Relevant bibliographies by topics / Art medal

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art medal'

Author: Grafiati
Published: 2 June 2025
Last updated: 22 June 2025

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Journal articles on the topic "Art medal"

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Василь, Гурмак. "МЕДАЛЬ: ПРОБЛЕМИ ЖАНРОВОЇ КЛАСИФІКАЦІЇ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 214–20. https://doi.org/10.5281/zenodo.33961.

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The article continues to explore the problems of contemporary medal art, focusing on the difficulties of defining the genre of different coins. Classification by genre accepted  in Ukrainian art criticism today is  inherited from the Soviet era and is chronologically and ideologically obsolete. The article proposes a different method of determining genre of medals based on  historical development of the medal art from Antiquity to the present.
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Волкова, Ульяна Михайловна. "Moscow in the Russian medallic art." Искусство Евразии, no. 2(17) (June 27, 2020): 116–25. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.007.

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В статье рассматриваются медали, созданные в Российской империи в XVIII – начале XX века, с изображением города Москвы. В течение XVIII века была отчеканена всего одна медаль с таким изображением – на основание Московского университета. Все памятники XIX – начала XX века с изображением древней столицы можно разделить на три типа – это виды Кремля, различные сооружения и персонифицированный образ города. Персонификация Москвы – самый увлекательный медальный образ старой столицы. С этой аллегорией существует всего три медали. Первая персонификация Москвы была показана на медали, посвященной Отечественной войне 1812 года – «Освобождение Москвы», отчеканенной в 1834 году и принадлежащей к серии графа Ф.П. Толстого. Одеяние аллегорического персонажа соответствует русской моде начала XIX века и включает стилизованный сарафан и кокошник. На примере трех проанализированных медалей с изображением персонификаций Москвы автор прослеживает основные изменения, произошедшие в отечественном медальерном искусстве – от первых попыток включить элементы традиционной культуры в европейское по своей сути искусство до композиций, созданных на основе исторических источников и научных трудов. The article deals with the images of Moscow in the Russian medallic art of the 18th – beginning of the 20th century. Only one medal with the view of Moscow Kremlin was struck during 18th century. It was a medal dedicated to the inauguration of the Moscow University in 1754 by Helvetian medallieur Jacques-Antoine Dassier. During 19th – beginning of the 20th century, there were three types of the images of Moscow on the Russian medals. Moscow Kremlin, some landmark buildings or personification of the town are the main images depicted on the medals. Personification of Moscow is the most fascinating medallic image of the old capital. There were only three medals with this allegory. First personification of Moscow was shown on a medal dedicated to the Patriotic war of 1812 – “Liberation of Moscow” belonging to the series of count F.P. Tolstoy, minted in 1834. Allegory was dressed according to the Russian fashion of the beginning of the 19th century. And wore stylized sarafan (Russian folk costume) and kokoshnik (traditional Russian headdress). Two other personification were depicted after the first one.
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Bourne, Simon. "Prestressing: recovery of the lost art." Structural Engineer 91, no. 2 (2013): 12–22. http://dx.doi.org/10.56330/fhex5494.

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Recipient of IABSE's 2012 Milne Medal, Simon Bourne, draws on 30 years of bridge design experience, to encourage engineers to consider simplicity over complexity when designing post-tensioned bridges. This paper is based on Simon's Milne Medal Lecture.
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Daub, Eugene, and Bev Mazze. "The Contemporary Art Medal in America." Sculpture Review 69, no. 1 (2020): 8–14. http://dx.doi.org/10.1177/0747528420926810.

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Demian, Nicoleta. "Fier şi “amintire”. Medalii de Anina din colecţia Muzeului Naţional al Banatului din Timişoara (sfârşitul sec. al XIX‑lea – începutul sec. al XX‑lea)." Banatica 1, no. 34 (2024): 469–93. https://doi.org/10.56177/banatica.34.2024.art.25.

