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Journal articles on the topic 'Art – Italy – Florence'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Kim, Grace. "Cigarettes, Saliva, Art: Laboratory Expertise in Florence, Italy." Journal of Modern Craft 11, no. 1 (2018): 55–66. http://dx.doi.org/10.1080/17496772.2018.1440811.

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Burlakova, I. I. "Dostoevsky’s Italy." Язык и текст 6, no. 2 (2019): 10–16. http://dx.doi.org/10.17759/langt.2019060202.

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The theme “Dostoevsky and Italy” is extensive and diverse due to the fact that a number of researchers constantly turn to it, opening new pages in the life of the great writer. It includes the following areas of research: Dostoevsky's journey through Italy, the images of Italy in the pages of Dostoevsky's works, the reception of the writer's creativity in journalism, cinema and art, the problems of translating Dostoevsky's works into Italian. A special appeal to this topic shows that these four areas of research are connected in the works of Dostoevsky with such Italian cities as Rome, Florenc

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Musatova, Tatyana. "Nicholas I in Florence (1845). The Artistic Aspect of the Visit." Stephanos Peer reviewed multilanguage scientific journal 53, no. 3 (2022): 64–86. http://dx.doi.org/10.24249/2309-9917-2022-53-3-64-86.

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The article analyzes the previously insufficiently researched art program of Nicholas I in Florence. That is – the study of the museum fund of Italian and European paintings, orders of art copies within the framework of the general state policy of copying similar to the policy of France and Italy, replenishment of the museum fund of St. Petersburg and Russia. Based on documents kept in domestic and foreign archives, modern literature of art historians in Russia and Italy, the author draws attention to the “pitfalls” of the classical art market in Italy, which the Russian monarch faced. His art

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Mieli, Anna, and Margaret D’Ambrosio. "IRIS: Consortium of Art History and Humanities Libraries in Florence." Art Libraries Journal 30, no. 4 (2005): 26–31. http://dx.doi.org/10.1017/s0307472200014218.

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Florence in Italy, a renowned centre for art and culture, has been called a ‘living museum’ of the Italian Renaissance. Today it is also the site of a co-operative international project bringing the world’s scholarly community access to the bibliographic patrimonies of a group of special art and humanities libraries. The IRIS consortium is a unique resource for art historians, but it is also of value and use for anyone interested in the many aspects of this rich artistic period.

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Etro, Federico. "The Economics of Renaissance Art." Journal of Economic History 78, no. 2 (2018): 500–538. http://dx.doi.org/10.1017/s0022050718000244.

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I analyzed the market of paintings in Florence and Italy (1285–1550). Hedonic regressions on real prices allowed me to advance evidence that the market was competitive and that an important determinant of artistic innovation was driven by economic incentives. Price differentials reflected quality differentials between painters as perceived at the time (whose proxy is the length of the biography of Vasari) and did not depend on regional destinations, as expected under monopolistic competition with free entry. An inverse-U relation between prices and age of execution is consistent with reputatio

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Alexander, David. "Newspaper Reporting of the May 1993 Florence Bomb." International Journal of Mass Emergencies & Disasters 13, no. 1 (1995): 45–65. http://dx.doi.org/10.1177/028072709501300104.

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On 27 May 1993 a powerful bomb exploded in the center of Florence, Italy, killing five people and doing severe damage to art and architectural treasures, including the Uffizi Gallery and Accademia dei Georgofili. It was the first disaster since the floods of 1966 simultaneously to cause victims and damage the city's cultural heritage. In this study local and international newspaper coverage of the bomb outrage is analyzed and compared with reporting on the 1966 floods. Once again, questions of artistic damage and the safety of tourists occupied the foreign papers while human interest stories d

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Carrasco, Isabel. "Aroldo Marinai´s Frogmen project." Street Art & Urban Creativity 6, no. 1 (2020): 96–107. https://doi.org/10.25765/sauc.v6i1.334.

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Aroldo Marinai´s (Florence, Italy, 1941) first – and, in relative terms, quite late - experience of the art world came through a street art project. Inspired by a recent work stay in New York, at the end of 1979 he decided to enact a creative intervention in his own city through a stencil image of a scuba diver. This act was subsequently followed by a gallery exhibition and the production of a book, entitled Frogmen: Un segno sui muri come per caso (1980), in which he collated all available documents related to the piece: a diary, photographs, newspaper clippings and a police report. As early

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Hoysted, Elaine. "The art of death and childbirth in Renaissance Italy." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2011 (January 1, 2011): 93–98. http://dx.doi.org/10.33178/boolean.2011.21.

