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Academic literature on the topic 'Art museum curators – interviews'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Art museum curators – interviews"

KIM, Minjeong, and Sunah KIM. "A Narrative Inquiry on the Cultural Enjoyment of Curator : Focused on Pierre Bourdieu’s Cultural Capital Theory." Society for Art Education of Korea 92 (December 1, 2024): 1–25. https://doi.org/10.25297/aer.2024.92.1.

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This study focused on curator, judged that it was necessary as a qualitative study because there was a lack of research on curators, who are professionals in the museum. Therefore, the study was started from the perspective of reflective thinking to explore the meaning of cultural enjoyment of curators. In this study, preliminary research and in-depth interviews were conducted with two curators with more than 10 years of practical experience in museums and art galleries. The stories of the study participants were divided into temporal, spatial, and personal/social dimensions, and through inter

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Aldes, Liora, and Tally Katz-Gerro. "Contextualizing the Artistic Repertoire in Museums." Museum Worlds 10, no. 1 (2022): 93–111. http://dx.doi.org/10.3167/armw.2022.100108.

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To remain financially sustainable while promoting cultural activity and operating within artistic, symbolic, and cultural norms, museums must consider a multitude of commercial and organizational elements. This article examines the impact of economic, organizational, and structural characteristics of art museums on the repertoire of art they exhibit. Using a mixed-methods approach, we draw on data pertaining to 11 art museums in Israel that are supported by the Ministry of Culture, analyzing administrative data collected yearly from the museums from 2000 to 2014. Next, we analyze 20 interviews

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Akpomuje, Paul Young. "Learning in Museums and Art Galleries in Nigeria: Exploring Arts-Based Adult Learning through Collections." Collections: A Journal for Museum and Archives Professionals 15, no. 1 (2019): 42–61. http://dx.doi.org/10.1177/1550190619832379.

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The importance of arts-based adult education in today’s culturally diverse world cannot be overemphasized. Arts-based adult learning provides some of the important cultural contexts for informal learning. Other forms of adult learning—formal and nonformal—have also been immensely enriched by this form of adult education. Museums and art galleries are at the heart of arts-based learning. Whereas learning in the museum has gained attention in western climes, adult education researchers in Nigeria are yet to focus attention on this area of research. The aim of this study was to explore how collec

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Kosiewski, Piotr. "CONTINUE LISTENING, PLEASE." Muzealnictwo 64 (October 24, 2023): 159–62. http://dx.doi.org/10.5604/01.3001.0053.9527.

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The book published by the Museum of Artin Lodz <i>Continue Listening, Please</i> is the result of a numberof interviews with current and former staff, and alsowith artists affiliated to the Museum, conducted in thecourse of the ‘Tell the Museum’ Project implemented in2018–2022. Their authors methodically applied oral historyto investigate the Museum’s history, following which theycommissioned a non-Museum affiliate to prepare texts onthe grounds of the conversations. The selection of interviewees,encompassing curators, conservators, individualsresponsible for education, or administ

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Balashova, Olga, Halyna Hleba, Tetiana Lysun, Valeriia Klochko, and Illia Levchenko. "THE WAR TIME ART ARCHIVE." Text and Image: Essential Problems in Art History, no. 1 (2023): 60–70. http://dx.doi.org/10.17721/2519-4801.2023.1.04.

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With the beginning of the full-scale invasion of Russia (February 24, 2022), the NGO «Museum of Modern Art» started the project «The Wartime Art Archive». As part of the project, co-curators collect artists' works from open sources. The researchers observe the artists and record their reactions to the war. This initiative aims to create an archive of martial art for its preservation and further research. In an interview with the co-curators of the archive, Olga Balashova, Tetiana Lysun, and Halyna Hleba, we talked about the history of the creation of the archive, its prospects, retraumatizatio

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Uno, Kei. "Consuming the Tower of Babel and Japanese Public Art Museums—The Exhibition of Bruegel’s “The Tower of Babel” and the Babel-mori Project." Religions 10, no. 3 (2019): 158. http://dx.doi.org/10.3390/rel10030158.

