marina. More&More: A Guide to a Harmonized System. punctum books, 2016.

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Lacadée, Camille. MythomaniaS: Crime Scenes & Psycho Case Studies. punctum books, 2015.

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Cross, David. Air Supplied. punctum books, 2018.

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Long, Marget. Flash + Cube (1965–1975). punctum books, 2013.

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Lafia, Marc. Image Photograph. punctum books, 2015.

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Terry, Winters, Pinakothek der Moderne (Munich, Germany), Staatliche Graphische Sammlung München, and Colby College. Museum of Art, eds. Terry Winters: Prints 1999-2014. DelMonico Books/Prestel, 2014.

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1946-, Hobbs Robert Carleton, Downey Anthony, and Shonibare Yinka 1962-, eds. Yinka Shonibare MBE. Prestel, 2014.

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Durham, Stokes Adrian. Michelangelo: A study in the nature of art. Routledge, 2002.

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Christopher, Williams. Christopher Williams: Couleur europeenne, couleur sovietique, couleur chinoise : [on the occasion of the exhibition "Christopher Williams-Couleur Europeenne Couleur Sovietique Couleur Chinoise", Haus Lange-Haus Esters, Krefeld, October 22, 2000-January 1, 2001]. Kunstmuseum, 2000.

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Book chapters on the topic "ART / Individual Artists / Monographs"

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Meyer, Torsten. "A New Sujet/Subject for Art Education." In Post-Digital, Post-Internet Art and Education. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73770-2_8.

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AbstractFor some years now, fundamental ideas of newer theoretical trends in the context of Actor Network Theory have been leaking into the minds of that generation of (post-internet) artists who no longer regard the radical change in the socio-technical conditions of digital media cultures as something special or new. These trends are also leaking into the theories of the subject and thus also into the theory(s) of art education. This coincides with the assumption that the humanistic conception of the human individual as a subject, and the associated understanding of education in modernity, n
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Stead, Evanghelia. "Conclusion and Aftermath." In Grotesque and Performance in the Art of Aubrey Beardsley. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0413.06.

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Conclusion and Aftermath. The book posits Beardsley as a central figure in sophisticated creation, the interrelation of the arts, and intertwining of modes of expression. He reverted customary relations between art and literature, and fostered innovating tactics through which Decadence paved the way to the historical avant-garde. The conclusion makes explicit five principles used in this book and applicable beyond Beardsley's case: a motif's aesthetic evolution (beyond biography); the reversal of conventional standards of “major” and “minor;”comparison within a wider context (in contrast to mo
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Strukov, Vlad. "Digital Art: A Sourcebook of Ideas for Conceptualizing New Practices, Networks and Modes of Self-Expression." In The Palgrave Handbook of Digital Russia Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_14.

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AbstractThe chapter traces the evolution of digital art produced in the Russian Federation and in the Russian language by critically considering a number of case studies and re-conceptualizing historical periods. It takes into account technologies, institutions, individual artists and artistic networks, and modes of presentation, appreciation and re-contextualization. It contributes to the debates about the nature and focus of art in the digital era by assessing historical, economic and creative factors. It showcases how digital art might be understood as a particular medium, platform, network
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Pannewick, Friederike. "The Year 1979 as a Turning Point in Syrian Theatre: From Politicization to Critical Humanism." In Re-Configurations. Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_18.

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Abstract This chapter investigates a crucial turning point in the writing of Syrian dramatist Saadallah Wannous (1941–1997) in the late 1970s. This internationally acclaimed author belonged to a generation of Arab intellectuals and artists whose political and artistic identities were strongly shaped by the question of Palestine. After the Camp David Accords of 1978 and the resulting Egypt-Israel peace treaty, signed in 1979, Wannous attempted suicide and stopped writing plays for more than ten years. This chapter shows how the plays he published after this self-imposed silence moved away from
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McIvor, Charlotte, and Ian R. Walsh. "Body." In Contemporary Irish Theatre. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-55012-6_9.

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AbstractThis chapter explores how bodies work and signify as individuals but also as stand-ins for a greater whole (both materially and representationally) within the contemporary Irish theatre and by extension, Irish society. The participation and presence of bodies in theatrical and extra-theatrical events connected to the contemporary Irish theatre as a network of individuals, practices and institutions indexes not only the aesthetic but the political and social status of the body within Irish society at any given time. Understanding the limits of theatrical representation and participation
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Mallinson, Jonathan. "11. 1929–31: No Ordinary Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.11.