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Pregnancy was a dangerous event in the life of a fifteenth-century Florentine patrician woman. One-fifth of all deaths among females that occurred in Florence during this period were in fact related to complications in childbirth or ensuing post-partum infections. In the years 1424-25 and 1430, the Books of the Dead recorded the deaths of fifty-two women as a result of labour. As conditions for pregnant women did not improve in the ensuing half a century, childbirth remained a dangerous event for women to endure. Husbands took many precautions to ensure a successful birth as can be seen in the

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Arrighi, C., M. Brugioni, F. Castelli, S. Franceschini, and B. Mazzanti. "Flood risk assessment in art cities: the exemplary case of Florence (Italy)." Journal of Flood Risk Management 11 (January 19, 2016): S616—S631. http://dx.doi.org/10.1111/jfr3.12226.

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Bravo, Luisa. "The urban lounge and a green view. A temporary art installation in Bologna during the Art City White Night." Journal of Public Space, Vol. 3 n. 2 | 2018 | FULL ISSUE (August 31, 2018): 173–78. http://dx.doi.org/10.32891/jps.v3i2.1115.

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‘The urban lounge and a green view’ was a temporary art installation promoted by City Space Architecture in collaboration with bAQ, Bottega Azioni Quotidiane, a young group of Architecture students from the University of Florence. It was part of the ‘Arte Fiera. International Fair of Modern and Contemporary Art’ in Bologna, Italy, and took place during the ‘Art City White Night’ on January 25, 2014. It was intended to transform two parking spots in the core of the historic city of Bologna into places of social interaction. It was inspired by the worldwide famous Park(ing) Day, started in 2005

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SWEET, ROSEMARY. "BRITISH PERCEPTIONS OF FLORENCE IN THE LONG EIGHTEENTH CENTURY." Historical Journal 50, no. 4 (2007): 837–59. http://dx.doi.org/10.1017/s0018246x07006401.

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ABSTRACTStudies of the Grand Tour conventionally focus upon the art and antiquities of Italy rather than the urban environment in which the tourists found themselves, and they generally stop short in the 1790s. This article examines the perceptions and representations of Florence amongst British visitors over the course of the long eighteenth century up to c. 1820 in order to establish continuity between the eighteenth and nineteenth centuries. It considers why it was that British travellers appeared to be particularly attracted to Florence: initially they responded to congenial and pleasant s

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Kudaev, Aleksandr Egorovich. "Berdyaev and Florence. Aesthetic Intersections." Философия и культура, no. 12 (December 2023): 48–90. http://dx.doi.org/10.7256/2454-0757.2023.12.39234.

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The article is devoted to Berdyaev's first Italian journey, which had a "tremendous influence" both on his creative destiny and on the development of his aesthetic views. It is significant that one of the defining motives for visiting Italy was his desire to "return to his homeland impressed by the greatest beauty"! Since the first journey of the philosopher was connected with Florence, it seemed appropriate to pay due attention to the achievements of this city and its decisive contribution to the formation and development of the culture of the Renaissance. The formation of revivalist principl

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Condorelli, F., G. Pescarmona, and Y. Ricci. "PHOTOGRAMMETRY AND MEDIEVAL ARCHITECTURE. USING BLACK AND WHITE ANALOGIC PHOTOGRAPHS FOR RECONSTRUCTING THE FOUNDATIONS OF THE LOST ROOD SCREEN AT SANTA CROCE, FLORENCE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 141–46. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-141-2021.

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Abstract. In this research paper photogrammetric techniques have been successfully applied to historic black and white analogic photographs to convey previously inaccessible architectural and archaeological information. The chosen case study for this paper is the Franciscan Basilica of Santa Croce in Florence, Italy. A photogrammetric algorithm has been implemented over a series of b/w negatives portraying the archaeological excavations carried out in the years 1967–1969, after the traumatic flood of the river Arno in 1966 that severely damaged the city centre of Florence and, particularly, th

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Pietrych, Krystyna. "Włoskie inicjacje Aleksandra Wata." Poznańskie Studia Polonistyczne. Seria Literacka, no. 38 (October 15, 2020): 157–79. http://dx.doi.org/10.14746/pspsl.2020.38.7.

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The article presents the stages of Aleksander Wat’s first journey to Italy in 1949 – starting from Venice, through Florence and Rome, finishing in Naples and Capri. Most of all, the article interprets the poetic records of the places visited by the poet and his impressions written down in letters. As a result, what the journey to Italy becomes for Wat is not only a discovery of the beauty of landscape and the plenty of art, but, most importantly, an experience of physical contact with the Mediterranean land, an initiation into the fascinating witnessing of the incarnation of cultural tradition

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Ha, Sha. "An Intercultural Experience in European Art and Decorative Design by Chinese Students in Italy." Advances in Social Sciences Research Journal 9, no. 8 (2022): 483–93. http://dx.doi.org/10.14738/assrj.98.12948.

