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Relevant bibliographies by topics / Art, modern – 21st century – congresses

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Academic literature on the topic 'Art, modern – 21st century – congresses'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Art, modern – 21st century – congresses"

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Demeschenko, Violeta. "Peculiarities of genre formation in 21st century cinematography." Culturology Ideas, no. 23 (1'2023) (2023): 55–67. http://dx.doi.org/10.37627/2311-9489-23-2023-1.55-67.

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This scientific exploration is an attempt to consider the theoretical problems of genre development in modern cinema. Even today in the 21st century, modern cinematography remains one of the art forms that continues to develop dynamically. It is this development that continues to transform its genre classification rather quickly. This process occurs because the large number of modern films does not fit into the traditional genre classification and creates the need to search for new principles regarding the formation of the genre as such. The process of genre creation takes place permanently, b

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Chmil, Hanna, Victor Sydorenko, Olena Berehova, Maryna Mishchenko, and Nataliia Zhukova. "Artistic Paradigms in The 21st Century: The Variability of Human Choice." Herança 7, no. 2 (2024): 69–81. http://dx.doi.org/10.52152/heranca.v7i2.832.

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The relevance is that modern art is a field that requires the analysis of all creative processes because in its context there are continuous updates and changes in priorities. These transformations call for research on creativity and the creator, who expresses his position through an artistic interpretation of reality or imagination. The purpose of the article the modern cultural space, the nature of the interaction between the artist and the audience, and the significance of the creator, whose activity no longer serves to satisfy purely aesthetic needs, but is accompanied by the emergence of

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Vahabova, D. "ON CERTAIN PROPERTIES OF THE AZERBAIJANI FINE ARTS OF THE 21ST CENTURY." Sciences of Europe, no. 137 (March 26, 2024): 4–8. https://doi.org/10.5281/zenodo.10874468.

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D.Vahabova’s article “On certain properties of the Azerbaijani fine arts of the 21<sup>st</sup> century” is devoted to the problems of forming and development of conceptual art in Azerbaijan. Besides the description of concrete facts concerning the Azerbaijan art of the current period the author contemplates upon the nature of the conceptual art development as a whole as well as the aesthetical problems in modern creativity and role of art in life of the modern society. The author’s initial position is in idea of élite and autonomous character of art as a self-su

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Tsuhorka, Oleksandr. "Modern Ukrainian Icon Painting Trends." Bulletin of KNUKiM. Series in Arts, no. 40 (June 5, 2019): 228–33. https://doi.org/10.31866/2410-1176.40.2019.172708.

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The purpose of the article is to determine the prospects for the development of Ukrainian icon painting of the 21st century in the context of the revival of national sacred art. Methodology of the research. The historical-comparative method was used to study the dynamics of development of the Ukrainian Baroque style; the method of stylistic art history analysis - to determine the features of technical and technological methods and pictorial stylistics in the works of modern Ukrainian icon painters; the typological and system-structural methods - to identify the individual style features of bar

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Chekalina, Olga Dmitrievna. "Relevance of higher art education in the 21st century." Uchenyy Sovet (Academic Council), no. 6 (May 19, 2025): 340–43. https://doi.org/10.33920/nik-02-2506-02.

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The relevance of higher art education in the context of the modern pace of life and the use of computer technology is considered. Higher education is often called a ticket to a better life: in the public consciousness it is associated with a higher salary and recognition in society. However, the price of education and the time it takes make one wonder whether it is worth the effort. The article shows that this position is not correct, and higher education remains relevant and necessary.

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Ye, Ping, Liu Qi Wu, and Duo Wang. "Landscape City: The Ideal Direction of Cities Development of 21st Century in China." Advanced Materials Research 243-249 (May 2011): 6660–63. http://dx.doi.org/10.4028/www.scientific.net/amr.243-249.6660.

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Landscape city is a new concept of city construction which is proposed by Chinese famous scientist Qian Xuesen.It contains many factors such as garden、culture、art 、technology . Landscape city covers the western modern urban theory, and at the same time Chinese culture connotation, it stands for 21st century Chinese socialist urban development ideal direction. In the early of 1990s, one of the famous scientists of China, Professor Qian Xuesen proposed the concept of landscape city, and it embodies Qian’s deeply expectation that the cities in the 21st century are landscape cities. What is the la

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Pulatov, Dilmurod Saymamutovich Ubaydullaev Makhmudjon Akhmadjonovich. "FORMATION OF NEW CREATIVE DIRECTIONS IN MODERN FINE ART OF UZBEKISTAN." SOLUTION OF SOCIAL PROBLEMS IN MANAGEMENT AND ECONOMY 2, no. 2 (2023): 34–39. https://doi.org/10.5281/zenodo.7623742.

