Dissertations / Theses on the topic 'Art market, contemporary art market, contemporary art production'

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1

Matsinhe, Sebastiao Filipe. "The production of local art for a global cultural market in contemporary Mozambique." Thesis, University of the Western Cape, 2012. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_4062_1363774738.

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<p>This thesis examines the production of commercial art in contemporary Mozambique. It explores the power relationship between local artists &ndash<br>painters and sculptors &ndash<br>and their patrons and brokers in the art market. This means, on one hand, that it looks at the artworks that have been produced during the late colonial period (1962 &ndash<br>1974) and the post-colonial periods (June 1975 - 2010) and relates this to the changing political landscape in Mozambique. On the other hand, the aim is to explore the artists&rsquo<br>life histories,&nbsp<br>especially how their talent wa
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CODIGNOLA, FEDERICA. "Mercato dell'arte e prodotto artistico contemporaneo." Doctoral thesis, Università degli Studi di Milano - Bicocca, 2006. http://hdl.handle.net/10281/46013.

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The author agrees with the current hypothesis, namely, that the contemporary art market can be examined from an economic perspective, by using analytical instruments that are typical of the management and marketing sciences. It is a fact that the evolution of the artist-as-artisan towards the artist-as-creator is based upon the concept of the non-retribution of the creative act. (The latter is described as the artist's intimate expression.) This fact, however, does not prevent the result of such a creative act from becoming the object of a monetary exchange and being assigned a price tag. The
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Binder, Lisa M. "Contemporary African art in the London art market : 1995-2005." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500812.

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This thesis explores the market for contemporary African art in London from 1995 to 2005 using case examples of artists, museums, art festivals and fairs, auctions and galleries. The study is generally bracketed by two festivals, africa 95 and africa 05, touching also on events that transpired during the intervening decade. Many artists from Africa who were working, living or exhibiting in London during this time experienced degrees of marketable success as a result of their participation or relationship with actors involved in the marketplace and in private and public institutions. However, t
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Wang, Xuan. "Gallery's Role in Contemporary Chinese Art Market." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1258577100.

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Shojai, Kaveh Darya <1995&gt. "Contemporary Iranian Art: Emerging Interest in Iranian Art in the International Art Markets and the Reception, Production and Assessment of Iranian Contemporary Art in the International Sphere." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15423.

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Contemporary Iranian Art has recently become a new entry in International art markets, a condition possibly derived from the current political situation. Both Christie's and Sotheby's, two of the most important auction houses in the world, have introduced specialist departments dedicated to Iranian Contemporary Art, as early as 2007, within their Modern & Contemporary Middle Eastern Art departments. Increasing interest in contemporary Iranian art can be traced by its exponential economic growth in such markets. The aim of this thesis is to investigate and observe the changes in the reception o
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Kuizon, Jaclyn. "Fine Art and Clandestine Identity: American Indian Artists in the Contemporary Art Market." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626648.

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Riley, James Whitcomb. "Social exchange and valuations in the market for contemporary art." Thesis, Massachusetts Institute of Technology, 2020. https://hdl.handle.net/1721.1/126977.

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Thesis: Ph. D., Massachusetts Institute of Technology, Sloan School of Management, May, 2020<br>Page 115 blank. Cataloged from PDF version of thesis.<br>Includes bibliographical references.<br>The first essay draws on 18 months of ethnographic fieldwork to examine the puzzle of why galleries discipline collectors --<br>who provide much-needed financial capital - for appearing too motivated by profit. Whilst art worlds have strong norms that enjoin artists to avoid the naked pursuit of profit and instead affect an air of "disinterestedness" (that is, a concern only for universal virtues and aes
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Waelder, Laso Pau. "Selling and collecting art in the network society: Interactions among contemporary art new media and the art market." Doctoral thesis, Universitat Oberta de Catalunya, 2016. http://hdl.handle.net/10803/399029.