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The items presented are four medals cast from an alloy in which iron predominates, with a diameter between 80 and 104 mm and a weight between 200 and 400 grams, preserved in the collection of medals at the National Museum of Banat in Timişoara (MNaB). These medal items suggest an interesting story being produced in Banat, at the Iron Works, Anina, which belonged to the Railroad Company, StEG (K. K. privilegierte Österreichische Staats Eisenbahn Gesellschaft). At Anina they used to make cast items intended for commercialization; at this foundry, they produced from the finest decorative items, dishes, and stoves, to the heaviest components for industrial machinery. The medals are presented in chronological order: medal – the 7th general meeting of the Association of Primary Teachers in Caraş-Severin county (June 29, 1901), unknown provenance; medal – commemorating the consecration of the Roman-Catholic Church from Anina (1901), unknown provenance; two medals dedicated to dr. Leitner Miksa/Max, the chief physician of Caraş-Severin county (September 29, 1907) on the anniversary of 25 years of activity (1882–1907), one of which was donated to the museum by Lendvai Sándor in 1908. Although they have the same representations on the obverse and reverse, the two medals differ not only in terms of execution but also in the alloy’s composition. In the collection of the MNaB, there was another item like those mentioned above, which is currently in the collection of the National History Museum of Romania in Bucharest, having been definitively transferred in 1974: medal – in memory of the trip to Anina of the participants in the Mining Congress (September 18, 1885). The medal was donated to the Museum from Timişoara in 1889 by Franz Blaskovich (1864–1937) from Timişoara, an important personality of the Swabians in Banat. Starting from documents preserved in archives and the information found in mining magazines and the newspapers of the time, one can find details about each of the events marked by these medals: the 7th general meeting of the Association of Primary Teachers in Caraş-Severin county, held at Anina in June 29, 1901; the consecration of the Roman-Catholic Church at Anina în 1901; the anniversary in 1907 of dr. Leitner Max (1856–1934), the chief physician of Caraş-Severin county and biographical information about him; the Congress of mining, metallurgy and geology held in Budapest between September 14–16, 1885, and the trip to Anina in September 18, 1885. It is possible that medals for other mining centres were also ordered at Anina, or in certain cases the medals cast at Anina might have represented models for other medals of this kind. Two examples are presented: a medal from the mine in Borod (located east of Oradea), dated June 11, 1901, and the series of medals dedicated to the Feast of St. Barbara, December 4, made in Pécs between 1891 and 1899. Medals cast at Anina, found in the collections of other museums in Banat, are mentioned (the Mountainous Banat Museum in Reşiţa: a medal – AVT – Aninai Vasut Társaság / the Railroad Company, Anina, October 10, 1885, an almost unknown variant); in private collections: in Anina (the Mosoroceanu collection) and Timişoara or those appeared in recent years in the context of online auctions. At the same time, reference is also made to the decorative art objects produced in the fine/artistic foundry workshop in Anina: statuettes with hunting scenes (for the shooting associations in the mountainous Banat in the second half of the 19th century), decorative plates with mythological scenes (for collectors), presse-papiers, imperial busts, candlesticks, etc. The iron decorative art objects, cast in Anina, found in the collection of Ormós Zsigmond (1813–1894), the founder of the museum in Timişoara, as well as those found in the collection of decorative art of the Museum in Timişoara in 1909, are also mentioned. Some were related to the donations of Ormós Zsigmond, Lendvai Sándor, and Molnár Lajos, some others were purchased by the museum in 1902 directly from the artistic foundry in Anina for the price of 109 crowns. All the items were exhibited for the public in the permanent exhibition at the first headquarters of the museum in Timişoara, Lonovics street, no 8 (today Augustin Pacha street). Medalist Anton Rudolf Weinberger (1879–1936), a refined portraitist of many personalities (some from Banat), born in Reşita, later settled to Vienna, also spent a lot of time in this artistic foundry workshop. The medals presented certify both the technical and artistic level of those who created them, as well as the activity at the artistic foundry in the second half of the 19th century until the World War I. The special documentary value of these medals is noteworthy, recalling special events in the life of the local community (gatherings, trips, anniversaries, church consecrations) or local personalities connected to a period of time so well described by the following words: “coal, steam, iron, and steel“.
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Smith, David B. "Curling medals with miniature stones." Proceedings of the Society of Antiquaries of Scotland 139 (November 30, 2010): 377–84. http://dx.doi.org/10.9750/psas.139.377.384.

