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Journal articles on the topic 'Art market, contemporary art market, contemporary art production'

Author: Grafiati

Published: 9 March 2023

Last updated: 31 July 2025

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1

Enxuto, João, and Erica Love. "The Institute for Southern Contemporary Art (ISCA)." Finance and Society 2, no. 2 (2016): 173–74. http://dx.doi.org/10.2218/finsoc.v2i2.1730.

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The Institute for Southern Contemporary Art (ISCA) was founded in 2016 to advance a meaningful alternative to the problem of contemporary art production and its political economy. While technology is intensifying the soft power of speculation, reputation, and the hype of networks, recent changes in technical infrastructure have done very little to shake the narrowly-defined and limited objectives of contemporary art. Technological change alone hasn’t curtailed an art field defined by individualism and competition, despite counter-claims made by progressive artists and collectives. Following a

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Lopatkova, Alisa. "Evaluation of Contemporary Art in the Process of Production, Distribution and Consumption." Inter 16, no. 1 (2024): 16–30. http://dx.doi.org/10.19181/inter.2024.16.1.2.

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How does the art community evaluate contemporary art? This question is discussed based on 16 interviews with artists, gallery owners, curators, and collectors. The contemporary art market is conceptualized as a “creative industry that unites actors involved in the production, distribution, and consumption of art objects. The research methodology is based on the anthropological approach of Igor Kopytoff and the discursive psychology of Rom Harré, according to which the history of the movement of cultural objects through social space and the discourses accompanying them are sources of symbolic v

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Esposito, Claudia. "Traces of Souffles: on cultural production in contemporary Morocco." Contemporary French Civilization 45, no. 3-4 (2020): 305–15. http://dx.doi.org/10.3828/cfc.2020.18.

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This article examines contemporary cultural production in Morocco and focuses in particular on how poet-artist Abdellatif Laâbi, founder of the journal Souffles, and writer-artist Mahi Binebine display ties of filiation. Bringing to light the artistic and social collaborations that these two cultural actors nurture in Morocco, the article traces a filial genealogy between Laâbi and Binebine and examines the post-independence years to reveal the spirit of combat that lies at the origin of the current artistic scene in Morocco. Questioning the link between art and the public, the article conclud

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Skiba, Stefan. "Some Thoughts on Contemporary Graphic Print." Journal of Arts and Humanities 5, no. 9 (2016): 84. http://dx.doi.org/10.18533/journal.v5i9.1010.

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<p align="center">The production requirements of original graphic works of art have changed since 1980. The development of digital printing using lightfast colors now rivals traditional techniques such as wood cut, screen print, lithography, etching etc. Today, with respect to artistic legitimacy, original graphics using traditional printing techniques compete with original graphics produced by digital printing techniques on the art market. What criteria distinguish traditional printing techniques from those of digital printing in the production and acquisition of original graphics? What

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Dholakia, Ruby Roy, Jingyi Duan, and Nikhilesh Dholakia. "Production and marketing of art in China." Arts and the Market 5, no. 1 (2015): 25–44. http://dx.doi.org/10.1108/am-10-2013-0023.

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Purpose – The purpose of this paper is to explore how art production and marketing in China is attempting to move up the value chain as increasing number of Chinese replica-selling galleries seek to break free from the image of Chinese art towns as skilled but imitative centres of art production. Design/methodology/approach – In-depth interviews were conducted among seven gallery owners in Wushipu art village over three weeks to discover how art production in China has evolved and to chart its future growth. Findings – In the Chinese setting with its distinctive cultural patterns, tensions bet

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Chubarov, Igor M., and Elina V. Samokhvalova. "Art without an Artist: On the Question of the Criteria of Contemporary Art." Čelovek 34, no. 5 (2023): 130–48. http://dx.doi.org/10.31857/s023620070028506-3.

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The article raises the question of the authorship of works of contemporary art, the institutional nature and socio-economic conditions of its production, as well as the spatial and media-aesthetic mediations of its perception. The main research problem is formulated at the intersection of two questions: is everything that artists produce may be considered art? And: are artists the only authors of the works they signed? The problem is the appearance of a commodity form for works of contemporary art, which does not interfere with them, but, on the contrary, becomes a condition for their social a

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Negoiță, Ana. "Arta contemporană și granițele interdisciplinarității. Intersecționalitatea cu noile tehnologii și AI." Revista de filosofie 71, no. 6 (2024): 815–24. https://doi.org/10.59277/rf.2024.71.6.06.