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Aquesta tesi explora i analitza les interaccions actuals entre art, nous mitjans i el mercat de l'art, i també les transformacions que es produeixen en el reconeixement de l'art digital, l'estructura del mercat de l'art i els rols de l'espectador i el col·leccionista. La tesi es divideix en tres parts. La primera part analitza les maneres en què l'art de nous mitjans s'ha definit ell mateix com un món de l'art específic, i les polèmiques que exemplifiquen la seva separació del món de l'art contemporani. La segona part analitza les motivacions i les expectatives dels artistes que treballen amb
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Ecevit, Emek Can. "A study on institutionalisation of contemporary art from Turkey." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/13247.

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This doctoral study is concerned with identifying the determinants of the institutionalisation of art (IoA) in general and institutionalisation of contemporary art (IoCA) in particular. It focuses on the influence of the state and the private sector on economics and politics of arts as artworld in Turkey. The proposed relational framework is based on the current controversial problematisation of social theory in terms of various understandings of modernity and post-modernity. Here, modern art is taken to be based on an orthodox (classical) modernity understanding. In contrast, contemporary art
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Stanford, Jon D. "An economic analysis of the contemporary visual art market in Australia, 1972-1989." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/35524.

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The analysis of the market is undertaken in both theoretical and empirical terms. The theoretical analysis finds that the dynamics of the art market are important but are difficult to formalise; the primary market is one where prices are set administratively; the secondary market, auction market, is the one where market-clearing occurs; success in the art market will come only to those artists whose works can command the same price in the secondary market as is set in the primary market; the overall market operates with considerable lags so that it may take many years before artists' work appe
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Franzoni, Mariella. "The Economy of the Curatorial and the Fields of the Contemporary Art World: Curatorial instances and the market of contemporary art in and from (South) Africa." Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/667674.

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This dissertation analyzes the relationship between curating and the contemporary art market, inscribing its enquiry in the realm of curatorial theory. Contributing to epistemological discussions on the notion of the curatorial, this study frames itself as an “economy of the curatorial”, an expression with which we define the sphere of economic relations of production and mediation engendered by curatorial practice and discourse in the contemporary art field. This field is considered increasingly dominated by market imperatives, since market players (commercial galleries, art fairs, and auctio
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Chen, Karen Y. "Constructing Historical Truth: An Examination of the Chinese Art Market As A Reflection of China’s Concerted but Conflicted Contemporary Reconciliation with its Problematic Past." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/877.

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This paper examines the connection between art and nationalism in Chinese culture and asserts that the recent market boom and price jump in Chinese fine art reflects a concerted yet conflicted effort by the Chinese government and Chinese society as a whole to reconcile with a problematic twentieth-century past. The paper first delves into the historical practice of utilizing art to construct political narratives though Ming-Qing dynasties before examining how antiquarianism was utilized by Mao Zedong himself and by the modern day Chines Communist Party.
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Kalmykova, Anna. "Auction Houses and Contemporary Art : A Study of Outstanding Sales in 2007 and 2009." Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-13154.

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This thesis aims to analyze contemporary art market in terms of auction sales carried out bySotheby’s and Christie’s in London and New York in 2007 and 2009. The study deals withinvestigating the cases when artworks’ prices exceeded their estimates. A model testing therelationships between hammer price, auction house, artist, form of art, the year of object’screation and its current owner along with the year of sale and performance of stock marketwas developed according to the theoretical framework, which includes such concepts as artobjects and their value, gatekeepers and investment and auct
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Zheng, Jiahong. "An Econometrics Analysis of Mark Rothko's Auction Results." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/cmc_theses/1929.