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This paper describes a small group of exuberantly designed and skilfully executed medals which wereproduced between 1842 and 1858 as trophies in the game of curling. For much of the 19th century,the main trophy of the game was the medal, which was competed for annually, or as frequently asthe weather permitted. The winner, or winners then held the medal until the date of the next contest.These medals were not designed to be worn; they were to be displayed and admired rather like smallworks of art. This group is very unusual, in that miniature stones and various other implements ofthe game are set upon the obverse.
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Burd, Gary. "A modern medal." Biochemist 24, no. 4 (2002): 46–47. http://dx.doi.org/10.1042/bio02404046.

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The new Biochemical Society Award is to be presented this year to Steven Rose and Bernard Dixon for their outstanding contribution to the field of science communication. This is the first year that this award has been given, and consequently, a new medal was needed. The Society enlisted the help of Martin Kemp, Professor of Art History at the University of Oxford, to choose an artist who would design a medal that pushed the boundaries of design. Consequently, Mirjam Mieras, a Dutch medal designer was commissioned.
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Baranyi, Anna. "Fülöp Ö. Beck’s Liszt Interpretation in His 1911 Series of Plaques." Studia Musicologica 55, no. 1-2 (2014): 157–68. http://dx.doi.org/10.1556/6.2014.55.1-2.11.

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During his lifetime hundreds of portraits were made of Ferenc Liszt in a great diversity of genres by foreign and Hungarian artists alike. Medallists also commemorated Liszt on the centenary of his birth in 1911. Numerous one-sided medals and plaques were cast or struck but some of them, like that of Fülöp Ö. Beck, do have motives on the reverse as well. Beck had been working on a Liszt plaque for years. The starting inspiration was the Liszt mask he had personally received from the aging sculptor Alajos Stróbl. He prepared several designs for the reverse. The series of the reverse variations is significant because Beck’s aim was not to present an allegory about Liszt’s figure or create symbols for his compositions as was the custom in medal art, but to capture the essence and the infinity of music. Fülöp Ö. Beck’s Liszt plaque is an outstanding exponent not only of the Hungarian but the international medal art.
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Микола, Гурмак. "Технології виготовлення медалей — від міфу до історії". ВІСНИК Львівської національної академії мистецтв, № 28 (19 травня 2016): 189–204. https://doi.org/10.5281/zenodo.51664.

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The article is about the gap between the technique means and figurative filling of modern medal art. Author studies a comparison of contemporary proportion between technique and image of medal and the same proportion of the Ancient, Middle-aged and Renaissance medal and coin. The way to get over this gap is also proposed. The author notes that the rises of medal art in previous eras were associated with the consummation of the combining of an image and a technology — in ancient times the mythology was taken as the basis of such a unity, in medieval times its place as a basis was replaced by the natural-philosophical school like alchemy. Forasmuch neither of these foundations is suitable for contemporary artists, each of them should develop the own unique version of «technique spirituality».
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Rokita, Jan Gustaw. "Medale Stefana Batorego. Uwagi ikonograficzne." Studia Europaea Gnesnensia, no. 26 (January 27, 2025): 45–83. https://doi.org/10.14746/seg.2024.26.3.

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The author of this paper discusses twenty-six works of art, including medals, coins, portrait engravings, emblems as well as specimens of woodcarving and sculpture. Apart from a detailed analysis of the medallic legacy of Stefan Batory, the aim of this study is to find and describe works of art that a medallic artist might have been exposed to when commissioned by the king or his immediate circle to fashion a medal. Having identified direct sources of inspiration for seventeenth-century artists, it has been possible to offer a better explanation of how Stefan Batory promoted his own indisputable political or military achievements.
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Dissertations / Theses on the topic "Art medal"

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Karlsson, Björn. "Minne och framtidstro i svensk historia : ett urval i svensk medaljkonst." Thesis, Högskolan på Gotland, Institutionen för humaniora och samhällsvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-732.

