Academic literature on the topic 'Art – mutilation, defacement, etc'

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Journal articles on the topic "Art – mutilation, defacement, etc"

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Irwin, Kathleen, and Jeff Morton. "Pianos: Playing, Value, and Augmentation." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.728.

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In rejoinder to a New York Times’s article claiming, “the value of used pianos, especially uprights, has plummeted … Instead of selling them … , donating them … or just passing them along … , owners are far more likely to discard them” (Walkin), artists Kathleen Irwin (scenography) and Jeff Morton (sound/composition) responded to this ignoble passing with an installation playing with the borders delineating music, theatre, digital technology, and economies of value using two upright red pianos, sound and video projection—and the sensibility of relational aesthetics. The installation was a coll
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Smith, Royce W. "The Image Is Dying." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2172.

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The whole problem of speaking about the end…is that you have to speak of what lies beyond the end and also, at the same time, of the impossibility of ending. Jean Baudrillard, The Illusion of the End(110) Jean Baudrillard’s insights into finality demonstrate that “ends” always prompt cultures to speculate on what can or will happen after these terminations and to fear those traumatic ends, in which the impossible actually occurs, may only be the beginning of chaos. In the absence of “rational” explanations for catastrophic ends and in the whirlwind of emotional responses that are their after-e
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Dissertations / Theses on the topic "Art – mutilation, defacement, etc"

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Scott, Helen E. "Confronting nightmares : responding to iconoclasm in Western museums and art galleries." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/788.

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Cucuzzella, Jean Moore. "The Destruction of the Imagery of Saint Thomas Becket." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278647/.

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This thesis analyzes the destruction of imagery dedicated to Saint Thomas Becket in order to investigate the nature of sixteenth-century iconoclasm in Reformation England. In doing so, it also considers the veneration of images during the late Middle Ages and the Renaissance. Research involved examining medieval and sixteenth-century historical studies concerning Becket's life and cult, anti-Becket sentiment prior to the sixteenth century, and the political circumstances in England that led to the destruction of shrines and imagery. This study provides insight into the ways in which religious
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Crestou, Nicole. "Regards intimes sur un processus de destruction à partir d'une pratique personnelle de la sculpture en terre crue." Paris 1, 1992. http://www.theses.fr/1992PA010557.

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Ce memoire decrit et analyse une demarche plastique: des sculptures en terre figurant le corps de l'auteur sont faconnees puis installees encore crues. Leur mise en scene, en fonction du lieu d'exposition, favorise ou simplement permet leur destruction pendant le temps de la monstration. Cette recherche s'articule autour d'une problematique de l'ephemerite qui est ici au coeur de l'oeuvre et qui serait-elle -meme oeuvre d'art materialisee par la duree de la destruction ineluctable et ses significations. Le choix de la representation du corps humain entier ou partiel, le rapport a son double et
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4

Bessette, Anne. "Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA120.

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La dégradation ou la destruction volontaire de biens symboliques est un phénomène omniprésent dans l'histoire humaine. Souvent, les œuvres ont été endommagées parce qu’elles incarnaient des divinités, des représentants du pouvoir, un imaginaire spirituel ou social. Avec l’avènement des musées et la transformation du statut des œuvres qu’ils conservent, ce phénomène adopte de nouvelles formes.Les atteintes portées intentionnellement à l’intégrité d’œuvres d’art, lorsqu’elles se produisent dans des musées, sont porteuses d’enjeux spécifiques, que cette thèse a pour objet d’analyser. Aujourd’hui,
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Serfontein, Theodoris Erens. "Collection security in Natal libraries." Thesis, 1995. http://hdl.handle.net/10530/287.

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Submitted in fulfilment of the requirements for the Degree of M.Bibl in the Faculty of Arts at the University of Zululand, 1995.<br>The purpose of this study was to determine if there was a collection security problem in South African libraries, with specific reference to Natal, to determine the extent of the problem, to find out why these problems exist, and to see if the countermeasures applied by the Natal libraries were effective-Data collection was done by means of a literature study, three empirical surveys, and a sample stocktaking exercise at the four libraries included in this
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Books on the topic "Art – mutilation, defacement, etc"

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Zall, Lincoln Carol, ed. Library crime and security: An international perspective. Haworth Press, 1987.

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Nebel, Cecile. The dark side of creativity: Blocks, unfinished works, and the urge to destroy. Whitston Pub. Co., 1988.

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3

Demandt, Alexander. Vandalismus: Gewalt gegen Kultur. Siedler, 1997.

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4

Miguel, Egaña, and Université de Picardie. Centre de recherches en arts., eds. Du vandalisme: Art et destruction. Lettre volée, 2005.

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Mekhitarian, Arpag. La misère des tombes thébaines. Fondation égyptologique Reine Elisabeth, 1994.

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6

Louis, Réau. Histoire du vandalisme: Les monuments détruits de l'art français. R. Laffont, 1994.

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Czegledi, Bonnie. Crimes against art: International art and cultural heritage law. Carswell, 2010.

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Müller, Karin. Cent crimes contre l'art. Écailler, 2012.

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9

Quintana, Jordi Campillo. On és la calaixera?: L'espoli del patrimoni historicoartístic altpirinenc al segle XX. Garsineu Edicions, 2007.

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10

Table ronde de déchiffrer les écritures effacées (1981 Paris). Déchiffrer les écritures effacées: Actes de la table ronde édités par Lucie Fossier et Jean Irigoin. Éditions du Centre National de la Recherche Scientifique, 1990.

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