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This paper investigates the factors that influence hammer price in fine art auctions. Unlike previous studies, this thesis focuses solely on Mark Rothko’s abstract painting auction results, which eliminates pricing variation from multiple artists or painting genres. Using a freshly constructed database that covers all Rothko auction records from 1985 to 2017, this thesis affirms the presence of declining price anomaly. Auction house experts’ pre-sale estimates are shown to be largely unbiased with a marginal downward pricing tendency. Furthermore, size is a statistically significant variable t
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Jankauskas, Jennifer Kathleen. "Acquiring contemporary art in today's global market : collecting strategies at small, mid-sized and regional American museums." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/32246.

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Over the years, prices for contemporary works of art have continued to rise to the point that many small, mid-sized and regional American art museums have difficulties collecting in this arena. Few authors have examined this phenomenon, or the different tactics in place to combat it. This study aims to fill this gap by undertaking a detailed analysis of successful museum acquisition processes at several museums. To ground the discussion I closely examine the hierarchical systems of the art world and its subset, the art market, and investigate the ways in which particular actors, including coll
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Moody, Eric. "The art market and the state in Britain : a critical examination of the relationship between the contemporary British state subvention system for visual arts and various art markets." Thesis, City University London, 1989. http://openaccess.city.ac.uk/7956/.

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This thesis is an examination of the complex relationship between a broadly defined art market and the British State. it is an examination of the visual arts economy within a British market economy. It demonstrates the state's failure to support and improve this economy even as it declares such a commitment. For the sake of the visual arts and the national economy, an alternative to the Orthodoxy of the State is argued and mechanism for its achievement proposed. This has required me to to reveal and question some firmly held attitudes and beliefs about art, artists, connoisseurs and public goo
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Dvořáková, Valérie. "Sběratelství moderního a současného umění v České republice: Jeho charakteristika a vliv na trh s uměním." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-198416.

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The thesis discusses current state of Czech market and trade with contemporary and modern art via the phenomenon of collectables. Major emphasis is given to the specifics of both young contemporary art in the context of collecting and trading, and using art as a form of investment. Theoretical part is derived from the limited present literature and describes basic mechanisms and theoretical processes of the art market. Practical part presents a mixture of statistics of art market parameters and interviews with professionals, and poses very concrete constructive questions in relation to investi
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Ndiaye, François Diouane. "La circulation des oeuvres d'art contemporain en Afrique de l'Ouest : cas des arts plastiques à travers l'exemple du Sénégal." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30042/document.

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La part de l’Afrique dans le commerce mondial de biens et services culturels reste très faible. Cette situation reflète en partie le niveau des échanges impliquant ce secteur à l’intérieur du continent. Des contraintes accrues pèsent en réalité sur l’écoulement des produits artistiques mais aussi sur les conditions de leur production. Les oeuvres d’art contemporain ne dérogent pas à cette affirmation. De plus en plus de publications et de recherches traitent de la problématique des échanges qui sous-tend la circulation des oeuvres d’art contemporain en Afrique. Il est aujourd’hui établi qu’étu
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Gibbs, Levi Samuel. "Song King: Tradition, Social Change, and the Contemporary Art of a Northern Shaanxi Folksinger." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1371429829.

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Bacíková, Jana. "Současné české umění na domácím a světovém trhu." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-196533.

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The goal of this thesis is to analyse trends of the contemporary Czech art on the domestic market and possibilities of the contemporary Czech artists to succeed on the international art market. The firts part of the thesis describes specific forms of contemporary art and their position on the art market. The main factors influencing contemporary art prices are mentioned. The next chapter is concentrated on trends of contemporary art in comparison with the other segments of the art market. The third chapter is focused on development of the contemporary art on the domestic market. It analyses th
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Peško, Banzetová Michaela. "Marketingové strategie obchodu s uměním se zaměřením na současnou českou výtvarnou scénu." Doctoral thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-295613.