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Two Japanese public art museums, the Tokyo Metropolitan Art Gallery and the National Art Museum of Osaka, hosted Project Babel, which included the Babel-mori (Heaping plate of food items imitating the Tower of Babel) project. This was part of an advertising campaign for the traveling exhibition “BABEL Collection of Museum Boijmans Van Beuningen: Bruegel’s ‘The Tower of Babel’ and Great 16th Century Masters” in 2017. However, Babel-mori completely misconstrued the meaning of the Tower of Babel in Genesis 11:1–9. I explore the opinions of the curators at the art museums who hosted it and the uni

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Springinzeisz, Kata, and Daniela Cobos Bustamante. "Concepto de inclusión social en museos de arte en Chile." Revista de Investigación Educativa 42, no. 1 (2024): 95–113. http://dx.doi.org/10.6018/rie.566461.

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Social inclusion in the context of art museums is often understood as the process whereby an art institution provides individuals with special attention from the staff and with adapted educational practices to attract and support a more diverse public. With this definition in mind, the present study aims to shed light onto how social inclusion is conceived and implemented in nine art museums in Chile, generating critical reflection through the analysis of data gathered from interviews with their educators, curators, and directors. To do so, this research applies a qualitative approach based on

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Rentschler, Ruth, Kerrie Bridson, and Jody Evans. "Exhibitions as sub-brands: an exploratory study." Arts Marketing: An International Journal 4, no. 1/2 (2014): 45–66. http://dx.doi.org/10.1108/am-07-2014-0023.

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Purpose – The purpose of this paper is to explore the adoption of major exhibitions, often called blockbusters, as a sub-branding strategy for art museums. Focusing the experience around one location but drawing on a wide data set for comparative purposes, the authors examine the blockbuster phenomenon as exhibition packages sourced from international institutions, based on an artist or collection of quality and significance. The authors answer the questions: what drives an art museum to adopt an exhibition sub-brand strategy that sees exhibitions become blockbusters? What are the characterist

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Hudimov, Pavlo, and Serhii Rudenko. "Conceptualization of Pavlo Hudimov's Curatorial Methods (Professional and Academic Interview)." Bulletin of Kyiv National University of Culture and Arts. Series in Museology and Monumental Studies 2, no. 1 (2019): 37–49. https://doi.org/10.31866/2617-7943.2.1.2019.172517.

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Purpose of the article. To find the most effective methods of curatorship, based on P. Hudimov’s (famous Ukrainian curator) experience. Methodology. Conceptualization of experience, skeptical empiricism, scientific criticism are used. Scientific novelty. This research is the first attempt at a scientific conceptualization of a professional interview. It is shown that the essence of curatorial practice is not visualization of popular narratives, but in specific research work that creates new meanings. According to P. Hudimov, curatorial practice can be considered

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Britto, Rosangela Marques de, Marisa De Oliveira Mokarzel, and Werne Souza Oliveira. "Mirante e Desapego: Obra em Deslocamento, Diferentes Lugares e um só Museu." Arteriais - Revista do Programa de Pós-Gradução em Artes 6, no. 10 (2021): 141. http://dx.doi.org/10.18542/arteriais.v6i10.10582.

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ResumoOs inúmeros deslocamentos de uma obra do artista paraense Armando Queiroz, localizada no Jardim de Esculturas do MUFPA e seu posterior desaparecimento do ângulo de visão, nos instigou a refletir acerca dos processos de salvaguarda e comunicação museológica de uma obra de arte conceitual e seus modos de aparição e desaparição em um museu universitário voltado às artes visuais. Tecemos algumas reflexões acerca da dificuldade de realização de pesquisas e da documentação museológica de duas obras de arte conceitual do artista, intituladas de Mirante (escultura em madeira/módulos de 2006) e D

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Dissertations / Theses on the topic "Art museum curators – interviews"

Norton-Westbrook, Halona. "Between the 'collection museum' and the university : the rise of the connoisseur-scholar and the evolution of art museum curatorial practice 1900-1940." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/between-the-collection-museum-and-the-universitythe-rise-of-the-connoisseurscholar-and-the-evolution-of-art-museum-curatorial-practice-19001940(b1c01103-496f-44f6-a1a1-24c556c8a04c).html.