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Contemporary art develops within an extremely rapidly evolving landscape, where paradigm and methodology changes are very dynamic. This is the context where technology plays an essential role, reshaping artistic practices, aesthetics and the relationship between the artist and the public, as well as the relationship with cultural institutions and museums, but also with the art market, in general. The study explores the interaction between contemporary art and new technologies, examining how new technological tools such as digital media, virtual reality, artificial intelligence and social media

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Kuleva, Margarita I. "Turning the Pushkin Museum into a ‘Russian Tate’: Informal creative labour in a transitional cultural economy (the case of privately funded Moscow art centres)." International Journal of Cultural Studies 22, no. 2 (2019): 281–97. http://dx.doi.org/10.1177/1367877918821236.

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This article investigates the creative work that is now taking place in newly established cultural institutions in Moscow, the non-governmental museums of contemporary art (MoCAs). The exploration of creative work in Russian art centres is of particular interest because it promises to record the transition of the contemporary art market from the Soviet-era cultural monopoly to the market economy, during the real-time formation of new, informal standards of cultural production. The present article evaluates what informality means within these new standards of the organization of creative work:

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Tam, Isabella. "Canton Express: Urbanization and contemporary Chinese art." Journal of Contemporary Chinese Art 7, no. 2-3 (2020): 241–60. http://dx.doi.org/10.1386/jcca_00028_1.

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Canton Express was a project situated within the larger exhibition Zone of Urgency in the Venice Biennale in 2003. It was the first comprehensive exhibition focusing on the relationship of urbanization and cultural landscape in the Pearl River Delta and presented on an international platform. Since the open-door policy in 1979, the Pearl River Delta played a pioneering role in China’s economic reform and urbanization throughout the 1980s and 1990s. This was resulted with unprecedent transformation of the cityscape and inhabitants’ lifestyle. More importantly, it defined the artistic context an

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Tagore-Erwin, Eimi. "Contemporary Japanese art: between globalization and localization." Arts and the Market 8, no. 2 (2018): 137–51. http://dx.doi.org/10.1108/aam-04-2017-0008.

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Purpose The purpose of this paper is to identify and analyze the influence that globalization has had on the development of the contemporary Japanese art production. The study also aims to expand the global narrative of Japanese art by introducing concepts behind festivals for revitalization that have been occurring in Japan in recent years. Design/methodology/approach Guided by Culture Theorist Nira Yuval-Davies’ approach to the politics of belonging, the paper is situated within cultural studies and considers the development of contemporary art in Japan in relation to the power structures pr

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Qin, Wei. "An Analysis of the Development and Marketing Strategy of Art Merchandise in Art Museums." Highlights in Art and Design 2, no. 1 (2023): 44–48. http://dx.doi.org/10.54097/hiaad.v2i1.5323.

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There have been many limitations and lags in the commercial operation of public art institutions, while art merchandise is an important business for the commercial operation and profitability of art museums. How to make profits in the market while still building an art brand image has been the priority for art museum operators to think and study. This paper examines the new experiences and innovative initiatives of public art museums in the art merchandising business through the case of the National Museum of Modern and Contemporary Art, Korea (MMCA). First, through the experience of operating

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Dai, Mingyue. "The Influence of Contemporary Art on Modern Design." BCP Social Sciences & Humanities 22 (August 2, 2023): 141–46. http://dx.doi.org/10.54691/bcpssh.v22i.5351.

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Contemporary art, like modern design, cannot define a period scientifically, we can only understand it from a general period. Both contemporary art and modern design came into people's view gradually after the Second World War, and both actively explored and interacted with the whole world in their own ways of development under the great cultural environment after the Second World War. Although contemporary art and modern design have their own development characteristics, they have certain commonalities. Even in a certain sense, contemporary art and modern design are interchangeable. Due to th

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Fetter, Bruna. "O PAPEL DO MERCADO NA LEGITIMAÇÃO ARTÍSTICA E ALGUNS REFLEXOS PARA HISTÓRIAS DA ARTE EM CONSTRUÇÃO / The role of the market for artistic legitimation and some reflexes for art histories under construction." arte e ensaios 26, no. 40 (2020): 173–83. http://dx.doi.org/10.37235/ae.n40.12.

