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Relevant bibliographies by topics / Art industries and trade, Medieval

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Academic literature on the topic 'Art industries and trade, Medieval'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Art industries and trade, Medieval"

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Shustova, Alla M. "Yury N. Roerich on the Spread of Indian Visual Images along the Great Silk Road." Oriental Courier, no. 2 (2023): 271. http://dx.doi.org/10.18254/s268684310026759-2.

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The paper discusses the studies of Yury N. Roerich (1902–1960) in the field of Central Asian art. In his opinion, the Great Silk Road should be considered not only as a caravan road providing trade routes between the countries of the ancient and medieval world, but also as an important arterial system of cultural interchange. The Kushan Empire, founded by the Tochars, who adopted Buddhism as the dominant religion, played a special role in the development of the art of the Great Silk Road region. Buddhism began to spread along the arteries of the Great Silk Road, forming a belt of Buddhist cult

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Veselov, Fedor N. "Collection of Russian manuscripts in the Chester Beatty Library and Museum." Issues of Museology 14, no. 1 (2023): 60–77. http://dx.doi.org/10.21638/spbu27.2023.105.

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A significant part of Russian handwritten monuments, due to various circumstances, ended up outside of Russia. The lack of detailed descriptions, and often even information about such rarities, especially those that ended up in private collections, creates certain difficulties in conducting special studies of the Russian manuscript heritage, results of such works may turn out to be incomplete without taking into account information about “emigrant” monuments. The processes of accumulation of such monuments in private Western collections also deserve special attention: they allow us to identify

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Badamo, Heather. "Locating Medieval Armenia at the Metropolitan Museum of Art." Journal of Medieval Worlds 1, no. 2 (2019): 77–82. http://dx.doi.org/10.1525/jmw.2019.120005.

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Spanning 13 centuries, the exhibition “Armenia!” brings together some 140 objects to present the medieval art and culture of the Armenian peoples in a global context. Armenia has often existed at the borders of medieval art in contemporary scholarship, due to its complex history and continuously shifting borders, which undermine basic understandings of empires and polities. This exhibition seeks to “locate” Armenia through the twin themes of religion and trade, documenting the myriad ways in which Armenians employed visual culture to construct images of the self and community. The works on dis

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Kloppmann, W., L. Leroux, P. Bromblet, et al. "Competing English, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting." Proceedings of the National Academy of Sciences 114, no. 45 (2017): 11856–60. http://dx.doi.org/10.1073/pnas.1707450114.

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A lack of written sources is a serious obstacle in the reconstruction of the medieval trade of art and art materials, and in the identification of artists, workshop locations, and trade routes. We use the isotopes of sulfur, oxygen, and strontium (S, O, Sr) present in gypsum alabaster to unambiguously link ancient European source quarries and areas to alabaster artworks produced over five centuries (12th–17th) held by the Louvre museum in Paris and other European and American collections. Three principal alabaster production areas are identified, in central England, northern Spain, and a major

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Michailidis, Melanie. "Samanid Silver and Trade along the Fur Route." Medieval Encounters 18, no. 4-5 (2012): 315–38. http://dx.doi.org/10.1163/15700674-12342119.

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Abstract While much scholarly attention has been devoted to cultural exchange in recent years, most of the focus has been on the Mediterranean Sea and the land and sea routes connecting China to the Islamic world and beyond to Europe. In the tenth century, another major trading route also flourished between Central Asia and northeastern Europe. Furs and slaves were sent from Scandinavia, Russia and Eastern Europe in exchange for silver which was mined in the realm of the Samanids in Central Asia. Not only were Samanid coins used as currency by the Vikings, but Samanid luxury metalwork objects

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Wang, Kuan-Chi. "The art of rent: The making of edamame monopoly rents in East Asia." Environment and Planning E: Nature and Space 3, no. 3 (2019): 624–41. http://dx.doi.org/10.1177/2514848619880552.

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Drawing on the monopoly rent concept in the Marxist tradition, this study examines recent transformations in East Asian agriculture through a case study of edamame. The analysis develops rent as an analytical framework—edamame monopoly rents—by incorporating recent literature of “technoscience rent” and “value grabbing.” Based on empirical research of edamame industries in Taiwan and China, I conclude that before edamame industries adopted the World Trade Organization legal frameworks on patenting and intellectual property rights, edamame monopoly rents acquired more characteristics of value g

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Epstein, Steven A. "The Art of the Deal: Intermediaries of Trade in Medieval Montpellier. Kathryn L. Reyerson." Speculum 80, no. 3 (2005): 964–65. http://dx.doi.org/10.1017/s0038713400008769.