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Medaljen har sitt ursprung i det medeltida Italien och kom till Sverige först på 1500-talet. Den har som uppgift att förmedla ett budskap i form av att minna om en speciell person eller händelse. På medaljerna förekommer en hel del symboler och tecken. Dessa symboler är avsedda att stå för en speciell uppfattning, eller att förmedla en gärning, något den personen medaljen är slagen över gjorde sig känd för under sin levnad. Syftet med detta arbete är att försöka få klarhet i hur man skall kunna tolka en medalj och dess text. Kan symboliken på medaljerna tydas på något vis, och har olika medaljgravörer någon speciell stil man kan känna igen denne på? Finns det varierande stilar från olika epoker, eller är någon stil mer gångbar eller mer banbrytande än andra? Finns det en koppling till åtsida och frånsida, och kan man skönja ett mer dolt budskap vid tolkningen?
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Gabrielsen, Natalia Marie, and Natalia Marie Gabrielsen. "'Ideal Vehicles': Medallic Circuitry in Nineteenth-Century Portraits of Native Americans." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626399.

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I examine the mobility and circulation of peace medals featured in nineteenth-century portraiture of Native Americans through the lens of object-oriented ontology. This research strives to establish a different perspective for considering nineteenth-century portraiture of Native Americans by situating the works through the framework of materiality and circulation. By applying this approach to a series of portraits of Native Americans with peace medals, my research seeks to define issues of movement and power within the transient, fluctuating space of the nineteenth-century American frontier. To accomplish this, I trace the production and distribution of peace medals within paintings widely viewed at the time, as well as the movement of groups and individuals involved with transporting and receiving the medals. Tracking these objects and their mechanisms of movement within the visual culture of the nineteenth century, indicating not only the thing itself but also its processes of production and movement, reveals a dimension of specificity to pictorial narratives, even as the exhibited artworks promoted generalized ideals regarding Indian policy through their circulation. I follow the peace medals’ logistics of production and transit to underscore issues of value and currency on the American frontier, highlighting the ways in which peace medals and the artwork depicting them participated in narratives of Native displacement.
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Baird, David A. "Architecture and art /." Online version of thesis, 1990. http://hdl.handle.net/1850/11313.

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Morgan, Mark Williams. "The art of rokusho /." Online version of thesis, 1990. http://hdl.handle.net/1850/11513.

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Min, Jun Suk. "Movements for enjoyment /." Online version of thesis, 2008. http://hdl.handle.net/1850/7790.

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Jönsson, Pär Göran. "Arc parameters and metal transfer in gas metal arc welding." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/12470.

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Entwistle, Jeremy. "Metal casting the fire of art and industry /." Morgantown, W. Va. : [West Virginia University Libraries], 2007. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5179.

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Thesis (M.F.A.)--West Virginia University, 2007.<br>Title from document title page. Document formatted into pages; contains iii, 45 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 43).
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Kim, Yong-Seog. "Metal transfer in gas metal arc welding." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/14199.

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Bashir, Majedah. "Floral images in metal." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/724965.

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This creative project will culminate in a show of twenty-five pieces of metalwork, both wearable and sculptural, using as source material the rich tradition the floral imagery found in Islamic arts. Specifically the pieces will be based on the art of the Persian Gulf area. sources will be floral images as expressed in architectural elements, fabric, tiles, and other related arts or crafts.<br>Department of Art
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Clevenger, Kathleen. "The art of Japanese sagemono ensembles in metals." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935917.

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The primary objective of this creative project was the exploration of Japanese sagemono ensembles and the metal working techniques needed for their creation. Sagemono ensembles are hanging accessories worn by the Japanese men of the 16th through the early 20th centuries. The secondary objective was to design and construct four sagemono ensembles using both traditional Japanese themes and patterns along with more contemporary motifs which emerged from the artist's explorations of the original Japanese ensembles. This body of work required a variety of traditional metalsmithing techniques including: complex sheet constructions, photoetching, copper-plating and forming, inlay, and casting.<br>Department of Art
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Books on the topic "Art medal"

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Francesco, Sponzilli, and Abela Mario, eds. The art of the medal =: L'arte della medaglia. Cathedral Museum, 1993.

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Frohardt, Darcie Clark. Teaching art with books kids love: Teaching art appreciation, elements of art, and principles of design with award-winning children's books. Fulcrum Resources, 1999.

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K, Scher Stephen, ed. Perspectives on the Renaissance medal. Garland Pub., 2000.