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O mundo contemporâneo apresenta uma série de desafios para o sistema da arte. Mudanças econômicas, sociais, culturais e organizacionais na década passada produziram um mercado global de arte cuja influência já atinge desde a produção artística à programação de importantes instituições. O número de museus privados cresce, enquanto instituições públicas não possuem verba para investir em novas aquisições para suas coleções. Nesse cenário, nos perguntamos: em 50 ou 100 anos, o que estará legitimado nas coleções institucionais referentes à atualidade? Onde estarão as obras mais significativas dos

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Stevenson, Alice. "Dialogues between Past and Present? Modern Art, Contemporary Art Practice, and Ancient Egypt in the Museum." Arts 13, no. 3 (2024): 99. http://dx.doi.org/10.3390/arts13030099.

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Whenever twentieth-century modern art or new contemporary artworks are included amongst displays of ancient Egypt, press statements often assert that such juxtapositions are ‘surprising’, ‘innovative’, and ‘fresh’, celebrating the external perspective they bring to such collections. But contemporary art’s relationship with museums and other disciplines needs to be understood in a longer-term perspective. Pairings of twentieth- and twenty-first-century artistic works with objects of antiquity is an activity that has been undertaken for more than a century in what has been a relatively long peri

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McQuilten, Grace, Deborah Warr, Kim Humphery, and Amy Spiers. "Ambivalent entrepreneurs: arts-based social enterprise in a neoliberal world." Social Enterprise Journal 16, no. 2 (2020): 121–40. http://dx.doi.org/10.1108/sej-03-2019-0015.

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Purpose The purpose of this paper is to consider the social turn in contemporary capitalism and contemporary art through the lens of art-based social enterprises (ASEs) that aim to create positive social benefits for young people experiencing forms of marginalisation, and which trade creative products or services to help fulfil that mission. A growth in ASEs demonstrates a growing interest in how the arts can support social and economic development, and the ways new economic models can generate employment for individuals excluded from the labour market; extend opportunities for more people to

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Di Summa-Knoop, Laura T. "Art Today and Philosophical Aesthetics." Culture and Dialogue 4, no. 2 (2016): 246–62. http://dx.doi.org/10.1163/24683949-12340014.

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The demise of grand narratives of art, and the emergence of “post-historical art,” have produced a chasm between the tradition of philosophical aesthetics and the production and reception of contemporary art, a divide that has deprived philosophy of the fundamental role it had played, arguably, until the end of the Modern period. The goal of this paper, which focuses primarily on art after 2000, is to investigate possible venues and directions in the current production and reception of art that might lead to a reconciliation of these two poles and to the advancement of new philosophical strate

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Waldenyr, Caldas. "Mass Culture, New Capitalism, and Its Codes." Art Style, Art & Culture International Magazine 5, no. 5 (2020): 81–91. https://doi.org/10.5281/zenodo.6371479.

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Art Style | Art & Culture International Magazine  Abstract This article discusses the expectations of global culture, connected and mediated by a constant force. This discussion is based on a review by three great thinkers on the topic. First, we review the key terms of media, the evolution of technology, and the advent of a globalized culture in its current state as advocated by the reflections of Marshall McLuhan. Then we place on the market aspects, which are the structural basis of the capitalist system and contemporary culture, based on the work of Richard Sennett. Therefore, we

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Cohen, Matthew Isaac. "Wayang Kulit Tradisional dan Pasca-Tradisional di Jawa Masa Kini." Jurnal Kajian Seni 1, no. 1 (2014): 1. http://dx.doi.org/10.22146/art.5965.

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Regional traditions of wayang kulit puppetry remain alive and vibrant in contemporary Indonesia, responding to currents of global culture, changing configurations of patronage, and the challenges of doctrinal Islam. Enterprising artists tap into new funding sources to renew audiences, strategic alliances are struck between academics and performers, and after the long hiatus of a military dictatorship under President Soeharto, wayang kulit has resumed its role as a mouthpiece for political commentary and dissent. In addition to traditional wayang kulit, the last decade has seen a surge of post-

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Grba, Dejan. "Faux Semblants: A Critical Outlook on the Commercialization of Digital Art." Digital 3, no. 1 (2023): 67–80. http://dx.doi.org/10.3390/digital3010005.

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Heralded by promises for the long-awaited economic empowerment of digital art and the paradigmatic shift of creative production, the art market’s fusion with blockchain technologies and the crypto economy has polarized opinions among artists, cultural workers, and economists. Its capricious dynamics and exuberance largely shroud the continuation of the art market’s ideology and the reinforcement of the disturbing political vectors of the crypto/blockchain complex. In this paper, I address several interrelated aspects of art tokenization in a compact and comprehensive critical framework that ma

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Post, Erik, and Filipe Calvão. "Mythical Islands of Value: Free Ports, Offshore Capitalism, and Art Capital." Arts 9, no. 4 (2020): 100. http://dx.doi.org/10.3390/arts9040100.

