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1

Art as inquiry: Toward new collaborations between art, science, and technology. New York: Peter Lang, 1997.

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2

Jean-Louis, Maubant, Moura Leonel, and Centro Cultural de Cascais, eds. Architopia: Art, architecture, science. Villeurbanne: Institut d'art contemporain, 2002.

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3

Gallery, Regina Gouger Miller, and Carnegie-Mellon University, eds. New art/science affinities. Pittsburgh, Pa: Miller Gallery at Carnegie Mellon University and CMU STUDIO for Creative Inquiry, 2011.

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4

Art + science now. London: Thames & Hudson, 2010.

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5

Couchot, Edmond. La technologie dans l'art: De la photographie à la réalité virtuelle. Nîmes: J. Chambon, 1998.

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6

Giorgio, Celli, Ascott Roy, Del Bufalo Dario, Eletti Valerio, and Biennale di Venezia (42nd : 1986)., eds. Arte e biologia. [Venezia]: Edizioni La Biennale, 1986.

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7

Donnaregina, Museo d'arte contemporanea, ed. Barock: Art, science, faith and technology in the contemporary age : Napoli, MADRE, Museo d'arte contemporanea Donnaregina. Milano: Electa, 2009.

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8

Düsseldorf, Quadriennale, ed. Über das Morgen hinaus. Leipzig: Seemann, 2014.

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9

Fraîch'attitude, Galerie. Nano. Clermont-Ferrand: Un, deux, quatre, 2003.

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10

Sun Tzu's Art of war: The modern Chinese interpretation. New York: Sterling Publishing Company, 1992.

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11

Sun Tzu's art of war: The modern chinese interpretation. New York: Sterling Pub. Co., 1987.

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12

Durant, Mark Alice. Blur of the otherworldly: Contemporary art, technology, and the paranormal. Baltimore, Md: Center for Art and Visual Culture, 2006.

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13

Blur of the otherworldly: Contemporary art, technology, and the paranormal. Baltimore, MD: Center for Art and Visual Culture, University of M, 2006.

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14

C, Lau D., and Ames Roger T. 1947-, eds. Sun Pin: The art of warfare. New York: Ballantine Books, 1996.

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15

Painting in a world transformed: How modern art reflects our conflicting responses to science and change. Jefferson, N.C: McFarland & Co., 2005.

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16

Janssens, Liisa Albertha Wilhelmina, ed. The Art of Ethics in the Information Society. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462984493.

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New technologies are often implemented before their ethical consequences have been fully understood. In this volume, experts working in the sciences, arts, and philosophy of technology share novel perspectives on how we can best identify and navigate the new ethical crossroads emerging in our information society. With an eye toward the future, the contributors present an essential and unique view on the interplay between ethics and modern technology.
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17

Galvin, John R. Generals and generalship on the modern battlefield: The impact of technology. [Tel Aviv]: Tel Aviv University, 1985.

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18

Berger, Maurice. White - Whiteness and Race in Contemporary Art. Baltimore,Maryland: University of Maryland Baltimore County,Fine Arts Gallery, 2003.

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19

Men at war: Politics, technology and innovation in the twentieth century. New Brunswick, N.J: Transaction Publishers, 2010.

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20

Kenneth, Macksey. Technology in war: The impact of science on weapon development and modern battle. London: Arms and Armour, 1986.

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21

Technology in war: The impact of science on weapon development and modern battle. New York: Prentice Hall Press, 1986.

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22

Ofsted. Inspecting post-16: Art and design : with guidance on self-evaluation. London: Ofsted, 2002.

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23

Ofsted. Inspecting post-16: Art and design : with guidance on self-evaluation. London: Ofsted, 2001.

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24

Hambling, David. Weapons grade: Revealing the links between modern warfare and our high-tech world. London: Constable, 2005.

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25

Econ-art: Divorcing art from science in modern economics. London: Pluto Press, 1999.

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26

Science & technology. Oxford: Raintree, 2006.

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27

Photoconductivity: Art, science, and technology. New York: Marcel Dekker, 1990.

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28

Aurandt, David. Art and technology: Paradise refracted. Oshawa, Ont: Robert McLaughlin Art Gallery, 2002.

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29

Aurandt, David. Art and technology: Paradise refracted. Oshawa: Robert McLaughlin Gallery, 2002.

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30

Misguided weapons: Technological failure and surprise on the battlefield. Washington, D.C: Brassey's, Inc., 2002.

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31

Bingham, Jane. Science and technology. Chicago, IL: Raintree, 2006.

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32

Niebisch, Arndt. Media parasites in the early avant-garde: On the abuse of technology and communication. New York: Palgrave Macmillan, 2012.

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33

Vision and its instruments: Art, science, and technology in early modern Europe. Penn State University Press, 2015.

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34

Sherman, Tom, Richard Kazis, and Daina Augaitis. Siting Technology. Banff Centre Press, 1987.

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35

Diane, Kirkpatrick, and Evanston Art Center, eds. Making waves: An interactive art/science exhibition, October 17-November 16, 1986. [Evanston, Ill.]: Evanston Art Center, 1986.

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36

Payne, Alina. Vision and Its Instruments: Art, Science, and Technology in Early Modern Europe. Pennsylvania State University Press, 2017.

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37

Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. University of California Press, 2018.

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38

L, Beeren W. A., and Koninklijke Nederlandse Akademie van Wetenschappen., eds. Sporen van wetenschap in kunst =: Traces of science in art. Amsterdam: Edita, 1998.

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39

Vittoria, Coen, Dehò Valerio, and Convento di San Giovanni in Monte (Bologna, Italy), eds. Universarte. Bologna: Editrice Compositori, 1997.

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40

2003: Arte y Pensamientos En La Era Tecnologica. Not Avail, 2003.

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41

Harris, Craig, 1953 Mar. 8-, ed. The Leonardo almanac: International resources in art, science, and technology. Cambridge, Mass: MIT Press, 1993.

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42

Grande, John K. Intertwining: Artists, Landscape, Issues, Technology. Black Rose Books, 1998.

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43

Intertwining: Landscape, Technology, Issues, Artists. Black Rose Books, 1998.

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44

Modern Weapons and Warfare: The Technology of War from 1700 to the Present Day (Exploring History). Lorenz Books Childrens, 2000.

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45

Harris, Craig. Leonardo Almanac: International Resources in Art, Science, and Technology (Leonardo Books). The MIT Press, 1993.

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46

Nanoart: Vedere l'invisibile = Nanoart : seeing the invisible. Milano: Skira, 2007.

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47

Daina, Augaitis, Amundson Dale 1940-, Morgan Marie, and Walter Phillips Gallery, eds. Siting technology: Dale Amundson, Diana Burgoyne, Mona Hatoum, Richard Kriesche, Nancy Paterson, Tom Sherman, Nell Tenhaaf. Banff, Alta., Canada: Walter Phillips Gallery, 1988.

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48

1965-, Jensen Geoffrey, and Wiest Andrew 1960-, eds. War in the age of technology: Myriad faces of modern armed conflict. New York: New York University Press, 2001.

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49

Technology, Ethics and the Protocols of Modern War. Routledge, 2018.

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50

(Editor), Hans Gumbrecht, and Michael Marrinan (Editor), eds. Mapping Benjamin: The Work of Art in the Digital Age (Writing Science). Stanford University Press, 2003.

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