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Ju, Fei. "Polytheism Tendency in the Trend of Integration of the Three Major Religions: Worship of Silkworm Deity Art of Medieval China." Religions 13, no. 11 (2022): 1047. http://dx.doi.org/10.3390/rel13111047.

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A silkworm deity was a Trade God worshipped by the court and the folk, and was also a spiritual symbol of sericulturists in medieval China. Images of the silkworm deity in ancient Chinese art are important relics of material heritage for studying culture and ritual activities in medieval China. This paper investigates images of silkworm worship from the Han Dynasty to the Yuan Dynasty to distinguish between their use by the court and the folk. This paper explores the gradual personification of the silkworm deity in medieval China, as well as the differences in the identity of the silkworm deit

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Semenenko, A. A. "UP TO DATE CULTURAL PRACTICES IN MODERN PROJECTIVE INDUSTRIES." UKRAINIAN CULTURAL STUDIES, no. 1 (2) (2018): 82–87. http://dx.doi.org/10.17721/ucs.2018.1(2).20.

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The article analyzes the connection between some forming relevant tendencies and the newest cultural practices, the development of which is due to economical, technical and social context. Such features as mass character, consumerism, innovativeness, integrality, media character, network and information unity, fundamentally transform the image of civilization and people’s lifestyle. Human projective activity vectors are explored with terminological tools of cultural anthropology and civilizational movement dominants defined by modern thinkers. Evolution of language and aims of substantial prac

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Kloppmann, Wolfram, Lise Leroux, Philippe Bromblet, Pierre-Yves Le Pogam, Anne Thérèse Montech, and Catherine Guerrot. "A pan-European art trade in the late middle ages: Isotopic evidence on the master of Rimini enigma." PLOS ONE 17, no. 4 (2022): e0265242. http://dx.doi.org/10.1371/journal.pone.0265242.

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The identity of artists and localisation of workshops are rarely known with certainty before the mid-15th century. We investigated the material used by one of the most prolific and enigmatic medieval sculptors, the Master of the Rimini Altarpiece or Master of Rimini, active around 1420–40. The isotope fingerprints (Sr, S and O) of a representative corpus of masterpieces but also minor artworks, attributed to the Master of Rimini and his workshop, are virtually identical, demonstrating the unity of the corpus and a material evidence behind the stylistic and iconographic ascriptions. The materia

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Dissertations / Theses on the topic "Art industries and trade, Medieval"

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Datta, Abhijit. "Industry, trade and commerce in early medieval bengal: a historical investigation." Thesis, University of North Bengal, 2020. http://ir.nbu.ac.in/handle/123456789/4361.

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Rogers, Janine. "Gender and the literature culture of late medieval England." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35053.

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This dissertation explores the impact of gender ideologies held by medieval readerships on the production of books and circulation of texts in late medieval England. The first chapter explores how the professional book trade of late medieval London circulated booklets of Chauceriana which constructed masculinity and femininity in strict adherence to the courtly love literary tradition. In the second chapter, I demonstrate that such a standardized representation of courtly gender could be adapted by a readership removed from the professional book trade, in this case the rural gentry producers o

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Makhado, Zwoitwa. "Crafting a livelihood: local-level trade in mats and baskets in Pondoland, South Africa." Thesis, University of the Western Cape, 2004. http://etd.uwc.ac.za/index.php?module=etd&amp.

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This study explored the dynamics of local-level trade in plant-based mats and baskets in Khanyayo village, Eastern Cape. These dynamics include social aspects of harvesting, resource tenure and trade. It also includes institutional issues such as legislation that enhances or restricts the degree to which local people could benefit from the trade or direct use. The study also explored the contribution of the trading in mats and baskets to the livelihoods of the Khanyayo people.

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Hartigan, Caitlin Carol. "Image, manuscript, print : Le Roman de la rose, ca. 1481-1538." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:51474485-d7f1-43f9-8fc7-c7132037e75b.

