Relevant bibliographies by topics / Art market

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art market'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Art market"

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Taylor, Jeffrey, Mayela Cardenas, and Stephanie Edwards. "Measuring Art Markets: The Colorado Art Market in 2017." Artivate 8, no. 2 (2019): 5–19. http://dx.doi.org/10.1353/artv.2019.0010.

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Wieand, Kenneth, Jeff Donaldson, and Socorro Quintero. "Are Real Assets Priced Internationally? Evidence from the Art Market." Multinational Finance Journal 2, no. 3 (September 1, 1998): 167–87. http://dx.doi.org/10.17578/2-3-1.

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Akimov, Dmytro. "Segmentation of art market in the fine art’ marketing." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 27–31. http://dx.doi.org/10.32461/2226-2180.39.2021.238676.

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The purpose of the article. Research and analysis of marketing technology algorithms by means of market segmentation in fine arts marketing. The methodology of the study is to apply comparative, empirical, and theoretical methods. This methodological approach allows us to analyze the processes of segmentation of the fine arts market with the subsequent use of research results in the marketing processes of promoting works of art from artist to consumer. The scientific novelty consists in expanding the notions about the technology of segmentation of the art market. The article analyzes the algorithms of marketing technologies in the segmentation of the fine arts market. It should be noted that in the marketing of fine arts the technologies of segmentation of art markets and technologies of the positioning of works of art are purposefully and productively used. The segmentation of art markets enables to highly efficient identify and systematize groups of consumers and admirers of works of fine art in accordance with their goals and motivations. The main purpose of the article: analysis of the specifics of the implementation of classical marketing technologies (marketing researches, segmentation of art markets) in the marketing of fine arts. Conclusions. The analysis of the problems of using traditional marketing technologies in art marketing carried out in the article gives grounds to state that such technologies are used in the art market, but they differ significantly from other market areas. It should be noted that the technology of market segmentation is actively used in the art market in works of museums, galleries, auctions. The technology of market segmentation allows regulating the processes of appearance and satisfaction of demand for works of art and their implementation.
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Bocart, Fabian, Eric Ghysels, and Christian Hafner. "Monthly Art Market Returns." Journal of Risk and Financial Management 13, no. 5 (May 19, 2020): 100. http://dx.doi.org/10.3390/jrfm13050100.

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We provide an innovative methodological contribution to the measurement of returns on infrequently traded assets using a novel approach to repeat-sales regression estimation. The model for price indices we propose allows for correlation with other markets, typically with higher liquidity and high frequency trading. Using the new econometric approach, we propose a monthly art market index, as well as sub-indices for impressionist, modern, post-war, and contemporary paintings based on repeated sales at a monthly frequency. The correlations enable us to update the art index via observed transactions in other markets that have a link with the art market.
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David, Géraldine, Kim Oosterlinck, and Ariane Szafarz. "Art market inefficiency." Economics Letters 121, no. 1 (October 2013): 23–25. http://dx.doi.org/10.1016/j.econlet.2013.06.033.

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Gao, Zhengyuan. "Yet Another Model on Contemporary Art Market." Journal of Applied Economics and Policy Studies 6, no. 1 (June 12, 2024): 19–36. http://dx.doi.org/10.54254/2977-5701/6/2024043.

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The contemporary art market places significant emphasis on the value attributed to symbols. These symbolic values act as mirrors, reflecting how political economy interprets the artistic landscape and defines its dynamics within the market. This paper engages in modeling the process of elevating symbols as mutual osmosis equilibrating the supply and the demand, delving into their communal accumulation within cultural contexts, and examining their pivotal roles in shaping the contemporary art markets. The study introduces a comprehensive model that unveils a feedback loop encompassing the elevation of symbols, the collective recognition of their symbolic value, and the diffusion of cultural capital. This framework offers insights into the perpetual evolution of art markets and the multifaceted influences they exert.
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Goetzmann, William N., Luc Renneboog, and Christophe Spaenjers. "Art and Money." American Economic Review 101, no. 3 (May 1, 2011): 222–26. http://dx.doi.org/10.1257/aer.101.3.222.

