Relevant bibliographies by topics / Art, Modern - 20th Century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art, Modern - 20th Century'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Art, Modern - 20th Century"

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Asanuma, Keiji. "20th Century-End of Modern Art?" TRENDS IN THE SCIENCES 6, no. 2 (2001): 56–58. http://dx.doi.org/10.5363/tits.6.2_56.

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Selber, Kimberly A. "Influence of Modern Art on Early 20th-Century Advertising Art." International Journal of the Arts in Society: Annual Review 2, no. 1 (2007): 183–92. http://dx.doi.org/10.18848/1833-1866/cgp/v02i01/35350.

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Chen, Ziyuan. "Chinese Calligraphy: An Ancient Art in the Modern Era." SHS Web of Conferences 159 (2023): 02003. http://dx.doi.org/10.1051/shsconf/202315902003.

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Chinese calligraphy is an ancient character writing art. It germinated in the Shang Dynasty, reached its peak in the Tang Dynasty, and did not form a new calligraphy style for more than one thousand years. There are many similarities between Chinese calligraphy and western painting, including similarities in abstraction and symbolism. When the country went through the modernization of the 20th century, the western influence gradually increased, and the Chinese calligraphy art gradually formed new art forms such as hard pen calligraphy. At the same time, calligraphy art has also inspired and in
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CIRLOT, L. "THE KEY TO MODERN ART OF THE EARLY 20TH CENTURY." Art Book 1, no. 3 (June 1994): 16f. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00130.x.

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Demchenko, Aleksandr Ivanovich. "The Russian musical art of the early 20th century: Dissonances." Manuscript 17, no. 2 (March 4, 2024): 49–57. http://dx.doi.org/10.30853/mns20240008.

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Over an extended period spanning more than four decades (from the late 1880s to the early 1930s), a transition from the Classical era to Modern took place. This essay examines distinct shifts in the interaction between classical and modern styles within the specific historical contexts of the late classical era (as the culmination of the classical evolution) and the early modern era (as the emergence of Modern), focusing on a range of 1910s musical works: Alexander Taneyev’s Piano Quintet, the ballets “The Firebird” and “Petrushka” by Igor Stravinsky, Nikolai Myaskovsky’s Symphony No. 5, and S
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Heusser, Hans-Jörg. "AICARC and the Archives of Modern Art." Art Libraries Journal 11, no. 2 (1986): 4–8. http://dx.doi.org/10.1017/s0307472200004582.

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Since the 1960s AICA, the Association Internationale des Critiques d’Art, has been increasingly concerned with the primary resources on which research depends. In particular, access to archival material was felt to be necessary in order to counter a dominant, highly selective, ‘modernist’ interpretation of 20th century art, with a more objective, comprehensive, and thoroughly researched history of the period covering all countries. The AICARC-Bulletin, founded in 1974, is devoted to primary sources, archives and documentation centres, archival techniques, and the ‘documentary’ approach to art,
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Liao, Lei. "Background of Western Modern Art in the 20th Century." SHS Web of Conferences 167 (2023): 01008. http://dx.doi.org/10.1051/shsconf/202316701008.

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In the 20th century, many major events were represented by the two world wars. They not only changed people’s living environment, but also affected people’s mental state. In the field of arts, modern industrial science and technology have opened up the expressive techniques of arts. War trauma has affected the creative mood of artists, and the inheritance of art value from the previous generation have also profoundly affected the inner spirit of arts. From the perspective of social and cultural contexts, the analysis of the time motivation of the development of western modern art in the 20th c
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Kholodynska, Svitlana. "THE CREATIVE WORK OF BORIS VIAN WITHIN FRENCH HUMANITIES OF THE 1940s–1960s." UKRAINIAN CULTURAL STUDIES, no. 1(12) (2023): 29–33. http://dx.doi.org/10.17721/ucs.2023.1(12).07.