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The paper describes the encounter with Italian fine arts and decorative design by a group of 17 Chinese Junior High School, art loving students, during their 2019 summer vacations. According to a ‘cooperative learning’ strategy, the students had been subdivided into four groups, under the guidance of four Chinese teachers, each one responsible for a single group, and the assistance of an Italian artist and an expert teacher herself. During the period of two weeks the students visited historical buildings and museums in the art cities of Venice, Padua, Florence and Rome. In the evening, in the

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Niculescu, Irina. "Samuel von Brukenthal și colecția de artă italiană în Hermannstadt Sibiu." Revista Muzeelor 1 (2024): 169–74. https://doi.org/10.61789/rm.2024.13.

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The book reviewed is an original volume recently published in Italy about the figure of the baron Samuel von Brukenthal and his Italian arts collection in Sibiu, particularly with details about the Longhi assignments for the exhibits in Brukenthal Museum, which were discovered during the research of the author. Doina Ene accomplished a thorough research from 2017 till 2021 in the State Archives of Sibiu, at the “Casa Teutsch” Center of Dialogue and Culture, the Foundation of Art History Roberto Longhi in Florence, Carabinieri Command TPC and other archives. The volume benefits from the Forewor

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Gates, Barbara. "NATURAL HISTORY ILLUSTRATION." Victorian Literature and Culture 33, no. 1 (2005): 314–18. http://dx.doi.org/10.1017/s1060150305220867.

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INTEREST IN VICTORIAN natural history illustration has burgeoned in recent years. Along with handsome, informative shows at the Pierpont Morgan Library in New York (“Picturing Natural History”), at the American Philosophical Society (“Natural History in North America, 1730–1860”), and at the Royal Botanical Gardens in Melbourne (“Nature's Art Revealed”), the year 2003 saw an entire conference devoted to the subject in Florence, Italy. In 2004, the eastern United States was treated to two more fauna- and flora-inspired shows, both dealing specifically with nineteenth-century British science and

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McKenney, EdD, CTRS, Alexis. "“Vorrei Prendere Il Treno!” (I Want to Take the Train): A narrative about how one Inclusive Recreation Services study abroad course helped students to understand challenges people with disabilities confront while traveling abroad." American Journal of Recreation Therapy 14, no. 1 (2017): 13. http://dx.doi.org/10.5055/ajrt.2015.0088.

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It was Florida International University's most unusual study abroad course this year. Compared to most study abroad programs that focus on art and culture, the Inclusive Recreation Services course, taught in Miami, FL; Florence, Italy; and Paris, France, focused on challenges people with disabilities confront while traveling. In addition to learning about disability groups, attitudes about disabilities, accessibility and recreation programming, and the Americans with Disabilities Act, this class included a review of, and comparison to, Italian and French disability laws, as well as hands on ex

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Naldi, Chiara. "Jean Paul Milliet (1844-1918): pittore, viaggiatore e collezionista di fotografie nell’Italia dell’Ottocento." Incontri. Rivista europea di studi italiani 34, no. 2 (2020): 57–71. https://doi.org/10.18352/incontri.10315.

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Jean Paul Milliet (1844-1918)Painter, Traveller and Collector of Photographs in Nineteenth-century ItalyJean Paul Milliet, a young student of the École des Beaux Arts in Paris, arrived in Florence for the first time in August 1866. It was the only stop on a training visit that led him to compete with the great masters of the Florentine fifteenth century. Subsequently, the painter undertook a sort of Grand tour of the so-called ‘Bel Paese’ (i.e. Italy) in full autonomy. It allowed him to explore the 'places' of masterpieces learned by the famous book ‘The Lifes’ of Vasari (Le Vite di Vasari), s

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Cappellini, Patrizia. "Trading Old Masters in Florence 1890–1914: heritage protection and the Florentine art trade in Post-Unification Italy." Journal of the History of Collections 31, no. 2 (2018): 363–71. http://dx.doi.org/10.1093/jhc/fhy030.

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Abstract Between 1855 and 1873 many religious orders were abolished in Italy and the contents of convents, monasteries and churches found their way on to the art market. Meanwhile, economic troubles led many noble families to sell their estates, a situation that lasted until World War i. Focusing on the Florentine art market from 1890 to 1914, this paper seeks to shed new light on the roles of some Florentine merchants and their relationships with British antique dealers and German patrons and scholars (such as Wilhelm von Bode). It also reviews the evidence – anecdotal, archival and published

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Zhou, Yutong. "A Brief Analysis of Alberti’s Art Theory - Taking On Painting” as an Example." Journal of Soft Computing and Decision Analytics 2, no. 1 (2024): 86–91. http://dx.doi.org/10.31181/jscda21202436.