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Contemporary art trade in the Czech Republic has been regarded as a private area accessible only to a few insiders. So far no adequate literature about this field has existed, the marketing strategies used within it were, not only from the outside perspective, quite unclear. This work shows that it is not a secret sphere. On the contrary, it is a part of the market, which has the effect that the more you talk about it openly, the better impact it has on the whole society. The author presents the current situation in this field, its historical context, and openly discusses the long-term marketi
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Caldas, Felipe Bernardes. "O campo enquanto mercado : um estudo sobre o cenário mercadológico de Porto Alegre (1990-2012)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/81848.

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Este trabalho possui como tema o mercado da arte em Porto Alegre entre as décadas de 1990 e 2000, com foco no que denominamos de mercado da arte contemporânea. Volta-se a uma abordagem a partir do produtor primário, em outras palavras, o artista. Ou seja, na tríade “produtor, intermediários e consumidor”, a perspectiva adotada está centrada no produtor. Possui como objetivo averiguar e compreender as mais variadas mercadorias produzidas e comercializadas pelos artistas, assim como sua inserção em um mercado de trabalho. Deste modo, esta pesquisa não se limita a considerar somente o processo de
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Lopes, Andreia Sofia Simões Monteiro. "A arte como investimento : a arte contemporânea em Hong Kong." Master's thesis, Instituto Superior de Economia e Gestão, 2017. http://hdl.handle.net/10400.5/14462.

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Mestrado em Gestão e Estratégia Industrial<br>O mercado chinês de arte contemporânea experienciou um crescimento exponencial nestes últimos anos, com cada vez mais investidores individuais e institucionais que diversificam as suas carteiras de investimentos com arte. Hong Kong emergiu como art hub nos últimos anos, devido aos esforços destes investidores, curadores e galerias de renome em preservar as suas bases e defender a arte contemporânea local e internacional. Assim, o presente trabalho de investigação estuda o comportamento das variáveis que mais afetam o mercado de arte contemporânea
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Bužinskaitė, Ugnė. "VILNIAUS DAILĖS AKADEMIJOS VAIDMUO SKATINANT SĖKMINGĄ VIZUALIŲJŲ MENŲ STUDENTŲ INTEGRACIJĄ Į ŠIUOLAIKINIO MENO RINKĄ." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_144410-38608.

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Darbo vadovas: prof. dr. Ieva Kuizinienė Darbas parengtas: 2014 m. Vilniuje Darbo apimtis: 149 puslapiai su priedais, 3 lentelės, 12 paveikslų Darbo aktualumas: Jaunųjų menininkų problema šiandien yra ypatingai aktualizuojama. 2013 m. Viešosios politikos ir vadybos institutas atliko „Jaunų menininkų socialinės ir kūrybinės padėties Lietuvoje tyrimą“. Pastarasis parodė valstybės politikos fromavimo būtinumą, orientuojantis į pagalbą jaunųjų menininkų karjeros formavime. Pastebimas ir suaktyvėjusi meno edukacija jaunųjų menininkų kūrinių įsigijimo klausimais – 2014 m. – galerija „Vartai“ kartu s
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Batista, Sandro Tôrres. "Do começo ao fim: história da implantação, desdobramentos e encerramento do Salão Nacional de Arte de Goiás - Prêmio Flamboyant (Goiânia, 2001 – 2006) Bastidores e memórias de um caso no sistema artístico regional." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6703.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2017-01-09T16:26:13Z No. of bitstreams: 2 Dissertação - Sandro Tôrres Batista - 2016.pdf: 5288415 bytes, checksum: f07473ce7296e2bb67c9808b0efce350 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-01-10T10:49:41Z (GMT) No. of bitstreams: 2 Dissertação - Sandro Tôrres Batista - 2016.pdf: 5288415 bytes, checksum: f07473ce7296e2bb67c9808b0efce350 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made
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Spettel, Elisabeth. "Double jeu de la subversion : entre dadaïsme, surréalisme et art contemporain." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30042.