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The Wall Street Crash of October 1929 caused havoc in the industry as a whole. Moorcroft’s trading figures declined progressively, and he was obliged, for the first time, to sell pieces at reduced prices. It is clear from his accounts, however, that losses were attributable not simply to reduced sales, but also to an increase in unpaid invoices, and Moorcroft’s continued reluctance to put his staff on part time. Significantly, even as he began to struggle commercially, his reputation as a designer continued to grow. He responded defiantly to the bleak economic climate with a series of new desi
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Manninger, Sandra, and Matias del Campo. "Deep Mining Authorship." In Computational Design and Robotic Fabrication. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8405-3_1.

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AbstractConsidering the emerging field of architecture and artificial intelligence, it might be necessary to contemplate the remodeling of the concept of authorship entirely. The invention of authorship is a complex historical process that can be traced back to the emergence of print culture in Europe in the 15th century. Prior to this period, most literary and artistic works were created anonymously or attributed to collective or anonymous sources, such as folklore or religious traditions. However, with the rise of printing, texts became more easily reproducible and marketable, and there emer
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Kerr, David S. "Philipon and the Illustrated Press, 1830–1836." In Caricature And French Political Culture 1830–1848. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198208037.003.0002.

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Abstract The vast majority of the political caricatures produced in the early 1830s were drawn for, and appeared in, the illustrated newspapers owned and directed by Charles Philipon. All newspapers develop a collective identity which imposes certain obligations upon their contributors; the ideological and stylistic constraints imposed upon the contributors to Philipon’s newspapers were especially strong. With La Caricature, Philipon invented a new type of satirical newspaper. His interventionist management transformed the illustrated newspaper from a fashionable review decorated with a dispar
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"Personal Statements: Exhibitions about Individual Artists." In Comic Art in Museums, edited by Kim A. Munson. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0034.

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This is a brief interstitial introduction by art historian Kim A. Munson exploring a wide ranging of exhibitions focused on work by individual artists following the “lone genius” concept utilized in the influential 2005 show Masters of American Comics. This chapter discusses the history of blockbuster exhibits like the Mona Lisa’s US visit (1963) and King Tut (1977), retrospectives of elder statesmen (Kirby, Herriman, Goldberg, Eisner), increased valuation of comic art, and narrative in exhibitions with Gary Panter, Art Spiegelman, R. Crumb, and Carol Tyler. Images: exhibition Goldberg, Herrim
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"Chapter 14 The Forgotten Individual (1996)." In On Art, Artists, Latin America, and Other Utopias. University of Texas Press, 2009. http://dx.doi.org/10.7560/719767-016.

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Conference papers on the topic "ART / Individual Artists / Monographs"

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URSACHI, Rodica. "Trei piloni ai artei naționale: Igor Vieru, Ilie Bogdesco și Mihail Petric. 100 ani de la naștere." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p302-308.

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The article is focused on the creation of three plastic artists from the Republic of Moldova, who would have celebrated their centenary this year - Igor Vieru (1923-1988), Ilia Bogdesco (1923 2010), Mihail Petric (1923-2005). Their contribution is a significant one for national art, each one leaving a considerable mark in the field and genre they work in – graphics, thematic painting, landscape, etc. Several aspects and factors of the creative process of each individual artist are mentioned in the article. The thematic topics addressed are described, the components of the plastic language used
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Peno, Vesna. "Historical-Aesthetic Laboratory of Dragutin Gostuški." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.101p.

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In the foreword of the book Time of Art. A Contribution to the Foundation of a General Science of Forms, Dragutin Gostuški indicated that “historical problems of art – which are primarily problems of style – cannot be solved without having a clear idea of the aesthetic essence of individual art objects. Just like it is not possible to have a clear idea of the essence of any structural element of a work of art, if we are not able to isolate that element and observe it in its historical transformations.” With this introductory definition, the author activated a double platform from which he simu
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Pskhu, R. V., P. M. Barmina, E. Yu Lotova, and Z. V. Murga. "BEAUTY IN COLOR: BLUE ON RAFFAELLO�S CANVASES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs03.04.

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Color has always been an important component of a person's perception of the overall picture � this applies to art, religion, and individual worldviews. In different epochs and cultures, different, but always important meanings were conveyed with color, certain colors were associated with what was most significant and valuable for a people or a representative of a religious tradition. The blue color is exceptional in this sense � for a long time it was not paid attention at all, but once appearing on the canvases of Renaissance artists, it spread its influence on the culture, art, and social l
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Воронина, С. П. "COHERENCE OF TEXT AND VISUALS: THE IMAGE OF VASILY TERKIN IN ILLUSTRATIONS BY VLADIMIR GALDYAEV." In Месмахеровские чтения — 2025. Crossref, 2025. https://doi.org/10.54874/9785605245896.2025.11.03.