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People’s perceptions of artists in Italy, particularly Florence, have transformed since the 15th century. Artists have created works of art that reflect the humanistic ethos of the era, which has fostered the study of art theory by humanist scholars and contributed to the development of an art historical consciousness. In his artistic theory, the Italian humanist Alberti of the early 15th century reflected the new development of Florentine art. Alberti, an artist and theorist of the early Renaissance, examined the changes in artistic creation in the new era with a very avant-garde and contempo

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Livingston, Tamara E. "Paul Conway and Martha O’Hara Conway. Flood in Florence, 1966: A Fifty-Year Retrospective: Proceedings of Symposium, November 3 and 4, 2016, University of Michigan, Ann Arbor, Michigan." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 20, no. 1 (2019): 52. http://dx.doi.org/10.5860/rbm.20.1.52.

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The year 2016 marked the fifty-year anniversary of the tragic and destructive flood in Florence, Italy. The floodwaters shook the world with their indiscriminate destruction of human life, property, and priceless Florentine cultural heritage. Early in November of 1966, days of heavy rains transformed the Arno River into a raging beast, overflowing its retaining walls and submerging much of the city and the area around it in foul, murky water filled with sediment, vegetation, sewage, motor oil, and the flotsam of human civilization. The floodwaters either destroyed or badly damaged historic col

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Fusco, Francesco Maria, Maria Chiara Burla, Anna Degli Esposti, Piera Pierotti, Loredana Rabatti, and Francesca Vichi. "Reasons for switching ART: Comparison of data collected in 2012–2013 and 2014–2015 in Florence, Italy." International Journal of STD & AIDS 29, no. 4 (2017): 392–95. http://dx.doi.org/10.1177/0956462417728207.

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Persons living with HIV should remain on antiretroviral therapy (ART) indefinitely; however, a switch in the drug regimen is often necessary. In order to investigate if reasons for switching ART changed over time, we retrospectively analyzed reasons for switching and characteristics of switches among patients at Santa Maria Annunziata Hospital (OSMA), Florence area, Tuscany, Italy, over two periods (November 2012–October 2013 and November 2014–October 2015). The reasons for switching were classified as: simplification; virologic failure; occurrence of co-morbidities; and drug tolerability/toxi

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Konik, Roman. "Leonardo północy. O estetyce Albrechta Dürera." Studia Philosophica Wratislaviensia 15, no. 1 (2020): 61–69. http://dx.doi.org/10.19195/1895-8001.15.1.5.

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Albrecht Dürer was German, but it was Italy he loved and followed the example of. Along with Erasmus of Rotterdam, he was one of the first to instil the ideas of Italian humanism in northern Europe, paying attention to the study of ancient culture, and thus fighting for the renewal of art in the spirit of the Renaissance. Dürer believed that using the patterns developed in Florence, the art of imaging would achieve unprecedented narrative power. The uniqueness of the artist from Nuremberg was also that he was able not only to assimilate and synthesise German Gothic art with the achievements of

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Korolev, Aleksandr Andreievich. "Sacred Sites of Italy in the Orthodox Descriptions of the Council of Ferrara-Florence." Античная древность и средние века 51 (2023): 452–77. http://dx.doi.org/10.15826/adsv.2023.51.025.

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The Orthodox view of the Catholic Church with its sacred buildings, rituals, and shrines was amply reflected in the Byzantine and Russian descriptions of the Council of Ferrara-Florence. It is possible to divide the existing sources into two groups with different attitude to Latin cultic practices. An ambiguous attitude of earlier descriptions may be related to the uneasiness of the majority of Orthodox towards Western religious art, the decoration of churches, and the peculiarities of ritual that appeared unusual and alien. The most prominent Byzantines, including the emperor and the patriarc

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Dergacheva, Irina V. "The Italian Path of the Slavophile S. P. Koloshin, Correspondent of F. M. Dostoevsky: Archival Materials." Неизвестный Достоевский 7, no. 2 (2020): 98–118. http://dx.doi.org/10.15393/j10.art.2020.4762.

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The article presents the results of an archival search for information regarding Sergey P. Koloshin, a publicist and the publisher of the <i>Zritel obschestvennoy zhizni, literatury i sporta</i> (<i>Spectator of public life, literature and sports</i>) magazine, who went bankrupt in 1863. In the 1860s, he lived in Italy, attempted to collaborate with the <i>Epokha</i> (<i>Epoch</i>) magazine, corresponded with the brothers M. M. and F. M. Dostoevskys, and died on November 27, 1868 in Florence. The discovered documents allow to clarify the time and

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Giovannetti, Michael Joseph. "The Chronicles of The Renaissance Group." Educational Renaissance 1, no. 1 (2012): 11–25. http://dx.doi.org/10.33499/edren.v1i1.34.

