Relevant bibliographies by topics / Art Institute of Boston

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art Institute of Boston'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Art Institute of Boston"

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Merkel, Jayne. "Boston Institute of Contemporary Art." Architectural Design 77, no. 6 (2007): 130–33. http://dx.doi.org/10.1002/ad.586.

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Luersen, Paula Cristina. "Ashes, de Steve McQueen." PORTO ARTE: Revista de Artes Visuais 22, no. 36 (2017): 231. http://dx.doi.org/10.22456/2179-8001.75863.

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A resenha trata da experiência de visitação de Ashes, instalação em vídeo de Steve McQueen, apresentada no Institute of Contemporary Art, de Boston. Exploram-se as expectativas, surpresas e reflexões suscitadas pelo trabalho e discute-se a maneira como McQueen traz à cena, por meio da imagem, a questão da memória.
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Bergman, Diane. "Bernard V. Bothmer: a man of honour." Art Libraries Journal 38, no. 4 (2013): 50–56. http://dx.doi.org/10.1017/s0307472200018800.

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Bernard V. Bothmer left his mark on the world of Egyptology in three of the United States’ great art institutions: the Museum of Fine Arts in Boston, the Brooklyn Museum and the Institute of Fine Arts, New York University. He created gallery displays, developed library collections and founded image collections that continue to influence scholars worldwide. One can wonder how the course of American Egyptology would have developed if circumstances had not driven him out of his native Germany. Despite hardship, fear and a career interrupted, he trained and profoundly influenced at least four gene
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Huckaby, Letitia, and Jessica Lynne. "Memorable Proof." Southern Cultures 30, no. 2 (2024): 44–55. http://dx.doi.org/10.1353/scu.2024.a934713.

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Abstract: Jessica Lynne conducted an interview with photographer Letitia Huckaby, a Fort Worth, Texas–based artist and cofounder of Kinfolk House, a collaborative project space in Fort Worth. In 2023, Huckaby was commissioned by Johnica Rivers and Michelle Lanier of the Harriet Jacobs Project to create a photographic series that resulted in the exhibition Memorable Proof . This exhibition was installed in the historic Chowan County Courthouse in Edenton, North Carolina, where Harriet Jacobs was born. In the interview, Huckaby discusses her relationship to the medium of photography through her
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Domínguez, Silvia, Simón E. Weffer, and David G. Embrick. "White Sanctuaries: White Supremacy, Racism, Space, and Fine Arts in Two Metropolitan Museums." American Behavioral Scientist 64, no. 14 (2020): 2028–43. http://dx.doi.org/10.1177/0002764220975077.

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In this article, we compare two nationally recognized museums located in Chicago and Boston: The Art Institute of Chicago and the Boston Fine Arts Museum. We find that while both museums are colonial projects and White sanctuaries, there are variations in the racial mechanisms in place that help maintain White supremacy. Specifically, we look at three such mechanisms and compare and contrast between the two museums. We contend our findings suggest that while White supremacy is universal in its national (global) depth and breath, place matters. We argue that the physical context of the museums—
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Cable, Umayyah. "An Uprising at The Perfect Moment." GLQ: A Journal of Lesbian and Gay Studies 26, no. 2 (2020): 243–72. http://dx.doi.org/10.1215/10642684-8141830.

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This article examines two overlapping controversies at the Institute of Contemporary Art in Boston, Massachusetts, in the early 1990s over the attempted censorship of both Robert Mapplethorpe’s show The Perfect Moment and Elia Sulieman’s Palestinian film and video art exhibition Uprising. By analyzing the print news discourse on these controversies, namely, regarding the representations of children in The Perfect Moment and in two of the Uprising films (Children of Fire by Mai Masri and Intifada: Introduction to the End of an Argument by Suleiman and Jayce Salloum), the author articulates how
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Dinsmore, Sydney. "Reviewing the Inclusion of Artists’ Holograms in the Permanent Collections of Fine Art Museums." Arts 8, no. 4 (2019): 147. http://dx.doi.org/10.3390/arts8040147.