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This article provides detailed information about the formation of new creative directions in modern fine art in the 21st century, the processes of mastering the modern principles of painting by artists, and the processes of the development of new directions in sculpture.

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GAO, Xiaotian. "WALL PAINTING IN THE NON-CANONICAL TYPOLOGY OF THE GENRE-SPECIES STRUCTURE OF CHINESE FINE ART." HUDPROM: The Ukrainian Art and Design Journal 2023, no. 2 (2023): 87–95. http://dx.doi.org/10.33625/hudprom2023.02.087.

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The article deals with a non-canonical art practice in modern Chinese fine art, mural painting of public spaces. The actualization of the above-mentioned problem is caused by the appearance of changes and supplements to the morphological system of Chinese fine art: Chinese state has opened up to the world, dynamic urbanization has begun, the attitude of the society to public spaces and the tasks of mural painting in their visualization have changed. The purpose of the article is to understand the place of modern wall painting in the non-canonical structure of fine art in China at the beginning

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Sadovenko, Svitlana, and Oleg Zaitsev. "Historiography of the study of theatrical and decorative art in the theatrical culture of Transcarpathia in the 20th – first quarter of the 21st century." Almanac "Culture and Contemporaneity" 26, no. 1 (2024): 31–39. http://dx.doi.org/10.63009/cac/1.2024.31.

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The purpose of the study is to review and systematise the source base of research on theatrical and decorative art, to consider the dynamics of the latter in the theatrical culture of Transcarpathia in the 20th and first quarter of the 21st century. The research methodology is based on the cultural-historical method. The article reveals for the first time the historiography of cultural studies of theatrical and decorative art, summarises, systematises and periodises sources that deepen the understanding of theatrical and decorative art of the theatrical culture of Transcarpathia in the period

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Sadovenko, Svitlana, and Oleg Zaitsev. "Historiography of the study of theatrical and decorative art in the theatrical culture of Transcarpathia in the 20th – first quarter of the 21st century." Scientific journal “Library Science Record Studies Informology” 26, no. 1 (2024): 31–39. http://dx.doi.org/10.63009/ac/1.2024.31.

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The purpose of the study is to review and systematise the source base of research on theatrical and decorative art, to consider the dynamics of the latter in the theatrical culture of Transcarpathia in the 20th and first quarter of the 21st century. The research methodology is based on the cultural-historical method. The article reveals for the first time the historiography of cultural studies of theatrical and decorative art, summarises, systematises and periodises sources that deepen the understanding of theatrical and decorative art of the theatrical culture of Transcarpathia in the period

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Dissertations / Theses on the topic "Art, modern – 21st century – congresses"

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Knezevic, Nina. "Interpreting the autobiographical archive." Phd thesis, Sydney College of the Arts, 2009. http://hdl.handle.net/2123/13893.

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Fletcher, Lauren Jean. "Adaptive realities : effects of merging physical and virtual entities." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1018557.

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In the worlds of virtual reality, whole objects and bodies are created in an immaterial manner from lines, ratios and light pixels. When objects are created in this form they can easily be manipulated, edited, multiplied and deleted. In addition, technological advances in virtual reality development result in an increased merging of physical and virtual elements, creating spaces of mixed reality. This leads to interesting consequences where the physical environment and body, in a similar vein to the virtual, also becomes increasingly easier to manipulate, distort and change. Mixed realities th

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van, der Walt Jonathan Petra. "Craftsmanship in contemporary art: an exposition of selected artists’ practical non-involvement." Thesis, Nelson Mandela Metropolitan University, 2017. http://hdl.handle.net/10948/21285.

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Craftsmanship in contemporary art production is the main area of focus for this visual arts based research. An exploration into the artistic production processes of selected contemporary artists’ work, reveals a tendency of physical non-involvement on the part of the artist, who takes up the role of art director. The research enquiry attempts to provide an answer as to whether credit should be given to the craftsman as well as to the artist in this artist/craftsman relationship. The use of a practice-led research strategy allows the researcher’s art-making practice to become an integral part o

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Williams, Court. "Sensitive skin." Thesis, The University of Sydney, 2008. https://hdl.handle.net/2123/28932.

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The work being considered for examination will be my gallery installation Affliction. Consisting of approximately six hundred digitally printed and hand constructed three dimensional models, it will be installed on the gallery floor as a part of the Postgraduate Degree show at Sydney College of the Arts (Tuesday December 9th through to Wednesday December 17th). My masters project explores the isolation and dislocation experienced in the urban environment and situates un-commissioned street art as a construct that potentially generates modes of plurality through immediate encounter, co

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Haines, David Sean. "Osmologies : towards aroma composition." Phd thesis, Sydney College of the Arts, 2012. http://hdl.handle.net/2123/14423.

