Academic literature on the topic 'Art Metaphor'

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Journal articles on the topic "Art Metaphor"

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Fritsch-Oppermann, Sybille C. "Metaphors and metaphorical language/s in religion, art and science." Studia Philosophiae Christianae 56, no. 3 (2020): 31–50. http://dx.doi.org/10.21697/spch.2020.56.3.02.

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Languages play an essential role in communicating aesthetic, scientific and religious convictions, as well as laws, worldviews and truths. Additionally, metaphors are an essential part of many languages and artistic expressions. In this paper I will first examine the role metaphors play in religion and art. Is there a specific focus on symbolic and metaphoric language in religion and art? Where are the analogies to be found in artistic metaphors and religious ones? How are differences to be described? How do various (philosophical) concepts of aesthetics and theological concepts explain those
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Shorabek, Adilkhan, Bakiza Pazilova, Gulzhan Manapova, Zhanna Tolysbayeva, Nurlan Mansurov, and Roman Kralik. "The specifics of the evaluative metaphor in English (based on the texts of art discourse)." XLinguae 14, no. 2 (2021): 245–54. http://dx.doi.org/10.18355/xl.2021.14.02.18.

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This article deals with a comprehensive description of the evaluativeness of metaphors in modern English. The evaluation criteria underlying the evaluability of metaphors are determined, variations as an object of evaluation and an agent as a donor of evaluation in the semantic structure of metaphors are considered, axiological types of lexical and semantic groups of metaphors are differentiated, and the means and conditions for varying the evaluability of metaphors are systematized. This research paper depicts the pragmatic relevance of the evaluative metaphor and represents the typology of d
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Dixon, Daisy. "The Artistic Metaphor." Philosophy 96, no. 1 (2020): 1–25. http://dx.doi.org/10.1017/s0031819120000273.

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AbstractPhilosophical analysis of metaphor in the non-linguistic arts has been biased towards what I call the ‘aesthetic metaphor’: metaphors in non-linguistic art are normally understood as being completely formed by the work's internal content, that is, by its perceptual and aesthetic properties such as its images. I aim to unearth and analyse a neglected type of metaphor also used by the non-linguistic arts: the ‘artistic metaphor’, as I call it. An artistic metaphor is composed by an artwork's internal content, but also by its external content, which is provided by the work's artistic prop
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Poppi, Fabio I. M., Marianna Bolognesi, and Amitash Ojha. "Imago Dei: Metaphorical conceptualization of pictorial artworks within a participant-based framework." Semiotica 2020, no. 236-237 (2020): 349–76. http://dx.doi.org/10.1515/sem-2018-0077.

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AbstractThis article presents an exploratory analysis of the metaphoric structure of five artistic paintings within “Think aloud” protocols, in which a group of 14 English speakers with a low self-rated level of expertise in art and history of art expertise were asked to verbalize all their thoughts, ideas and impressions of the artworks. The main findings of this study can be summarized as follows: (1) multiple interpretations for the same artwork are possible, (2) the interpretations of the metaphorical structures described by the participants often diverge from those advanced by the researc
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Rabb, Nathaniel, and Hiram Brownell. "Art Is Metaphor." Empirical Studies of the Arts 38, no. 1 (2019): 111–18. http://dx.doi.org/10.1177/0276237419868944.

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Art and metaphor both seem unnecessary for survival yet are unlikely to be spandrels given their ubiquity and apparent value. We discuss how art and metaphor play a similar, important role in cognition. Specifically, both are communications that are neither true nor false and so convey information by drawing attention to a limited isomorphism between target and source, a relationship that allows for ambiguity because it is assessed by “goodness of fit.” This combination of features means that art and metaphor require and, in turn, tune domain-general capacities for counterfactual reasoning and
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Crawford, Christopher A., and Igor Juricevic. "Understanding pictorial metaphor in comic book covers: A test of the contextual and structural frameworks." Studies in Comics 11, no. 2 (2020): 341–59. http://dx.doi.org/10.1386/stic_00034_1.