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The Renaissance, French for “rebirth”; Italian, Rinascimento, from re - “again” and nascere -“to be born”, was a cultural movement that initiated in Florence, Italy, in the Late Middle Ages and later spread to the rest of Europe, encompassing periods from the Fourteenth to the Seventeenth Century. This time was focused on the improvement of various disciplines, through a revival of ideas from antiquity, by employing new, creative approaches to thinking and doing. The influence of the Renaissance movement affected art, literature, philosophy, politics, science, religion, politics and other aspe

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Sijka, Katarzyna. "„Jak żyć po czymś takim w Polsce?” Edukacyjne walory podróży na przykładzie Dziennika podróży do Italii i Szwajcarii z lat 1815–1816 Rozalii Dunin-Borkowskiej." Biuletyn Historii Wychowania, no. 43 (September 15, 2020): 27–44. http://dx.doi.org/10.14746/bhw.2020.43.2.

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A Diary of a Journey to Italy and Switzerland in 1815–1816 written by Rozalia Dunin-Borkowska is one of few preserved descriptions of a journey to Italy made by a Polish woman in the early 19th century. Rozalia and her husband Stanisław embarked on their expedition on 27 May 1815 in Lvov; they went to Italy and spent nine months there, from October 1815 to July 1816. The Italian tour started in Venice and included Padua, Bologna, Florence (twice), Rome, Naples, Milan and Geneva. The spouses spent the journey actively although their main goal was to learn about the culture of the Italian Penins

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Galli, Antonio. "Effect of Cultural Heritage on Tourism Development in Italy." International Journal of Modern Hospitality and Tourism 4, no. 2 (2024): 54–65. http://dx.doi.org/10.47604/ijmht.3061.

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Purpose: The aim of the study was to analyze the effect of cultural heritage on tourism development in Italy. Methodology: This study adopted a desk methodology. A desk study research design is commonly known as secondary data collection. This is basically collecting data from existing resources preferably because of its low cost advantage as compared to a field research. Our current study looked into already published studies and reports as the data was easily accessed through online journals and libraries. Findings: The cultural heritage of Italy plays a significant role in its tourism devel

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Alt, Gordon. "Andrea Verrocchio and His Followers: An Exhibition." Sculpture Review 68, no. 4 (2019): 8–15. http://dx.doi.org/10.1177/0747528420901913.

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Fifty exceptional works of Andrea del Verrocchio (1435-1488) are on exhibit at the National Gallery of Art in Washington DC. This important exhibit has sculpture, paintings and drawings of one of the most important Renaissance Masters of the fourteenth century. While considered foremost a master sculptor along with Donatello and Michelangelo, he was also noted for his important innovations in painting. As teacher, his workshop was the most important in Florence, and included the young Leonardo da Vinci, Pietro Perugino and Sandro Botticelli. His David and Boy with Dolphin are just of few of th

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Bender, Agnieszka. "PRINCE STANISŁAW PONIATOWSKI: EXPERT ON AND COLLECTOR OF ANCIENT AND ITALIAN ART." Muzealnictwo 61 (June 17, 2020): 80–89. http://dx.doi.org/10.5604/01.3001.0014.2085.

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The current state of research into the patronage and collecting activities of Prince Stanisław Poniatowski (1754–1833) in Italy with which he was connected for almost 40 years of his life is outlined. Over the period, the Prince made 3 long trips there which preceded 30 years of living in Italy on a permanent basis, first in Rome, and then in Florence where he was buried. Despite his many accomplishments and extraordinary personal history, the Prince has not taken as prominent a position either in academic research or in the collective memory of Poles as his junior cousin Prince Józef who drow

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Pavlovich, Kristina K. "The problem of the artist in the “Italian prose” of Apollon Maykov (“Picnic in Florence”) and in the novel “The Precipice” by Ivan Goncharov." Sibirskiy filologicheskiy zhurnal, no. 3 (2024): 136–48. http://dx.doi.org/10.17223/18137083/88/9.

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The Maykov literary and artistic salon played a significant role in shaping the aesthetics of Ivan Goncharov, with some members sharing the writer’s creative attitudes towards the contemporary historical and literary process. One of the influential figures was Apollon Maykov. During the 1840s, a time when Russian literature was at an “aesthetic crossroads,” the poet travelled to Italy. His stay in this country resulted in the essay “Picnic in Florence” (1848) where the poet, art critic, and former artist, addresses important problems of verbal and visual art. At the same time, Ivan Goncharov,

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Chen, Zerui. "Exploring the Application of Scientific in Artistic Creation During the Renaissance." Transactions on Social Science, Education and Humanities Research 12 (August 29, 2024): 340–45. http://dx.doi.org/10.62051/bvk2e297.