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Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.

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Scenario House, a gallery based installation, is comprised of a room constructed as a ???family room??? within a domestic space, a television with a looped video work and a sound componant played through a 5.1 sound system. The paper is intended to give my work context in relation to the processes leading up to its completion. This is achieved through clarification of the basis for the installation including previous socio-political discourses within my art practice. It then focuses on ways that the installation Scenario House is based on gun practice facilities such as the Valhalla Shooting

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Abdullah, Sarena. "Postmodernism in Malaysian art." Phd thesis, Department of Art History and Film Studies, 2010. http://hdl.handle.net/2123/9457.

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Gawronski, Alex. "No new Utopia? : the crisis of art as critique under globalisation." Phd thesis, Sydney College of the Arts, 2005. http://hdl.handle.net/2123/3967.

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Roche, Judith D. "The role of the artist at the beginning of the twenty-first century: An exploration of dialectical processes in art and science with particular reference to biologically based art." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/1571.

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This thesis examines the role of the artist at the beginning of the twenty-first century. It focuses on the interaction between art and science in an exploration of the dialectical processes that may occur in that interaction. Researchers have recently developed techniques in stem cell technology and genetic modification that offer remarkable potential and bring possible advantages and disadvantages for scientists and the wider community. In response to these new technologies, scientists and artists have developed collaborative projects and, in some instances, artists have moved from the studi

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Wedderburn, Michael Roderick. "Living in the Shadow of death: purging the unconscious for the creation of a personal visual language." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/13250.

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This visual arts based research explores the autonomous process of mark-making from the unconscious for the sake of expressing inner turmoil that comes with ‘Living in the Shadow of Death series’ (2014). The manner by which emotions are, in a sense, naturally released in automatic drawing and painting underpin the basis of this research as part of the development of an expressive visual language. ‘Living in the Shadow of Death’ is definitively concerned with how an emotional predisposition, a severe case of unconscious aggression due to struggles with the illness of Marfan Syndrome comes to th

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Books on the topic "Art, modern – 21st century – congresses"

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N, Desai Vishakha, ed. Asian art history in the twenty-first century. Sterling and Francine Clark Art Institute, 2007.

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Binter, Julia T. S. Global studies: Mapping contemporary art and culture. Hatje Cantz, 2011.

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Germany), Warburg-Haus (Hamburg, ed. "Die Tücke des Objekts": Vom Umgang mit Dingen. Reimer, 2009.

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Peter, Hrsg :. Weibel, ed. Contemporary art and the museum: a global perspective. Hatje Cantz Verlag, 2007.

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Russ, Nadia. Neopoprealism starz: 21st century art. Xlibris Corp, 2009.

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Licai, Deng, and Chan K. L, eds. The art of modelling stars in the 21st century: Proceedings of the 252th [i.e. 252nd] Symposium of the International Astronomical Union, held in Sanya, Hainan Province, China, April 6-11, 2008. Cambridge University Press, 2008.

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Gallery, Queensland Art, and Gallery of Modern Art (Brisbane, Qld.), eds. 21st century: Art in the first decade. Queensland Art Gallery, 2010.

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Galleria del Laocoonte (Rome, Italy), ed. Laocoon zoo: Art fauna 16th-21st century. D'arte, 2021.

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Wang, Xudong. Master of art in 21st century: Wang Xudong. Australian National Multicultural Press, 2010.

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Wang, Xudong. Master of art in 21st century: Wang Xudong. Australian National Multicultural Press, 2010.

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Book chapters on the topic "Art, modern – 21st century – congresses"

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Peng, Lü. "Modern Fine Arts Education." In A History of Chinese Art in the 20th and 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5327-7_6.

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Ahmad, Belal, and Gaurav Kumar. "URBAN HORTICULTURE: A PATH TO SELF-RELIANCE AND NUTRITIONAL SECURITY." In AGRICULTURE IN 21ST CENTURY. KAAV PUBLICATIONS, 2023. http://dx.doi.org/10.52458/9789388996815.2023.eb.ch-13.

