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Journal articles on the topic 'Art, Modern – 20th century – Political aspects'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Darasz, Zdzisław. "Plakat polityczny w chorwackiej ikonosferze." Poznańskie Studia Slawistyczne, no. 18 (April 28, 2020): 283–89. http://dx.doi.org/10.14746/pss.2020.18.17.

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The titular problem of Croatian political poster, regarded as an art of margins, is treated by the author, according to the order of chapters, in four main aspects: historical, aesthetic, socio-political, and cultural one. The development of poster art, correlated with national history in 19th and 20th century Croatia, is presented in the chapter “In the vapour of history”. In the next chapters some particular sections of the searching field are described. These sections are as follows: technique of montage of the pictures, modern iconoclastic practices, chaos vs. order, and the place (“From m

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2

Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.

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The year 1998 marked the centennial of the birth of artist Ben Shahn (1898–1969). Coupled with the approach of the millennium, which many museums celebrated by surveying the cultural production of the 20th century, the centennial offered the perfect opportunity to mount a major exhibition of Shahn's work (the last comprehensive exhibition had taken place at the Jewish Museum in New York City in 1976). The moment was also propitious because a renewed interest in narrative, figurative art, and political art encouraged scholarly and popular appreciation of Ben Shahn, whose reputation within the h

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3

Perry, Robert L., and Melvin T. Peters. "The African-American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance." Ethnic Studies Review 19, no. 2-3 (June 1, 1996): 155–72. http://dx.doi.org/10.1525/esr.1996.19.2-3.155.

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This paper deals with some of the sociological implications of a major cultural high-water point in the African American experience, the New Negro/Harlem Renaissance. The paper concentrates on the cultural transformations brought about through the intellectual activity of political activists, a multi-genre group of artists, cultural brokers, and businesspersons. The driving-wheel thrust of this era was the reclamation and the invigoration of the traditions of the culture with an emphasis on both the, African and the American aspects, which significantly impacted American and international cult

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4

Juszkiewicz, Piotr. "Biuro, natura, wyobraźnia, wiejska chata, fabryczna hala. Wizerunki artystycznej pracowni w dokumentalnym filmie o sztuce czasów PRL-u." Artium Quaestiones, no. 26 (September 19, 2018): 149–69. http://dx.doi.org/10.14746/aq.2015.26.7.

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Artists’ studios turned into museums are always specific representations of thepast – spatial images reflecting some idea of art and the artist, as well as his or herworks, and even the position of the spectator imagined as a visitor, admirer, insider,outsider or pilgrim.When a studio is shown through a film, its status of representation comes to theforeground very distinctly just because of the properties of the medium. A filmic representationof the studio is a result of combining images into a sequence, while individualimages attract the spectator’s attention to particular places, areas or a

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5

Leśniak, Kamila. "The Family of Man in Poland: An Exhibition as a Democratic Space?" Ikonotheka 26 (June 26, 2017): 213–38. http://dx.doi.org/10.5604/01.3001.0010.1679.

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The exhibition entitled The Family of Man, which was designed by Edward Steichen and presented for the fi rst time in 1955 at the Museum of Modern Art in New York, belongs to the most famous and most controversial photographic expositions of the 20th century. Usually perceived in the light of the anachronistic, West-centric vision of humanism, i.e. as an embodiment of Modernist views on photography, it constitutes a good example of the museum’s infl uence as a Modernist “social instrument”. However, contemporary theories in exhibition studies offer a more complex interpretation. The present wo

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Makliuk, D. "Ivan Mazepa’s personality as a cultural symbol: historicalperforming aspects." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (November 20, 2019): 61–76. http://dx.doi.org/10.34064/khnum1-55.05.

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Abstract. The article explores the image of I. Mazepa in the context of numerous sources devoted to the personality of the Ukrainian hetman in historical science, literature and music. The analysis shows that the ideas of the great Ukrainian in the works of art evolve: from a traitor to a patriot. If in the 18th – 19th centuries artists created this image being inspired by myths, then from the early 20th century and up to the present time the historical approach has been dominant. In this paper the author suggests performing aspect basing on the vocal and scenic image of I. Mazepa created by h

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ЧАУС, Дмитро. "The didactics of colour in art and artistic education of the 20th century." EUROPEAN HUMANITIES STUDIES: State and Society 2 (June 27, 2019): 40–50. http://dx.doi.org/10.38014/ehs-ss.2019.2.04.