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This thesis investigates the evolution of curatorial practice in Britain and the United States in the first four decades of the twentieth century through an analysis of the formative years of two museums, the Wallace and Frick Collections, and of two academic programmes, the Fogg Art Museum Course at Harvard University and the Courtauld Institute of Art at the University of London. Through these case studies, this study charts the emergence and development of a specialised curatorial knowledge base that was influenced by traditions of connoisseurship and criticism and shaped by discussions sur

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Pegno, Marianna. "Narratives of Elsewhere and In-Between| Refugee Audiences, Edu-Curators, and the Boundary Event in Art Museums." Thesis, The University of Arizona, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10681309.

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<p> This dissertation explores narratives that emerge from a community-museum collaboration while working with refugees in relation to Trinh T. Minh-ha’s (2011) concept of the boundary event. Within this study the boundary event is explored as moments of overlap where identity, experiences, knowledge, and processes are continuously being negotiated; by embracing or leaning into these moments, community-museum programs can develop multivocal narratives—where no single voice is heard as distinctly clear or separate. These co-created museum narratives stand in contrast to educational

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Pegno, Marianna, and Marianna Pegno. "Narratives of Elsewhere and In-Between: Refugee Audiences, Edu-Curators, and the Boundary Event in Art Museums." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/626323.

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This dissertation explores narratives that emerge from a community-museum collaboration while working with refugees in relation to Trinh T. Minh-ha’s (2011) concept of the boundary event. Within this study the boundary event is explored as moments of overlap where identity, experiences, knowledge, and processes are continuously being negotiated; by embracing or leaning into these moments, community-museum programs can develop multivocal narratives—where no single voice is heard as distinctly clear or separate. These co-created museum narratives stand in contrast to educational and engagement s

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Pryde-Jarman, D. "Curating the artist-run space : exploring strategies for a critical curatorial practice." Thesis, Coventry University, 2013. http://curve.coventry.ac.uk/open/items/ec4c19c4-55de-475d-a95f-0a310c037ced/1.

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The once distinct roles of artist and curator have blurred dramatically in recent decades owing to a blending process in both directions, which has led to a turn towards the concept of the curator as producer and author, and the development of the hybridised figure of the ‘artist-curator’. Within my practice-based curatorial research at Meter Room and Grey Area, the 'artist-run space', as both form and content of space, is used as a critical framework for artist-curatorship. Artist-run spaces play a significant role in the cultural ecology of the UK, and this project explores the power relatio

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Genshaft, Carole Miller. "Symphonic poem a case study in museum education /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1196175987.

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Van, Niekerk Leoné Anette. "Documenta 11 as exemplar for transcultural curating a critical analysis /." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-08112008-190627.

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Landis, Tamra R. "How a Successful Collecting Society Can Transform an Art Museum: A History of The Georgia Welles Apollo Society at the Toledo Museum of Art." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838.

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Snape, Julia. "Medieval art on display, 1750-2010." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/medieval-art-on-display-17502010(9e0b3b30-1d52-412d-862a-b655757307b1).html.

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This thesis asks how the curatorial framing of medieval objects - the processes of selection, classification, display and interpretation - affect how medieval objects are made legible within the museum. It investigates how different collectors and curators have deployed medieval objects over a period of two hundred and fifty years of museological practice. Throughout this history, medieval objects have been appropriated within a range of museological narratives that have positioned them variously as objects of curiosity, utility, scientific analysis, nationalistic interest and as sites of scho

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Ayres, Sara Craig. "Hidden histories and multiple meanings : the Richard Dennett collection at the Royal Albert Memorial Museum, Exeter." Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/1039.