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The art and science of integrating plants with the urban environment is known as urban horticulture. In developing nations, urban gardening already makes a major contribution to food security and nutrition. Around the world, a lot of urban areas are attempting to improve sustainability through encouraging urban farming and increasing urban greenery. New approaches like home gardening, vertical gardening, hydroponics, aeroponics, aquaponics, indoor gardening, container gardening and rooftop gardening can improve existing urban cropping systems like home gardening, community gardens, edible land

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Kostyrya, Inna. "UKRAINIAN CULTURE IN THE INTERNATIONAL ARENA: STRATEGIES OF MODERN CULTURAL DIPLOMACY." In CULTURE, ART, EDUCATION IN THE SPACE OF THE 21st CENTURY: INTERDISCIPLINARY DISCOURSE. Liha-Pres, 2020. http://dx.doi.org/10.36059/978-966-397-225-1-2.

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Kostyrya, Inna. "UKRAINIAN CULTURE IN THE INTERNATIONAL ARENA: STRATEGIES OF MODERN CULTURAL DIPLOMACY." In CULTURE, ART, EDUCATION IN THE SPACE OF THE 21st CENTURY: INTERDISCIPLINARY DISCOURSE. Liha-Pres, 2020. http://dx.doi.org/10.36059/978-966-397-225-1-2.

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Čihorić, Dragan. "Art as an anti-systemic attitude: Milan Selaković in Pregled." In Art and the State in Modern Central Europe (18th – 21st Century): Conference Proceedings. Faculty of Humanities and Social Sciences, University of Zagreb, Croatia FF press, 2024. https://doi.org/10.17234/9789533792170.16.

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Nupur Gorai. "SIGNIFICANCE OF VISUAL ART ON STUDENTS’ CREATIVE AND CRITICAL THINKING IN 21ST-CENTURY EDUCATION SYSTEM." In TRANSFORMATIVE APOTHEOSIS: INTEGRATING THE INDIAN KNOWLEDGE SYSTEM INTO MODERN EDUCATIONAL PRACTICES. SCRIBE AND SCROLL PUBLISHING, 2020. https://doi.org/10.25215/9348701193.16.

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Alviž, Josipa, and Jasmina Nestić. "National art at the Department of Art History of the University of Zagreb from its foundation to the 1970s in the context of state and political changes." In Art and the State in Modern Central Europe (18th – 21st Century): Conference Proceedings. Faculty of Humanities and Social Sciences, University of Zagreb, Croatia FF press, 2024. https://doi.org/10.17234/9789533792170.04.

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Bárdi, Sára. "Political iconography in Hungarian art between the two World Wars: a case study on Károly László Háy’s fresco plan history (1942)." In Art and the State in Modern Central Europe (18th – 21st Century): Conference Proceedings. Faculty of Humanities and Social Sciences, University of Zagreb, Croatia FF press, 2024. https://doi.org/10.17234/9789533792170.03.

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Marjanović, Igor, and Katerina Rüedi Ray. "Architecture master schools: communism, patriarchy, and pedagogy." In Art and the State in Modern Central Europe (18th – 21st Century): Conference Proceedings. Faculty of Humanities and Social Sciences, University of Zagreb, Croatia FF press, 2024. https://doi.org/10.17234/9789533792170.33.

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Bregovac Pisk, Marina. "Ferdinand V – the forgotten ruler." In Art and the State in Modern Central Europe (18th – 21st Century): Conference Proceedings. Faculty of Humanities and Social Sciences, University of Zagreb, Croatia FF press, 2024. https://doi.org/10.17234/9789533792170.26.

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Conference papers on the topic "Art, modern – 21st century – congresses"

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Robson, F. L., and D. J. Seery. "Advanced Aeroderivative Gas Turbines in Coal-Based High Performance Power Systems (HIPPS)." In ASME 1998 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/98-gt-131.

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The Department of Energy’s Federal Energy Technology Center (FETC) is sponsoring the Combustion 2000 Program aimed at introducing clean and more efficient advanced technology coal-based power systems in the early 21st century. As part of this program, the United Technologies Research Center has assembled a seven member team to identify and develop the technology for a High Performance Power Systems (HIPPS) that will provide in the near term, 47% efficiency (HHV), and meet emission goals only one-tenth of current New Source Performance Standards for coal-fired power plants. In addition, the tea

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Yingdong, Guo. "Integrative principles of vocal art in China at the beginning of the 21st century." In GLOBAL MODERN TRENDS IN RESEARCH. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-446-7-10.

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Scott, Timothy C., and Robert J. Ribando. "Revising Thermo/Fluids Education for the 21st Century." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-13536.

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During the 1960s, major revisions took place in undergraduate thermo/fluids (thermodynamics, fluid mechanics and heat transfer) textbooks and in the pedagogy used to teach these disciplines. In the decades since, students and instructors have both changed. Many students arrive with less-than-adequate mathematics and study skills, rely almost exclusively on the Internet for reference materials, and have very little "hands on" knowledge of how things work. The number of instructors with practical expertise or industrial experience has decreased markedly as well. Yet the methods by which material

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Ranu, Harcharan Singh, and Aman Sweet Bhullar. "Biomedical Engineering Design Education at King Saud University: A First of Its Kind Approach." In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-65244.