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The purpose of the study is the color as a phenomenon of semantic - cultural and educational potential in art and art education. In the article, the significance of color is revealed in the aspect of historical and national peculiarities taking into account the development of modern color didactics. It has been proved that the development of color thinking is an expression of the spiritual and cultural level of society, as well as one of the main aspects in the training of future professionals in artistic professions. A historical analysis of color education in art education was conducted, col

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8

Kuhutiak, Mykola, Ihor Raikivskyi, and Oleh Yehreshii. "Halychyna. Journal of Regional Studies: Science, Culture, and Education. Twenty Years of Publishing Activity." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (October 30, 2017): 134–38. http://dx.doi.org/10.15330/jpnu.4.2.134-138.

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This is a review of the twenty-year-long publishing activity of Halychyna. Journal of Regional Studies: Science, Culture and Education, one of the first Ukrainian journals for historians, philologists, art critics that appeared in the independent Ukraine. In Halychyna, there has been published the works by well-known scholars of Vasyl Stefanyk Precarpathian National University and many other higher educational establishments of Ukraine. The Journal can boast an array of sections – archaeology, history, ethnology, political science, historiography, source studies, documents and materials, cultu

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9

Sernelj, Téa. "Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan." Asian Studies 8, no. 1 (January 10, 2020): 77–98. http://dx.doi.org/10.4312/as.2020.8.1.77-98.

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Proceeding from the inseparable relation between ethics and aesthetics in traditional (and often also modern) Chinese thought, this article aims to illuminate two important approaches to the aesthetic foundations of Chinese modernity. The relation between the individual and society, which is a core question of modern ethics, is reflected in most of the ethical theories of 20th century China. In this context, the article first presents Li Zehou’s theory of aesthetics and his definition of aesthetic experience. In this way, it aims to illuminate Li’s interpretation of modern art and society, and

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Gultyaeva, Galina S. "Realistic Painting of the 20th Century China in the Context of Cultural Visualization." Observatory of Culture 18, no. 1 (May 24, 2021): 32–43. http://dx.doi.org/10.25281/2072-3156-2021-18-1-32-43.

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This article examines the phenomenon of Chinese realism, as well as the prerequisites and factors that influenced the processes of reception in modern Chinese art. At the beginning of the 20th century, under the influence of Western academic realism and the artistic system of social realism, a new direction and artistic method was formed — realism, which became mainstream in the art of China of the mid-20th century. According to its aesthetic and ideological motifs, Chinese realism is an object of social realism reception, which was determined by cultural and historical factors, and the develo

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11

Lucas, Scott C. "ABU BAKR IBN AL-MUNDHIR, AMPUTATION, AND THE ART OF IJTIHĀD." International Journal of Middle East Studies 39, no. 3 (August 2007): 351–68. http://dx.doi.org/10.1017/s002074380707050x.

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Few Islamic concepts have undergone as radical a semantic shift over the past couple of centuries as ijtihād. This Arabic term, confined for centuries to sophisticated works of legal theory (uṣūl al-fiqh), has been liberated and transformed into the handmaiden of modern Muslim reformists throughout the world. Numerous Western scholars have investigated either the classical legal ijtihād of the first definition above or the modern employment of ijtihād among reformists encapsulated in the second, succinct gloss of this word. Valuable studies have been published on topics ranging from the relati

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Martonova, Andronika. "A whole century in the vibrating net of arts." Balkanistic Forum 29, no. 3 (November 1, 2020): 324–28. http://dx.doi.org/10.37708/bf.swu.v29i3.19.

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The edition of Bratoeva-Darakchieva, Ingeborg; Genova, Irina; Levi, Claire; Spassova-Dikova, Joanna; Stoilova-Doncheva, Teodora; Tasheva, Stela; Traykova, Elka. Bulgarian 20th Century in Arts and Culture. Institute of Art Studies, 2019, ISBN: 978-954-8594-77-6, 632 рр. 333 ill. http://artstudies.bg/books/BG_XX_EN_2019_IIIzk.pdf in Bulgarian and in English in two separate books comes as a result of a collaborative interdisciplinary project supported by the National Science Fund, Bulgaria, which aims to present a general view on the history of arts in Bulgaria during the 20th century. There are

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Shaulov, Sergey S. "The Idiom “Twice Two is Four” in Russian Literature of the 20th Century." Проблемы исторической поэтики 18, no. 3 (July 2020): 266–89. http://dx.doi.org/10.15393/j9.art.2020.8182.