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Opening in 1976 with the exhibition, “Through the Looking Glass”, the Museum of Holography (MOH) emphasized from the beginning the importance of artistic holography with the inclusion of several holograms by artists whose primary practice was holography, articulating for the first time a distinction between artists, scientists and technicians. While the scientific and engineering principles underlying the technology could educate a public, holograms made by artists provided the visual syntax for the creative possibilities holography could offer. The MOH continued to encourage and support artis
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Stanford, Charlotte A. "Beyond Words: New Research on Manuscripts in Boston Collections, ed. Jeffrey F. Hamburger, Lisa Fagin Davis, Anne-Marie Eze, Nancy Netzer, and William P. Stoneman. Text, Image, Context: Studies in Medieval Manuscript Illumination, 8. Toronto: Pontifical Institute of Mediaeval Studies, 2021, 361 pp, 291 col. Ill." Mediaevistik 34, no. 1 (2021): 274–76. http://dx.doi.org/10.3726/med.2021.01.20.

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This study stems from an exhibition/ conference of the same name, “Beyond Words,” presented in Boston in 2006; however, it goes well beyond the bounds of a conventional exhibition catalog, which was produced at the time to accompany the objects on display. The volume produced here expands these initial parameters to consider additional questions about the manuscripts held in these Boston collections, notably Houghton Library at Harvard University, McMullen Museum of Art at Boston College, and the Isabella Stewart Gardner Museum of Boston. The book is divided into four major sections, devoted r
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Wiesenberger, Robert, and Elizabeth Resnick. "Basel to Boston: An Itinerary for Modernist Typography in America." Design Issues 34, no. 3 (2018): 28–41. http://dx.doi.org/10.1162/desi_a_00495.

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Starting in the 1960s, the Massachusetts Institute of Technology (MIT) became one of the most visible points of entry in America for the so-called “Swiss-style,” a distinctive, modernist approach to graphic design. Three women were largely responsible for its success: Therese Moll, Jacqueline Casey, and Muriel Cooper. While Casey and Cooper have begun to get their due, Moll—a visiting designer from Basel—remains almost unknown. This article examines why MIT provided such fertile ground for this style, before it became the lingua franca of corporate modernism, and how, by the 1980s, it traveled
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Wallerstein, Robert S. "Followup in Psychoanalysis: What Happens to Treatment Gains?" Journal of the American Psychoanalytic Association 40, no. 3 (1992): 665–90. http://dx.doi.org/10.1177/000306519204000302.

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A recent panel (1989) discussed the feasibility and the desirability of systematic post-treatment followup study of psychoanalytic patients. In this paper, I compare the data bearing on these issues from the Menninger Foundation Psychotherapy Research Project, headed by me, and the Boston Institute Project, headed by Kantrowitz, and I indicate why their data are neither comparable nor adequate enough to warrant the conclusion that their apparent discrepant findings—that in the Menninger project outcome at termination tended to be predictive of the subsequent followup course, while in the Bosto
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Dissertations / Theses on the topic "Art Institute of Boston"

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Sbarra, Wendy M. "New Ways of Seeing: Examining Musuem Accessibility for Visitors with Vision Impairments." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/121.

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While I have always loved to go to the art museum I have often found it difficult to convince friends and family to go with me. It seems to be a particularly daunting task for visitors with disabilities and specifically those with vision impairments. This study surveys the accessibility of the programming for visitors with visual impairments at 25 art museums in the United States of America and how they communicate that information to potential visitors. It highlights museums that go beyond what is required by the Americans with Disabilities Act and create programming that is enjoyable for all
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Hoeffler, Michelle Leah. "The moment of William Ralph Emerson's Art Club in Boston's art culture." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/67166.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.<br>Includes bibliographical references (p. 183-225).<br>This thesis will analyze the architect William Ralph Emerson's (1833-1917) Boston Art Club building (1881-82) and its station within Boston and New York's art culture. Even though there has been considerable research on the Gilded Age in general and certain art clubs specifically, this club remains a neglected element in art's social history. During the rising development of art culture, a small group of artists founded the Boston Art Club (1854-1950) as a
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Kreuger, Barbara. "Aftermath of a summer art institute : a case study." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/30827.