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This thesis examines the transmission and reception of images in Le Roman de la rose manuscripts and printed editions of the late fifteenth and early sixteenth centuries. Through in-depth case studies, I analyse how illustrators, editors, and readers used printed imagery in Rose books ca. 1481-1538, during the period of Rose printed edition production, exploring wider cross-disciplinary issues concerning the history of the book, the relationship between word and image, and readership practices following the advent of French printing. I argue that the mobility of printed imagery, which was faci

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Guerin, Sarah Margaret. ""Tears of Compunction": French Gothic Ivories in Devotional Practice." Thesis, 2009. http://hdl.handle.net/1807/32009.

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This dissertation presents a new perspective on the function of objects in late-medieval devotional practice through a study of the so-called Soissons group of thirteenth-century French Gothic ivories. These ivory diptychs were sophisticated tools constructed to guide the user through various spiritual exercises that led to prayer. The hitherto unexplained increase in the availability of ivory in mid-thirteenth-century France is accounted for by an alteration in the trade routes that brought elephant tusks from the Swahili coast of Africa to northern Europe: a newly-opened passage through the

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Books on the topic "Art industries and trade, Medieval"

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Thomas, Seelig, Stahel Urs, Jaeggi Martin, Fotomuseum Winterthur, and Nederlands Foto Instituut, eds. Trade: Waren, Wege und Werte im Welthandel heute. Fotomuseum Winterthur, 2001.

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Great Britain. Parliament. House of Commons. National Heritage Committee. Export of works of art: First report : Draft Directive on the Return of Cultural Objects Unlawfully Removed from the Territory of a Member State and Draft Regulation on the Export of Cultural Goods (and) Second report : Draft Seventh Seventh VAT Directive together with the proceedings of the Committee, minutes of evidence and appendices. HMSO, 1993.

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Kowaleski, Maryanne. Local markets and regional trade in medieval Exeter. Cambridge University Press, 1995.

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H, Goodall Ian, and Hinton David Alban, eds. Object and economy in medieval Winchester. Clarendon Press, 1990.

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I︠U︡niverg, L. I. Izdatelʹskiĭ mir Iosifa Knebeli︠a︡. "Filobiblon", 1997.

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Chapin, Kari. The handmade marketplace. Storey Pub., 2010.

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Kōgeikai, Shinshō, ed. Shinshō kōgei tenrankai zuroku: Dai yonjikkai. Kyōto Shoin, 1986.

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Dia Center for the Arts (New York, N.Y.), Steven Leiber (Gallery), and Printed Matter Inc, eds. NY Art Book Fair II: 28-30 September 2007 : stevenleiberbasement, San Francisco. S. Leiber, 2007.

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Martine, Briat, and Institute of International Business Law and Practice., eds. International sales of works of art. ICC Pub., S.A., 1990.

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Marantz, Kenneth A. Creating picturebooks: Interviews with editors, art directors, reviewers, booksellers, professors, librarians, and showcasers. McFarland & Co., 1997.

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Book chapters on the topic "Art industries and trade, Medieval"

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Jacoby, David. "Raw Materials for the Glass Industries of Venice and the Terraferma, about 1370–about 1460." In Trade, Commodities and Shipping in the Medieval Mediterranean. Routledge, 2024. http://dx.doi.org/10.4324/9781003556954-9.

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Simpson, Gavin. "Seeing the Wood for the Trees: Poland and the Baltic Timber Trade, c. 1250-1650." In Medieval Art, Architecture and Archaeology in Cracow and Lesser Poland. Routledge, 2024. http://dx.doi.org/10.4324/9781003580362-14.

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Mallinson, Jonathan. "11. 1929–31: No Ordinary Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.11.

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The Wall Street Crash of October 1929 caused havoc in the industry as a whole. Moorcroft’s trading figures declined progressively, and he was obliged, for the first time, to sell pieces at reduced prices. It is clear from his accounts, however, that losses were attributable not simply to reduced sales, but also to an increase in unpaid invoices, and Moorcroft’s continued reluctance to put his staff on part time. Significantly, even as he began to struggle commercially, his reputation as a designer continued to grow. He responded defiantly to the bleak economic climate with a series of new desi

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Rose, Els. "A Citizenship of Sharing: Transformations of an Urban Patron Saint." In Inclusive Cities and Global Urban Transformation. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-97-7521-7_22.