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<p>The idiom &ldquo;twice two is four&rdquo; along with its variations is seen in the article as a marker of the situation of an &ldquo;underground man&rdquo;. In literature of the twentieth century the &ldquo;underground&rdquo; in its ethical and philosophical aspects has expanded its meaning, becoming the context of a utopian and antiutopian thought, absorbing the tragic experience of Russian culture after Dostoevsky. Of course, the widespread locution &ldquo;as sure as twice two is four&rdquo; does not always point at this variety of meanings, but it ca

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Darwish, Hisham A. "The Alcaic Odes of Horace and Greek Poems of the Early 20th Century." Acta Antiqua Academiae Scientiarum Hungaricae 60, no. 1-2 (June 24, 2021): 149–70. http://dx.doi.org/10.1556/068.2020.00010.

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SummaryThis article is concerned with shedding light on two examples of influence between Horace and the Greek poets, both ancient and modern. The aim of this paper is to shed light on several parallel aspects between two of the Alcaic odes of Horace and two modern Greek lyric poems by Constantine Cavafy and Angelos Sikelianos, respectively. Subsequently, I show, within the wider framework of inter-textuality, a subtle example of the utilization and re-utilization of lyric elements that are originally ancient Greek in nature by the Latin and modern Greek poets. In my argumentation, I will rely

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Morozov, Ilya. "Political Communicativistics: The Evolution of Understanding the Role of Information in Political Process." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 26, no. 3 (June 30, 2021): 58–71. http://dx.doi.org/10.15688/jvolsu4.2021.3.6.

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Introduction. The article is a survey study, the purpose of which is to analyze the evolution of concepts in the field of political сommunicativistics, aimed at understanding the role of information in the system of political processes from the middle of the 20th Century to the present day. Methods and materials. As the main toolkit for working with scientific texts, methods of qualitative text analysis, focused on the study of the conceptual description of social problems, aspects of the interaction between government and society were used. As materials for the analysis, the texts of Russian

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16

Włodarczyk, Wojciech. "1989. On the Concept of Modernism." Artium Quaestiones, no. 30 (December 20, 2019): 257–70. http://dx.doi.org/10.14746/aq.2019.30.14.

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The author argues that the significance of the year 1989 for Polish art was not determined by political changes, but by the rise of postmodernism. Until that moment, the term “modernism” usually referred in academic art history to Polish art at the turn of the 20th century. The concept of postmodernism brought to the Polish language a new meaning of modernism as simply modern art, and more precisely, as modern art defined by Clement Greenberg. That change made it necessary to draw a new map of concepts referring to modern Polish art, most often defined before by the concept of the avant-garde.

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Włodarczyk, Wojciech. "Rok 1989 – wokół pojęcia modernizmu." Artium Quaestiones, no. 30 (December 20, 2019): 415–28. http://dx.doi.org/10.14746/aq.2019.30.25.

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The author argues that the significance of the year 1989 for Polish art was not determined by political changes, but by the rise of postmodernism. Until that moment, the term “modernism” usually referred in academic art history to Polish art at the turn of the 20th century. The concept of postmodernism brought to the Polish language a new meaning of modernism as simply modern art, and more precisely, as modern art defined by Clement Greenberg. That change made it necessary to draw a new map of concepts referring to modern Polish art, most often defined before by the concept of the avant-garde.

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18

Belugin, A. Yu. "Evolution of the Concept of Food Security: History, Stages, Modern Interpretation." Scientific Research of Faculty of Economics. Electronic Journal 11, no. 2 (June 28, 2019): 122–43. http://dx.doi.org/10.38050/2078-3809-2019-11-2-122-143.

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The article describes the evolution of approaches to the concept of food security and its components in the world. Highlighted that the development is non-linear and the emphasis in the attention of the world community and political decision-makers to aspects of food security depends largely on the economic situation. In the 20th century, food security issues moved from the national to the global level, with subsequent involvement at the household, individual and nutritional levels. Noticed that the world tendency to synthesize and combine the problems of food security and nutrition security s

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19

Malkin, Stanislav. "Transfers of Colonial Order: Internal Security Models after the Great War (Methodological Aspect)." ISTORIYA 12, no. 6 (104) (2021): 0. http://dx.doi.org/10.18254/s207987840016088-5.