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During the Renaissance, Western Europe experienced almost no development of culture and science in the previous medieval period of nearly 10 centuries, starting from Florence in Italy and spreading to the whole of Europe, people began to pursue and explore the art, science, and even philosophical thoughts of classical Greece and Rome, forming the world view of ancient Greece. During the Renaissance, many artists were also able to read texts from various fields, and thus incorporated knowledge of the natural sciences, such as biology and anatomy, into many works of art. What led these scientist

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Naldi, Chiara. "Il patrimonio fotografico dell’Archivio Storico delle Gallerie Fiorentine: ragioni e provenienza di alcune fotografie dello stabilimento Brogi." Rivista di studi di fotografia. Journal of Studies in Photography 5, no. 10 (2020): 36–58. http://dx.doi.org/10.36253/rsf-12244.

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   This essay considers a selection of painting reproductions made by Brogi in the 1870s, as part of a larger study on the historical archive of the Florentine Galleries held by the Superintendence of Archaeology, Fine Arts and Landscape in Florence. Cross-referencing these photographs with written documents in the same archive and the commercial catalogs published by Brogi between 1863 and 1901, it is possible to determine that they were originally delivered in compliance with legal deposit regulations established by the new Ministry of Public Education in 1867. At the same

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Bertocci, Stefano. "L’ordine corinzio nei disegni di Francesco di Giorgio Martini." TRIBELON Journal of Drawing and Representation of Architecture, Landscape and Environment 1, no. 1 (2024): 10–21. http://dx.doi.org/10.36253/tribelon-2850.

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This contribution offers a detailed exploration of an interdisciplinary research project focused on developing an original method for interpreting the drawings in the manuscript versions of Francesco di Giorgio Martini’s Treatise on Architecture. The research primarily centers on the Ashburnham 361 manuscript, housed at the Biblioteca Laurenziana in Florence. This work pays special attention to the drawings in the chapter on columns found in the mentioned manuscript. These drawings serve as examples Martini uses to illustrate his translation or vernacular version of Vitruvius’ Architecture. Up

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Yılmaz Genç, Sema, and Hassan Syed. "The Medici’s Influence: Revival of Political and Financial Thought in Europe." Belleten 85, no. 302 (2021): 29–51. http://dx.doi.org/10.37879/belleten.2021.29.

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The history of the European Renaissance has been written in many versions. The move from medieval to Renaissance period in world history shows clashes between empires and human nature. The contemporary scholars have many variants of history to choose from and form their own views about what actually transpired during the historical period. The most significant role of the Medici family was in the new era of European history that witnessed the art of administration on the Medici Bank in Florence/Italy. This paper portrays the point of view of the influence of Islamic Arab scholars as scribes in

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Kirkham, Victoria. "Creative Partners: The Marriage of Laura Battiferra and Bartolomeo Ammannati." Renaissance Quarterly 55, no. 2 (2002): 498–558. http://dx.doi.org/10.2307/1262317.

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From the time of their courtship until death parted them forty years later, Bartolomeo Ammannati (1511-1592) and Laura Battiferra (1523-1589) nurtured a loving relationship with reciprocal support for complementary careers. Their childless union generated two bodies of art, vast and beautiful. Renaissance contemporaries esteemed the Ammannati as a rarity, creative peers in a close marriage, but history has indifferently divorced them, dropping Bartolomeo to the ranks of second best and pushing his accomplished wife into obscurity. Reunited, the couple can return as they deserve, in the entwine

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Muhammad Boim, Tri Rizky Wulandari, Beany Vas Quin, et al. "Ulasan Buku ”Il Principe”(Sang Pangeran) Karya Niccolo Machiavelli." Khirani: Jurnal Pendidikan Anak Usia Dini 1, no. 2 (2023): 58–63. http://dx.doi.org/10.47861/khirani.v1i2.214.

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This review examines the classic book "Il Principe" written by Niccolò Machiavelli. This book became one of the most famous works in the history of political science. by depicting political principles centered on power and governance in a realistic and pragmatic way. Niccolò Machiavelli was a philosopher, writer, diplomat and political thinker who was born in Florence, Italy, on May 3, 1469, and died on June 21, 1527 in Florence. He is known as one of the most important figures in political thought during the Renaissance. “Il Principe" is one of the most famous works written by him. This book

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Назарова, Ольга Алексеевна. "Итальянские полиптихи конца XV – начала XVI века: ренессансный художественный язык и доренессансные способы конструирования смыслов". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 313–25. https://doi.org/10.18688/aa2414-4-24.