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In the second half of the 20th century, discussions around the understanding of crisis phenomena that permeated all spheres of human life became more frequent, in particular, the spheres of art and aesthetics were also touched upon. The crisis in the artistic sphere was connected with the general cultural crisis of the late 19th and early 20th centuries, the decline of spirituality, and the relativization of values, primarily moral and aesthetic. Analysis of the crisis in the sphere of artistic practice and aesthetics of the 20th century was the subject of scientific research by several repres
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Shevchuk, Kateryna. ""CRISIS OF ART" AND "CRISIS OF AESTHETICS" IN RESEARCH OF POLISH HUMANITIES OF THE SECOND HALF OF THE 20th CENTURY." UKRAINIAN CULTURAL STUDIES, no. 1(12) (2023): 25–28. http://dx.doi.org/10.17721/ucs.2023.1(12).06.

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In the second half of the 20th century, discussions around the understanding of crisis phenomena that permeated all spheres of human life became more frequent, in particular, the spheres of art and aesthetics were also touched upon. The crisis in the artistic sphere was connected with the general cultural crisis of the late 19th and early 20th centuries, the decline of spirituality, and the relativization of values, primarily moral and aesthetic. Analysis of the crisis in the sphere of artistic practice and aesthetics of the 20th century was the subject of scientific research by several repres
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Keser, Sezer Cihaner. "20th Century quest for new art and interdisciplinary approach." Global Journal of Arts Education 7, no. 2 (June 12, 2017): 61–65. http://dx.doi.org/10.18844/gjae.v7i2.1835.

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AbstractArt; when setting up the combined connection of feelings and thoughts, it is a very effective helper of learning and development. It developes one's source of explanation better, form of expression and other disciplines. That is why, in modern eductaion systems science and art should be nested together. Collaboration of different disciplines in art education started to gain importance towards the end of the 20th century. Because both fields are aimed for service development and discovery of the new, when feelings are educated, mental abilities, thoughts and intelligence have been seen
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Dissertations / Theses on the topic "Art, Modern - 20th Century"

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Gaunt, Pamela Mary School of Art History/Theory UNSW. "The decorative in twentieth century art: a story of decline and resurgence." Awarded by:University of New South Wales. School of Art History/Theory, 2005. http://handle.unsw.edu.au/1959.4/25983.

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This thesis tracks the complex relationship between visual art and the decorative in the Twentieth Century. In doing so, it makes a claim for the ongoing interest and viability of decorative practices within visual art, in the wake of their marginalisation within Modernist art and theory. The study is divided into three main sections. First, it demonstrates and questions the exclusion of the decorative within the central currents of modernism. Second, it examines the resurgence of the decorative in postmodern art and theory. This section is based on case studies of a number of postmodern artis
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Kaji-O'Grady, Sandra 1965. "Serialism in art and architecture : context and theory." Monash University, School of Literary, Visual and Performance Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9120.

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RIZZI, Elena Maria Rita. "Modern art and the making of a French republican imaginary, 1919-1940." Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/70295.

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Defence date: 24 February 2021<br>Examining Board: Professor Laura Lee Downs (European University Institute); Professor Ann Thomson (European University Institute); Professor Kevin Passmore (Cardiff University); Professor Béatrice Joyeux-Prunel (Université de Genève)<br>Winner of the 2022 James Kaye Memorial Prize for the Best Doctoral Thesis in History and Visuality.<br>Recent scholarship on the interwar French art milieu has overcome, on the one hand, ethnonationalism as the main interpretive framework for examining the relationship between art and politics and, on the other, a celebratory n
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Loayza-Lauffs, Mariana. "The art of Guillermo Kuitca." Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21021508.

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Ferguson, Bruce W. "From sight to site : some considerations regarding contemporary theory in relation to contemporary art." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61972.

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Palladino, Nicoletta. "19th - 20th century zinc white paints : multidimensional physico-chemical characterisation." Electronic Thesis or Diss., université Paris-Saclay, 2024. http://www.theses.fr/2024UPAST042.

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Cette thèse explore les propriétéset l’emploi des peintures à l’huile à base deblanc de zinc de l’échelle nano- et microscopique jusqu’à l’échelle macroscopique desœuvres d’art.Le blanc de zinc (ZnO), pigment modernedéveloppé à la fin du XVIIIe siècle en tantqu’alternative non toxique au blanc de plomb,a été adopté dans la peinture à l’huile au milieudu XIXe siècle. Initialement utilisé aux côtésdu blanc de plomb, son pouvoir couvrant plusfaible et sa brillance en ont fait un pigment dechoix pour les mélanges de couleurs, les pointslumineux, mais aussi les empâtements et lespréparations. Cepen
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Boetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.