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Art, Freer Gallery of. Tenth presentation of the Charles Freer Medal, October 1, 1998. Freer Gallery of Art, Smithsonian Institution, 1998.

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Art, Freer Gallery of. Twelfth presentation of the Charles Lang Freer Medal, November 18, 2010. Smithsonian Institution, 2010.

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Art, Freer Gallery of. Eleventh presentation of the Charles Lang Freer Medal, April 5, 2001. Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery, 2001.

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Harris, Elizabeth M. The art of medal engraving: A curious chapter in the development of 19th century printing process. Bird & Bull Press, 1991.

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Soper, Alexander Coburn. A case of meaningful magic. Freer Gallery of Art, Smithsonian Institution, 1990.

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Soper, Alexander Coburn. A case of meaningful magic. Freer Gallery of Art, Smithsonian Institution, 1990.

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John, Pollini, and McCann Anna Marguerite, eds. Terra marique: Studies in art history and marine archaeology in honor of Anna Marguerite McCann on the receipt of the gold medal of the Archaeological Institute of America. Oxbow Books, 2005.

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Book chapters on the topic "Art medal"

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Yamada, Toshiaki. "The Transformation of the International Art Medal Federation (FIDEM) Congress and Exhibit During a Global Pandemic." In ACS Symposium Series. American Chemical Society, 2022. http://dx.doi.org/10.1021/bk-2022-1427.ch008.

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Canau, António. "The poetics of the author in José S. Teixeira’s work: Innovation and the overcoming of conventional limits in the medal as an art form." In Tradition and Innovation. CRC Press, 2021. http://dx.doi.org/10.1201/9780429297786-53.

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Mallinson, Jonathan. "2. 1901–04: The End of the Beginning." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.02.

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Moorcroft is seen to be moving in a quite different direction from chemist potters such as Elton, Howson Taylor, Noke (at Doulton) or Burton (at Pilkington), who experimented with largely unornamented glaze effects. As well as developing new colours, he was exploring the design potential of different decorative motifs, not least trees and toadstools; diary entries suggest an increasingly close collaboration with Liberty’s, who actively promoted his most innovative work. Articles in The Studio and the Art Journal increased his reputation in the UK, and in the US he was the subject of an important article in Keramic Studio. He was attracting attention not just as a chemist potter, but as a designer, and as an individual, his work increasingly referred to by his name, not that of Macintyre’s. This artistic creativity was complemented by extensive marketing and continued commercial success. His diaries record frequent sales trips, and growing US interest from stores such as Spaulding &amp; Co (Chicago), Marshall Field &amp; Co. (Chicago), Wanamaker’s (New York). The culmination of this collaboration was Macintyre’s participation at the 1904 Louisiana Purchase Exhibition in St Louis, where Moorcroft won a Gold Medal, the highest award for an individual exhibitor.
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Noble, Petria. "A Brief History of Metal Soaps in Paintings from a Conservation Perspective." In Metal Soaps in Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90617-1_1.

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Rosi, Francesca, Laura Cartechini, Letizia Monico, et al. "Tracking Metal Oxalates and Carboxylates on Painting Surfaces by Non-invasive Reflection Mid-FTIR Spectroscopy." In Metal Soaps in Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90617-1_10.

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Salvadó, Nati, Salvador Butí, Trinitat Pradell, Victòria Beltran, Gianfelice Cinque, and Jordi Juanhuix. "Identification and Distribution of Metal Soaps and Oxalates in Oil and Tempera Paint Layers in Fifteenth-Century Altarpieces Using Synchrotron Radiation Techniques." In Metal Soaps in Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90617-1_11.

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Thoury, Mathieu, Annelies Van Loon, Katrien Keune, Joen J. Hermans, Matthieu Réfrégiers, and Barbara H. Berrie. "Photoluminescence Micro-imaging Sheds New Light on the Development of Metal Soaps in Oil Paintings." In Metal Soaps in Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90617-1_12.

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Martínez-Casado, Francisco J., José A. Rodríguez-Cheda, Miguel Ramos-Riesco, María Isabel Redondo-Yélamos, Fabio Cucinotta, and Alejandro Fernández-Martínez. "Physicochemistry of Pure Lead(II) Soaps: Crystal Structures, Solid and Liquid Mesophases, and Glass Phases – Crystallographic, Calorimetric, and Pair Distribution Function Analysis." In Metal Soaps in Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90617-1_13.