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This paper investigates the impact of equity markets and top incomes on art prices. Using a newly constructed art market index, we demonstrate that equity market returns have had a significant impact on the price level in the art market over the last two centuries. We also find evidence that an increase in income inequality may lead to higher prices for art. Finally, the results of Johansen's cointegration tests strongly suggest the existence of a long-run relation between top incomes and art prices.
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Sevastyanov, Aleksandr Nikitich. "Modern art market: art, economics, marketing." Uchenyy Sovet (Academic Council), no. 1 (January 1, 2021): 19–27. http://dx.doi.org/10.33920/nik-02-2101-02.

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The article is devoted to the analysis of the market mechanism in the field of art, as well as the influence of the market on the development of mass taste and aesthetic mainstream. The author demonstrates that the market price for works of art is an indicator in which all the numerous factors of the art market, both aesthetic and economic, including the current situation, are collected and embodied in a concentrated form. That is, the price accumulates all the social connections of art. By spreading, auction catalogs like nothing else make the art market global, serving as a single information base for all its participants. The wide publicity of the auction results forms the fashion in art, raises the prestige of a particular direction, and makes it the main one. The material of the article is of interest in the disciplines "History of Art" and "Modern Art Market".
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Lu, Min, and Huamin Wang. "The Influence of Cultural Policies on the Art Market: Exploring Their Impact." Highlights in Art and Design 4, no. 3 (December 20, 2023): 152–55. http://dx.doi.org/10.54097/gftx2znm.

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This study aims to explore the relationship between cultural policies and the art market, examining the influence of cultural policies on the art market. It further investigates how cultural policies in different countries or regions impact the development of their respective art markets through case analyses. The framework of the study encompasses three main aspects: the relationship between cultural policies and the art market, the impact of cultural policies on the art market, and case analyses of cultural policies and their influence on the art market. Firstly, the study delves into the close interconnection between cultural policies and the art market. Cultural policies, formulated by governments to protect and foster national cultural development, intersect with the art market—the space for cultural creation, production, and exchange. These policies leverage various means and measures to influence the art market, creating a conducive environment for its development. Secondly, the study investigates the impact of cultural policies on the art market. The implementation of cultural policies yields multifaceted effects on the art market. Economically, funding and resource allocation from cultural policies can catalyze the expansion of the art market and spur economic growth. Socially, policy initiatives can enhance public engagement with the arts, fostering societal cohesion. Culturally, supportive policies can encourage diversity and cultural identity within the art market. Lastly, the study conducts in-depth case analyses to scrutinize the impact of cultural policies on the art market in different countries or regions. Examining France, Germany, the United Kingdom, and Singapore, the study evaluates their cultural policy measures and analyzes their effects on the art market. These cases reveal disparities in cultural policy formulation and implementation among countries or regions, illustrating how these disparities influence the development of their respective art markets. Through exploring the relationship between cultural policies and the art market, assessing the impact of cultural policies, and examining case studies, this research seeks to provide a comprehensive understanding of how cultural policies affect the art market. This understanding can aid policymakers, cultural institutions, and art practitioners in better comprehending the interplay between cultural policies and the art market, offering valuable insights and guidance for the sustainable development of the art market.
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Dizaji, Farzaneh Maleki. "The Indian Tribal Art Market." Journal of Social and Development Sciences 7, no. 4(S) (January 26, 2017): 23–28. http://dx.doi.org/10.22610/jsds.v7i4(s).1501.