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The article reveals the possibilities of historical reconstruction of the experience of the leading European powers in matters of the transfer of the colonial order in the “short 20th century”, including its reception outside the global empires, which are opened thanks to the methodological synthesis of the «New Imperial history» and “New Cold war history”. Specific historical examples in the widely interpreted chronological framework of decolonization, including the Interbellum era, show how such an approach helps to restore gaps in the historical genealogy of modern models of internal securi

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Rogozińska, Agnieszka. "Theoretical aspects of modern security threats. Definitions, typologies, evolution." Scientific Journal of the Military University of Land Forces 199, no. 1 (March 18, 2021): 86–95. http://dx.doi.org/10.5604/01.3001.0014.8112.

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In the literature on the subject, the term “security” is accompanied by the terms “non-threatening state”, “non-threatening state of peace”, “state of peace”, “state of certainty”. The lexical meaning of the term (Latin sine cura – no worries) should be understood as a situation in which there are no threats. In the context of lexical meaning, the term security means a risk-free situation. Contemporary understanding of the term focuses its attention on learning security understood as the resultant of the theory and practice of providing a reference subject with the possibility of survival (exi

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Zhukenova, Zhazira D., and Zhazira Zh Zhekibaeva. "Development Stages of the Modern Jewelry Art in Kazakhstan." Observatory of Culture 16, no. 3 (July 19, 2019): 322–32. http://dx.doi.org/10.25281/2072-3156-2019-16-3-322-332.

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In the context of globalization of the modern world and the growth of intercultural interaction, the question of spiritual development of the nation, the issues of formation, establishment, and the main trends in the further evolution of its art become the subject of research by many art historians, who, through the use of their topical articles and speeches, have made conditions for the further improvement of art studies in Kazakhstan.Currently, the Republic of Kazakhstan is on the way of radical changes in its political, economic and cultural system, which became possible with the acquisiti

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Keshmirshekan, Hamid. "Modern Art in the Arab World, Primary Documents: A Review Essay." Review of Middle East Studies 54, no. 2 (December 2020): 342–51. http://dx.doi.org/10.1017/rms.2021.4.

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The study of modern and contemporary art from Islamic lands, and particularly the Arab world, is a developing field. Over the past few decades, a variety of publications on modern and contemporary art from the Arab world and its diasporas has appeared in art magazines, journals, and exhibition and auction catalogues. There is, however, still a lack of scholarly literature and reliable resources on the subject. Many such existing sources have focused on productions that are largely in line with certain interests or agendas pursued by the particular magazine/journal, exhibition, or art market in

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Pirozhkova, Sophia. "PHILOSOPHY AS ELEMENT OF RUSSIAN SCIENTIFIC SYSTEM: HISTORICAL ASPECTS OF PROBLEM." Studia Humanitatis 17, no. 4 (December 2020): 4–14. http://dx.doi.org/10.15393/j12.art.2020.3661.

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The article offers a rational reconstruction of the history of the development of Russian philosophy as a scientific discipline. The relevance of this reconstruction is due to the need for a new self-determination of philosophy in the structure of scientific knowledge. This need is caused, on the one hand, by the world-wide transformations of science as a cognitive, social and cultural phenomenon, on the other hand, by the fact that Russian science is undergoing a period of reforms that pose urgent questions for Russian philosophy to fix its features, functions and tasks as a scientific discip

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Houvenaghel, Eugenia. "Las presencias de la Reto´´rica en la obra de Alfonso Reyes: Esbozo de una evolucio´´n." Rhetorica 21, no. 3 (2003): 149–74. http://dx.doi.org/10.1525/rh.2003.21.3.149.

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The Mexican diplomat Alfonso Reyes (1889––1959) was notable in the cultural panorama of Spanish America in the first half of the 20th century for his acquaintance with classical rhetoric, a discipline rarely studied at that time in that part of the world. This article distinguishes four aspects of rhetoric throughout Reyes' oeuvre: (i) a vulgar sense, (ii) an erudite sense, (iii) classical theories, (iv) and modern applications. In his early work, Reyes uses rhetoric in a pejorative and vulgar sense. Around the year 1940, Reyes starts to show a lively interest in rhetoric, opts definitively fo

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25

BROWN, CHRISTOPHER. "The Renaissance of Museums in Britain." European Review 13, no. 4 (October 2005): 617–36. http://dx.doi.org/10.1017/s1062798705000840.