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The purpose of this research was to examine the impact of a University summer institute, and to determine whether the participants felt it had changed their ways of teaching art, brought them greater success or encouraged them to share ideas about art education. This research also examined what factors are necessary for creating change for teachers and questioned whether a University institute would be able to provide enough of those factors to induce change. An investigation of the literature in the area of curriculum change revealed that teachers require a great deal of support and an exten
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Macaluso, Rose E. "The Smithsonian Institute Smithsonian American Art Museum registration internship." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/aa_rpts/88.

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This detailed report of a registration internship at the Smithsonian American Art Museum includes an organizational profile of the Smithsonian Institute, the Smithsonian Institute Affiliate Program, and the Smithsonian American Art Museum, a description of the activities performed during the internship, an analysis of a volunteer management challenge, a proposed resolution to the volunteer management challenge, and a discussion of the short and long term effects of the internship. The duties and expectations of volunteers, the staff preparation for volunteers, and the empowerment of volunteers
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McMaster, Ann Michelle M. "The Butler Institute of American Art: Pro Bono Publico." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437661274.

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Gorham, Sarah E. "Culinary study abroad opportunities at the Art Institute of Atlanta." Online version, 2002. http://www.uwstout.edu/lib/thesis/2002/2002gorhams.pdf.

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Morehouse, Dawn M. "Copley's compromise navigating the discourse of beauty and likeness in colonial Boston /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 58 p, 2008. http://proquest.umi.com/pqdweb?did=1597629701&sid=23&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Lim, Winston E. "Reassembling the rolling bridge : an art gallery at Fort Point Channel, Boston." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/68315.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1996.<br>Includes bibliographical references (p. 114-115).<br>Spanning the Fort Point Channel for nearly a century, Boston's Rolling Bridge is a familiar landmark to many railway commuters and residents of the city. Its robust steel assembly, characterized by three anthropomorphic forms, demonstrates the principles of late nineteenth-century bridge design. As a symbol of the industrial age, it is also the last surviving drawbridge of its kind in the city. Unfortunately, this bridge will be demolished as part of th
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Alhadi, Esameddin. "Transforming school museum partnership the case of the University of Flordia Harn Museum Teacher Institute /." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1214496613.

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Bell, Aileen E. "The white knight: Edwin Austin Abbey's "Quest for the Holy Grail" in the Boston Public Library." Thesis, The University of Arizona, 2002. http://hdl.handle.net/10150/278796.

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The Boston Public Library was founded on the principle that it would serve the needs of Boston's entire populace, without respect to class, race, or gender. However, despite this democratic ideology, the nineteenth-century library, in its practices and artistic expressions, articulated an elite conception of the perfect American. Edwin Austin Abbey's Quest for the Holy Grail (1890--1902), painted for the library building of McKim, Mead, and White (begun 1883), embodies the cosmopolitan, Protestant, Anglo-Saxon, and masculine values of Boston's elite through its American Renaissance style, its
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Books on the topic "Art Institute of Boston"

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Nicholas, Baume, and Institute of Contemporary Art (Boston, Mass.), eds. Super vision: Institute of Contemporary Art/Boston. MIT Press, 2006.

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Milena, Kalinovska, Gangitano Lia 1968-, Nelson Steven 1962-, and Institute of Contemporary Art (Boston, Mass.), eds. New histories: The Institute of Contemporary Art, Boston. The Institute, 1996.

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Anne, Meehan Carole, Morgan Jessica 1968-, and Institute of Contemporary Art (Boston, Mass.), eds. Vita Brevis: History, landscape, and art, 1998-2003. Institute of Contemporary Art, 2004.

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Boston, Art Institute of. Sketch, mix, draw, paint: Recent work by the Fine Arts Department painting and drawing faculty of the Art Institute of Boston at Lesley University : Anthony Apesos, Ken Beck, Michael David, Liza Folman, Santiago Hernandez, Tim Peck, Sarah Slavick, Amy Sudarsky. Art Institute of Boston at Lesley University, 2008.