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Ethnographic collections in western museums such as the Royal Albert Memorial Museum (RAMM) carry many meanings, but by definition, they represent an intercultural encounter. This history of this encounter is often lost, overlooked, or obscured, and yet it has bearing on how the objects in the collection have been interpreted and understood. This thesis uncovers the hidden history of one particular collection in the RAMM and examines the multiple meanings that have been attributed to the objects in the collection over time. The Richard Dennett Collection was made in Africa in the years when Eu

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"Art Museum Educators and Curators: An Examination of Art Interpretation Priorities and Teacher Identities." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.25878.

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abstract: The general field of interest of this study was art education in the context of art museums in the United States. The vehicle of a mixed method, descriptive research design was used to investigate whether museum educator and curator participants had tendencies to use personal or communal approaches (Barrett, 2000) to teaching art interpretation to adult visitors. While the personal approach to art interpretation focused on individuals' responses to artworks, the communal approach emphasized the community of art scholars' shared understandings of artworks. Understanding the communit

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Books on the topic "Art museum curators – interviews"

interviewer, Wielgus Julia author, and Fundacja Sztuk Pięknych Kochański Suwalski Knut, eds. W ramach wystawy - rozmowy z kuratorami. Fundacja Sztuk Pięknych Kochański Suwalski Knut, 2015.

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Rekuchā, Bukku Henshūbu Taiyō. Myūjiamu no shigoto: Working at a museum. Heibonsha, 2008.

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Ko, Tong-yŏn. Staying alive: Uri sidae k'yureit'ŏdŭl ŭi saengjon'gi. Tahal Midio, 2016.

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Ulloa, Ángel Calvo, and Juan Canela. Desde lo curatorial: Conversaciones, experiencias y afectos. Consonni, 2020.

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interviewer, Hast Sybil D., Weckel Petra translator editor, and Kayser Stephen S. 1900-1988, eds. Stephen S. Kayser: Fluchtlinien. VBB Verlag für Berlin-Brandenburg, 2016.

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1955-, Pickshaus Peter Moritz, and Grasskamp Walter, eds. Wulf Herzogenrath: Im Gespräch mit Peter Moritz Pickshaus, Bielefeld, Essen, Köln und vieles andere mehr : die 1970er und 80er Jahre. Verlag der Buchhandlung Walther König, 2019.

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Sara & André (Artist group). Sara & André: Uma breve história da curadoria. Documenta, 2019.

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Gilardet, Brigitte. Paroles de commissaires: Histoires, institutions, pratiques. Les Presses du réel, 2020.

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Christian, Bernard, ed. Harald Szeemann. IMec, 2012.

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León, Daniel Reyes, Belén Bascuñán, and Andrea Lathrop. Sobre entendidos: Antología de textos post curatoriales de Arte y Crítica. Edited by Arte y. Crítica (Organization). Adrede Editora, 2012.

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Book chapters on the topic "Art museum curators – interviews"

Ohm, Tillmann. "Algorithmic Exhibition-Making." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-019.

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This paper characterizes the potential of networks and embeddings for curatorial selection processes using the case of our algorithmically curated exhibition at HALLE 14-Center for Contemporary Art Leipzig. The curatorial process involved the construction of an undirected bipartite network of artworks and associated keywords, further enriched with keyword embeddings based on the ConceptNet Numberbatch dataset. The algorithmic selection of artworks was initially topic-guided and based on keyword associations. Three distinct communities within the network were then used to divide the exhibition

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Magazzini, Tina. "In the Eye of the Beholder? Minority Representation and the Politics of Culture." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_15.

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AbstractThe debate(s) on the relationship between art, activism and academia is as old as knowledge-production itself. In keeping with this volume’s focus on reflexivity and representation, this contribution asks what role filmmakers, curators and artists play as knowledge producers and as knowledge-brokers when working on politicized issues such migration and/or ethnicity. This chapter looks at three European experiences that sit on the seam of curatorial practice, testimony and activism and address the (visual) narratives of minority groups. Exploring the emergence of these initiatives and d

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Papoulias, Evangelos, and Theoklis-Petros Zounis. "Artists and the University Heritage: The Case of the Athens University History Museum and the Exhibition “Opy Zouni: In First Person”." In Strategic Innovative Marketing and Tourism. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51038-0_88.