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In this paper – given as a lecture at Netherlands Institute for Advanced Study in the summer of 2003 – I survey the remarkable renaissance of museums – national and regional, public and private – in Britain in recent years, largely made possible with the financial support of the Heritage Lottery Fund. I look in detail at four non-national museum projects of particular interest: the Horniman Museum in South London, a remarkable and idiosyncratic collection of anthropological, natural history and musical material which has recently been re-housed and redisplayed; secondly, the nearby Dulwich Pic

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26

Engler, S., J. Luterbacher, F. Mauelshagen, and J. Werner. "The Irish famine of 1740–1741: causes and effects." Climate of the Past Discussions 9, no. 1 (February 15, 2013): 1013–52. http://dx.doi.org/10.5194/cpd-9-1013-2013.

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Abstract. This paper advances the current debate on causes and effects of famines. Since Sen's food entitlement decline theory emerged in the 1980's, climate and environmental factors are widely excluded in famine analysis. Studying the causation and the processes of famines as well as the adaptations to it before the 20th century will enhance modern famine theories and lead to a rethinking of the role of climate/environmental aspects in current research. In our case study, the "Famine Vulnerability Analysis Model" (FVAM) serves as an explanatory model and will open up new perspectives on fami

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27

Melnyk, Ivan. "The role of Ukrainian folk ornament in the Art Nouveau graphic: theoretical and applied aspects." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 11–18. http://dx.doi.org/10.37131/2524-0943-2019-41-02.

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Background. The article deals with the basic conceptual foundations of the "Ukrainian style" in the art of the late 19th – early 20th centuries, primarily in the field of searching for actual ways of adaptation and creative rethinking of Ukrainian folk ornament motifs. A special role in this process was played by the use of graphics, whose artistic language has evolved rapidly under the influence of contemporary European styles. However, in the graphic works of Ukrainian artists, the appeal to folk ornamentation was one of several ways of self-identification with the national artistic traditio

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Simsone, Bārbala. "Zinātniskā fantastika kā ideoloģiskais ierocis." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 165–75. http://dx.doi.org/10.37384/aplkp.2020.25.165.

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Since one of the main characteristics of the science fiction genre is the modelling of future societies, often from the safe distance perspective drawing quite visible parallels with those of the present world, the discussion about political and social topics has been an integral part of the genre since the beginnings. Moreover, since science fiction, especially regarding the subgenre of utopia, allegorically projects a particular ideology in an imaginary world, certain propaganda was also frequent compound in the genre works. These factors were largely responsible for the fact that some polit

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29

Gulyaev, Alexander V., and Alexey A. Ivanov. "ON THE REVIVAL OF RELIGIOUS INSTITUTIONS: ALL-RUSSIAN TRENDS AND REGIONAL ASPECTS (late 20th – beginning of 21st century)." Historical Search 1, no. 4 (December 25, 2020): 18–27. http://dx.doi.org/10.47026/2712-9454-2020-1-4-18-27.

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On the basis of the latest research and data of sociological sources, the article examines the revival of religious institutions in Russia in the late 20th – early 21th century. The relevance of scientific research is due to the important role of religious institutions in the process of development of civilization, culture, ideological education and social consciousness. Religion has been and remains the basis of an ideological instrument in any state since its inception. The evolvement and development of a rule-of-law state largely depends on the level of civil society development and on the

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Scheid, Kirsten. "NECESSARY NUDES: ḤADĀTHA AND MUʿĀṢIRA IN THE LIVES OF MODERN LEBANESE". International Journal of Middle East Studies 42, № 2 (13 квітня 2010): 203–30. http://dx.doi.org/10.1017/s0020743810000024.

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In his studio in Beirut in 1929, the young artist Moustapha Farroukh (1901–57) envisioned a composition to change his society. He hoped his oil painting would incite broad support among his fellow Lebanese for a revolution in conventional gender relations and women's participation in the urban social order. He titled the picture The Two Prisoners and based it on a European convention for representing the East: the Nude odalisque (Figure 1). The resulting painting exemplifies the complex role Arab intellectuals of the early 20th century played in the formation of modern art and universal modern

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MIKKONEN, KAI. "The modernist traveller in Africa: Africanism and the European author's self-fashioning." European Review 13, no. 1 (January 20, 2005): 115–25. http://dx.doi.org/10.1017/s1062798705000116.

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The central question in this paper is the relationship between European modernist traveller's self-fashioning and the representation of Sub-Saharan African cultures, spaces and cross-cultural encounters in the early 20th century. The premise is that the cultural production of identity, including the question of artistic identity and poetics, is most productive where it is most ambivalent and uneasy. High modernist critical narratives pose the question of the phenomenology of travel in terms of textual authority. Authority, in the perception in late colonial European writing, was often simultan

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Zavidovskaya, Ekaterina A. "Tradition, Innovations and Historical Events in the Early 20th Century Chinese Calendars from the Russian Collections." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 4 (2021): 204. http://dx.doi.org/10.31857/s086919080015487-2.