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This dissertation considers the aesthetic strategies and ethical implications of contemporary earth art. Drawing from feminist and ecological critiques of phenomenology, it posits that an ethical preoccupation with the earth is identifiable in works that stage the artist's inability to condense natural phenomena into an intelligible art object thereby evidencing the earth's excess beyond the field of perception. Contemporary earth art has the paradoxical goal of evoking the sensorial plenitude of the earth without representing it as such. The first chapter analyzes Robert Smithson's monumental
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Cheng, Christina Miu Bing, and 鄭妙冰. "Postmodernism: art and architecture in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31949861.

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Hennig, Sybille. "The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945." Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1009435.

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Introduction: We, i.e. contemporary Western man, live in a society which has increasingly embraced Science and Technology as the ultimum bonum. The Machine, i.e. Science and Technology, has come to be seen as an impersonal force, a New God - omniscient, omnipotent: to be worshipped and, alas, also to be feared. This mythologem has come to pervade almost every sphere of our lives in a paradigmatic way to the extent where it is hardly ever recognized for what it is and hence fails to arouse the concern it merits. While some of the more perceptive minds - such as Erich Fromm, Rufino Tamayo, Carl
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Matthews, Elaine Katherine Simone. "Environmental art and its contribution to establishing an awareness of the sacred in nature." Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002209.

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The introduction establishes the goal of the research, which is to discover that art concerned with re-evaluating the relationship to the environment and spirituality can serve to connect people to one another, and to the environment. The context of the research is the contemporary ecological and spiritual crisis of the postmodern world. The background places the discussion within the contexts of modernism and postmodernism. The historical background focuses on the period from the 1960s to the present day. Land and Environmental artists who work in a manner that is conscious of environmental i
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Books on the topic "Art, Modern - 20th Century"

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(Firm), Butterfields. 20th century art. San Francisco: Butterfields, 2000.

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Fosu, Kojo. 20th century art of Africa. Accra, Ghana: Artists Alliance, 1993.

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Fosu, Kojo. 20th century art of Africa. Zaria, Nigeria: Gaskiya Corp., 1986.

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Klaus, Honnef, Ruhrberg Karl, Fricke Christiane, Schneckenburger Manfred, and Walther Ingo F, eds. Art of the 20th century. Köln: Taschen, 2000.

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British Museum. Collecting the 20th century. London: Published for the Trustees of the British Museum by British Museum Press, 1991.

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Karl, Ruhrberg, and Walther Ingo F, eds. Art of the 20th century. Köln: Taschen, 1998.

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Vogel, Susan. Africa explores: 20th century African art. New York: Center for African Art, 1991.

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Corporation, Encyclopaedia Britannica Educational. Art in the 20th century: Surrealism. Chicago, IL: Encyclopaedia Britannica Educational Corporation, 1990.

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Corporation, Encyclopaedia Britannica Educational. Art in the 20th century: Constructivism. Chicago, IL: Encyclopaedia Britannica Educational Corporation, 1990.

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Jürgen, Tesch, and Hollmann Eckhard, eds. Icons of art: The 20th century. Munich: Prestel, 1997.

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Book chapters on the topic "Art, Modern - 20th Century"

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Birbragher-Rozencwaig, Francine. "Modern Latin American Art." In Essays on 20th Century Latin American Art, 1–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.

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Atanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.

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Atanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.

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Méndez Baiges, Maite. "“We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze." In Les Demoiselles d'Avignon and Modernism, 67–101. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-656-8.07.