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Abstract: In the study of art market of Indian tribal, creativeeconomy, cultural economy effect on consumer behavior, governmentprotection, changes of cultural believes and religion by tribal for increasing market, art economic etc. has been considered. In Indian tribal art economics, creative imagination coming from their culture, believes, religions etc. So it becomes more sensitive and restricted. The Field work was conducted in Bhopal (IGRMS), Madhya Pradesh, India. Data collection was performed by qualitative informal depth interview and quantitative data by questionnaire. Tools and technique were including photography, observation; case study (Bhil and Rathwa communities) Research duration was fromMay2015 to March 2016. Consumers of Indian tribal art divided to four categories: foreigners, NRI, artist and very rare common people. The government protection of Tribal art is based on Article 342. The protection is governed by the Ministry of Culture and Ministry of Tribal affairs, Government of India. And also by organizations like IGRMS, TRIFED, TRTI, Lalit Kala Academy etc. Protection of arts in India is performed under section 22 of the copy right Act 1957, intellectual property right and also scheme of “Market Development of Tribal Products/ Produce. In conclusion art marketing doesn’t have a particular formula for all type of art because they have different target audience.Keywords: Art Market, Creative Economy, Cultural Economy, Indian Tribal Art, Indira Gandhi Rashtriya Manav Sangrahalaya (IGRMS)
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Dissertations / Theses on the topic "Art market"

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Vosilov, Rustam. "Essays on Art Markets : insight from the international sculpture auction market." Doctoral thesis, Umeå universitet, Företagsekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-106693.

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The main purpose of this thesis is to investigate the viability of sculpture as a potential alternative investment. This goal is achieved through partly assessing the market quality of the auction market for sculptures and partly by studying their long-run diversification potential. The assessment of the sculpture market quality, together with the long-run co-movement analysis are objectives met through conducting four individual studies. In Paper I, I find that auction house art experts' relative estimate range positively affects realized prices. The effect is robust across the mid- low- and high-end segments of the international sculpture market. Interpreting the art experts' price estimate range as a proxy for the prevailing divergence of investor opinion in the art market, the findings are consistent with the disagreement model of Miller (1977). This evidence is contradictory to the predictions of the general auction model in Milgrom (1982) and does not lend support to the interpretation of the price estimate range as a proxy only for uncertainty. Moreover, the study gives insight into the price determinants of sculpture using a unique large dataset of over 65,000 sculpture sales at international auctions. Paper II is the first study to find evidence of a home bias in prices of art sold at international art auctions. All else equal, art prices are higher when they are auctioned in the home country of the artist compared to outside of the artist's home country. Moreover, the home bias in prices is more pronounced in the low-end sculpture market segment than in the high-end segment, indicating that familiarity can be a potential explanation of the bias. Furthermore, the home bias is found to be partly related to patriotism. The findings indicate that the home bias in prices increases as the relative level of patriotism rises in the home country of the artist, and that patriotism is a more persistent source of the home bias in art prices than familiarity. Paper III examines the absolute and time-varying weak-form market efficiency of the international sculpture auction market. The results indicate that the sculpture market efficiency varies over time lending support to the Adaptive Markets Hypothesis. Moreover, I find that the times of peaking relative market inefficiency coincide with distress in the wider economy and financial markets. Additionally, I find evidence that auction house art experts' pre-sale estimate accuracy Granger causes developments in time-varying market efficiency, highlighting the importance of art experts. Paper IV analyzes the dynamic relationship between the international sculpture market and the traditional financial investments during the period 1985-2013. Three international sculpture price indices are constructed to proxy for the general sculpture market price movements along with the low- and high-end segments of the international sculpture market. The results show that price development in the sculpture market does not move together with government bond prices in the long run. When it comes to equity markets, I find significant cointegrated dynamics between sculpture indices and the world equity markets. On the other hand, there is no such relationship when the S&P 500 is considered. Furthermore, cointegration is detected when analyzing the sculpture markets with the world GDP per capita. Granger-causality tests reveal that sculpture prices, in general, are Granger-caused by GDP per capita. Moreover, the Granger-causality tests indicate that sculpture price developments follow the world equity price movements, but not those of the S&P 500.
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Bianchin, Francesco <1995&gt. "CHINESE ART MARKET ON AUCTION." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16702.