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« Que nul n’entre ici s’il n’est subversif » ! Cette sentence pourrait orner le frontispice du Cabaret Voltaire, célèbre lieu qui a vu naître le dadaïsme en 1916. Les spectacles Dada subvertissaient les conventions esthétiques, remettant en question le statut de l’oeuvre d’art et mêlaient les médiums et les styles jusqu’à incorporer des objets, photomontages, masques, marionnettes… dans la sphère artistique. Ce caractère interdisciplinaire et transgressif réapparaît chez les surréalistes connus pour leurs scandales, leurs manifestes, leurs inventions littéraires et plastiques mais aussi leur e
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Hochleitner, Katya de Castro. "SP-Arte: histórico e impacto percebido no mercado brasileiro de arte." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-27012016-133127/.

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Esta dissertação se propõe a examinar e contextualizar a SP-Arte no mercado brasileiro de arte, compreendendo seus efeitos em termos de circulação, produção, preços e promoção da arte, com o objetivo de avaliar o seu impacto no mercado brasileiro de arte. Trata-se de um estudo exploratório, com adoção de levantamento teórico e documental e também de pesquisa qualitativa, com o uso da técnica de entrevistas em profundidade, para investigar a percepção dos diferentes agentes do sistema brasileiro de arte contemporânea, a saber: organizadores, artistas, galeristas, curadores e críticos de arte, c
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Ludvíková, Daniela. "Branding a jeho význam pro primární a sekundární trh s uměním v České republice." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-205651.

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This masters thesis identifies and analyzes the aspects and specifics of branding of an artist in the art industry, which is relatively different from the branding which we know from the corporate world. The first section defines the theoretical background of the branding and marketing communication with focus on those aspects that are relative to an art and its market specifics. Theoretical definition in combination with the outcome of qualitative research, which was conducted with outperforming contemporary artists and representatives of leading galleries in Czech Republic, helps to outline
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Silveira, Andrea Aparecida Capssa de Lima da. "CONSIDERAÇÕES SOBRE AS GALERIAS VIRTUAIS E SUAS RELAÇÕES COM O MERCADO DE ARTE." Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/5244.

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This research in the field of History, Theory and Criticism of Art with an emphasis on Art and Technology, aims a theoretical and practical study of virtual galleries from contemporary art to cyberspace. It aims to understand the functions of the galleries and the role of the gallerist as entrepreneur / strategist for the art market. In this study are selected six art galleries - all Brazilian and distinct characteristics - which can contribute to the recognition methods to choose exclusively online environment or act between physical and virtual environments. According to the data found, all
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Assis, Naira Cristina Rodrigues de. "As regras do mercado: dinâmicas e construção do valor no mercado de arte contemporânea." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-18092017-112256/.

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Entre todos os mercados que lidam com bens culturais e artísticos, o mercado de arte contemporânea permanece como um dos mais inacessíveis e desconhecidos. A dificuldade em estabelecer relações objetivas entre arte e economia, típica dos mercados de bens simbólicos, parece atingir seu ápice quando se trata de discutir as artes visuais. Em relação ao mercado de arte, atribui-se com frequência a ideia de um campo sem regras, caracterizado por valores exorbitantes, eventos espetaculares e agentes orientados para a obtenção do máximo lucro. Porém, a partir de uma análise detalhada do campo, é p
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Dvořák, Olga. "Český a globální trh výtvarného umění (s akcentem na kritickou reflexi českých a zahraničních autorit)." Doctoral thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-203753.

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The dissertation examines art as a very specific luxury commodity that is difficult to define and place on a market. The objectively given uncertainty of an art market does not seem to be consistent with the investment function of an artwork. The price of this product is unstable and non transparent and it is generally formed through a marketing tool - a commercial art fair. The main aim of this dissertation is to uncover the specifics of the fine art market. The secondary objective is to determine how emerging art from the Czech Republic is represented on a global scale. The research method i
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Flynn, Emma. "Building careers, managing capitals." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9393.