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Biomedical Engineering in the Millennium is building the future of biology and medicine. New products, from biotechnology and novel devices for diagnosis and treatment, are marketed through interactions between universities, medical centers, small start-up companies, and large, more established firms. The role of biomedical engineering in the 21st century has already been highlighted by Ranu as far as research, education and space age technologies are concerned. Therefore, educating the modern biomedical engineering students in design processes is extremely important. This paper highlights how

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Ermolovici-Dașcinschii, Dmitrii. "EXPERIMENTAL PERFORMANCES OF THE MONOTHEATRE OF UKRAINE AND BELARUS IN THE LATE 20TH CENTURY — THE FIRST DECADES OF THE 21ST CENTURY." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.27.

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The purpose of the article is to study the solo performance as an independent expressive phenomenon of theatrical art of Eastern Europe in the late 20th early 21st century. The subject of the research is the modern monotheatre of Ukraine and Belarus. The objects of the study are the mono performances in the repertoire of theaters at the turn of the 20th-21st centuries. As a result of the study, it was revealed that the problematic and thematic field of a solo performance is determined by the search for identities and includes the following areas: the introduction of significant historical figu

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Цветкова, Н. Н. "THEATRICALITY IN THE ART OF TEXTILES OF THE 20th–21st CENTURIES." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.29.

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Во второй половине ХХ столетия в период «пластического взрыва» появились новые объемно-пространственные текстильные формы — артобъекты, инсталляции, перформансы и хэппенинги. Многие из созданных в это время работ отличаются своеобразной «театральностью». В современном текстильном искусстве тенденция соединения ткани с театральным действом остается актуальной. В статье рассмотрены примеры взаимовлияния и взаимодействия текстильных форм с пространством театра. In the second half of the twentieth century, during the period of the “plastic explosion”, new three-dimensional textile forms appeared –

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Ouyang, D. "MODERN INSTALLATIONS ON THE BASIS OF TRADITIONAL SHADOW THEATRE." In Scientific research of the SCO countries: synergy and integration. Crossref, 2024. https://doi.org/10.34660/inf.2024.78.59.097.

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Shadow puppetry, an intangible cultural heritage originated from China, has endured for thousands of years and carries deep national emotions and historical and cultural deposits. In the 21st century, along with the wave of globalisation and technological innovation, installation art has emerged as a pioneering art genre, whose unique visual expressiveness and interactive nature have provided a wide world for the innovation of shadow art. The three elements of installation art, namely ‘place’, ‘material’ and ‘emotion’, construct a brand new experience scene, which enables shadow art to be revi

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Vavilina, Natalia. "Modern requirement for jewelry design." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.17.

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The second half of the 20th century and the beginning of the 21st century were marked by profound transformations in the fields of information and communication, reshaping the way we approach science, art, and design. Technological advancements and the expansion of vast informational spaces have unlocked limitless opportunities for self-discovery and personal development. In this context, contemporary jewelry design requirements are shaped by both societal influences and technological environments, relying on essential principles such as personalization, stylization, technologization, and inte

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Афиногенова, Н. Н., and О. В. Ковалева. "SCULPTURE FELT AS A NEW MATERIAL IN THE PLASTIC ARTS OF THE 21ST CENTURY. ARTISTIC EXPERIMENTS." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.02.

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Декоративный войлок — вид художественного нетканого текстиля. Имеет глубокие исторические корни в материальной культуре человечества. В ХХI веке войлок окончательно оформился в самостоятельное направление современного искусства. В настоящей статье проанализирован феномен скульптурной пластичности войлока как материала, позволяющего создавать трехмерные арт-формы и композиции, актуальные в современной объемнопространственной среде. Рассмотрены примеры объектов «мягкой скульптуры» из войлока c художественной и технологической точек зрения. Decorative felt is a type of artistic non-woven textile.

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Roelofs, Michelle B. "Mass Timber: 19 Century to Today." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0634.

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Abstract:

<p>New mass timber technologies are entering the US market allowing for innovative, sustainable, and affordable designs. As the market embraces mass timber it is important to reflect on the history of mass timber and to learn best practices to ensure sustainable growth of this sector. This paper will discuss the evolution of mass timber in three parts:</p><p>19th Century: Large sawn timbers were used to construct impressive warehouse structures that still remain functional and beautiful in our cities today. Logging practices of this era led to deforestation in parts of the Am

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