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Burnstock, Aviva. "Taking Different Forms: Metal Soaps in Paintings, Diagnosis of Condition, and Issues for Treatment." In Metal Soaps in Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90617-1_14.

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Klaassen, Lizet, Geert van der Snickt, Stijn Legrand, et al. "Characterization and Removal of a Disfiguring Oxalate Crust on a Large Altarpiece by Hans Memling." In Metal Soaps in Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90617-1_15.

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Conference papers on the topic "Art medal"

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Kane, Prasad Laxman, Terry Wood, Ghulam Haider, Alireza Asgharpour, and Siamack A. Shirazi. "State of the Art Erosion Control Technology." In MPWT 2019. NACE International, 2019. https://doi.org/10.5006/mpwt19-15301.

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Absrract Erosion of piping systems is a significant issue for many operators of hydrocarbon infrastructure causing a significant loss in revenue and an increase in installations, repair and maintenance costs. Currently, the use of erosion resistant coatings, reduction of flow rates and replacement/repair are the only mitigation controls against erosion. INTECSEA has been developing a novel Erosion Control Technology (ECT) that can reduce the impact of erosion on piping via the strategic placement of custom engineered inserts into the product stream. The two phases of ECT prototype testing under real-field multiphase conditions representing gas condensate fields have been performed at the E/CRC (The University of Tulsa). The superficial gas velocity (VSG) was varied from 31 m/s to 23 m/s with the superficial liquid velocity (VSL) fixed at 0.04 m/s and the sand particles were varied from 300 μm to 75 μm. The metal loss due to erosion was monitored using a set of UT probes in two consecutive elbows spaced 11D apart oriented in a vertical-horizontal loop. The erosion tests using prototype ECT inserts have shown a significant reduction in erosion at both the gas flow conditions. Computational Fluid Dynamics (CFD) has been a backbone in developing this technology and CFD results have shown good correlation with the physical tests. Discussions with leading operators for a field trial targeted for 2020 is ongoing.
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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvian medallists varied individually. Many medals were realistic. They accurately showed pictorial likeness of cultural personalities or allegorically depicted philosophical ideas and existential issues. More than few artists responded via means of a tiny art medal to events near and far away, for instance to the war in Ukraine. Then some medals were quite abstract and nonrepresentational while still successfully revealing a purposeful association. Couple of medals were merely decorative, inducing joyful visual perception. Mostly being low relief medals, these small sculptural works also differed in form, size and material. Round and rectangular medals appeared classical by traditional convention. Free shape medals were not restricted by pure geometry, but rather accented characteristic silhouette of a particular image. Eventually the technique of sculpture proved to be an important factor. Half of the medallists made casts, produced in general out of bronze. The rest fabricated their work of composed substances, ceramic materials or created medals in mixed media, even experimented in intermediate art form. Works of Latvian medallists are being collected. Latvian museums have a great number of medals in their stocks. There is the museum of medallic art at Dundaga castle with permanent as well as changing collections.
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Ковалева, Т. В. "PORTRAIT OF V. I. MUKHINA ON A COMMEMORATIVE MEDAL: A SYMBOL OF SUCCESS AT LENINGRAD VERA MUKHINA HIGHER SCHOOL OF ART AND INDUSTRY." In Вера Мухина — гордость России. К 135-летию со дня рождения выдающегося советского скульптора. Crossref, 2025. https://doi.org/10.54874/9785605245841.2024.01.05.

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Рассматривается как произведение медальерного искусства памятная медаль с портретом В. И. Мухиной, посвященная 20-летию ЛВХПУ им. В. И. Мухиной; изучается история создания медали, определяется ее автор, прослеживаются основные этапы его творческой жизни. A commemorative medal with a portrait of V. I. Mukhina, dedicated to the 20th anniversary of the reconstruction of the Leningrad Vera Mukhina Higher School of Art and Industry, is considered as a work of medal art; the history of the creation of the medal is studied, its author is determined, the main stages of his creative life are traced.
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Duchêne, Yves, Sébastien Seret, Vincent de Ville de Goyet, Jérome Ligot, Edouard Verstraelen, and Arnaud Philippart. "The Arc Majeur, when art challenges technology." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.1658.