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The Geneva Free Port in Switzerland has paved the way for a new generation of art and luxury free ports. These are critical spatial pivots for the management of art assets, including storage and transactions of artworks, and serve as proxy to examine mechanisms for the capture and generation of value, integral but also outside the global art market. Drawing from the trajectory of the Geneva Free Port and an interdisciplinary body of scholarship on “offshore” and other special zones of production, and value circulation in human geography, anthropology, history, and sociology, this article frame

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Zheng, Zexi. "The Innovative Application of Hubei Shadow Play Art in Literary and Creative Stationery." Highlights in Art and Design 5, no. 2 (2024): 49–53. http://dx.doi.org/10.54097/hiaad.v5n2.10.

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Hubei shadow play art, as a national intangible cultural heritage, has a long history and unique artistic charm. This study focuses on the innovative application of this art form in the emerging cultural and creative stationery industry, and analyzes its current situation in the contemporary cultural and creative field as well as the problems and challenges it faces. By extracting the classic elements of Hubei shadow play art, combined with modern design and production technology, this paper explores the innovative transformation mode and market feedback of shadow play art in cultural and crea

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Rusakov, Serhii. "The Theoretical Model of Circuit of Culture as a Cultural Approach to Study Contemporary Cultural Phenomena." Issues in Cultural Studies, no. 36 (December 28, 2020): 24–37. https://doi.org/10.31866/2410-1311.36.2020.221040.

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The purpose of the article is to demonstrate the importance and applicability of the theoretical model of the circuit of culture for researching of axiological aspects of the contemporary cultural phenomena. The research methodology applies the methods of studying, analysis and generalisation to clarify the peculiarities of the theoretical model of the cultural circuit. There is a hermeneutical approach to study the semantic aspects of cultural phenomena. The scientific novelty of the article is in explanation of the prospects of using the model of the circuit of culture for analyses of the ph

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Zou, Xiangping. "Promoting Environmental Protection through Art: The Feasibility of the Concept of Environmental Protection in Contemporary Painting Art." Journal of Environmental and Public Health 2022 (September 26, 2022): 1–8. http://dx.doi.org/10.1155/2022/3385624.

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With the development of society and the progress of science and technology, the impact of human beings on the environment is becoming more and more serious but also facing the crisis of resource exhaustion. The frequent occurrence of natural disasters has sounded the alarm to human beings, and people are paying more and more attention to the concept of green ecology. There is a close relationship between people and the environment, the development of industry, and the abuse of resources, so that today’s ecological environment has been greatly damaged, people’s requirements for the environment

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LEWTHWAITE, STEPHANIE. "Reworking the Spanish Colonial Paradigm: Mestizaje and Spirituality in Contemporary New Mexican Art." Journal of American Studies 47, no. 2 (2013): 339–62. http://dx.doi.org/10.1017/s002187581300011x.

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During the early 1900s, Anglo-Americans in search of an indigenous modernism found inspiration in the Hispano and Native American arts of New Mexico. The elevation of Spanish colonial-style art through associations such as the Anglo-led Spanish Colonial Arts Society (SCAS, 1925) placed Hispano aesthetic production within the realm of tradition, as the product of geographic and cultural isolation rather than innovation. The revival of the SCAS in 1952 and Spanish Market in 1965 helped perpetuate the view of Hispanos either as “traditional” artists who replicate an “authentic” Spanish colonial s

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Wang, Haina. "Dimension of Framing and Capturing in the Surface-driven World: A Study of Li Shuns Internet Sketch." Communications in Humanities Research 2, no. 1 (2023): 416–23. http://dx.doi.org/10.54254/2753-7064/2/2022516.

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This research paper discusses the works of art from artist Li Shuns solo exhibition-Brave New World in Enclave Contemporary, Shenzhen, 2022. The exhibition features Lis latest production continuing Internet Sketch series, which he uses Google Map to take virtual tour in foreign museums and appropriates the masterpieces for reproductions. Although Li tends to situate the viewers to consider the new dimension in viewing at the world, he also presents a confined pleasure that both combines and challenges conventional viewing. His intentional juxtaposition of multiple creations of the surface-driv

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Claassen, Marek. "Artfacts.Net." Leonardo 45, no. 3 (2012): 278–79. http://dx.doi.org/10.1162/leon_a_00372.