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One of the main developments in the art market history of the twenty-first century is the emergence of China as a strong market player, and the growing prominence of Chinese art and antiquities, based on the record-high prices attained at auction in 2010. Within a three year period between 2007 and 2010, China has gone from sixth place to being the second-largest art market in the world, behind the US. Based on fine art auctions statistics, the buyer demographic of Chinese art and antiquities in the past three decades has moved from the West to China. PRC Chinese are the largest group of art buyers today, collecting Chinese antiquities, classical and modern paintings, and contemporary Chinese art. Following the time chronology of China in the thesis is analyzed the development of the art market throw the different historic periods and art of collecting Chinese antiquities, from the ancients dynasties to the modern collectors of the twentieth century. The global market for Chinese art today covers an extensive geographical area and a history spanning over two millennia. The thesis will explore the main developments in the Chinese art market within the global context in the twentieth century, and how these developments have shaped the growth of the art market in the twenty-first century. Through historical analysis, key players in the demographic market and price trends will be identified.
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Binder, Lisa M. "Contemporary African art in the London art market : 1995-2005." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500812.

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This thesis explores the market for contemporary African art in London from 1995 to 2005 using case examples of artists, museums, art festivals and fairs, auctions and galleries. The study is generally bracketed by two festivals, africa 95 and africa 05, touching also on events that transpired during the intervening decade. Many artists from Africa who were working, living or exhibiting in London during this time experienced degrees of marketable success as a result of their participation or relationship with actors involved in the marketplace and in private and public institutions. However, this was not the case for all connected with the two events. The purpose of this thesis is to examine the underlying network of market systems, in a particular place and time, for work by contemporary artists from Africa, in order to frame the various points of entry into the market and, by extension, the broadening of contemporary art historical canons
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Tseng, Suliang. "The art market, collectors and art museums in Taiwan since 1949." Thesis, University of Leicester, 2001. http://hdl.handle.net/2381/31164.

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Radical changes in society have significantly influenced Taiwan since 1949. These changes have created a diversity of social forces, derived from politics, the economy and culture, which have widespread impacts. After 1980, these increasing forces contributed to a prospering art market, art collecting and museum expansion. Political changes intensified the ethnical conflict between the Benshengren and Waishengren, Economic prosperity provoked the art market, encouraged art collectors and diversified collecting interests. Cultural awareness, which was influenced by political ideology and growing Nativism, caused people to re-evaluate local culture. Collecting local cultural objects became very popular and rivalled the collecting of traditional Chinese objects. These social forces, which interweaved and interacted with each other, contributed to cultural development in Taiwan and consequently provoked a diversity of phenomena such as collecting fever, artistic fashion, faking, smuggling, theft and an explosion of museums, auction houses and dealerships. These phenomena emerged rapidly, grew and strongly influenced the art market. The prosperous art market thus can be seen as a place reflecting the social impact and the cultural evolution of Taiwan. Based on observation, historical review of contemporary sources and interviews, this thesis examines the complex relationships between these phenomena. Sociologically and historically, this research not only shows the complexity of these relationships but also provides a model for the operation of the art market as it enters Mainland China.
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Wang, Xuan. "Gallery's Role in Contemporary Chinese Art Market." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1258577100.

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Gittinger, Anne Meredith. "Class Act: Negotiating Art and Market in the Career of Isadora Duncan." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539626615.

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Bianco, Christine. "Selling American art celebrity and success in the postwar New York art market /." [Florida] : State University System of Florida, 2000. http://etd.fcla.edu/etd/uf/2000/ane5873/thesis.pdf.

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Thesis (M.A.)--University of Florida, 2000.
Title from first page of PDF file. Document formatted into pages; contains iv, 70 p. Abbreviated abstract copied from student-submitted information. Vita. Includes bibliographical references (p. 56-69).
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Kuizon, Jaclyn. "Fine Art and Clandestine Identity: American Indian Artists in the Contemporary Art Market." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626648.