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The altar polyptychs of the end of the 15th – first half of the 16th centuries, as a rule, remain on the periphery of the study of Renaissance art, overshadowed by the altarpieces of the new Renaissance pala quadra type. Nevertheless, the late polyptychs, produced in various centers outside Florence (Umbria, Rome, Northern Italy, Liguria), are often impressive art-works by leading artists, commissioned by prominent patrons. This indicates that the polyptych, as a form of altarpiece with its specific ways of constructing meanings, which avoid direct narrative and are based on a visual confronta

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Machuska, I. B., S. B. Nedilchenko, I. V. Argatiuk, I. P. Leshchenko, and V. V. Burliy. "Historical and legal foundations of the development of insurance in the Republic of Italy: theoretical and legal analysis." Analytical and Comparative Jurisprudence, no. 2 (May 11, 2024): 220–25. http://dx.doi.org/10.24144/2788-6018.2024.02.38.

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The article examines the historical and legal aspects of the development of insurance and the legal regulation of insurance relations in Italy. It is noted that the foundations of insurance relations and their legal regulation were observed in many countries of modern Europe, including Italy. It has been investigated that the first forms of insurance in Italy were observed as early as the times of the Roman Empire in the form of activities of religious societies and military colleges. It has been proven that the initial forms of insurance in the Roman Empire were built on the basis of the comm

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Lovett/Codagnone and Tom Zook. "Your Hero Is a Ghost, 2010." TDR/The Drama Review 56, no. 3 (2012): 2–3. http://dx.doi.org/10.1162/dram_a_00205.

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Stainless steel, wood, conduit, black paint, speakers, sound. Photo by Jason Mandella, courtesy Sculpture Center, New York, and the artists Lovett/Codagnone, an artist team based in New York, have worked together since 1995 using photography, performance, video, sound, and installation. Their ongoing exploration of relations of power, as manifested in explicit cultural signifiers as well as clandestine or unconscious practices, investigates the way power comes to play within social structures (relationships, family) to focus on intimacy and the construction of desire. Recent solo exhibitions:

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Noyes, Ruth Sargent. "‘Purest Bones, Sweet Remains, and Most Sacred Relics.’ Re-Fashioning St. Kazimierz Jagiellończyk (1458–84) as a Medieval Saint between Counter-Reformation Italy and Poland-Lithuania." Religions 12, no. 11 (2021): 1011. http://dx.doi.org/10.3390/rel12111011.

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This article explores the Counter-Reformation medievalization of Polish–Lithuanian St. Kazimierz Jagiellończyk (1458–1484)—whose canonization was only finalized in the seventeenth century—as a case study, taking up questions of the reception of cults of medieval saints in post-medieval societies, or in this case, the retroactive refashioning into a venerable medieval saint. The article investigates these questions across a transcultural Italo–Baltic context through the activities of principal agents of the saint’s re-fashioning as a venerable saint during the late seventeenth century: the Paco

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Holmes, K. C. "Sir John Cowdery Kendrew. 24 March 1917 – 23 August 1997." Biographical Memoirs of Fellows of the Royal Society 47 (January 2001): 311–32. http://dx.doi.org/10.1098/rsbm.2001.0018.

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John Kendrew was born in Oxford, where he spent his childhood years. His father, Wilfred Kendrew, was Dean of the St Catherine's Society and was a geographer and reader in climatology at Oxford University. His mother, Evelyn Sandberg, came from a Hereford parsonage. John's parents separated when he was four years old, his mother moving to Italy and finally to Florence, where she became an art historian working with Bernard Berenson in the Uffizi. She was an authority on Italian primitives and published under the nom de guerre Evelyn Sandberg Vavalà. John remained with his father in Oxford and

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Souillard, Sasha. "La Rivoluzione Macchiata: The Stained Revolution." Interdependent: Journal of Undergraduate Research in Global Studies 2 (2021): 91. http://dx.doi.org/10.33682/nv4g-se2u.

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Although graffiti gained popularity through the expansion of American pop culture, its origins are greatly embedded in Italian culture and history. Not only does the word graffiti come from the Italian word "graffiato" or "scratched "off", but some of the world's first graffiti was found in Pompeii's ruins. Over the last few years, Italy has been governed by right-wing coalitions that have implemented fascist practices once used by Mussolini. Given that there is little space for leftist ideas to emerge in the public space, Italians have used graffiti as a form of political activism and protest

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De Vito, Giovanni, Rocco Loris Del Vecchio, Elisa Pozzi, Alessandro Luoni, Andrea Spinazze’, and Domenico Maria Cavallo. "SS27-02 THE HUMAN DIMENSION OF WORK: WORK AS A METAPHOR FOR LIFE." Occupational Medicine 74, Supplement_1 (2024): 0. http://dx.doi.org/10.1093/occmed/kqae023.0178.