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Medvedow, Jill. Vita Brevis: History, landscape, and art, 1998-2003. Institute of Contemporary Art, 2004.

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Bill, Thompson. Bill Thompson: Nielsen Gallery, Boston, Massachusetts, December 12, 1992-January 16, 1993 : Butler Institute of American Art, Youngstown, Ohio, February 7-March 31, 1993. The Gallery, 1992.

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Sotheby's (Firm). Important French & continental furniture & decorations, European works of art, ceramics, tapestries & carpets. Sotheby's, 2002.

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Salle, David. David Salle, Arbeiten auf Papier, 1974-1986: Museum am Ostwall Dortmund, 29. Juni-10. August, 1986 : Aarhus Kunstmuseum, 5. September-12. Oktober 1986 : Institute of Contemporary Art, Boston, December 9, 1986-February 8, 1987. Museum am Ostwall, 1986.

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Owens, Margareth Boyer. Art Institute of Chicago. Research Center for Musical Iconography, 1987.

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Pearlstein, Elinor L. Asian art in the Art Institute of Chicago. The Institute, 1993.

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Book chapters on the topic "Art Institute of Boston"

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Rennella, Mark. "Expressing Cosmopolitanism through Art." In The Boston Cosmopolitans. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611214_6.

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Agassi, Joseph. "Science and Art." In Boston Studies in the Philosophy of Science. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-2946-8_27.

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Lehrer, Keith. "Consensus in Art and Science." In Vienna Circle Institute Yearbook. Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-6905-5_10.

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Nyíri, J. C. "Haller on Wittgenstein on Art." In Boston Studies in the Philosophy of Science. Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5720-9_2.

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Hooykaas, R. "Works of Nature, Works of Art." In Boston Studies in the Philosophy of Science. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-015-9295-6_10.

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Agassi, Joseph. "Progress in Science and in Art." In Boston Studies in the Philosophy of Science. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-2946-8_23.

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Agassi, Joseph. "Technology as Both Science and Art." In Boston Studies in the Philosophy of Science. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-2946-8_24.

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Hay, Bruce L. "Museum of Fine Arts, Boston v. Seger-Thomschitz." In Nazi-Looted Art and the Law. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64967-2_10.

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Babich, Babette E. "Nietzsche’ S Critical Theory: The Culture of Science as Art." In Boston Studies in the Philosophy of Science. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-017-2430-2_1.

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Miralles, Antonio. "School Choice: The Case for the Boston Mechanism." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-03821-1_9.

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Conference papers on the topic "Art Institute of Boston"

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Masefield, J., I. H. De Kock, and J. L. Jooste. "AN INVESTIGATION INTO THE STATE OF ART OF QUANTITATIVE PERSPECTIVES ON SUSTAINABILITY INITIATIVES: A SYSTEMATIC REVIEW OF LITERATURE." In 34th Annual Southern African Institute for Industrial Engineering Conference. Southern African Institute for Industrial Engineering (SAIIE), 2024. https://doi.org/10.52202/078172-0059.

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Nash, S. P., W. L. Jooste, and I. H. De Kock. "INVESTIGATING THE STATE-OF-THE-ART IMPACT ANALYSIS APPROACHES WITHIN THE CONTEXT OF BUILDING AUTOMATION AND CONTROL SYSTEMS FROM A FEASIBILITY PERSPECTIVE: A STRUCTURED LITERATURE REVIEW." In 34th Annual Southern African Institute for Industrial Engineering Conference. Southern African Institute for Industrial Engineering (SAIIE), 2024. https://doi.org/10.52202/078172-0061.

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Feldmane, Iveta. "THE HEROIC AND THE GUILTY BODY IN POLITICAL AND SOCIAL POSTERS OF LATVIA DURING THE PERIOD OF SOVIET OCCUPATION." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s07.18.