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The paper discusses two types of Chinese calendars – a traditional agricultural calendar “nongli” which existed in China since the 9th century and a Westernized “yuefenpai” calendar that emerged in Shanghai in the late 19th century and flourished until the 30-40s of the 20th century. Apart from the lunar and solar calendars and a table of 24 seasons woodblock “nongli” calendar featured a Stove God Zao-wang alone or with a spouse surrounded by a suite, fortune bringing deities and auspicious symbols, Stove God was believed to ascend to heaven and report good and bad deeds of the family members

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33

Niemira, Konrad. "Much Ado About Nothing? Political Contexts of the 15 Polish Painters Exhibition (MoMA, 1961)." Ikonotheka 26 (June 26, 2017): 167–91. http://dx.doi.org/10.5604/01.3001.0010.1677.

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The essay concerns 15 Polish Painters, the now slightly forgotten, but once famous exhibition of Polish contemporary art that took place at the Museum of Modern Art in New York in 1961. Initially, the exhibition was conceived as an expression of a thaw in relations between the United States and Poland, and it was organised at the diplomatic level. Organisational works began during Vice President Richard Nixon’s visit to Warsaw in August of 1959. They were coordinated by Porter McCray (who was responsible for MoMA’s touring exhibition programme) and Peter Selz (an art historian of German origin

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34

Babunych, Ulia. "Historical background, philosophical and aesthetic platform and ideological principles of Ukrainian modernism." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 38–52. http://dx.doi.org/10.37131/22524-0943-2019-39-03.

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Ukrainian culture from the second half of the nineteenth century. developed with such main features - the transformation of a purely cultural movement into a national liberation movement, the formation of similar features in the cultural-process processes with the European laws. At the end of the nineteenth century. associates of Ukrainian culture, the main task of their position is the solution of a number of political and socio-economic issues. The process of national-cultural revival has gained strength since the 1880's in both parts of Ukraine and at the beginning of the 20th century. alre

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35

Lufkin, Felicity. "The Cult of Happiness: Nianhua, Art and History in Rural North China. By James A. Flath. [Vancouver: University of British Columbia Press, 2004. 195 pp. $60.00. ISBN 0-7748-1034-3.]." China Quarterly 182 (June 2005): 446–47. http://dx.doi.org/10.1017/s0305741005300269.

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James Flath's The Cult of Happiness is a stimulating and accessible book that contributes to more than one area of current concern in Chinese studies. The author effectively situates his work in relation to developing debates about print culture, alternative conceptions or experiences of modernity, and the relationship of popular culture to markets and to state power. It should also appeal to readers interested more generally in modern Chinese art, history and visual culture.In this general vein, the book would be valuable simply as one of only a very few English-language works that deal with

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Šimunić, Nikola, and Ivan Brlić. "Senjsko parobrodarstvo i socioekonomske prilike na prijelazu iz 19. u 20. stoljeće." Geoadria 19, no. 1 (April 20, 2014): 101. http://dx.doi.org/10.15291/geoadria.41.

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The authors of the paper examine the historical and geographical aspects of the emergence, development and decline of Senj’s steam-shipping as the crucial element of the overall social and economic progress of Senj at the turn of the 20th century. At the beginning of the 19th century, owing to the special city autonomy and the modern road connections, the Port of Senj was one of the most important maritime trading centres of the Croatian Littoral and the entire Adriatic in general, and its residents were important participants in social, economic and political turmoil of that time. Steam-shipp

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Šimunić, Nikola, and Ivan Brlić. "Senjsko parobrodarstvo i socioekonomske prilike na prijelazu iz 19. u 20. stoljeće." Geoadria 19, no. 1 (June 23, 2014): 101–28. http://dx.doi.org/10.15291/geoadria.40.

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The authors of the paper examine the historical and geographical aspects of the emergence, development and decline of Senj’s steam-shipping as the crucial element of the overall social and economic progress of Senj at the turn of the 20th century. At the beginning of the 19th century, owing to the special city autonomy and the modern road connections, the Port of Senj was one of the most important maritime trading centres of the Croatian Littoral and the entire Adriatic in general, and its residents were important participants in social, economic and political turmoil of that time. Steam-shipp

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Calvert, Isaac. "Sanctifying Security: Jewish Approaches to Religious Education in Jerusalem." Religions 10, no. 1 (January 1, 2019): 23. http://dx.doi.org/10.3390/rel10010023.