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Abstract Introduction When does work help keeping in good health? When analysing the human dimension, any approach addressing the positive effects of work must consider cultural and historical roots. Materials and Methods An anthropological and artistic path, marked by art works, will be presented as a way to highlighting the evolution of the human work throughout centuries. Results Aristotle stated that “happiness is the highest human good”. The ancient Greek wording for happiness means the success of the vocation. Man, therefore, must expand life to the fullest, by committing himself. Work b

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Lönnroth, Harry. "“Sie sagen skål und Herre gud und arrivederci”: On the Multilingual Correspondence between Ellen Thesleff and Gordon Craig." Journal of Finnish Studies 19, no. 1 (2016): 104–20. http://dx.doi.org/10.5406/28315081.19.1.07.

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Abstract The Finnish painter Ellen Thesleff (1869 − 1954) is one of the most famous female painters in Scandinavian art history. During her stay in Florence, Italy, at the beginning of the twentieth century, she became acquainted with the British theater personality and artist (Edward) Gordon Craig (1872 − 1966). Their correspondence from the first half of the century is a part of European cultural history and art criticism; they write, among other things, about painting and graphics, literature and theater. Of linguistic importance is that the original letters preserved for posterity contain

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Servi, Michaela, Andrea Zulli, Yary Volpe, et al. "Handheld Optical System for Pectus Excavatum Assessment." Applied Sciences 11, no. 4 (2021): 1726. http://dx.doi.org/10.3390/app11041726.

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Disruptive 3D technologies, such as reverse engineering (RE) and additive manufacturing (AM), when applied in the medical field enable the development of new methods for personalized and non-invasive treatments. When referring to the monitoring of pectus excavatum, one of the most common thoracic malformations, 3D acquisition of the patient chest proved to be a straightforward method for assessing and measuring chest deformation. Unfortunately, such systems are usually available in a dedicated facility, can be operated only by specialized doctors with the support of engineers and can be used o

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Musatova, Tatyana. "Emperor Nicholas I, collector and philanthropist. Days 9/22 and 10/23 December 1845 in Bologna." Stephanos Peer reviewed multilanguage scientific journal 54, no. 4 (2022): 50–67. http://dx.doi.org/10.24249/2309-9917-2022-54-4-50-67.

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Bologna with its eldest university in Europe was an important point of Emperor Nicholas I’s grand tour of Italy in 1845. In Rome the tsar talked with the Pope on problems of inter-church relations, then the rest of the time in the eternal city and along the entire route (from Palermo to Naples, from Florence to Bologna and Venice) he showed himself as a prominent collector, patron of the arts, who adopted his parents love for Italian art. The tsar had a special reverence for the Bologna painting school, the Bolognese Baroque style, which, along with the Roman Baroque, was refl ected in his pur

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Meucci, Adele, Valentina Bonora, Lidia Fiorini, et al. "Mapping an Information Model for Historic Built Heritage into the IndoorGML Standard: The Case of the Pitti Palace." Heritage 8, no. 4 (2025): 115. https://doi.org/10.3390/heritage8040115.

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The paper explores the significance of digitalization and spatial modeling for the preservation and management of cultural heritage, addressing challenges posed by architectural complexity and extensive data volumes and developing a tailored data model to organize and integrate geometric, material, and historical information. The case study of Pitti Palace in Florence, Italy, is proposed, considering that its architectural complexity and cultural significance require innovative approaches to documentation and management. The “Pitti Data Model” is proposed as a tailored information system to or

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Говенько, Татьяна Владимировна. "A. N. Veselovsky’s unknown work about N. N. Ge’s painting “Heralds of the Resurrection” (1867)." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (November 11, 2019): 11–21. http://dx.doi.org/10.26158/tk.2019.20.3.001.

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С 1864 по 1868 г. Александр Николаевич Веселовский работал над магистерской диссертацией во Флоренции. В это же время здесь проживало немало русских художников. Веселовский посещал салон Н. Н. Ге, в котором обсуждались политические события России и Италии, что дало основание советским ученым предположить связь историка и художника с революционно-демократическим движением. Однако дальнейшая судьба и Веселовского, и Ге указывает на то, что оба были прежде всего просветителями и в развитии общества придавали большое значение образованию и науке. В статье о картине Н. Н. Ге «Вестники Воскресения»

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