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Knebel, Christian. "Anomalies in fine art markets three examples of an imperfect market for perfect goods /." kostenfrei, 2008. http://d-nb.info/988470349/34.

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Waelder, Laso Pau. "Selling and collecting art in the network society: Interactions among contemporary art new media and the art market." Doctoral thesis, Universitat Oberta de Catalunya, 2016. http://hdl.handle.net/10803/399029.

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Aquesta tesi explora i analitza les interaccions actuals entre art, nous mitjans i el mercat de l'art, i també les transformacions que es produeixen en el reconeixement de l'art digital, l'estructura del mercat de l'art i els rols de l'espectador i el col·leccionista. La tesi es divideix en tres parts. La primera part analitza les maneres en què l'art de nous mitjans s'ha definit ell mateix com un món de l'art específic, i les polèmiques que exemplifiquen la seva separació del món de l'art contemporani. La segona part analitza les motivacions i les expectatives dels artistes que treballen amb tecnologies emergents, per mitjà d'una enquesta feta per l'autor entre més de cinc-cents artistes de cinquanta països. La tercera part analitza les maneres en què l'art digital ha estat comercialitzat i els canvis recents en el mercat de l'art contemporani a internet.
La presente tesis explora y analiza las interacciones actuales entre arte, nuevos medios y el mercado del arte, así como las transformaciones que se están produciendo en el reconocimiento del arte digital, la estructura del mercado del arte y los roles del espectador y el coleccionista. La tesis se divide en tres partes. La primera parte analiza las formas en que el arte de nuevos medios se ha definido a sí mismo como un mundo del arte específico, y las polémicas que ejemplifican su separación del mundo del arte contemporáneo. La segunda parte analiza las motivaciones y las expectativas de los artistas que trabajan con tecnologías emergentes, por medio de una encuesta realizada por el autor entre más de quinientos artistas de cincuenta países. La tercera parte analiza las maneras en que el arte digital ha sido comercializado y los cambios recientes en el mercado del arte contemporáneo en internet.
The present dissertation explores and analyzes the current interactions among art, new media and the art market, as well as the ongoing transformations in the recognition of digital art, the structure of the market, and the role of the viewer and collector. It is divided into three parts. The first part analyzes the ways in which new media art has defined itself as a distinct art world, as well as the controversies that exemplify its separation from the mainstream contemporary art world. The second part exposes the motivations and expectations of artists working with emerging technologies by means of a survey carried out by the author among more than 500 artists from 50 countries. The third part discusses the ways in which digital art has been commercialized as well as the recent developments in the online contemporary art market.
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Books on the topic "Art market"

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Moody, Eric. The art market. London: Comedia, 1985.

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Donnelly, Harrison. The Art Market. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 1987. http://dx.doi.org/10.4135/cqresrre1987060500.

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Polsky, Richard. Art market guide: Contemporary American art. San Francisco: Marlit Press, 1998.

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Hecker, Sharon, and Peter J. Karol. Posthumous Art, Law and the Art Market. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003185697.

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Fleuriet, Michel. Finance: A Fine Art. Chichester: John Wiley & Sons, 2003.

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Marx, Kathryn. Photography for the art market. New York: Amphoto, 1988.

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Arts Commission of San Francisco., ed. Market Street art in transit. [San Francisco, Calif: The Commission, 1989.

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Ma, Li. China's Art Market since 1978. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-34605-7.

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Buck, Louisa. Market matters: The dynamics of the contemporary art market. London: Arts Council England, 2004.

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1966-, McGee Barry, Powers Stephen 1968-, and James Todd 1969-, eds. Street market =: Sutorīto māketto. Tokyo, Japan: Little More, 2000.

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Book chapters on the topic "Art market"

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Taylor, Jeffrey. "Primary Art Market." In Visual Arts Management, 11–20. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315543666-2.

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Taylor, Jeffrey. "Secondary Art Market." In Visual Arts Management, 21–28. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315543666-3.