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AbstractThe university museums protect, conserve and present the cultural heritage related to education. The paper presents the initiative of the Athens University History Museum of the National and Kapodistrian University of Athens (NKUA), a university museum that organizes for the first time in a university space a temporary exhibition dedicated to Opy Zouni, a painter with international recognition in the contemporary art of geometric abstraction. The exhibition “Opy Zouni: in first person” presented selected works by Opy Zouni with the main purpose of attributing the artistic dimension of

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Biondo, Sandra. "Corporate Fashion Museums Communication Strategies: The Case of the Louis Vuitton Maison de Famille in Asnières-sur-Seine." In Fashion Communication in the Digital Age. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_28.

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AbstractThe case of the Louis Vuitton ‘maison de famille’ in Asnières-sur-Seine allows investigation of communications strategies implemented by Corporate Fashion Museums. It is argued these museum types are used by luxury fashion brands as marketing tools to retain their customers. The data relied upon are primarily qualitative: interviews and exploratory observations were specifically conducted between January 2020 and November 2022. It is suggested that the process of commodification of the family patrimonium as well as the enhancement of for-sale products within the museum is made possible

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Jules-Rosette, Bennetta, and J. R. Osborn. "Museums Speak Out." In African Art Reframed. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043277.003.0005.

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Based on extensive interviews with museum curators and directors, this chapter curates the curators. It identifies curatorial networks, strategies, and practices that shape the narratives used in assembling collections and mounting exhibitions. Curatorial networks demonstrate the relevance of a nodal theory of museums and the ways in which curators are able to organize exhibitions. Interviews include representatives of the Smithsonian National Museum of African Art, the Fowler Museum, the Musée de l’Homme, the Schomburg Center for Research in Black Culture, the African Museum Casa del Rey Moro

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Timberg, Scott. "An Uneasy Accord: LA Museums Open Their Walls to Comics as True Works of Art." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0031.

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This chapter contains an in-depth exploration of the issues surrounding comics and museums written by cultural journalist Scott Timberg for the Los Angeles Times in 2005 during the opening of the Masters of American Comics exhibition at the Hammer Museum and the Museum of Contemporary Art, Los Angeles. This chapter includes interviews with Ann Philbin, Art Spiegelman, John Carlin, and Brian Walker about the organization of the show. This chapter discusses the valuation of comic art versus fine art, the disillusionment some cartoonists feel about art school and contemporary fine art, and opinio

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McCarthy, Conal, Arapata Hakiwai, and Philipp Schorch. "The figure of the kaitiaki: learning from Māori curatorship past and present." In Curatopia. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526118196.003.0014.

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This volume argues that curatorship may be ‘recalled’ and remade through collaborative relationships with communities leading to experiments in curatorial theory and practice. What can museums of ethnography in the Americas and Europe learn from the experience of nations where distinctive forms of Indigenous museology are emerging and reshaping the conventions of curatorial practice? In addressing this question, the current chapter draws on research by the authors, including interviews with Māori curators, museum professionals, academics, and community leaders throughout Aotearoa New Zealand,

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Yaşdağ, Meltem. "Orientalist Museum Exhibitions in UK as a New Media at the Turn of the 21st Century." In Advances in Media, Entertainment, and the Arts. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7180-4.ch017.

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In this chapter, the author examined the orientalist themed museum exhibitions totally held in Britain after 2000 to understand the real intention behind their thematic artifact selection and their effect on people as becoming media tool. These were “Turks: A Journey of a Thousand Years, 600-1600” in 2005, “The Lure of the East: British Orientalist Painting” in 2008, and recent “Inspired by the East: How the Islamic World Influenced Western Art” in 2019, respectively. The author analyzed the criticisms in newspapers and magazines as well as curators' interviews and catalogs for the museum exhi

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Stebbins, Theodore E. "The Art Expert, the Law, and Real Life." In The Expert versus the object. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195147353.003.0014.