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While Schmitt’s Political Theology paints modern theories of the state as secularized theological concepts, prominent threads of Jewish religious education in 20th century Jerusalem have moved in a different direction, that is, toward the re-sacralization of such secularized theological concepts. Orthodox Jewish schools in Jerusalem, or yeshivot, take an orthopractic approach to religious education as informing all aspects of life, rather than a delimited set of doctrines or beliefs. As such, questions of security fall within the purview Jewish religious education. To look more closely at the

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Hrabovskyj, Serhiy. "ANTY-COLONIAL DISCOURCE OF UKRAINIAN THINKERS OF THE LATE 19th AND THE FIRST THIRD OF 20th CENTURY." Almanac of Ukrainian Studies, no. 22 (2017): 105–10. http://dx.doi.org/10.17721/2520-2626/2017.22.18.

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The problems of colonialism and post-colonialism are very important for the modern world. Postcolonial studios are one of the key components of intellectual discourse. However, most of them have a serious flaw, namely the reduction of the topic to the collapse of colonial expansion and colonial exploitation to racial and geographical factors. These studios are about as colonizers view Europeans, and as oppressed peoples of the colonies view residents of other parts of the world. These researchers also do not pay attention to the fact that the Russian Empire had a colony at one time, not in Ame

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Freake, Suzy K. "Through the Arendtian Lens: Developing Statelessness through Gregor Schneider's 'Weisse Folter'." Excursions Journal 1, no. 1 (September 12, 2019): 36–52. http://dx.doi.org/10.20919/exs.1.2010.125.

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This article seeks to examine a productive intersection between contemporary artist Gregor Schneider and political/historical thinker Hannah Arendt. The purpose of such a task is to demonstrate the benefits of thinking beyond disciplines, whereby the application of political philosophy to an artwork affords a more nuanced art historical analysis, and, in turn, the reading of the contemporary artwork allows an updating and making relevant of historically embedded political philosophies.This article shall specifically explore Schneider’s 2007 work 'Weisse Folter', a large-scale, labyrinthine and

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Simsone, Bārbala. "Erotiskās prozas fenomens Latvijā un pasaulē." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 222–32. http://dx.doi.org/10.37384/aplkp.2021.26-1.222.

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The present paper “The Phenomenon of Erotic Fiction in Latvian and World Literature” is devoted to the fiction genre acquiring immense popularity in Western literature while having attracted only fragmentary attention in Latvian literary scholarship, namely the erotic fiction, which is currently among those genres of literature most widely read among Latvian readers and therefore titled as somewhat phenomenal. The first part of the paper provides insight into the history of the erotic world literature and the most common division of the genre into the three basic categories; this part also pro

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Lee, Yeonkyung. "Taipei and Seoul’s Modern Urbanization under Japanese Colonial Rule: A Comparative Study from the Present-Day Context." Sustainability 12, no. 11 (June 11, 2020): 4772. http://dx.doi.org/10.3390/su12114772.

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Both Taipei and Seoul underwent a process of colonization and modern urbanization during the early part of the 20th century, under Japanese rule. In both countries, urban-planning projects from the colonial period have had a great impact on recent urban changes. This comparative analysis aims to identify the characteristics of modern cities with Japanese colonial histories, focusing on the following three aspects: (1) Urban structure based on spatial distribution by ethnic group; (2) Japanese colonial urban planning; and (3) modern boulevards that convey the power and spectacle of a colonial c

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Philippov-Chekhov, Alexander О. "Peter Szondi about the crisis of drama." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 1 (March 1, 2020): 128–41. http://dx.doi.org/10.18522/2415-8852-2020-1-128-141.

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“Theory of Modern Drama: 1880–1950” (1956), a book by Peter Szondi (Peter Szondi, 1929–1971), who was a German literary scholar, originally from Hungary, has not yet been translated into Russian. Meanwhile, without this study, it is impossible to imagine a European discourse on drama, theatrical practice and its concepts in the second half of the 20th century. Analyzing the changes in the poetics of drama, which were first carried out by Ibsen, Chekhov, Strindberg, Hauptmann, and then by experimenters like Pirandello, Piscator, or Brecht, Szondi traced how the “decay of the formative principle

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Stasiorczyk, Jacek. "Linguistic aspect of the formation of national identities in Lithuania in the late 19th and the first half of the 20th century." Język a Kultura 28 (May 5, 2021): 113–23. http://dx.doi.org/10.19195/1232-9657.28.9.