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I sought to find out whether this was a tension between artistic and commercial in the career of visual artists, and if so, how this tension was managed. In attempting to uncover information which could address the research question I undertook in-depth career history interviews with artists which covered their time at art school through to their current practice. The career history method was deliberately chosen in order to address the research question at a tangent as both the literature, and my own personal experience of the field of contemporary visual art, had suggested that the topic of
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Crubilé, Marine. "L'art contemporain ou le fétichisme du lucre." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30009/document.

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La marchandisation de l’art se traduit par une dérive progressive de l'esprit de collection. Elle est notamment perceptible dans le désir de plus-value des collectionneurs, qui va de pair avec le fait que l'aura de la valeur artistique et esthétique d'une œuvre est fonction du prix qu'elle atteint en tant que marchandise de luxe dans les salles de vente. La valeur de l’art s’en est trouvée assujettie à un marché capitaliste dont les guerres ont paradoxalement favorisé la mondialisation. Ce marché de l’art, qui est en cours de restructuration permanente, favorise chez les artistes une course à
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Causadias Domingo, Isabel. "Mercat primari de l’art contemporani a Catalunya." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/380896.

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Mercat primari de l'art contemporani a Catalunya és un treball d'investigació sobre les galeries d'art i els intermediaris que centra el seu estudi empíric a Catalunya. En la dissertació s'efectua una revisió històrica del mercat de l'art i l'origen de les estructures comercials que han marcat el naixement de les galeries com a mediadors en el sistema de l'art. Mitjançant l'exploració dels intermediaris a través d'entrevistes s'explica quines són les estratègies de funcionament del mercat, quin és el paper que tenen les galeries, i com s'estableixen les relacions entre artistes, galeries i col
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Chamberlain, Rachel P. "Articulations of Liberation and Agency in Yanagi Miwa's "Elevator Girls"." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/102.

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Miwa Yanagi’s Elevator Girls series, a collection of glossy photographs featuring groups of similarly clad women lingering in expansive, empty arcades, made its international debut in 1996. While the pieces garnered positive reactions, Yanagi found that most Western viewers read her work as predominantly “Oriental”—confirming stereotypes of a highly polished techno-topic Japan that was still negotiating gender equality. In this thesis, I explore alternative ways of reading Yanagi’s Elevator Girls series, which, I argue, call attention to myopic views of commercialism and identity in order to p
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Jahan, Bakhsh Sefidi Zahra. "La valeur de l'art du Moyen-Orient : l'effet de l'arrivée du marché sur l'évolution du monde de l'art de l'Iran, du Liban et Émirats Arabes Unis et leur rayonnement international." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA041/document.

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Cette thèse a pour principal objectif d’étudier la nouvelle configuration de la valeur de l’art moderne et contemporain du Moyen-Orient, et plus précisément la perception qui s’est fait jour à partir du milieu des années 2000, où Dubaï serait devenu le lieu de fixation de la valeur économique et de diffusion de l’art à différents niveaux : national, régional et international. L’art visuel du Moyen-Orient, jusqu’alors limité aux scènes nationales et négligé sur la scène internationale, connaît une évolution locale ainsi qu’un rayonnement international inédit. La mutation innovante du monde de l
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Richter, Till Florian Alexander. "The evaluation of contemporary art with art historical and market criteria : the 3C Model." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-12-4824.

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For the most recent contemporary art no art historical or price records exist that can testify of its value. However, the market for contemporary art is enormous and the art historical interest in it is equally important. If we can find out how to evaluate contemporary art, it will further the art historical understanding, the market transparence and the sales of contemporary art thus having an influence also on the creation of art (William Grampp). The art historical verdict and the market verdict are linked. This has been proven by a number of economists (Frey, Galenson, Grampp). The questi
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Vekony-Harper, Delia. "What defines a good work of art within the contemporary art word? theories, practices and institutions." Diss., 2010. http://hdl.handle.net/10500/4047.