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The author posits that the vast majority of people have little confidence about the “value” they should attribute to contemporary artworks. Many people are seduced into confusing worth with material production, with auction sales records, cult of celebrity, and endless gossip. People are unable to analyze the real activities of artists, their sales and exhibitions, from the unsubstantiated catchphrases of media speculation. This article aims to help clarify the basic mechanisms of the contemporary art market and to enhance understanding through the means of econometrics.

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Keshmirshekan, Hamid. "Modern Art in the Arab World, Primary Documents: A Review Essay." Review of Middle East Studies 54, no. 2 (2020): 342–51. http://dx.doi.org/10.1017/rms.2021.4.

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The study of modern and contemporary art from Islamic lands, and particularly the Arab world, is a developing field. Over the past few decades, a variety of publications on modern and contemporary art from the Arab world and its diasporas has appeared in art magazines, journals, and exhibition and auction catalogues. There is, however, still a lack of scholarly literature and reliable resources on the subject. Many such existing sources have focused on productions that are largely in line with certain interests or agendas pursued by the particular magazine/journal, exhibition, or art market in

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Lanzendörfer, Tim. "How to Read the ‘Literary’ in the Literary Market." Zeitschrift für Anglistik und Amerikanistik 69, no. 1 (2021): 9–23. http://dx.doi.org/10.1515/zaa-2020-2026.

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Abstract This essay argues that under contemporary capitalism, all literary production is, at first approximation, commodity production. This has consequences for our understanding of the work of literary studies. We are no longer able to easily recur to preformed theories of the ‘literary’ as a category at least in some way exempt from extrinsic pressures. Attention to the ‘literary market’ remains superficial when it insists on paying attention chiefly to so-called literary fiction on the understanding that it has prima facie higher claims to our attention than popular genre fiction—it does

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Hvala, Tea. "As little as possible for as little as possible." Maska 30, no. 175 (2015): 58–71. http://dx.doi.org/10.1386/maska.30.175-176.58_5.

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On the occasion of the 20th anniversary of the contemporary art festival City of Women, which was dedicated to survival tactics, I discuss the conditions under which it came about and the conditions under which artists or self-employed individuals in the field of culture must work in this time of cuts to public funding of the arts in Slovenia. In the context of selected performances from this year’s City of Women programme, I ask how it is possible to create antagonistic art within the capitalist means of production without the artist and producer burning themselves out in the process and, wit

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Qinqin, Wang, Syed Alwi Syed Abu Bakar, and Niu Ruilin. "Exploration of Innovative Design and Development of Yang's Clay Sculpture." Malaysian Journal of Social Sciences and Humanities (MJSSH) 10, no. 5 (2025): e003059. https://doi.org/10.47405/mjssh.v10i5.3059.

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Yang’s clay sculpture is a unique traditional art form indigenous to Yangpo Village in Wenbao Township, Longde County, Ningxia Hui Autonomous Region. Recognized as a national intangible cultural heritage, its origins date back nearly 200 years to the Daoguang period of the Qing Dynasty (1832) and are deeply rooted in ethnic folk art and traditional sculptural techniques. This study employs a qualitative research approach, integrating field investigation and in-depth interviews to explore the craftsmanship, artistic techniques, and innovative adaptations of Yang’s clay sculpture. The findings r

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Nouruldeen, Khadijah. "AlUla Archaeological Decorations Regarding Ornamental Accessories Using Contemporary Printing Techniques by Metal Surface Treatment." Humanities and Social Sciences 12, no. 6 (2024): 179–92. http://dx.doi.org/10.11648/j.hss.20241206.11.

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The research aimed to explore the use of archeological rock ornamentations from AlUla in designing and manufacturing decorative accessories globally, employing up-to-date printing methods on metal surfaces. AlUla is the place in northwest Saudi Arabia that boasts a very rich cultural tradition expressed through different forms of ancient rock carvings, inscriptions, and decorative motifs. These archaeological constituents represent a great opportunity for the integration of historical art forms with state-of-the-art design practices in line with KSA Vision 2030, set on cultural promotion coupl

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Honcharuk, Serhii, and Vladyslav Marusenko. "Impact of Technology on Electronic Broadcasting Development." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 166–76. http://dx.doi.org/10.31866/2617-2674.6.2.2023.289285.