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Taylor, Jeffrey. "Secondary Market Galleries." In The Art Business, 34–46. 2nd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003431756-3.

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Taylor, Jeffrey. "Primary Market Galleries." In The Art Business, 18–33. 2nd ed. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003431756-2.

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Eber, Anya. "Guardians in the Antiquities Market." In Crime and Art, 207–24. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84856-9_13.

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Fabiani, Michelle D., and James V. Marrone. "Transiting Through the Antiquities Market." In Crime and Art, 11–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84856-9_2.

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Fischer, Christiane, and Jill Arnold. "Insurance and the Art Market." In Fine Art and High Finance, 197–210. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch8.

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Filipiak, Dominik, and Agata Filipowska. "DBpedia in the Art Market." In Business Information Systems Workshops, 321–31. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-26762-3_28.

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Santagata, Walter. "The Market in Contemporary Art." In The Culture Factory, 85–92. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13358-9_10.

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Bolz, Anna. "Peculiarities of the Art Market." In A Regulatory Framework for the Art Market?, 23–106. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-18743-8_2.

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Conference papers on the topic "Art market"

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Laskowskaia, V. A. "INTEGRATION OF ART GRADUATES INTO THE ART MARKET SYSTEM." In Месмахеровские чтения - 2022. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604789377_548.

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Пятых, Ф. О., and А. В. Карпов. "COMMERCIAL ART AS AN ART MARKET PHENOMENON: FEATURES AND FUNCTIONS." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.47.

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Художественный рынок сегодня является развитой системой взаимодействующих институтов, основанной на торговле произведениями искусства, однако коммерческое искусство как феномен арт-рынка имеет специфические черты и функции. Противоречие между эстетической и коммерческой ценностью искусства является одной из ключевых проблем в классификации коммерческого искусства. Цель данной статьи — определение основных черт коммерческого искусства и выявление его функций. Nowadays, the art market is a developed system of interacting institutions based on the sale of arts, however, commercial art is a phenomenon of the art market, which has specific features and functions. The contradiction between the aesthetic and commercial value of art is one of the key problems in the classification of commercial art. The purpose of this article is to identify the main features of commercial art and its functions.
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Zhang, Runjia, Zhizhen Huang, and Xiao-Yang Liu. "Machine Learning Approach for Art Market." In 2019 IEEE MIT Undergraduate Research Technology Conference (URTC). IEEE, 2019. http://dx.doi.org/10.1109/urtc49097.2019.9660414.

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Pavlova, A. S. "PROMOTION OF CONTEMPORARY RUSSIAN ART ON THE ART MARKET OF FRANCE." In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_36.

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Gnezdova, Julia, and Elena Matveeva. "Features of the Art Market in Russia." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.97.

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Shashlova, S. G. "ZUNI CERAMICS ON THE MODERN ART MARKET." In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_153.

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Gurjar, Shailendra, and Usha Ananthakumar. "Auctions and Estimates: Evidence from Indian Art Market." In 11th International Conference on Data Science, Technology and Applications. SCITEPRESS - Science and Technology Publications, 2022. http://dx.doi.org/10.5220/0011317200003269.

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Sahalovich, Anhelina. "THE PROBLEM OF FUNCTIONING OF THE ART MARKET." In GRUNDLAGEN DER MODERNEN WISSENSCHAFTLICHEN FORSCHUNG. European Scientific Platform, 2024. http://dx.doi.org/10.36074/logos-24.05.2024.001.

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Sorokina, K. S., and A. V. Karpov. "CONTEMPORARY CHINESE ART ON THE GLOBAL ART MARKET: RANKING ANALYSIS OF LEADING CHINESE ARTISTS." In Художник и менеджер в пространстве современного арт-рынка. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868874_30.

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Arzhenovskiy, Sergey. "ECONOMETRIC MODELING OF INVESTMENT RISK IN THE ART MARKET." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b22/s6.019.