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&lt;p&gt;The “Arc Majeur” is a curved metal boxes with a square section of 2,25 m culminating about 60 m high. The square section of the arc is likely to produce vortex-induced vibrations in the direction perpendicular to that of the wind. The main arc is therefore equipped with a "Tuned Mass Damper" (TMD).&lt;/p&gt;&lt;p&gt;In the case of the “Arc Majeur”, the proper functioning of the damper is essential because the amplitudes of vibrations reached under vortex-induced vibrations would cause the arc to break. A monitoring system continuously records the vibrations of both the damper and the structure and transmits alerts in the event of a malfunction.&lt;/p&gt;&lt;p&gt;A live post processing has been developed to verify that the damper functions as intended, and that the overall vibration amplitude remains small. The results of the first year of monitoring are presented in this paper.&lt;/p&gt;
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5

LANZERSTORFER, Christof, and Christian BRUNNER. "Electric arc furnace dust: characterization of flowability." In METAL 2023. TANGER Ltd., 2023. http://dx.doi.org/10.37904/metal.2023.4626.

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KOZŁOWSKI, Sławomir, Konrad KOŁTUN, Katarzyna JANIK, and Łukasz BANASIK. "Breakages of Søderberg Electrodes during Submerged Arc Furnaces start-up." In METAL 2023. TANGER Ltd., 2023. http://dx.doi.org/10.37904/metal.2023.4676.

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TIMOSHENKO, Sergii, Aleksii SMIRNOV, and Eduard NIEMTSEV. "INCREASING ENERGY EFFICIENCY OF ARC STEELMAKING FURNACE WITH ELECTROMAGNETIC STIRRING." In METAL 2021. TANGER Ltd., 2021. http://dx.doi.org/10.37904/metal.2021.4080.

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8

Matuszewski, Mateusz, Radoslav Koňár, Daniel Harmaniak, and Andrzej Zaborski. "Computational methods of heat affected zone determination during Arc Weld surfacing." In METAL 2020. TANGER Ltd., 2020. http://dx.doi.org/10.37904/metal.2020.3531.

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GOSPODINOV, Danail, Nikolay FERDINANDOV, Mariana ILIEVA, and Rossen RADEV. "Mechanical properties of submerged arc weldments of high strength steel S960QL." In METAL 2024. TANGER Ltd., 2024. http://dx.doi.org/10.37904/metal.2024.4943.

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ŠULCOVÁ, Petra, Marek VOSTŘÁK, Jakub ANTOŠ, and Kateřina LENCOVÁ. "Improving performance and service life of Rail vehicles components by twin wire arc spraying." In METAL 2020. TANGER Ltd., 2020. http://dx.doi.org/10.37904/metal.2020.3570.

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Reports on the topic "Art medal"

1

Author, Unknown. L51569 Hyperbaric Shielded Arc Welding. Pipeline Research Council International, Inc. (PRCI), 1987. http://dx.doi.org/10.55274/r0010561.

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A series of both manned and unmanned welds were completed in a hyperbaric chamber for depths between 100-500 feet. The effect of SMA welding with DEEN specifically, the weld metal carbon and oxygen levels, weld strength and ductility, weld metal toughness and HAZ hardness.Cranfield Institute of Technology
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2

Nixon, J. H. PR-171-419-R01 Pulsed Gas Metal Arc Welding. Pipeline Research Council International, Inc. (PRCI), 1986. http://dx.doi.org/10.55274/r0011699.

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3

Dragoslav Radosavljevic, Dragoslav Radosavljevic. Are whip spiders aficionados of metal? Experiment, 2018. http://dx.doi.org/10.18258/10792.

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4

Siewert, Thomas A. Control of gas-metal-arc welding using arc-light sensing. National Institute of Standards and Technology, 1995. http://dx.doi.org/10.6028/nist.ir.5037.

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สิโรตมรัตน์, สัตถาพร. การผลิต การแยก และคุณสมบัติของสารปฏิชีวนะจากแบคทีเรียจำพวกแอคติโนมัยสีท (Act inomycetes) : รายงานการวิจัย. จุฬาลงกรณ์มหาวิทยาลัย, 1994. https://doi.org/10.58837/chula.res.1994.9.