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The purpose of the article is to analyze the history of television art and electronic broadcasting in Ukraine; to find out the technologies that influence the development of the television industry; to consider the media market offers to the modern viewer and to conduct a comparative analysis of audiovisual works offered by the Internet; to find possible options for synthesis between television and the Internet; to find out the advantages and disadvantages of broadcasting and online media. Research Methodology. The following methods were used: theoretical – to study the historiography of the d

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Honcharuk, Serhii, and Vladyslav Marusenko. "Impact of Technology on Electronic Broadcasting Development." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 166–76. https://doi.org/10.31866/2617-2674.6.2.2023.289285.

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<strong>The purpose of the article </strong>is to analyze the history of television art and electronic broadcasting in Ukraine; to find out the technologies that influence the development of the television industry; to consider the media market offers to the modern viewer and to conduct a comparative analysis of audiovisual works offered by the Internet; to find possible options for synthesis between television and the Internet; to find out the advantages and disadvantages of broadcasting and online media. <strong>Research Methodology. </strong>The following methods were used: theoretical – to

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Skinner, Ryan Thomas. "Money Trouble in an African Art World: Copyright, Piracy, and the Politics of Culture in Postcolonial Mali." IASPM Journal 3, no. 1 (2013): 63–79. http://dx.doi.org/10.5429/595.

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This article presents a genealogy of copyright and its criminalized corollary, piracy, through an emergent politics of culture in Mali, West Africa, over the past half-century. Emphasizing the production, circulation, and performance of music, this history reveals the steadily deepening social, political, and economic precarity that has shaped the subjectivity of the contemporary Malian artist. Framed as a critique, the essay brings the past to bear on the current era of neoliberalism and the anomic disjuncture between an unregulated free market and the disciplinary state institutions that neo

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Lee, Junhaeng, Jae Han Kwon, and Jinsu Park. "Predicting Art Price using Machine Learning and Statistical Models." Korean Data Analysis Society 26, no. 1 (2024): 117–34. http://dx.doi.org/10.37727/jkdas.2024.26.1.117.

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The art market is comprised of complex cultural, economic, and social characteristics and has recently received a lot of attention. Art transactions are carried out in a variety of ways, of which art auctions account for a large portion. We collected auction data on Post-War and Contemporary Art artists born after 1920 from Artnet and implemented an art price prediction model. In addition to the hedonic price model commonly used in existing studies, price prediction performance was compared using various machine learning models such as regression model, random effects model, regularization mod

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Davronovna, Raximova Dilnoza, and Abdikahorov Amirbek Abdirozikovich. "EXPORT POTENTIAL OF BRANDED TEXTILE ENTERPRISES IN UZBEKISTAN ON THE GLOBAL MARKET." International Journal Of Management And Economics Fundamental 4, no. 11 (2024): 171–78. http://dx.doi.org/10.37547/ijmef/volume04issue11-17.

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The article examines the export potential of branded textile enterprises in Uzbekistan on the global market, highlighting the significance of the textile industry as a key sector of the country's economy. The introduction outlines the historical context, from the Silk Road to modern reforms initiated by President Shavkat Mirziyoyev, aimed at modernizing and diversifying the economy. The focus is on the role of government reforms, such as programs for deep processing of cotton and the establishment of special economic zones, which contribute to export growth. The article also analyzes contempor

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Dedinkin, M. O. "Friedrich Wilhelm Brass, Creator of the Genossenschaft for Proletarian Art in Berlin: the First Experience of a Biography." Art & Culture Studies, no. 3 (August 2022): 38–63. http://dx.doi.org/10.51678/2226-0072-2022-3-38-63.

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The purpose of this article is to study the life and activity of Friedrich Wilhelm Brass, founder of Genossenschaft for Proletarian Art in Berlin (1920). Friedrich Wilhelm Brass (1873–1931) throughout his life sought to combine the commercial interests of a contemporary art dealer with the ideas of the social reorganization of the world. One of the first to call himself a communist in Germany, he created in 1920 in Berlin the Genossenschaft for Proletarian Art, the collection of which became the first contemporary western art brought to Soviet Russia. On the basis of this collection kept in th

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Pupparo, P., M. Tufarelli, and M. C. Coppola. "Experimenting in Industrial Product Design. The Case: "Art, Design and Business Project for New Young Talents - Young Culture as a Motor for a New Business Economy in Tuscany”." Proceedings of the Design Society 2 (May 2022): 2175–82. http://dx.doi.org/10.1017/pds.2022.220.

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AbstractThe design of mass-produced products is a design process aimed at the masses, which describes approaches and phenomena in strong transformation. The production techniques, the semantic value of the products, the concept of mass production and the similarities between these factors explain new production and design balances following the latest technological and cultural transformations within contemporary society and the market. The paper discusses and investigates the theme of industrial design aimed at the masses, reporting relevant case studies and experimental tests.