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Reports on the topic "Art market"

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Gustavsen, Arild, Bjorn Petter Jelle, Dariush Arasteh, and Christian Kohler. State-of-the-Art Highly Insulating Window Frames - Research and Market Review. Office of Scientific and Technical Information (OSTI), January 2007. http://dx.doi.org/10.2172/941673.

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Galenson, David. Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History. Cambridge, MA: National Bureau of Economic Research, February 2005. http://dx.doi.org/10.3386/w11152.

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Galenson, David, and Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, August 2002. http://dx.doi.org/10.3386/w9123.

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Alexander, Chris. L52318 State of the Art Assessment of Composite Repair Systems. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2010. http://dx.doi.org/10.55274/r0000005.

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Composite materials have been used to repair high pressure transmission pipelines. Over this time period a wide variety of composite systems have been developed and evaluated. With the increased demands being placed on pipeline systems around the world, it is expected that the market potential for composite repair systems will continue to expand. Additionally, as composite technology is further developed the opportunities for new applications will expand. An assessment of this composite repair technology is needed. This report has been developed to provide industry with a state of the art assessment of composite pipeline repair technology as it currently stands.
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Galenson, David. Do the Young British Artists Rule (or: Has London Stolen the Idea of Postmodern Art from New York?): Evidence from the Auction Market. Cambridge, MA: National Bureau of Economic Research, October 2005. http://dx.doi.org/10.3386/w11715.

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Gorton, Gary, Ping He, and Lixin Huang. Asset Prices When Agents are Marked-to-Market. Cambridge, MA: National Bureau of Economic Research, March 2006. http://dx.doi.org/10.3386/w12075.

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Eden, Benjamin, and Zvi Griliches. Productivity, Market Power and Capacity Utilization When Spot Markets are Complete. Cambridge, MA: National Bureau of Economic Research, May 1991. http://dx.doi.org/10.3386/w3697.

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Calvo, Guillermo A. Monetary Policy Challenges in Emerging Markets: Sudden Stop, Liability Dollarization, and Lender of Last Resort. Inter-American Development Bank, December 2006. http://dx.doi.org/10.18235/0010971.

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The paper argues that Emerging Market economies (EMs) face financial vulnerabilities that weaken the effectiveness of a domestic Lender of Last Resort (LOLR). As a result, monetary policy is inextricably linked to the state of the credit market. In particular, the central bank should be ready to operate as LOLR during Sudden Stop (of capital inflows) by releasing international reserves in an effective manner. These conditions also impact on optimal monetary policy in normal but high-volatility periods. The paper further argues that during those periods interest rate rules may engender excessive volatility of exchange rates and, thus, that it may be advisable to temporarily supplement those rules by foreign exchange market intervention or outright exchange rate pegging. At a fundamental level, the analysis suggests that the state-of-the-art literature summarized by Woodford (2003) or even more heterodox approaches exemplified by Stiglitz and Greenwald (2003) are likely fall short of providing a satisfactory guide for monetary policy in EMs.
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Vargas, Miguel, and Fernando Lefort. Tacit Collusion in the Santiago Housing Market. Inter-American Development Bank, July 2011. http://dx.doi.org/10.18235/0011304.

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Given the numerous and widely acknowledged benefits of a well-functioning housing market, it is vital to understand the degree of competition in that market, which is the starting point for undertaking any policy tool aimed at improving its efficiency. This paper tests the extent of competition in the housing market in Santiago, Chile using a two-step methodology. In the first step, using a hedonic price model, the Santiago housing market is divided into sub-markets, which are analyzed separately. The second step is the tacit collusion test itself, which compares the industry markup with the business cycle in each sub-market using panel data regression models. Evidence of collusion is found in certain sub-markets.
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Bao, Renjie, Jan De Loecker, and Jan Eeckhout. Are Managers Paid for Market Power? Cambridge, MA: National Bureau of Economic Research, April 2022. http://dx.doi.org/10.3386/w29918.

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