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Abstract Theodore Stebbins, Jr., formerly John Moors Cabot curator of American Paintings at the Museum of Fine Arts, Boston, is presently curator of American Art at the Harvard University Art Museums. He is the author of more than twenty-five studies of American painting and photography, including works on John Singleton Copley, Martin Johnson Heade, and Charles Sheeler. As a third-year student at Harvard Law School in 1963 –64,I wrote a paper dealing with the circumstances under which art experts might be sued for offering opinions about the authenticity or quality of works of art. The paper

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Campbell, Elizabeth. "Recovered Art as French Patrimony." In Museum Worthy. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190051983.003.0005.

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Abstract Among the countries of western Europe, France lost the greatest number of artworks through Nazi plunder and correspondingly received the most items in the MFAA repatriation effort—around sixty thousand pieces. This chapter examines the French government’s successful restitution of some forty-five thousand items by 1949. Over the next four years, French authorities selected more than two thousand of the remaining objects for display in public museums, palaces, and other government buildings. The appropriated items swiftly became part of the national cultural patrimony, as curators vied

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Conference papers on the topic "Art museum curators – interviews"

Zhang, Xiaoyue. "The Status and Challenges of Online Exhibitions in Art Museums in China – Based on Interviews With Curators." In Proceedings of EVA London 2024. BCS Learning & Development, 2024. http://dx.doi.org/10.14236/ewic/eva2024.16.

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Benente, Michela, Valeria Minucciani, and Gianluca D'Agostino. "Contents accessibility in archaeological museums and sites: a proposal for a neuropsychological approach." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001881.

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With specific reference to the issue of accessibility to cultural content and the inclusion of different audiences, the Authors point out an overview where museums usually tend to create educational activities and support assistive devices dedicated to specific audiences, rather than integrated solutions, that can “be usable by all people, to the greatest extent possible", as stated in the United Nations Convention on the Rights of Persons with Disabilities (2006).On the basis of previous studies on cultural accessibility and emotional appropriation, the Authors have recently carried out a sur

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Brueckner, Sophia, Shannon Yeung, Jing Liu, et al. "White Cube / Black Box: Investigating Bias in Museums and Algorithms." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-45-full-brueckner-et-al-white-cube-black-box.

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White Cube / Black Box seeks to identify bias and the many ways bias gets introduced into and amplified within systems. A highly interdisciplinary team of data scientists, curators, designers, and artists used face detection and race classification algorithms to explore bias in algorithms and University of Michigan Museum of Art’s collection of artworks.

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Pei Wu, Yi, and Chien-Hsu Chen. "Design a Visual Communication Platform for curators and artists to curate an exhibition remotely." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002034.

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Art is an expression of emotion; art exhibitions bring artists' creations and perceptions to the visitors. International art exhibitions present diverse and high-quality artistic creations through the curator's elaborate exhibition planning, and the connection between artworks and visitors is established to allow visitors to admire and understand; on the contrary, it also challenges the digital communication tools for curators and artists when conducting co-curation remotely. This study utilizes interviews and field study to collect pain points and ultimately provides guidelines and crucial fu

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Conti, Alessandro, Grazia Tucci, Valentina Bonora, and Lidia Fiorini. "HOW WERE THE TAPESTRIES IN THE SALA DI SATURNO OF PITTI PALACE ARRANGED? GEOMATICS AND VIRTUAL REALITY FOR ART CURATORS." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12175.

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Three-dimensional acquisition techniques, reality-based modelling and virtual reality are tools used in Digital Humanities prevalently for displaying the results of a study, but they can also suggest new methods of investigation to humanities scholars. In a case study regarding art history, these techniques made it possible to recreate the layout of the Sala di Saturno in Pitti Palace (Florence) in the 17th century, based on information obtained from archive documents on the tapestries designed for that hall and a 3D model expressly elaborated with geomatic techniques. The results were summari

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Boutilier, Célia. "Inhabiting the Edges." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-6-short-boutilier-inhabiting-the-edges.