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Bai Ying. "Application of Traditional Painted Decoration and Modern Technology in Ceramic Art Design." Journal of Information Systems Engineering and Management 10, no. 5s (2025): 731–42. https://doi.org/10.52783/jisem.v10i5s.764.

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Introduction: Traditional painted decoration, with its rich cultural heritage and artistic style, plays a vital role in ceramic art design. As a medium for cultural expression, ceramics offer a platform for reinterpreting traditional motifs using modern technologies. Digital design, 3D printing, and AR/VR provide new creative tools, transforming traditional decorations in design techniques, presentation, and user engagement. Objectives: This study explores the integration of digital design, 3D printing, and AR/VR into ceramic art to enhance the visual appeal, precision, and cultural significan

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Diabour, Kwame Kyere, Nyamawero Navei, and Hillia Fuseini Marifah. "Indigenous Basketry Furniture Art in Upper West Region of Ghana: Opportunities and Sustainability." Journal of Innovations in Art and Culture for Nature Conservation and Environmental Sustainability 1, no. 2 (2023): 123–52. https://doi.org/10.60129/jinces.v2i1.00323.

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Basketry, as an artistic discourse, is one of the enviable indigenous heritage arts that evolves with society and is still of great relevance in contemporary African civilisation. Although the primary historical reason for the perpetuation of basketry art in many ancient African societies was largely utilitarian, the scope of basketry has since metamorphosed beyond its functional focus to include aesthetic, economic, and many opportunities that are geared toward meeting the sociocultural and economic needs of African societies. The focus of this qualitative case study was to investigate the op

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Dr., Ashis Kumar Pradhan. "Innovation of Traditional Textile Art and Crafts in North East India." International Journal of Trend in Scientific Research and Development 3, no. 4 (2019): 1193–97. https://doi.org/10.5281/zenodo.3590785.

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India is a combination of multiple worlds. At a time it lives in many centuries and cultures. The world of India's crafts persons spans millennia and spreads across the length and breadth of our rich land, which is apparently observed in cities, towns and in beautiful villages. India opened her market to the multinationals during the era of economic reforms, bringing an end to the license Raj. Now world boundaries are eroding paving way to economic investment across the world, in which developed nation are penetrating and leading in underdeveloped market of third world. If we talk about In

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Chen, Chen, Kailin Teng, and Kexin Xie. "Analysis on the Development Value of Curatorial Commerce." Advances in Economics, Management and Political Sciences 34, no. 1 (2023): 198–203. http://dx.doi.org/10.54254/2754-1169/34/20231707.

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The rapid changes in the development of contemporary society drive exhibitions to create more diversified ideas and ways to cope with the needs of different audiences. In the field of curation, the diversification of ideology and artistic resources is also presented. Commercial curation is a mode of production significance in the field of curation, which leads to the constant elimination of the boundary between art and business. More and more exhibitions are connected with commercial activities. For the modern society with increasingly vigorous material and cultural demands, curation plays an

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BRAIDE, O. O. "STYLISTIC FEATURES OF CONTEMPORARY ADIRE IN NIGERIAN TEXTILE PRACTICE." Journal of Humanities, Social Science and Creative Arts 11, no. 1 (2017): 106–18. http://dx.doi.org/10.51406/jhssca.v11i1.1698.

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With the whole lot of innovation the adire textile is going through, the indigenous craft still maintained and retained its cultural values among its various users most especially the Yoruba people. The paper therefore examines the styles and forms of contemporary adire in Nigeria, its distribution and entrepreneurship. Of further interest is the wide gamut of other product which Kampala technique images have been adapted. From clothing to postcard and house hold decoration items. Examination of contemporary adire and its mellowed design, ease of production and recent acceptance as wearable fa

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Zhan, Sudan, and Wan Jamarul Imran Wan Abdullah Thani. "EMBRACING TRADITIONS AND INNOVATIONS OF SUIXI LION HEADS IN LION DANCE PERFORMANCES IN CHINA." International Journal of Applied and Creative Arts 6, no. 1 (2023): 65–90. http://dx.doi.org/10.33736/ijaca.5663.2023.