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The issue of polonisation and the status of the Polish language has been the subject of intense interest in Lithuania to this day, not only in a cultural and historical context, but also in a political context, since Poles constitute the largest national minority there. This article is an attempt to describe the role of the linguistic aspect in the national transformations in Lithuania during the crucial period, i.e. the formation of modern national identities at the turn of the 19th century and their emancipation in the form of the politics of national states of the interwar period. The analy

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Kirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (December 4, 2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.

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The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kondakov. The book, which consists of seven chapters, is devoted to the history of the emergence and development of mass culture in Russia from ancient times to the beginning of the 20th century. Studying its origins dating back to antiquity, the author proves that Russian mass culture received an “impulse of independence” in the 17th century, as the cu

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Häßler, Miriam. "Moscow Merz and Russian Rhythm." Experiment 23, no. 1 (October 11, 2017): 117–26. http://dx.doi.org/10.1163/2211730x-12341305.

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Abstract The Erste Russische Kunstausstellung [First Russian Art Exhibition] of 1922 was a remarkable event not only for Berlin’s art lovers at that time, but also for the history of twentieth century art. Held at Galerie van Diemen, the show gave a comprehensive overview of Russia’s artistic achievements from late Tsardom to the Russian Civil War. Of all styles in the exhibition, the non-objective art movements of suprematism and constructivism provoked the greatest sensation among the visitors, many of whom were Western artists. Relating Russia’s variations of non-objectivity with their—assu

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Slezhenkov, Vladimir. "Semi-presidential (mixed) republic: historical roots and problematic aspects of terminology (experience of French politico-legal science)." Advances in Law Studies 7, no. 4 (December 19, 2019): 16–20. http://dx.doi.org/10.29039/2409-5087-2019-7-4-16-20.

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The article is devoted to the study of the features of the elaboration and introduction into scientific parlance of the concept of a semi-presidential republic (mixed government) by French scientists. In the introductory part of the work, the author noted the socio-historical and political-legal prerequisites for the development of relevant ideas, associated primarily with the affirmation of the specific constitutional regime of the Fifth Republic in France. In the main part of the study, the author highlights the discussion aspects of the concept and essence of the form of government under co

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STROEVA, OLESYA V. "THE FATE OF DYSTOPIAS AND NEOLIBERAL VALUES IN MODERN SERIAL PRODUCTION." Art and Science of Television 16, no. 4 (2020): 11–29. http://dx.doi.org/10.30628/1994-9529-2020-16.4-11-29.

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The genre of dystopia is not among the most highly rated, since its character is usually critical and not entertaining. This is why the phenomenon of a growing number of dystopia remakes in the entertainment media industry is of scientific interest. Traditionally, dystopia was aimed at actualizing political problems related to the interaction between a state and a person. Apparently, contemporary totalitarianism is acquiring new features and is no longer a specific organization of state power in a particular country, but is associated with globalization, the development of macro-businesses and

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Mohd. Shamsuddin, Salahuddin, and Siti Sara Binti Hj. Ahmad. "Art of the article and its technical characteristics in the modern age." Advances in Social Sciences Research Journal 7, no. 2 (February 23, 2020): 78–86. http://dx.doi.org/10.14738/assrj.72.7822.

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Art of the article is one of the expressive arts. It has its own origins, features, and importance. Art of the article can be defined as one of the prose genera that appeared in the modern Arabic literature after its connection to European literature in the eighteenth century, when the art of the article appeared as a separate literary genre, in which the writers deal with the issues related to the aspects of their individual, social, political, religious, literary and scientific lives and environments, with the criticism and analysis. Development of the press helped to develop this literary g

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Issers, Oxana S. "Dimensions of a “New Sincerity” in Modern Political Communication." Vestnik NSU. Series: History and Philology 19, no. 6 (2020): 216–27. http://dx.doi.org/10.25205/1818-7919-2020-19-6-216-227.

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Purpose. The purpose of the study is connected to the projection of the artistic concept of a “new sincerity” into the politics. Formed at the end of 20th century in art and literature the trend of the “new sincerity” is considered to be related to modern political discourse. The “new sincerity” is found in overcoming the destructive power of irony and the revival of time-tested universal values. Supporters of the “new sincerity” seek in their work to revive those values that leave people vulnerable to the outside world, but make them more humane following David Foster Wallace – an American id

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