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Conceptual metaphor theory proposes that metaphor is a mental function, rather than solely a literary device. As such, metaphors may be present in any by-product of human cognition, including pictorial art. Crawford and Juricevic previously proposed two heuristic frameworks for the identification and interpretation of metaphor in pictures, which have been shown to be capable of describing how pictorial metaphors are identified and interpreted in the comic book medium. The present study tested artists’ preference for combinations of contextual and structural pictorial information in comic book
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Keulartz, Jozef. "Using Metaphors in Restoring Nature." Nature and Culture 2, no. 1 (2007): 27–48. http://dx.doi.org/10.3167/nc.2007.020103.

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There has recently been growing interest in the role of metaphors in environmentalism and nature conservation. Metaphors not only structure how we perceive and think but also how we should act. The metaphor of nature as a book provokes a different attitude and kind of nature management than the metaphor of nature as a machine, an organism, or a network. This article explores four clusters of metaphors that are frequently used in framing ecological restoration: metaphors from the domains of engineering and cybernetics; art and aesthetics; medicine and health care; and geography. The article arg
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W. Mohd Apandi, Wan Nurhasyimah, and Ahmad Rashdi Yan Ibrahim. "Metaphors in Contemporary Art." Idealogy Journal 3, no. 2 (2018): 235–40. http://dx.doi.org/10.24191/idealogy.v3i2.69.

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The use of metaphors in producing contemporary works of art is often used by artists to convey current ideas and issues in the era of contemporary visual art. The metaphor used is as a symbol for the meaning of a work in conveying the ideas and narrative of the story more creatively. In addition, the use of metaphors should be in line with the selection of subjects and meanings to be used and conveyed more accurately and effectively in the production of works to be seen and studied by art critics.
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Feinstein, Hermine. "Art as Visual Metaphor." Art Education 38, no. 4 (1985): 26. http://dx.doi.org/10.2307/3192822.

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Jeffers, Carol S. "Experiencing Art through Metaphor." Art Education 49, no. 3 (1996): 6. http://dx.doi.org/10.2307/3193586.

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Dissertations / Theses on the topic "Art Metaphor"

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Briggs, Susan H. "Landscape as metaphor : artist as metaphier /." Curtin University of Technology, School of Art, 2002. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=14292.

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This research records a three year journey of exploration through the visual arts, specifically painting and drawing in relation to the landscape. The written work presented here provides a support document to my final exhibition of paintings that were exhibited in the John Curtin Gallery at Curtin University of Technology from November 24th - December 15th 2002.The writing of this exegesis is in itself a creative piece, but it is not the same as the visual research that culminates in the paintings. I am convinced that to talk about creating art actually leads one away from being in the experi
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Miers, John William. "Visual metaphor and drawn narratives." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/13457/.

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This thesis explores the ways in which the production and comprehension of drawn narratives are structured by metaphorical conceptualisation. The argument develops from the observation that metaphor theory does not account for the perceptual character of depiction. I begin by focusing on an overlooked distinction between "pictures that are metaphors" and "pictures that have metaphors as their textual content" made by Richard Wollheim. This leads into the elaboration of a theoretical model of depiction-as-metaphor, which contributes to analytic philosophy as well as metaphor studies. In the fou
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Havsteen-Franklin, Dominik. "When is a metaphor? : art psychotherapy and the formation of the creative relationship metaphor." Thesis, University of Essex, 2016. http://repository.essex.ac.uk/17710/.

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It is a widely debated subject whether a patient with a diagnosis of major depression and a history of psychosis is able to use and comprehend metaphors. There are a number of studies that indicate that metaphor comprehension with this population is very reduced. However, within the context of psychotherapy metaphor is poorly defined and the concept is often applied inconsistently in academic literature. This thesis examines a commonly reported occurrence of metaphor formation in art psychotherapy and in particular, examines a type of metaphor that offers a novel perspective about interpersona
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Qureshi, Adeela. "The hunt as metaphor in Mughal painting (1556-1707)." Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669811.

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Feinberg, Marilyn K. "Metaphor in fiber, metal and stone /." Online version of thesis, 1994. http://hdl.handle.net/1850/11975.