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This study investigates the incorporation of traditions and innovations in the use of Suixi Lion Heads in lion dance performances in China. Suixi Lion Heads are a form of folk art that has been passed down through generations, and their design incorporates new elements while still maintaining their traditional essence. Through an analysis of the visual symbols and production process of Suixi Lion Heads, this study explores how the balance between tradition and innovation has contributed to their popularity and success in lion dance performances. The simplified production process of Suixi Lion

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Krupenya, Iryna, and Vladylena Sokyrska. "Ukraine – ASEAN: new opportunities for strengthening partnership." Acta de Historia & Politica: Saeculum XXI, no. 08 (June 16, 2024): 88–98. http://dx.doi.org/10.26693/ahpsxxi2024.08.088.

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The article provides a comprehensive scientific analysis of the current state of relations between Ukraine and ASEAN. The article considers promising areas of cooperation between them in the areas of food, agriculture, digitalisation, trade, energy, disaster management, demining, and socio-cultural cooperation. The author outlines Ukraine’s advantages in the field of agriculture and its ability to make a significant contribution to the sustainable supply of products to the ASEAN markets, given the production potential that far exceeds the needs of the domestic market. The article considers Ukr

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hockx, michel, and julia strauss. "introduction." China Quarterly 183 (September 2005): 523–31. http://dx.doi.org/10.1017/s0305741005000330.

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this collection offers a variety of perspectives on culture in contemporary china. we begin and end with pieces by jing wang and deborah davis on the production and consumption of culture in general, before moving on to three specific areas: visual culture, music and poetry. jing wang's opening piece on “bourgeois bohemians” (bobos) in china revolves around the all-important question of how taste is constructed and a multiplicity of lifestyles imagined. in china as elsewhere in the world, lifestyles are first imagined and transmitted through advertising. wang describes how marketing campaigns

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Portnova, Tatiana. "Historical Aspects of Project Technologies Development and Opportunities for their Use in Scenic Arts." Space and Culture, India 6, no. 4 (2018): 48–56. http://dx.doi.org/10.20896/saci.v6i4.380.

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The author considers historical trends in the development of project technologies in the arts. Various project and artistic solutions are analysed with the focus on various historical periods and styles, from the Ancient East to the Modern Age. An emphasis is placed on the era itself, which required a new approach to the organisation of theatrical enterprises and the performance production principles. The article also reveals the specifics of projects as a type of the human creative activity and defines the role of the project method as a system of unique and clearly defined actions aimed at o

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Osodlo, Vasyl, Oleh Rybchuk, and Viktoriia Krykun. "Organizational Culture as a Basis for Efficient Development of Organization." Management and Business Research Quarterly 17 (February 2021): 18–30. http://dx.doi.org/10.32038/mbrq.2021.17.02.

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The article is devoted to the study of non-material assets of an organization development, particularly of organizational culture as a basis of effective development of an organization. The hypothesis lies in the fact that specific features study of organizational culture of a company provides possibility of objective evaluation of a degree of stability of organization, its ability for competition, allows to predict the important directions of management decisions, and a possibility of achievement of planned results. The tendencies concerning the transformations of contemporary management of o

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Alfaro-Viquez, David, Mauricio Zamora-Hernandez, Michael Fernandez-Vega, Jose Garcia-Rodriguez, and Jorge Azorin-Lopez. "A Comprehensive Review of AI-Based Digital Twin Applications in Manufacturing: Integration Across Operator, Product, and Process Dimensions." Electronics 14, no. 4 (2025): 646. https://doi.org/10.3390/electronics14040646.

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Digital twins (DTs) represent a transformative technology in manufacturing, facilitating significant advancements in monitoring, simulation, and optimization. This paper offers an extensive bibliographic review of AI-Based DT applications, categorized into three principal dimensions: operator, process, and product. The operator dimension focuses on enhancing safety and ergonomics through intelligent assistance, utilizing real-time monitoring and artificial intelligence, notably in human–robot collaboration contexts. The process application concerns itself with optimizing production flows, iden

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Osodlo, Vasyl, Oleh Rybchuk, and Viktoriia Krykun. "Organizational Culture as a Basis for Efficient Development of Organization." European Journal of Studies in Management and Business 17, no. 2 (2020): 18–30. https://doi.org/10.32038/mbrq.2021.17.02.

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The article is devoted to the study of non-material assets of an organization development, particularly of organizational culture as a basis of effective development of an organization. The hypothesis lies in the fact that specific features study of organizational culture of a company provides possibility of objective evaluation of a degree of stability of organization, its ability for competition, allows to predict the important directions of management decisions, and a possibility of achievement of planned results. The tendencies concerning the transformations of contemporary management of o

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