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ได้แยกสารปฏิชีวนะจากน้ำหมัก (fermentation broth) และเส้นใย (mycelia) ของเชื้อ Streptomyces sp. 74-3 ซึ่งแยกได้จากดินในประเทศไทย โดยเลี้ยงเชื้อในอาหารเหลวดัดแปลงจาก glucose soybean meal medium มีแป้งมันสำปะหลังเป็นแหล่งคาร์บอนและถั่วเหลืองบดเป็นแหล่งไนโตรเจน ให้สารปฏิชีวนะซึ่งสามารถยับยั้งการเจริญของแบคทีเรียแกรมบวก คือ Staphylococcus aureus ATCC 6538P ได้ดี สารปฏิชีวนะที่ผลิตได้นำมาทำให้บริสุทธิ์โดยการสกัดด้วยตัวทำละลายคลอโรฟอร์มและเอธิลอะวิเตต พบว่าสารปฏิชีวนะเป็นสารพวก non-polar นำมาทำให้บริสุทธิ์ยิ่งขึ้นด้วยวิธีทางโครมาโตกราฟฟีได้สารบริสุทธิ์ คือ N₅ เมื่อได้ศึกษาคุณสมบัติของสารในการยับยั้งการเจริญของเชื้อจุลินทรีย์ (MIC) ทราบว่ายับยั้งการเจริญของเชื้อแกรมบวกได้ดีกว่าแกรมลบ แต่ไม่สามารถยับยั้งการเจริญของเชื้อราและยีสต์ได้
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Begg, Darren. PR-214-124506-R02 Toughness and Strength of Sub-Arc Double Jointed High Strength Pipe. Pipeline Research Council International, Inc. (PRCI), 2017. http://dx.doi.org/10.55274/r0011418.

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Current design of pipelines calls for overmatching weld metal tensile strength, forcing deformation to occur in the base material and not in the weld. If straining of the weld metal were to occur, higher levels of weld metal toughness would be required to prevent fracture initiation from pre-existing defects. There are three known issues related to the Submerged Arc Welding (SAW) double jointing of pipeline steels: - Consistently achieving weld metal strength and toughness requirements. - Heat affected zone (HAZ) softening of the base material. - Lack of an accepted test protocol for the entire range of pipe grades. The results herein will help improve the quality and efficiency of SAW welding in double jointing for all pipeline steels, and enhance industry's ability to complete double jointing and standardize its acceptance, and will improve construction efficiency, pipeline reliability and safety by addressing this important research gap in transmission pipeline welding.
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Cooke, April, and John Slotwinski. Properties of Metal Powders for Additive Manufacturing: A Review of the State of the Art of Metal Powder Property Testing. National Institute of Standards and Technology, 2012. http://dx.doi.org/10.6028/nist.ir.7873.

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8

Author, Unknown. L51567A Filler Wire Carbon and Residual Element Content on Mechanized Gas-Metal-Arc-Welds. Pipeline Research Council International, Inc. (PRCI), 1987. http://dx.doi.org/10.55274/r0011371.

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This Annual Summary Report covers the first year's work from March 19, 1986 to April 17, 1987 related to evaluating the use of solid-wire, gas-metal-arc-welding (GMAW) process on control-rolled pipe steels.
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9

Morrison, K. G. PR-214-9109-R01 Application of Pulsed Gas Metal ARC Welding to Pipeline Construction. Pipeline Research Council International, Inc. (PRCI), 1992. http://dx.doi.org/10.55274/r0011832.

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Evaluates the use of high strength micro-alloyed steels in pipeline construction for the potential savings in material, materials handling, and welding construction costs. Pulsed- Gas Metal Arc Welding (P-GMAW) is considered the most appropriate welding process to join these materials since high quality, low hydrogen welds with excellent mechanical properties are possible.
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10

Brown, I. G., B. Feinberg, and J. E. Galvin. Multiply stripped ion generation in the metal vapor vacuum arc. Office of Scientific and Technical Information (OSTI), 1987. http://dx.doi.org/10.2172/5228893.

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