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Barker, Benjamin Guy. "Newspaper editorial cartoons : where art, rhetoric and metaphor meet reality." Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3004154/.

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Operating as a form of visual news discourse, editorial cartoons hold a unique commentary position within the news agenda. Utilising artistic and rhetorical devices, cartoon illustrators provide supplementary (and sometimes alternate) viewpoints on current news events; their visuals becoming frames for organising social knowledge in addition to capturing the essence of issues or events. By doing so, audiences are presented with “a number of different condensing symbols that suggest the core frame of any issue portrayed” (Gamson and Stuart, 1992, pg. 60). This thesis reflects upon the evolution
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Politowicz, Zak. "ANALYSIS AND METAPHOR SEARCH STRATEGY CONCERNING VISUAL WORKS OF ART (LANGUAGE, EDUCATION)." Thesis, The University of Arizona, 1985. http://hdl.handle.net/10150/275390.

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Hulshoff, Amy Catherine, and Amy Catherine Hulshoff. "Aztec Stone Boxes: Myth, Metaphor, and History." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/621178.

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This essay is study of Aztec stone boxes from the pre-conquest Aztec empire. My study focuses on the interpretation of carvings on the surfaces, as well as the interiors and lids when applicable. The study includes not only traditionally functional boxes, but also altars (blocks or basins) and offering chambers, as comparative examples. The thesis focuses on three specific stone boxes located in museums in Mexico, Germany, and Great Britain: the Islas y Bustamante Box (Museo Nacional de Anthropologi­a, Mexico), the Hackmack Box (Museum fur Volkerkunde, Hamburg), and the Ahuitzotl Box (British
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Epley, Veronica H. "MYTH, METAPHOR, AND IMAGINATION: FRAMING HOMELAND SECURITY AS ART AND ARCHETYPE." Monterey California. Naval Postgraduate School, 2013. http://hdl.handle.net/10945/32814.

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CHDS State/Local<br>Art, myth, metaphors and archetypes can foster divergent thinking and serve as channels for integrating imagination and evocative ambiguity into traditional analysis and problem solving. New ways of representing ideas about homeland security not only provide vehicles for communication, but also expand and improve our ability to contemplate and understand this complex, emerging discipline. Through this paper and three original artworks, I argue for admitting art, imagination and the searching attitude of humanism into the domain of homeland security. I use the myth of Perseu
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Fong, Helen. "The image as metaphor an exploration into the metaphorical and experiential operations of the installed image : this exegesis [thesis] is submitted to Auckland University of Technology in partial fulfilment of the degree of Masters of Art and Design, 2003." Full thesis. Abstract, 2003.

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Thesis (MA--Art and Design) -- Auckland University of Technology, 2003.<br>Illustrations not included in e-thesis. Also held in print (21 leaves : col. ill. ; 30 cm. + 1 CD-ROM) in Wellesley Theses Collection (T 709.93 FON)
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Books on the topic "Art Metaphor"

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Incorporated, Independent Curators, and John and Mable Ringling Museum of Art., eds. Embedded metaphor. Independent Curators, 1996.

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Barnwell, Andrea D. Woman as metaphor in African art. Duke University, 1995.

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Longwell, Alicia Grant. Sand: Memory, meaning and metaphor. Parrish Art Museum, 2008.

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Museum, Parrish Art, ed. Sand: Memory, meaning and metaphor. Parrish Art Museum, 2008.

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Longwell, Alicia Grant. Sand: Memory, meaning and metaphor. Parrish Art Museum, 2008.

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Scott, Sue. Motion as metaphor: The automobile in art. Virginia Beach Center for the Arts, 1991.

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Proust as philosopher: The art of metaphor. Routledge, 2012.

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Ash-Milby, Kathleen E. Hide: Skin as material and metaphor. NMAI Editions, National Museum of the American Indian, Smithsonian Institution, 2009.

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1924-, Danto Arthur Coleman, Simon Joan, Stritzler-Levine Nina, and Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture., eds. Sheila Hicks: Weaving as metaphor. Published for the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York by Yale University Press, 2006.