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In his thesis on Les Demoiselles d'Avignon, Steinberg postulated the fundamental role of the spectator (object of the appealing gazes of the five young nudes in the painting) as the catalyst of the meanings in the painting. From then on new critical perspectives would speculate about this subject, targeted by the personages in the painting, who bears so much responsibility in articulating the interpretation of the scene. Doubts were raised about the universal character of the gaze, the universal character of the receptor of the work of art and of Modern Art. From the end of the 20th century and activated by the most recent methodological approaches such as feminism and post-colonialism, new critical voices provoked the breaching of the dominating gaze. This chapter broaches the interpretations of this paradigmatic work of Modern Art made by feminist and post-colonial and subaltern theories, questioning the very proposals of Modernism. Feminism shows how gender conditioning affects the reception of a work of art. And allied with this, post-colonialism and subaltern theory begin to seriously question the way historiography has considered, or not, the relevance of Art négre in the avant-guard eclosion.
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"The Rise of Chance in Modern Sciences." In The Radical Use of Chance in 20th Century Art, 17–24. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401207263_003.

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Blair, Karen L., Erin L. Courtice, and Rhea Ashley Hoskin. "Who Do We Love?" In Modern Relationships, 178–96. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197655504.003.0011.

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Abstract Attitudes toward sexual and gender minorities, particularly toward their romantic relationships, have ebbed and flowed throughout history. There are examples throughout history of cultures celebrating and persecuting same-sex relationships. However, by the turn of the 20th century, Western societies largely viewed same-sex and gender-diverse relationships as deviant. Indeed, many jurisdictions criminalized such relationships and their associated identities and behaviors. This chapter explores the lesser known history of how modern attitudes toward sexual and gender diversity developed throughout the 20th century and identifies femmephobia as an important area for future research. Femmephobia refers to the societal devaluation and regulation of femininity and, as we argue in this chapter, can be viewed as a common thread woven across many of the other prejudicial attitudes targeting sexual and gender minorities since the early 1900s.
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Sassler, Sharon. "Cohabitation Versus Marriage." In Modern Relationships, 38–54. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197655504.003.0003.

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Abstract Over the past five decades, unmarried cohabitation has become widely accepted—even normative—among Americans. Support for cohabitation has increased among many groups, from teenagers to elders. In fact, most first coresidential romantic unions are cohabitations rather than marriages. Yet while the majority of American adults will enter a cohabiting union, most cohabiting unions do not lead to marriage, and the shares of those engaging in serial cohabitation are rising. Whereas many young adults in the 20th century viewed cohabitation as a stepping stone to marriage, in the 21st century cohabitation increasingly serves as an intensive form of dating—at least at its inception. The pathways into marriage from cohabitation differ in important ways by social class, highlighting how union formation contributes to growing levels of inequality.
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Emison, Patricia. "After Eve." In Moving Pictures and Renaissance Art History. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036_ch04.

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The imagery of films both reflected and spurred radical shifts in women’s lives throughout the 20th century. The history of film, and of responses to film, provides evidence of social attitudes and prejudices—those in Hollywood but also regional biases, pertaining to race as well as to gender. Those who were socially denigrated, such as prostitutes, were often treated with a degree of respect in screen narratives. The traditional genres had depended on closure; film, especially post–World War II, featured women and children with complexly difficult lives often lacking neat resolutions. Resnais, Bergman, and Antonioni each focused on women with humdrum rather than heroic lives, and made them the linchpin for studies of the psychological pressures of the modern world.
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Pozhidaeva, Galina A. "Spiritual and Musical Culture of Russia in Its Relations with the Typology of National Musical Art." In Hermeneutics of Old Russian Literature. Issue 21, 527–46. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/horl.1607-6192-2022-21-527-546.

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The article reveals the importance of sacred music of the late Russian Middle Ages (15th–17th centuries) for the formation of the most important typological qualities of Domestic professional music. The advanced development of subvocal polyphony in professional music in comparison with folklore is shown. On the material of the choral classics of the 20th century — All-Night Vigil by S.V. Rachmaninov and the concert Pushkin Wreath by G.V. Sviridov — it is shown that the basic of the Russian musical classics of the 20th century, along with folklore, was created by the spiritual music of Orthodox worship, its choral culture. She identified many typologically important features of Russian professional music — this is the vocal nature of thematism, subvocal polyphony, the use of sound of choir a capella and its timbre capabilities instead of orchestra. In the music of the 20th century, professional traditions of the Russian Middle Ages are continued in the development of intonation fund of chants, subvocal polyphony, and performing culture of choral singing. The latter is manifested in an expanded slow pace, clear diction, chain breathing, multilayered choral texture, dating back to the Baroque era, but even more complex, dynamic features of liturgical singing of patriarchal choir, dating back to the end of the 16th century. The preservation of performing features has a great importance: internal concentration and prayerful fullness of choral singing, which turn the modern listener to the monastic tradition with its self-deepening in prayer. This already expresses the mental depths of Russian consciousness that have developed thanks to the Orthodox spiritual culture.
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Safuanov, Ildar. "The history of Tatar mathematics education." In “DIG WHERE YOU STAND” 6. Proceedings of the Sixth International Conference on the History of Mathematics Education, 129–42. WTM-Verlag Münster, 2020. http://dx.doi.org/10.37626/ga9783959871686.0.10.