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The dissertation explores how quality-judgments on works of art are created within the contemporary art world. The research starts with the examination of modernist art theories supported by the museum, and continues with the exploration of the impact of the art market on quality-judgments. Although the art market had already distorted the idea of quality, further contradictions and difficulties have risen within judgment-making after the 1960s due to the dematerialisation of the work of art. Art criticism should have been able to deal with this complexity, but it is demonstrated that art crit
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Vaughan, Priya. "Pay Attention: Aboriginal Art in NSW." Phd thesis, 2017. http://hdl.handle.net/1885/148402.

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Despite extensive academic focus on Indigenous Australian art, sustained engagement, particularly in the discipline of anthropology, has largely focused on artists and artworks from the central, northern and western regions of Australia. Academic works examining art-making in the south east of Australia, particularly New South Wales (NSW), are relatively few, despite news articles, exhibition catalogues and monographs penned by artists and curators providing evidence of vibrant communities of Aboriginal artists and solo practitioners working across NSW.
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Yang, Li-Wei, and 楊麗薇. "A Research on Contributing Factors of Business Model for Shanghai Contemporary Art Market- Based on Analytic Hierarchy Process Analysis." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/3hn5yz.

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碩士<br>國立臺灣師範大學<br>美術學系<br>105<br>Due to the language commonality, Taiwan art gallery has always been enthusiastic about the Chinese market. Shanghai has emerged to become an important art market with her contribution and focus in the art industry and her determination to globalization. This paper intends to discuss how art galleries can become operational profitable in Shanghai contemporary art market. With historical qualitative studies, expert questionnaires and the analytic hierarchy process (AHP) to discover the contributing factors of business model and relative orders of importance fo
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Michel, Victoire Marie Isabelle. "From private collections to public exhibitions : the case study of Châteu La Coste." Master's thesis, 2020. http://hdl.handle.net/10400.14/33406.

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The current report corresponds to an internship at Château La Coste, in the department of art and architecture for the private collection of Patrick McKillen in Aix-En- Provence, France. The duration was of 4 months from the 15th August 2019 to the 15th December 2019. The collection of Patrick McKillen at Château La Coste consists of an outdoor exhibition 36 artworks and architecture installation from famous contemporary artists and architects worldwide. The first artist to construct a massive architectural building on the property was Tadao Ando, who built the art centre starting from 2
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Custoza, Linda Morando di. "The contemporary art market at the beginning of the third millennium : focus on the impact of the 2008 economic crisis in the city of Lisbon." Master's thesis, 2021. http://hdl.handle.net/10400.14/34284.

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This research proposes a brief historical analysis of the art market following the economic crisis of 2008, taking into account the socio-cultural context of the post-modern period. Within the first chapter of this dissertation, a brief introduction will be given regarding the historical and cultural evolution of the contemporary neo-liberal society, presenting the key concepts of the contemporary art market in which, with the beginning of the new millennium, globalization has played a fundamental role. Following the analysis of the new neo-liberal principles of the market and the art ma
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Curto, Inês de Oliveira Baptista Marcelo. "Negotiating the priceless: an analysis of negotiation techniques applied in Lisbon’s primary market for contemporary art in the early 21st century." Master's thesis, 2011. http://hdl.handle.net/10071/4579.

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This study begins by setting the scene for the appearance and exponential growth of the contemporary art market, offering reasons for why art is collected and why it may command such high commercial values at present. The long-standing debate of art as a commodity is also addressed and used to explain why this market still operates intuitively rather than in a scripted fashion as other economic markets do. The study proceeds by analyzing the primary contemporary art market through the lens of negotiation theory, determining that this business management theory is applied and/or adapted in
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Simões, Patrícia Alexandra Assis. "A feira de arte contemporânea na era da globalização cultural : o caso da Arco Lisboa." Master's thesis, 2017. http://hdl.handle.net/10400.14/25664.