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Memory, metaphor, and Aby Warburg's Atlas of images. Cornell University Press, 2012.

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Book chapters on the topic "Art Metaphor"

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Pluciennik, Mark. "Art, Artefact, Metaphor." In Thinking through the Body. Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0693-5_12.

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Sughondhabirom, Patcharin. "A Healing Metaphor." In Somatic Art Therapy. Routledge, 2021. http://dx.doi.org/10.4324/9781003023746-13.

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Moschini, Lisa B. "A Personal Metaphor." In Art, Play, and Narrative Therapy. Routledge, 2018. http://dx.doi.org/10.4324/9781351170925-1.

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Granville, Andrew, Jennifer Granville, and Michael Spencer. "Writing and performing mathematics as metaphor." In Art in the Life of Mathematicians. American Mathematical Society, 2015. http://dx.doi.org/10.1090/mbk/091/07.

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Schwabenland, Christina. "Listening to Evelyn Glennie: Metaphor as Art." In Metaphor and Dialectic in Managing Diversity. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137022677_4.

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Holmes, Philip. "Metaphor and models in science and art." In CRM Proceedings and Lecture Notes. American Mathematical Society, 1997. http://dx.doi.org/10.1090/crmp/011/08.

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Jongen, René. "polysemy, tropes and cognition or the non-magrittian art of closing curtains whilst opening them." In The Ubiquity of Metaphor. John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/cilt.29.07jon.

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Fraser, Suzanne. "The ‘Art’ of Cosmetic Surgery: Medicine, Metaphor and Meaning." In Cosmetic Surgery, Gender and Culture. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230500228_6.

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Chen, Chun-Wen, and Yan-Yu Chen. "A Tangible Art Learning Tool with a Behavioral Metaphor." In HCI International 2016 – Posters' Extended Abstracts. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40542-1_33.

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Dysert, Anna. "Specular Art and Science: Mirror Metaphor in Medieval Alchemical Texts." In Cursor Mundi. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.cursor-eb.5.111042.

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Conference papers on the topic "Art Metaphor"

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Brendal, Bettina. "Art as metaphor." In the third conference. ACM Press, 1999. http://dx.doi.org/10.1145/317561.317595.

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Qian, Xiaofan, Ying Yang, and Yong Gong. "The art of metaphor." In the 10th International Conference. ACM Press, 2011. http://dx.doi.org/10.1145/2087756.2087780.

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ten Wolde, Kristian. "Orange yellow metaphor." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281950.

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Ox, Jack. "Visualization and the art of metaphor." In the 6th ACM SIGCHI conference. ACM Press, 2007. http://dx.doi.org/10.1145/1254960.1255042.

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Guo, Wei. "Criticism and Reconstruction of Visual Metaphor to Art Ethics from the Perspective of Popular Art." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.43.

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Zhao, Nan. "Cultural Metaphor and Characterization of Music in Zootopia." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.92.

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Lei, Fuyuan, and Ping Yi. "The Study on the Translation of Metaphor in Cognitive Perspective." In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.041.

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Wang, Liting. "Color Metaphor and Children’s Psychological Trauma in Morrison’s Novels." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.321.

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Wangjingwen and luwei. "Imagination, Metaphor and Adpe: The Historical Reconstruction of Domestic Plague-Themed Films." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.487.

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Guo, Wei. "Rhetorical Construction of Visual Thinking Aesthetic Study on the Generation Mechanism of Visual Metaphor." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.110.

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Reports on the topic "Art Metaphor"

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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is
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Hall, Mark, and Neil Price. Medieval Scotland: A Future for its Past. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.165.

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The main recommendations of the panel report can be summarised under five key headings. Underpinning all five areas is the recognition that human narratives remain crucial for ensuring the widest access to our shared past. There is no wish to see political and economic narratives abandoned but the need is recognised for there to be an expansion to more social narratives to fully explore the potential of the diverse evidence base. The questions that can be asked are here framed in a national context but they need to be supported and improved a) by the development of regional research frameworks
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