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Образ Василия Тёркина, созданный писателем А. Т. Твардовским, неоднократно отражался в иллюстрациях советских и российских художников, которые становились соавторами, добавляя бойцу черты характера, раскрывая новые грани его личности перед читателем в визуальном сопровождении. Работы В. Л. Гальдяева (1938–2001) были необоснованно забыты, обзоров его творчества и искусствоведческого анализа отдельных работ практически не встретить в текстах отечественных исследователей. The image of Vasily Terkin, created by the writer A. T. Tvardovsky, was repeatedly reflected in the illustrations of Soviet an
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Yandim Aydin, Sercan. "„RENAISSANCE“ BEFORE THE RENAISSANCE: HUMANLY ASPECTS OF LATE BYZANTINE PAINTING. CASE: “THE ANASTASIS: AN IMAGE OF LIBERATION AND RESURRECTION”, STUDENICA MONASTERY." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.629ya.

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Present paper aims to readdress the idealized Renaissance con- ception of painting starting with the writings of Giorgio Vasari, which paved the way to a widely stereotyped and prejudiced evaluation of the Byzantine art within the general art historical framework. Consequently, placing the latter one inferior to the Renaissance. Further the paper attempts to revise the conventional assumptions about Byzantine painting. Visual interpre- tation of a dodecaorton subject, Anastasis Christi, is taken to provide evi- dence in understanding the humanly aspects in terms of iconography and reception of
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ROMAN, Diana. "The Actor, Between the Self from Theatre and the Other from Music." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0021.

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The worlds of music and theatre have been brought together under the sign of scenic creation since the origins of the appearance of the theatre, the interdisciplinary artistic dialogue between the two arts sharing common aesthetic, psychological, psycho-social landmarks. The interactions between these worlds gave birth, finally, going through different forms and long searches, to the most original and popular theatre genre, the Musical. At the same time with technology and the digital revolution, live music, the orchestra, the musicians present on the stage of the theatre, were replaced with r
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Zdravković, Vesna, Danijela Zdravković, and Katarina Stanković. "CHALLENGES AND OPPORTUNITIES OF IMPLEMENTING ARTIFICIAL INTELLIGENCE IN MUSIC EDUCATION: A CASE STUDY." In 1st International Scientific Conference Education and Artificial Intelligence. University of Niš, Pedagogical Faculty, Vranje, 2025. https://doi.org/10.46793/edai24.273z.

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The introduction of this paper delves into the dynamics of artificial intelligence (AI) applications, which in recent decades has spread across numerous social domains: manufacturing, banking, healthcare, art, sports, and daily life. This paper examines the extent to which AI has positively influenced education as a supportive tool, aiming to promote its applications in music education. The theoretical section reviews various documents to demonstrate that AI has yet to fully integrate into educational systems and institutions; however, modern society increasingly adopts guidelines toward its r
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NECHIFOR, Oana. "(At) Home and (On) the Road: Contemporary Photography Techniques of Documenting the Migration Phenomenon." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0025.

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The current presentation includes several queries regarding the interaction of migration and globalization – one of the most significant phenomena of social transformation in recent decades, as well as the meanings that this interaction presents for artistic research and practice. The major social and cultural transformations that have taken place in recent decades following more intense migratory movements have sparked an interest among artists for creating visual discourses, which, by using languages specific to different genres and environments, contribute to the dissemination of knowledge
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Rutsinskaya, Irina, and Galina Smirnova. "TEA PARTIES IN RUSSIAN PAINTING IN THE SECOND HALF OF THE NINETEENTH – BEGINNING OF THE TWENTIETH CENTURY: REFLECTIONS OF EVERYDAY LIFE AND SOCIAL HISTORY." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/33.

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"Tea in Russia is not only the drink loved by millions of people but also a national symbol closely and inseparably connected with Russian culture. The dominance of realism in Russian fine art in the second half of the nineteenth – beginning of the twentieth century gave birth to the widespread popularity of genre painting which started playing a very special role in the country. It is not surprising that tea parties became common themes in these works. Over a cup of tea, the characters in the paintings perform everyday activities: chatting, contemplating, indulging in memories, while taking t
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Reports on the topic "ART / Individual Artists / Monographs"

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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured wi
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