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The poster as the genre of graphic arts is a medium where the representation of the human body functions as an important semiotic sign. This genre has also reflected and influenced the most diverse spectrum of artistic, social and political processes. In addition to informative and illustrative content, the inclusion of the human body in the composition of the poster has always had ideological purpose. The aim of this paper is to discuss how political ideology integrates the images of the human body in the posters and how it contradicts the individuals� personal feelings and bodily experiences
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Geiger, Shannon B., Mark P. Golay, Benjamin G. Harless, et al. "Effect of Stent Design Parameters on Fluid and Structural Mechanics in Coronary Arteries." In ASME 2007 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2007. http://dx.doi.org/10.1115/sbc2007-176532.

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As undergraduates at Virginia Polytechnic Institute and State University, our senior design team has been developing new arterial stent designs using computational, experimental and flow characterizations. Coronary artery stenting has become a popular alternative to bypass surgery due to its relatively low cost and short recovery time. There are approximately one million of these procedures performed each year. At the beginning of 2006, drug eluting stents (DES) accounted for 90% of stenting procedures; this number dropped below 75% by the end of 2006. The initial popularity of DES was due to
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Santos, Andrew, Ishan Srivastava, Jeremy Lechman, Leonardo Silbert, and Gary Grest. "Flow simulations of size disperse granular particles with realistic contact models." In Proposed for presentation at the 2021 American Institute of Chemical Engineers Annual Meeting held November 7-12, 2021 in Boston, MA. US DOE, 2021. http://dx.doi.org/10.2172/1861028.

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Parker, Robert, Bethany Nicholson, John Siirola, and Lorenz Biegler. "Diagnostic Tools for Dynamic Models of Chemical Process Systems in Pyomo.DAE." In Proposed for presentation at the American Institute of Chemical Engineers (AIChE) Annual Meeting held November 7-11, 2021 in Boston, MA US. US DOE, 2021. http://dx.doi.org/10.2172/1897361.

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Santos, Andrew, Shawn Maguire, Russel Composto, and Amalie Frischknecht. "Phase Behavior of Polymer-Grafted Nanoparticles in a Binary Polymer Melt." In Proposed for presentation at the 2021 American Institute of Chemical Engineers Annual Meeting held November 7-12, 2021 in Boston, MA, US. US DOE, 2021. http://dx.doi.org/10.2172/1861976.

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Mehan, Asma. "Spatial justice through immersive art: an interdisciplinary approach." In DRS2024: Boston. Design Research Society, 2024. http://dx.doi.org/10.21606/drs.2024.302.

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Kun, Peter. "AI Art Perceptions with GenFrame – an Image Generating Picture Frame." In DRS2024: Boston. Design Research Society, 2024. http://dx.doi.org/10.21606/drs.2024.997.

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Killion Mokwete, H. "Reimagining public spaces through translating cultural & heritage narratives into public art-Lessons from Roxbury’s Black Panther commemoration community garden & art mural project." In DRS2024: Boston. Design Research Society, 2024. http://dx.doi.org/10.21606/drs.2024.661.

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Reports on the topic "Art Institute of Boston"

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Terence Flotte, MD, and Patricia McNulty. Procurement of State-of-the-Art Research Equipment to Support Faculty Members Within the RNAi Therapeutics Institute. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/982426.

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Moráis Morán, José Alberto. The Romanesque Casket of Saints Adrian and Natalia (The Art Institute of Chicago): Cultural Context and Artistic Analysis. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/itma.2018.12.05.

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Rich, Kate, and Femke Snelting. None of this experiment is evident. The Institute for Technology in the Public Interest, 2024. https://doi.org/10.70934/0yxnhx.

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A conversation between Kate Rich (Irational.org) and Femke Snelting (The Institute for Technology for the Public Interest, TITiPI) about the conditions around hosting TITiPI’s email services on the Irational.org collective art server.
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(Archived), Irina Ward, and Farah Abu Saleh. PR-473-144506-R01 State of the Art Alternatives to Steel Pipelines. Pipeline Research Council International, Inc. (PRCI), 2017. http://dx.doi.org/10.55274/r0011459.