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As feiras de arte contemporânea, cuja primeira edição remonta ao ano de 1967, têm vindo a tornar-se eventos cada vez mais relevantes no sistema e no mercado de arte contemporânea. Para isto contribuem o facto de terem alterado significativamente a forma de comercializar arte, assim como a sua expansão por diversas partes do globo de forma mais ou menos padronizada, fenómeno que passou a ser designado de ‘feirização’. Consequentemente, têm-se procurado formas de diferenciação e de criação de uma identidade de modo a consolidar determinada feira no calendário de arte contemporânea – as fe
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Ramires, Maria Luísa Santana. "Galerias de arte em Lisboa: passado e presente." Master's thesis, 2018. http://hdl.handle.net/10071/17133.

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As galerias de arte contemporânea raramente foram objeto de estudos históricos. O trabalho que se segue pretende fazer um levantamento da evolução galerística em Lisboa, desde a criação da primeira galeria comercial em 1933 até ao ano de 2017. Nestes oitenta e quatro anos pretendemos contextualizar e analisar a evolução do panorama galerístico, bem como a evolução da sua tipologia e relações. De um ponto de vista abrangente, estudamos a conjuntura económica, social, política, urbana e consequentes respostas dos galeristas e galerias ao longo deste período. Numa perspetiva de gestão inter
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Blanchette-Lafrance, Gabrielle. "Le pouvoir des méga-collectionneurs sur le marché de l'art international : le cas Mugrabi." Thèse, 2018. http://hdl.handle.net/1866/20690.

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Ramalhosa, Cláudia Sofia Feliz. "Investimentos artísticos a longo prazo: uma proposta sobre três países emergentes." Master's thesis, 2015. http://hdl.handle.net/10071/10699.

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As transformações vividas nas últimas três décadas, em termos económicos, geopolíticos e geoculturais tiveram fortes implicações na (re)definição das grandes capitais mundiais da arte, quer em termos culturais quer em termos de mercados. No primeiro capítulo desta dissertação apresenta-se, precisamente, o modo como diferentes cidades ocuparam o papel de capitais artísticas nos últimos 100 anos, levando ao aparecimento e ao ocaso de novos centros. No segundo capitulo, é realizada uma análise a alguns relatórios económicos com projeções para o crescimento da economia mundial até 2030, ant
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Silveira, Pedro Lemos Dinis Brum da. "Os leilões online de arte moderna e contemporânea da Cabral Moncada Leilões entre 2016 e 2020: análise da performance das vendas." Master's thesis, 2020. http://hdl.handle.net/10071/22355.

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O objetivo do presente trabalho consiste em realizar uma análise dos leilões "online" de arte moderna e contemporânea da Cabral Moncada Leilões, entre 2016 e 2020, a partir de três vertentes: a análise da performance dos leilões "online"; a análise dos leilões presenciais; e por fim a leitura comparada dos leilões "online" e dos leilões Neste sentido, começamos por caracterizar os mercados "online", desde o desenvolvimento do "e-commerce" em geral até aos leilões "online" em específico. Incluímos ainda uma revisão dos principais acontecimentos do mercado da arte nos últimos seis anos, qu
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Petrides, Loizos. "Developing and managing the artist´s career: the visual artist as entrepreneur." Doctoral thesis, 2017. http://hdl.handle.net/10071/17069.

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Este estudo investiga o impacto de processos do mercado (galerias, feiras, e leilões de arte) e decisões curatoriais nas carreiras de artistas visuais. O estudo contribui para a literatura sobre o empreendedorismo artístico, introduzindo o conceito de "business level entrepreneurship" e as qualidades de proatividade, capacidade de gestão, e networking relacionadas com este conceito. O contexto do estudo é o mundo artístico de Lisboa e a sua análise melhora a compreensão das complexidades inerentes e as interações de artistas com outros agentes e processos no mundo de arte. Esta análise c
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