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The history of mathematics education of the Tatar nation from Medieval to modern times is described. Three stages of the development of mathematical education in Tatar schools are traced: 1) Mathematical education in Arabic language (up to the last decades of the 19th century); 2) Mathematical education in old Turk-Tatar language with terminology mostly in Arabic (second half of 19th century and the beginning of 20th century); 3) Mathematical education in modern Tatar language (from the beginning of the 20th century, especially after the October revolution). Keywords: history, mathematics education, Tatar language
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Conference papers on the topic "Art, Modern - 20th Century"

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Shevchuk, I. H. "SECTION 12. Choral music of Ukraine and traditions of the Ukrainian revival of the 20th century." In VOCAL AND CHORAL ART AND EDUCATION: HISTORICAL RESEARCH, PERFORMANCE CONCEPTS, MODERN TRENDS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-391-0-12.

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Цветкова, Н. Н. "THEATRICALITY IN THE ART OF TEXTILES OF THE 20th–21st CENTURIES." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.29.

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Во второй половине ХХ столетия в период «пластического взрыва» появились новые объемно-пространственные текстильные формы — артобъекты, инсталляции, перформансы и хэппенинги. Многие из созданных в это время работ отличаются своеобразной «театральностью». В современном текстильном искусстве тенденция соединения ткани с театральным действом остается актуальной. В статье рассмотрены примеры взаимовлияния и взаимодействия текстильных форм с пространством театра. In the second half of the twentieth century, during the period of the “plastic explosion”, new three-dimensional textile forms appeared –
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Malinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.

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This article covers some new forms of publicness in the field of art culture of the Russian city of Perm, e.g. dramatics as a performance in a street environment, and synthetic museum-theatrical form under the conditions of a stage box. The study was accomplished mainly via culturological method. At one time theatre left the urban environment, but in the 21st century theatrical forms have begun to permeate urban space again, the statement primarily concerns site-specific theatre. This is equivalent to the birth of new theatrical-city publicity, a new modality of the interpenetration of the pub
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Zaks, Lev. "Culture of the Second Half of the 20th Century through the Early 21st Century in Action: Creation of Contemporary Publicity." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-public/private-2020-01.

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The article offers a culturological vision of publicity, and partly correlative privacy as universal aspects of the joint existence of people. The analysis methodology is based on the perception of culture as a universal specific way of existence of people and society; the perception of society as a sociocultural system; the perception of the evolution of society and all areas of its existence as a result of their holistic sociocultural determination. Publicity is considered in terms of its characterisation as a sociocultural phenomenon (space-time, socioanthropological, functional, communicat
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Genese-Plaude, Inta. "URBAN CULTURAL PRACTICES AS A MIRROR OF THE MODERNIZATION OF LATE 19TH CENTURY SOCIETY AND LIFESTYLE IN AUGUSTS DEGLAVS� NOVEL �RIGA�." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.24.

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The study focuses on the late 19th century city as an equivalent of the formation of a modern society. In fiction, especially in novels, the depiction of the 19th/20th century city has always attracted attention as a reflection of the formation of modern society through portrayals of both daily life and the development trends of the era's ideas. Writer, publicist, social activist Augusts Deglavs (1862�1922) created a unique portrait of the modernization of the city in Latvian literature with his novel �Riga� (�Riga�) (part 1 in 1912, part 2 in 1921). The novel demonstrates the awakening of Lat
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Cocieru, Mariana. "Values of Romanian ethnological photographic art: Joseph Berman." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.20.