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AbstractThe question as to what makes a city prosperous, and how a city responds to crises that challenge its resilience, yields different responses in different historical periods. The city of Utrecht offers a relevant case to study these questions from a cultural perspective because of the historically layered heritage of its answers. In the course of its history, the city changed roles a number of times. Founded as an outpost of the Roman military, it developed into the most important ecclesiastical centre of the northern Low Countries in the Middle Ages as well as an important crossroads o

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Saler, Michael T. "The Demise of Medieval Modernism." In The Avant-Garde in Interwar England, Medieval Modernism And The London Underground. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195119664.003.0008.

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Abstract The nineteenth-century distinction between art and design, which Frank Pick and other medieval modernists had come close to eradicating during the interwar period, was restored rapidly between 1939 and 1945-with Pick, as usual, having been in the vanguard. He had preceded official opinion in his own reconceptualization of the role of artist and industrial designer in the mid-1930s; it was not until after the outbreak of the war that officials at the Boards of Trade and Education began to think of the designer as a technician rather than as an artist. This new conception of the designe

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"Chapter 2. From Persian Cocoon to Soie de Paris: Trade Networks and Silk Techniques." In The Silk Industries of Medieval Paris. University of Pennsylvania Press, 2017. http://dx.doi.org/10.9783/9780812293319-005.

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Karapapa, Stavroula, and Luke McDonagh. "9. Trade marks." In Intellectual Property Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198747697.003.0009.

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This chapter studies trade marks, considering the historical uses of trade marks and the development of UK trade mark law. The way in which trade marks are used has, in some ways, changed little, even though trading conditions today are far removed from those of previous times. Although medieval use was primarily to guarantee quality, use since the Industrial Revolution has been to tell the consumer about the origin of the goods. Meanwhile, the legal history of trade marks shows that the principles articulated in the early cases continue to influence today's law. There is the perennial concern

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"Goldsmiths in Medieval Vienna (1150–1527): Their Trade and Their Art." In A Companion to Medieval Vienna. BRILL, 2021. http://dx.doi.org/10.1163/9789004395763_017.

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"Difficult Sources: Crusader Art and the Depiction of Ships." In Shipping, Trade and Crusade in the Medieval Mediterranean. Routledge, 2016. http://dx.doi.org/10.4324/9781315609010-13.

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Mahoney, Dillon. "Crafts Traders versus the State." In Art of Connection. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520292871.003.0003.

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This chapter traces the development of Kenya’s tourism and handicraft industries from their roots in 20th century British colonialism to provide some of the broader history of Kenya’s tourism and co-operative development, their emergence in Mombasa, and their relationships with local governments. I draw on archival as well as ethnographic data collected just before the 2002 demolition of Mombasa’s roadside kiosks, which form the starting point for the larger longitudinal study. I focus on the array of experiences of Mombasa’s roadside traders of diverse backgrounds as they struggle with the pr

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Conference papers on the topic "Art industries and trade, Medieval"

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Alklih, M. Y., K. Tazerout, M. Alshuaibi, et al. "Viable Business Case to Unlock Sustainable Profitability from CCUS Projects." In ADIPEC. SPE, 2023. http://dx.doi.org/10.2118/216411-ms.

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Abstract A viable business case has posed a challenge for CCUS (carbon capture, utilization and storage) projects and the aspirations of sustainability. With its vision to further expand its EOR portfolio and positively contribute to sustainability through CO2 injection, ADNOC Onshore started to contemplate new ways of implementing carbon capture in a more profitable and environmentally responsible manner. A CCUS Study was initiated to identify the optimum trade-off between key variables, such as injected CO2 purity, in order to minimize carbon footprint and cost without altering reservoir oil

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Markopoulos, Evangelos, Aksel David Nordholm, Stavroula Iliadi, Panagiotis Markopoulos, John Faraclas, and Mika Luimula. "A Certification Framework for Virtual Reality and Metaverse Training Scenarios in the Maritime and Shipping industry." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001505.

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The maritime and shipping industry tremendously impact on the society and the economy across the centuries. Today shipping is, environmentally and economically, the most efficient way to transport merchandise, serving nearly 90% of world trade. Safety at sea has always been a major issue for all the parties involved in shipping from different perspectives, reasons, and interests. Shipping and maritime training that can assure this safety is a key requirement for every ship to sail and for every seafarer, of any level and rank, to get on-bard and perform any operations. However, the cost of suc

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