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This report is a literature review of several non-metallic material systems often used as alter-natives to steel pipelines. The pipeline systems reviewed are high density polyethylene (HDPE), fiberglass reinforced plastic (FRP), flexible composite and thermoplastic liners. This report is not intended to be a detailed guide or design manual on the use of the referenced materials for pipeline applications, rather an overall evaluation on the current state of these systems. Significant industry literature and documentation already exists on the design, manufacturing, installation, and operation o
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Bruce. L52282 State-of-the-Art Assessment of Alternative Casing Repair Methods. Pipeline Research Council International, Inc. (PRCI), 2007. http://dx.doi.org/10.55274/r0010195.

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Many natural gas storage wells suffer damage during normal storage operations. Storage operators spend upwards of $100 million per year recovering lost deliverability. Damage to casings in gas storage wells is largely the result of localized loss of metal from corrosion; however, other types of damage do occur. Individual corrosion pits can be found either on the inside or outside of the casing wall. Repair methods that are currently used for natural gas storage well casings include patches, plugs, liners, etc. While currently-used repair methods can be a cost-effective means of repairing dama
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Nosenko, Yuliya H., Maiia V. Popel, and Mariya P. Shyshkina. The state of the art and perspectives of using adaptive cloud-based learning systems in higher education pedagogical institutions (the scope of Ukraine). [б. в.], 2019. http://dx.doi.org/10.31812/123456789/3246.

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The article deals with the problems of using adaptive cloud-based learning systems (ACLS) in the modern high-tech educational environment and expanding access to them as tools of educational and research activity at higher education pedagogical institutions in Ukraine. The conceptual apparatus of cloud-based adaptive learning systems application and design is considered; their main characteristics are revealed; the ways of their pedagogical application are described. The experience of Institute of Information Technologies and Learning Tools of NAES of Ukraine on designing and applying of the c
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MCDONALD, R. J. PROCEEDINGS OF THE 2003 NATIONAL OILHEAT RESEARCH ALLIANCE TECHNOLOGY SYMPOSIUM, HELD AT THE 2003 NEW ENGLAND FUEL INSTITUTE CONVENTION AND 30TH NORTH AMERICAN HEATING AND ENERGY EXPOSITION, HYNES CONVENTION CENTER, PRUDENTIAL CENTER, BOSTON, MASSACHUSETTS, JUNE 9 - 10, 2003. Office of Scientific and Technical Information (OSTI), 2003. http://dx.doi.org/10.2172/812517.

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Moore, Melissa. Phase II - Procurement of State of the Art Research Equipment to Support Faculty Members with the RNA Therapeutics Institute, a component of the Advanced Therapeutics Cluster at the University of Massachusetts Medical School. Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1037882.

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Christopher, Lauren, Stanley Chien, Yaobin Chen, Mei Qiu, William Reindl, and Liya Koshy. Anomaly Detection in Traffic Patterns Using the INDOT Camera System. Purdue University, 2025. https://doi.org/10.5703/1288284317778.

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The Transportation and Autonomous Systems Institute (TASI) of Purdue University Indianapolis (PUI) and the INDOT Traffic Management Center worked together to develop a system that monitors traffic conditions using INDOT CCTV video feeds. Computer vision-based traffic anomaly detection has been studied for the past 20 years, and a thorough state-of-the-art analysis was produced in a recent survey paper. Although AI has contributed to improving anomaly detection, several major challenges remain, such as tracking errors, illumination, weather, occlusion handling, camera pose, and perspective. In
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Bentley-Gray, Daisy. Talanoa: Pushing Boundaries to Promote Pacific Ways of Being in Aotearoa New Zealand Tertiary Education. Unitec ePress, 2023. http://dx.doi.org/10.34074/ocds.102.

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The survival of Pacific societies is partly attributed to the ability of Pacific ancestors to transmit stories from generation to generation through myths and legends, stories of creation, songs, oratory, art and natural environments. This paper explores the importance of the practice of Talanoa as a concept and a research tool in promoting Pacific knowledge systems and practices in tertiary education in Aotearoa New Zealand. Talanoa was utilised as the primary research method to gather narratives about how Talanoa is incorporated, from Pacific staff in various roles in tertiary education in a
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