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In this article, the author refers to one of the elite representatives of Romanian photographic art, Joseph Berman, a distinguished personality in the field of visual documentation, who contributed enormously to the development of ethnological field research. From a theoretical and practical perspective, a visual image immortalizes a moment in space and time, facilitating the recourse to the information it holds whenever needed. The photography can communicate to you several types of information, on the one hand, about the personality of the one who made this immortalization, revealing details
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Ceravolo, R. "Condition Assessment, Monitoring and Preservation of Some Iconic Concrete Structures of the 20th Century." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0054.

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&lt;p&gt;Great architects and structural engineers such as Berg (1870-1947), Maillart (1872-1940), Freyssinet (1879- 1962), Torroja (1899 -1961), Nervi (1891-1979), Candela (1910-1997), Isler (1926-2009) and many others have designed recognized works of art in their discipline. They conceived extraordinary concrete spatial structures, that are located mostly in Europe and represent a unique legacy. It is important to raise awareness of this heritage, define the criteria for preserving it and begin the process of its renovation and rehabilitation.&lt;/p&gt; &lt;p&gt;While concrete has become a
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Lisovetc, Irina. "The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & Private." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.

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The article covers the modern multi-functional cultural centre as an institution of Russian culture of the 21st Century in the terms of the interaction of publicity and privacy. On the basis of the institutional approach in cultural theory and the philosophical and aesthetic analysis of the space of the cultural centre, the most important role of this institution in individual and personal assimilation of sociocultural values is substantiated. The objectives (programme) of such an institution, its chronotope and functionality are directed at the involvement of contemporaries into various forms
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Карпова, Е. А. "FELT IN INTERIOR DESIGN: MODERN REINVENTION OF TRADITIONAL TECHNOLOGY." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.13.

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Высокое развитие техники валяния войлока и его широкое применение у кочевых народов начиная с древних времен подтверждены археологическими находками. Войлочные изделия служили для покрытия, утепления и украшения передвижных и стационарных жилищ. В XX в. войлок почти перестал использоваться в быту. С 1970-х гг. профессиональные художники и дизайнеры в России и за рубежом заинтересовались декоративными свойствами войлока. Они обращаются к технологии войлоковаляния для создания декоративных панно, ковров, артобъектов, перегородок, мебели и осветительных приборов. Войлочные предметы дизайна выполн
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Roelofs, Michelle B. "Mass Timber: 19 Century to Today." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0634.

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&lt;p&gt;New mass timber technologies are entering the US market allowing for innovative, sustainable, and affordable designs. As the market embraces mass timber it is important to reflect on the history of mass timber and to learn best practices to ensure sustainable growth of this sector. This paper will discuss the evolution of mass timber in three parts:&lt;/p&gt;&lt;p&gt;19th Century: Large sawn timbers were used to construct impressive warehouse structures that still remain functional and beautiful in our cities today. Logging practices of this era led to deforestation in parts of the Am
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Reports on the topic "Art, Modern - 20th Century"

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Siebert, Rudolf J., and Michael R. Ott. Catholicism and the Frankfurt School. Association Inter-University Centre Dubrovnik, December 2020. http://dx.doi.org/10.53099/ntkd4301.

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The paper traces the development from the medieval, traditional union, through the modern disunion, toward a possible post-modern reunion of the sacred and the profane. It concentrates on the modern disunion and conflict between the religious and the secular, revelation and enlightenment, faith and autonomous reason in the Western world and beyond. It deals specifically with Christianity and the modern age, particularly liberalism, socialism and fascism of the 2Oth and the 21st centuries. The problematic inclination of Western Catholicism toward fascism, motivated by the fear of and hate again
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TITOVA, E. HISTORIOGRAPHIC REVIEW ON THE TOPIC OF THE STUDY OF MIGRATION PROCESSES IN THE RUSSIAN FAR EAST AT THE BEGINNING OF THE XXI CENTURY. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-34-53.