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SHORT PAPER. My doctoral project in art-creation-research, which began in October 2021, is entitled "Imaginal photography: for an aesthetic of symbiosis." In my practice as a photographic artist, making symbiotic relationships, unexpected alliances, allows me to provoke a "suspension of evidence" which, through the intermediary of the image, invites the viewer to share the experience of a different look. From this point on, the very nature of perception is to admit ambiguity. The interdependencies in ecosystems, the principle of hybridization between different species are themes addressed by t

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Irrgang, Daniel. "Thought Exhibition. On critical zones, cosmograms, and the impossible outside." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-66-full-irrgang-thought-exhibition.

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The paper discusses the curatorial concept of “thought exhibition” coined by Bruno Latour and Peter Weibel and developed in collaboration with curators, artists, and researchers during four exhibitions at the ZKM Centre for Art and Media, Karlsruhe (Germany). Thought exhibitions transgress the distinctions between philosophy, art, and science by testing ideas in an art museum, a space of discourse, representation, and participation. They engage visitors in a spatio-aesthetic thought experiment by bringing them into a position where preconceptions derived from epistemes of European Modernity ar

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Ásványi, Katalin, Zsuzsanna Fehér, and Melinda Jászberényi. "THE CRITERIA FRAMEWORK FOR SUSTAINABLE MUSEUM DEVELOPMENT." In Tourism in Southern and Eastern Europe 2021: ToSEE – Smart, Experience, Excellence & ToFEEL – Feelings, Excitement, Education, Leisure. University of Rijeka, Faculty of Tourism and Hospitality Management, 2021. http://dx.doi.org/10.20867/tosee.06.3.

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Purpose –The purpose of this study is to identify the criteria for sustainable museums found in reference literature and specified in our research, and to suggest guidelines for museums to follow. Methodology –In our primary research, the criteria for a sustainable museum were interpreted along four pillars, for which in-depth expert interviews were conducted with Hungarian museum professionals. Semi-structured interviews were used to explore the viewpoints, expectations, and perceptions of museum staff. Findings – In terms of environmental sustainability, Hungarian contemporary museums place

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Давыдова, Л. И., and В. А. Клур. "Scientific and Restoration Work on Preservation of the Antique Sculptures of the Hermitage in 2018—2023." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/2936.2024.49.30.004.

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Уже многие годы Отдел античного мира Эрмитажа занимается планомерной работой по реставрации скульптур, входящих в состав постоянных экспозиций. Работа эта осуществляется лабораторией научной реставрации скульптуры из мрамора и цветного камня (заведующая С. Л. Петрова) совместно с хранителями отдела. За последние пять лет в помещении лаборатории и непосредственно в залах греческого искусства V–IV вв. до н.э. реставратором высшей категории В. А. Клур были отреставрированы три монументальные скульптуры и несколько бюстов, такие как «Голова грека», «Бюст Геракла», «Голова героя» (хранитель Л. И. Д

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Wang, Haina, Fangfei Liu, and Yun Chen. "The Characteristics and Influencing Factors of the Colour of the Cizhou Kiln Porcelain." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004222.

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Chinese ceramic art boasts a rich and diverse history, and the colours of porcelain produced by different kilns reflect the aesthetic preferences, socio-cultural developments, and historical contexts of various periods and regions. Among the folk kilns in China, the Cizhou kiln stands out for its unique black-and-white colour scheme. While existing studies have extensively analyzed the history, decorative patterns, and shapes of Cizhou porcelain, few have explored the colour characteristics of the kiln and the factors that influence them. Therefore, this study aims to conduct a comprehensive i

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Reports on the topic "Art museum curators – interviews"

Brison, Jeffrey, Sarah Smith, Elyse Bell, et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.

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The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière

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