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The article provides an overview of scientific research on the study of migration processes in the Far Eastern regions. The problems of migration, the state mechanism for regulating migration issues, and the peculiarities of interethnic interactions are very topical topics not only at the regional, but also at the national level. In the Russian Federation, studies on these topics have appeared relatively recently. Due to the fact that at the end of the 20th century there was a surge in the ethnic self-awareness of the peoples of the country, together with the intensification of socio-economic
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Jayachandran, Seema, Adriana Lleras-Muney, and Kimberly Smith. Modern Medicine and the 20th Century Decline in Mortality: Evidence on the Impact of Sulfa Drugs. Cambridge, MA: National Bureau of Economic Research, June 2009. http://dx.doi.org/10.3386/w15089.

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Sanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, March 1994. http://dx.doi.org/10.18235/0007910.

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Galenson, David, and Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, August 2002. http://dx.doi.org/10.3386/w9123.

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Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt, and Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), June 2023. http://dx.doi.org/10.21079/11681/47184.

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The 1943 art exhibition at the Mountain View Officers’ Club (MVOC), Fort Huachuca, Arizona should be considered one of the most significant events in the intersection of American art, military history, and segregation. Organizers of the event, entitled Exhibition of the Work of 37 Negro Artists, anticipated it would boost soldiers’ morale because Fort Huachuca was a predominately Black duty station during WWII. This report provides a brief history of Black art in the early 20th century, biographies of the artists showcased, and provides information (where known) about repositories that have or
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Malinowski, Owen, Scott Riccardella, and Jason Van Velsor. PR-335-203810-R03 CT Fundamentals with Calibration and Reference Standards for Pipeline Anomaly Detection. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), March 2022. http://dx.doi.org/10.55274/r0012216.

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X-ray Computed Tomography (XRCT) was initially developed and utilized in the medical industry to image the internal structure of the human body. X-ray imaging was conceived and realized at the turn of the 20th century and subsequently, XRCT, was conceived in the middle of the 20th century and its development continues today. Near the end of the 20th century industrial cone beam XRCT for applications such as dimensional metrology branched off, including its use for identifying and dimensioning flaws. XRCT has been utilized successfully for three-dimensional imaging of flaws in the small panel c
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Jiang, Xiaowei, and John Cherry. History and Hydraulics of Flowing Wells. The Groundwater Project, 2023. http://dx.doi.org/10.21083/cpet1503.

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Because flowing wells are spectacular visual evidence of groundwater occurrence, they became the impetus for both qualitative and quantitative groundwater science. The pursuit of answers to fundamental questions generated by flowing wells in confined aquifers bounded by aquitards moved the science forward for more than a century until pumping became the main form of groundwater development. Since the turn of the 20th century, flowing wells in unconfined aquifers were an impetus for the paradigm shift from aquitard-bound flow to cross-formational flow driven by topography. In this book, the his
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Melnyk, Andriy. «Ареопагітика» Джона Мілтона і теорія вільного ринку ідей. Ivan Franko National University of Lviv, березень 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11732.

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The article is dedicated to one of the most famous rationales for the right to free expression of views and opinions, the marketplace of ideas theory, as well as John Milton’s pamphlet “Areopagitica” which is considered the first example of systematic protection of freedom of speech and the primary source for the theory. The combination of the author of the 17th century and the thinking that was finally formed in the 20th century should not be surprising, because Milton is considered the forerunner of marketplace arguments. Given the fact that freedom of speech is threatened today by authorita
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Design in 20th Century Barcelona: From Gaudí to the Olympic Games. Inter-American Development Bank, February 1997. http://dx.doi.org/10.18235/0006404.

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Fifty objects, from original bronzes and maquettes by Antoni Gaudí, to modern furniture and appliances, and Cobi, Javier Mariscal's design adopted for the mascot of the Olympic Games in 1992. The exhibit was developed with Barcelona architects Juli Capella and Quim Larrea, and presented in honor of the 38th Annual Meeting of the IDB Board of Governors held in March, 1997 in Barcelona. Most of the important 20th century Catalonian designers were represented, including Monegal, Sert, Bonet, Ricard, Tusquets, Lluscà, and Tresserra. Works were loaned from the Gaudí Museum at the Temple of the Holy
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